Original first edition title "Lettres portugaises traduites en français".

    Transformed into the walking dead on her wedding day, Hadriana becomes part of popular legend, one imbued with magic, eroticism, and even humor."--Tor.com "You do not need to believe in zombies or Vodou to be carried away by this story--a metaphor for all forms of dispossession. . . . Rene Depestre has gone beyond nostalgia to write a sumptuous love story."-- Le Monde With a foreword by Edwidge Danticat. Translated from the French by Kaiama L. Glover. Hadriana in All My Dreams, winner of the prestigious Prix Renaudot, takes place primarily during Carnival in 1938 in the Haitian village of Jacmel. A beautiful young French woman, Hadriana, is about to marry a Haitian boy from a prominent family. But on the morning of the wedding, Hadriana drinks a mysterious potion and collapses at the altar. Transformed into a zombie, her wedding becomes her funeral. She is buried by the town, revived by an evil sorcerer, and then disappears into popular legend. Set against a backdrop of magic and eroticism, and recounted with delirious humor, the novel raises universal questions about race and sexuality. The reader comes away enchanted by the marvelous reality of Haiti's Vodou culture and convinced of Depestre's lusty claim that all beings--even the undead ones--have a right to happiness and true love. From the introduction by Edwidge Danticat: Despestre offers us the kind of tale we rarely get in the hundreds of zombie stories featuring Haitians, stories set both inside and outside of Haiti. In Hadriana in All My Dreams we get both langaj--the secret language of Haitian Vodou--as well as the type of descriptive, elegiac, erotic, and satirical language, and the artistic license needed to create this most nuanced and powerful novel.

    It strikes a powerful, closing chord to the formidable theatrical work that began with Deathwatch and continued, with even bolder variations, in The Maids, The Balcony, and The Blacks.Explicitly political, The Screens is set within the context of the Algerian War. The play’s cast of over fifty characters moves through seventeen scenes, the world of the living breaching the world of the dead by means of shifting the screens—the only scenery—in a brilliant tour de force of spectacle and drama.

    Conceived during her Paris sojourn (1960–1964) and in Buenos Aires (1970–1971) near the end of her tragically short life, these poems explore many of Pizarnik’s deepest obsessions: the limitation of language, silence, the body, night, sex, and the nature of intimacy.Drawing from personal life experiences and echoing readings of some of her beloved/accursed French authors—Charles Baudelaire, Germain Nouveau, Arthur Rimbaud, and Antonin Artaud—this collection includes prose poems that Pizarnik would later translate into Spanish. Pizarnik’s work led Raúl Zurita to note: “Her poetry—with a clarity that becomes piercing—illuminates the abysses of emotional sensitivity, desire, and absence. It presses against our lives and touches the most exposed, fragile, and numb parts of humanity.”

    Set in the hidden "flesh and chip" breeding grounds of the first cyborg communities and peopled by Serbian Mafiosi, Babylon Babies has as its hero a hard-boiled leatherneck veteran of Sarajevo named Thoorop who is hired by a mysterious source to escort a young woman named Marie Zorn from Russia to Canada. A garden variety job, he figures. But when Thoorop is offered an even higher fee by another organization, he realizes Marie is no ordinary girl. A schizophrenic and the possible carrier of a new artificial virus, Marie is carrying a mutant embryo created by an American cult that dreams of producing a genetically modified messiah, a dream that spells out the end of human life as we know it.Inspired by Philip K. Dick, William S. Burroughs, Gilles Deleuze, and other extrapolationists of the future, Babylon Babies unfolds at breakneck speed as Thoorop risks his life to save Marie, whose brain--linking to the neuromatrix--loses all limits and becomes the universe itself. Exploring the symbiosis between organic matter and computer power to spin new forms of consciousness, Maurice Dantec rides Nietzsche's prophecy: "Man is something to be overcome."

    Shiva Naipaul's passionate and evocative novel focuses on two casualties of Cuyama's post-Independence malaise, Aubrey St Pierre, dedicated to redeeming the sins of his slave-owning ancestors, and his wife, Dina. While Aubrey sits in his highbrow bookshop composing protest letters to The Times in London and New York, Dina stands aloof and passive in the face of an impending tragedy that seems to her more personal than political. The fate of their marriage comes obliquely to reflect the fate of a nation, portrayed by Naipaul with intense sympathy, vision and eloquence.

