Picking up where the "New York Times" bestseller "The Bullpen Gospels" leaves off, "Out of My League" continues Hayhurst's hilarious roller-coaster baseball odyssey through his rookie season.

    Since 2001, they’ve spent more money, lost more games, and won fewer playoff series than any other NBA team. But during the preceding era, the Big Apple had a club it was madly in love with—one that earned respect not only by winning, but through brute force. The Knicks were always looking for fights, often at the encouragement of Pat Riley. They fought opposing players. They fought each other. Hell, they even occasionally fought their own coaches. The NBA didn’t take kindly to their fighting spirit. Within two years, league officials moved to alter several rules to stop New York from turning its basketball games into bloody mudwrestling matches. Nevertheless, as the 1990s progressed, the Knicks endeared themselves to millions of fans; not for how much they won, but for their colorful cast of characters and their hardworking mentality. Now, through his original reporting and interviews with more than two hundred people, author Chris Herring delves into the origin, evolution, and eventual demise of the iconic club. He takes us inside the locker room, executive boardrooms, and onto the court for the key moments that lifted the club to new heights, and the ones that threatened to send everything crashing down in spectacular fashion. Blood in the Garden is a portrait filled with eye-opening details that have never been shared before, revealing the full story of the franchise in the midst of the NBA’s golden era. And rest assured, no punches will be pulled. Which is just how those rough-and-tumble Knicks would like it.

    His colorful bombast, fearless reporting, and courageous stance on civil rights soon captured the attention of listeners everywhere. No mere jock turned "pretty-boy" broadcaster, the Brooklyn-born Cosell began as a lawyer before becoming a radio commentator. "Telling it like it is," he covered nearly every major sports story for three decades, from the travails of Muhammad Ali to the tragedy at Munich. Featuring a sprawling cast of athletes such as Jackie Robinson, Sonny Liston, Don Meredith, and Joe Namath, Howard Cosell also re-creates the behind-the-scenes story of that American institution, Monday Night Football. With more than forty interviews, Mark Ribowsky presents Cosell's life as part of an American panorama, examining racism, anti-Semitism, and alcoholism, among other sensitive themes. Cosell's endless complexities are brilliantly explored in this haunting work that reveals as much about the explosive commercialization of sports as it does about a much-neglected media giant.

    But as Jane Mayer shows in this powerful, meticulously reported history, a network of exceedingly wealthy people with extreme libertarian views bankrolled a systematic, step-by-step plan to fundamentally alter the American political system.The network has brought together some of the richest people on the planet. Their core beliefs—that taxes are a form of tyranny; that government oversight of business is an assault on freedom—are sincerely held. But these beliefs also advance their personal and corporate interests: Many of their companies have run afoul of federal pollution, worker safety, securities, and tax laws.The chief figures in the network are Charles and David Koch, whose father made his fortune in part by building oil refineries in Stalin’s Russia and Hitler’s Germany. The patriarch later was a founding member of the John Birch Society, whose politics were so radical it believed Dwight Eisenhower was a communist. The brothers were schooled in a political philosophy that asserted the only role of government is to provide security and to enforce property rights.When libertarian ideas proved decidedly unpopular with voters, the Koch brothers and their allies chose another path. If they pooled their vast resources, they could fund an interlocking array of organizations that could work in tandem to influence and ultimately control academic institutions, think tanks, the courts, statehouses, Congress, and, they hoped, the presidency. Richard Mellon Scaife, the mercurial heir to banking and oil fortunes, had the brilliant insight that most of their political activities could be written off as tax-deductible “philanthropy.”These organizations were given innocuous names such as Americans for Prosperity. Funding sources were hidden whenever possible. This process reached its apotheosis with the allegedly populist Tea Party movement, abetted mightily by the Citizens United decision—a case conceived of by legal advocates funded by the network.The political operatives the network employs are disciplined, smart, and at times ruthless. Mayer documents instances in which people affiliated with these groups hired private detectives to impugn whistle-blowers, journalists, and even government investigators. And their efforts have been remarkably successful. Libertarian views on taxes and regulation, once far outside the mainstream and still rejected by most Americans, are ascendant in the majority of state governments, the Supreme Court, and Congress. Meaningful environmental, labor, finance, and tax reforms have been stymied.Jane Mayer spent five years conducting hundreds of interviews-including with several sources within the network-and scoured public records, private papers, and court proceedings in reporting this book. In a taut and utterly convincing narrative, she traces the byzantine trail of the billions of dollars spent by the network and provides vivid portraits of the colorful figures behind the new American oligarchy.Dark Money is a book that must be read by anyone who cares about the future of American democracy.

