The author of the critically acclaimed novel In the Language of Love presents a collection of stories illustrated with wood engravings and line drawings from the 17th, 18th, and 19th centuries which reveal that we are what we worship.

    Displaying a meticulous command of evidence and unerring dramatic flair, Roughead brings to life some of the most notorious crimes and extraordinary trials of eighteenth- and nineteenth-century England and Scotland. Utterly engrossing, these accounts of pre-meditated mayhem and miscarried justice also cast a powerful light on the evil that human beings, and human institutions, find both tempting to contemplate and all too easy to do.

    The author of Down and Out in Paris and London, Nineteen Eighty-four, and Animal Farm, he published ten books and two collections of essays during his lifetime -- but in terms of actual words, produced much more than seems possible for someone who died at the age of forty-six and was often struggling against poverty and ill health. His essays, letters, and journalism are among the most memorable, lucid, and intelligent ever written, the work of a master craftsman and a brilliant mind. Taken as a whole they form an essential collection, and read in toto and sequentially, they provide a remarkably literary self-portrait of an engaged, and consistently engaging, writer. Here, in four volumes, is the best selection of his nonfiction writing now available, a trove of letters, essays, reviews, and journalism that is breathtaking in its scope and eclectic passions. An Age Like This collects Orwell's essential early writings, including material that would later emerge in Down and Out in Paris and London, as well as observations on marriage, reviews of Henry Miller and J. B. Priestley, reports from the Spanish Civil War, an examination of the meaning and value of Charles Dickens, and notes on the early years of the Second World War.

    Auden's inspired and incisive response to a thinker who had done much to shape his own beliefs is a fundamental reading of an author whose spirit remains as radical as ever more than 150 years after he wrote.Translated from the Danish by Walter Lowrie, David Swenson, and Alexander Dru.

    Beckwith's narrative describing island life is filled with humor, surprise, affection, and keen observance. Originally published in 1959.

    Elizabeth Romer chronicles each season's activities month by month: curing prosciutto and making salame in January, planting and cheesemaking in March, harvesting and threshing corn in July, hunting for wild muchrooms in September, and grape crushing in Ocober. Scattered throughout this lovely calendar are recipes—fresh bread and olive oil, grilled mushrooms, broad beans with ham, trout with fresh tomatoes and basil, chicken grilled with fresh sage and garlic, and apples baked with butter, sugar, and lemon peel, among many others. Alive with the rhythms of country tradition, The Tuscan Year is a treasure for the armchair traveler as well as the cook.

    Stationed as a Peace Corps instructor in the village of Lavié (the name means "wait a little more") in tiny and underdeveloped Togo, Packer reveals his own schooling at the hands of an unforgettable array of townspeople--peasants, chiefs, charlatans, children, market women, cripples, crazies, and those who, having lost or given up much of their traditional identity and fastened their hopes on "development," find themselves trapped between the familiar repetitions of rural life and the chafing monotony of waiting for change.

    Pagels [Jan 01, 1984]

    Dyson traces the course of the information revolution, illuminating the lives and work of visionaries - from the time of Thomas Hobbes to the time of John von Neumann - who foresaw the development of artificial intelligence, artificial life, and artificial mind. This book derives both its title and its outlook from Samuel Butler's 1863 essay "Darwin Among the Machines." Observing the beginnings of miniaturization, self-reproduction, and telecommunication among machines, Butler predicted that nature's intelligence, only temporarily subservient to technology, would resurface to claim our creations as her own. Weaving a cohesive narrative among his brilliant predecessors, Dyson constructs a straightforward, convincing, and occasionally frightening view of the evolution of mind in the global network, on a level transcending our own. Dyson concludes that we are in the midst of an experiment that echoes the prehistory of human intelligence and the origins of life. Just as the exchange of coded molecular instructions brought life as we know it to the early earth's primordial soup, and as language and mind combined to form the culture in which we live, so, in the digital universe, are computer programs and worldwide networks combining to produce an evolutionary theater in which the distinctions between nature and technology are increasingly obscured. Nature, believes Dyson, is on the side of the machines.

    As a young woman, Diana Athill was engaged to an air force pilot—Instead of a Letter tells how he broke off the engagement, married someone else, and, worst of all, died overseas before she could confront or forgive him. Evoking perfectly the picturesque country setting of her youth, this fearless and profoundly honest story of love and modern womanhood marks the beginning of Athill’s brilliant literary career. .

    In that bleak time, no one could have predicted the political upheaval awaiting Communist Europe and the city of Kafka and Rilke. Hampl's subsequent memoir, a brilliant evocation of Czech life under socialism, attained the stature of living history, and added to our understanding not only of Central Europe but also of what it means to be engaged in the struggle of a people to define and affirm themselves. Reissued now, during the tenth anniversary of that astonishing upheaval known as the Velvet Revolution, A Romantic Education includes an extensive updated afterword based on Hampl's annual return trips to Prague and the Czech countryside. Here is an excellent introduction to what was once the unknown "other Europe" behind the Iron Curtain and is now the continent's hottest new travel destination. Once again, as she did in a darker time, Hampl sees the texture beneath the surface of things and intuits the changing life of one of Europe's most bewitching cities. A Romantic Education is an exquisite journey into history and into the conundrum of personal memory

    In fact, they are capable of developing an understanding of “the good,” a moral code that influences their motives and actions. Hearne’s thorough studies led her to adopt a new system of animal training that contradicts modern animal behavioral research, but—as her examples show—is astonishingly effective. Hearne’s theories will make every trainer, animal psychologist, and animal-lover stop, think, and question.

    Drawing on his father's recollections and on the memories of those who worked with him, John Lahr brilliantly examines the history of modern American show business through the long and glorious career of his father--the raucous low-comic star of burlesque, vaudeville, the Broadway revue and musical, Hollywood movies, and the legitimate stage. Here in rich detail is Lahr evolving from low--dialect comic to Ziegfeld Follies sophisticate, hamming it up with the Scarecrow and Tin Woodsman on the set of The Wizard of Oz, and debuting Samuel Beckett's Waiting for Godot in America, which Kenneth Tynan called "one of the most noble performances I have ever seen." In the examination of Bert Lahr's chronic insecurity and self-absorption, the breakdown of his first marriage, and the affectionate arm's length he kept between himself and his adoring second family, John Lahr's book also brings the reader closer than any other theater biography to the private torment of a great funny man. This edition of the book includes the award-winning essay "The Lion and Me," John Lahr's intimate reflections on family life with his distant, brooding, but lovable father. A first-class stylist, John Lahr takes the reader beyond the magic of show business to a dazzling examination of how a performing self is constructed and staged before the paying customers. Both as theater history and biography, Lahr's book is superb.

    Collected Poems 1943-2004 is the comprehensive collection of Wilbur's astonishing, timeless work. It will serve as the most referenced trove of this beloved poet's best verses for many years to come.In Trackless WoodsIn trackless woods, it puzzled me to findFour great rock maples seemingly aligned,As if they had been set out in a rowBefore some house a century ago,To edge the property and lend some shade.I looked to see if ancient wheels had madeOld ruts to which the trees ran parallel,But there were none, so far as I could tell-There'd been no roadway. Nor could I find the squareDepression of a cellar anywhere,And so I tramped on further, to surveyAmazing patterns in a hornbeam sprayOr spirals in a pine cone, under treesNot subject to our stiff geometries.

    . . There she stands, a phoenix risen from her own words: calm, slow, funny, courteous, both modest and very sure of herself, intense, sharply penetrating, devout but never pietistic, downright, occasionally fierce, and honest in a way that restores honor to the word."—Sally Fitzgerald, from the Introduction