    It provides a window on a world and rounds out by circling back to the prologue."--Asheville Citizen-Times"Augustave creates a stunning tale with beautiful language that dwells in the realm of magical realism…The characters are rich, complicated and full of color and nuance."--Mosaic Magazine"The Roving Tree is truly an enthralling debut novel that deserves a wide audience; readers will undoubtedly be enriched by their engagement with it."--SX Salon"The beauty of this book lies in its simplicity. An engaging read that packs a powerful punch."--Historical Novel Review"The Roving Tree is Elsie Augustave’s debut novel, and I can’t wait to see what she writes next. Augustave writes beautifully and it’s obvious that she cares a lot about the subject matter she chooses. I definitely recommend The Roving Tree to anyone who likes reading literary fiction and/or to anyone who is interested in the ideas and history portrayed in the book."--Between the Covers"Augustave is a talented writer who brings her varied characters to life and shows readers parts of the world that few of us have experienced. Her book is an excellent anecdote to books about immigration that, intentionally or not, present the western world as the favored or inevitable destination…I strongly recommend The Roving Tree to all those who are interested in Haiti, Zaire, and African traditions more generally."--Me, You, and Books"A beautiful, layered, nuanced story about a woman finding herself."--NBC COZI TV, Essence Magazine summer reading pick"A fulfilling, exciting and ultra-lyrical read, The Roving Tree is really a novel about a lost soul’s identity quest."--Kreyolicious.com"A fresh new voice who adds her own charming, beguiling brand of lyricism to the growing body of Haitian American stories. The Roving Tree is a unique and fascinating book, and I for one look forward to hearing more from this writer."--Lorna Goodison, author of From Harvey RiverElsie Augustave's debut novel explores multiple themes: separation and loss, rootlessness, the impact of class privilege and color consciousness, and the search for cultural identity. The central character, Iris Odys, is the offspring of Hagathe, a Haitian maid, and a French-educated mulatto father, Brahami, who cares little about his child. Hagathe, who had always dreamed of a better life for her child, is presented with the perfect opportunity when Iris is five years old. Adopted by a white American couple, Iris is transported from her tiny remote Haitian village, Monn Neg, to an American suburb.The Roving Tree illuminates how imperfectly assimilated adoptees struggle to remember their original voices and recapture their personal histories and cultural legacy. Set between two worlds—suburban America and Haiti under Papa Doc's repressive regime—the novel offers a unique literary glimpse into the deeply entrenched class discrimination and political repression of Haiti during the Duvalier era, along with the subtle but nonetheless dangerous effects of American racism.

    . . her uncle, who undermines the sureties of his own life in order to fight for Israeli statehood . . . the Jews of a 15th-century Italian ghetto . . Othello, newly arrived in Venice . . . a young Ethiopian Jewish woman resettled in Israel. These are the extraordinary people who inhabit Caryl Phillips' eloquent and moving new novel, and whose stories are connected by circumstance, spirit, and blood across the centuries.

    Her novels evoke both the clearly delineated hierarchies of colonial Jamaica and the subtleties of present-day island life. Nowhere is her power felt more than in Clare Savage, her Jamaican heroine, who appeared, already grown, in No Telephone to Heaven. Abeng is a kind of prequel to that highly-acclaimed novel and is a small masterpiece in its own right. Here Clare is twelve years old, the light-skinned daughter of a middle-class family, growing up among the complex contradictions of class versus color, blood versus history, harsh reality versus delusion, in a colonized country. In language that surrounds us with a richness of meaning and voices, the several strands of young Clare's heritage are explored: the Maroons, who used the conch shell—the abeng—to pass messages as they fought a guerilla struggle against their English enslavers; and the legacy of Clare's white great-great-grandfather, Judge Savage, who burned his hundred slaves on the eve of their emancipation. A lyrical, explosive coming-of-age story combined with a provocative retelling of the colonial history of Jamaica, this novel is a triumph.

    It is a strident critique of logocentrism and phallogocentrism, having much in common with Jacques Derrida's earlier thought. The essay also calls for an acknowledgment of universal bisexuality or polymorphous perversity, a precursor of queer theory's later emphases, and swiftly rejects many kinds of essentialism which were still common in Anglo-American feminism at the time. The essay also exemplifies Cixous's style of writing in that it is richly intertextual, making a wide range of literary allusions.(From Wikipedia)