    It also presented one of the best World Series of all time (1975), including still the greatest World Series game ever played (Game Six). Along with visiting other games and campaigns, Roger Angell meets a trio of Tigers-obsessed fans, goes to a game with a departing old-style owner, watches high-school ball in Kentucky with a famous scout, and explores the sad and astounding mystery of Steve Blass’s vanished control. Angell’s Five Seasons is a gem and a gift for baseball lovers of all ages.

    Here, Dawidoff provides "a careful and sympathetic biography" (Chicago Sun-Times) of this enigmatic man. Photos.

    and Lou Gehrig, who each achieved the coveted and sometimes confounding record of most consecutive games played When Cal Ripken Jr. began his career with the Baltimore Orioles at age twenty-one, he had no idea he’d beat the historic record of 2,130 games played in a row set by Lou Gehrig, the fabled “Iron Horse” of the New York Yankees. When Ripken beat that record by 502 games, the baseball world was floored. Few feats in sports history have generated more acclaim. But the record that Ripken now owns, quite possibly forever, spawns an array of questions. Was his streak or Gehrig’s the more difficult achievement? Who owned the record before Gehrig? When did someone first think it was a good idea to play in so many games without taking a day off?   Through probing research, meticulous analysis, and colorful parallel storytelling, The Streak delves into this impressive but controversial milestone, unraveling Gehrig’s at times unwitting pursuit of that goal and Ripken’s fierce determination to play the game his way, which resulted in his seizing of the record decades later. Along the way Eisenberg dives deep into the history of the record and offers a portrait of the pastime in different eras, going back more than a century.   The question looms: Was it harder for Ripken or Gehrig to play every day for so long? The length of seasons, the number of teams in the major leagues, the inclusion of non-white players, travel, technology, and even media are all part of the equation. Larger than all of this, however, is a book that captures the deeply American appreciation—as seen in the sport itself, its players, and its fans—for that workaday mentality and that desire to be there for the game they love, the job they are paid to do.

    Growing from Peter Minuit's tiny settlement of 1626 to one with more than three million immigrants today, the city has always been a magnet for transplants from all over the globe. It is only fitting that the United States, a "nation of immigrants," is home to the only world city built primarily by immigration. More immigrants have entered the United States through New York than through all other entry points combined, making New York's immigrant saga a quintessentially American story.City of Dreams is the long-overdue, inspiring, and defining account of New York's both famous and forgotten immigrants: the young man from the Caribbean who relocated to New York and became a Founding Father; an Italian immigrant who toiled for years at railroad track maintenance before achieving his dream of becoming a nationally renowned poet; Russian-born Emma Goldman, who condoned the murder of American industrialists as a means of aiding downtrodden workers; Dominican immigrant Oscar de la Renta, who dressed first ladies from Jackie Kennedy to Michelle Obama. Over ten years in the making, Tyler Anbinder's story is one of innovators and artists, revolutionaries and rioters, staggering deprivation and soaring triumphs. Today's immigrants are really no different from those who have come to America in centuries past—and their story has never before been told with such breadth of scope, lavish research, and resounding spirit.

    Forget Abner Doubleday and Cooperstown. Forget Alexander Joy Cartwright and the New York Knickerbockers. Instead, meet Daniel Lucius Adams, William Rufus Wheaton, and Louis Fenn Wadsworth, each of whom has a stronger claim to baseball paternity than Doubleday or Cartwright. But did baseball even have a father—or did it just evolve from other bat-and-ball games? John Thorn, baseball’s preeminent historian, examines the creation story of the game and finds it all to be a gigantic lie, not only the Doubleday legend, so long recognized with a wink and a nudge. From its earliest days baseball was a vehicle for gambling (much like cricket, a far more popular game in early America), a proxy form of class warfare, infused with racism as was the larger society, invigorated if ultimately corrupted by gamblers, hustlers, and shady entrepreneurs. Thorn traces the rise of the New York version of the game over other variations popular in Massachusetts and Philadelphia. He shows how the sport’s increasing popularity in the early decades of the nineteenth century mirrored the migration of young men from farms and small towns to cities, especially New York. And he charts the rise of secret professionalism and the origin of the notorious “reserve clause,” essential innovations for gamblers and capitalists. No matter how much you know about the history of baseball, you will find something new in every chapter. Thorn also introduces us to a host of early baseball stars who helped to drive the tremendous popularity and growth of the game in the post–Civil War era: Jim Creighton, perhaps the first true professional player; Candy Cummings, the pitcher who claimed to have invented the curveball; Albert Spalding, the ballplayer who would grow rich from the game and shape its creation myth; Hall of Fame brothers George and Harry Wright; Cap Anson, the first man to record three thousand hits and a virulent racist; and many others. Add bluff, bluster, and bravado, and toss in an illicit romance, an unknown son, a lost ball club, an epidemic scare, and you have a baseball detective story like none ever written. Thorn shows how a small religious cult became instrumental in the commission that was established to determine the origins of the game and why the selection of Abner Doubleday as baseball’s father was as strangely logical as it was patently absurd. Entertaining from the first page to the last, Baseball in the Garden of Eden is a tale of good and evil, and the snake proves the most interesting character. It is full of heroes, scoundrels, and dupes; it contains more scandal by far than the 1919 Black Sox World Series fix. More than a history of the game, Baseball in the Garden of Eden tells the story of nineteenth-century America, a land of opportunity and limitation, of glory and greed—all present in the wondrous alloy that is our nation and its pastime.

    Grueling. Thrilling. Routine. Lonely. Exhilarating. Major league ballplayers even have a name for this relentless, unmatchable rhythm: The Grind.In The Grind, Barry Svrluga, The Washington Post’s national baseball correspondent, zooms in on the 2014 Washington Nationals, reporting not just on the roster’s star players, but also on the typically invisible supporting cast who each have their own sacrifices to make and schedules to keep. There’s The Wife, who acts as a full-time mom, part-time real estate agent, occasional father, and all-hours dog walker; The 26th Man, a minor leaguer on the cusp of job security who gets called up to the majors only to be sent back down the very next week; The Reliever, one of the most mentally taxing, precarious, and terribly exposed positions on any pro squad. These and many more players, scouts, equipment managers, and even travel schedulers create the fabric of Svrluga’s intimate and unusual book; they could be from any team or any big-league city. As he writes: “There is no other sport with an everydayness, a drum-drum-drum beat like baseball.”Built on material that appeared in The Washington Post, Svrluga’s book is a raw, inside look at the wear and tear, the glory and impermanence, of America’s pastime.

    Still our nation’s longest running “cold case,” the mystery of Elma Sands finally comes to a close with this book, which delivers the first substantial break in the case in over 200 years.In the closing days of 1799, the United States was still a young republic. Waging a fierce battle for its uncertain future were two political parties: the well-moneyed Federalists, led by Alexander Hamilton, and the populist Republicans, led by Aaron Burr. The two finest lawyers in New York, Burr and Hamilton were bitter rivals both in and out of the courtroom, and as the next election approached—with Manhattan likely to be the swing district on which the presidency would hinge—their animosity reached a crescendo. Central to their dispute was the Manhattan water supply, which Burr saw not just as an opportunity to help a city devastated by epidemics but as a chance to heal his battered finances.But everything changed when Elma Sands, a beautiful young Quaker woman, was found dead in Burr's newly constructed Manhattan Well. The horrific crime quickly gripped the nation, and before long accusations settled on one of Elma’s suitors, handsome young carpenter Levi Weeks. As the enraged city demanded a noose be draped around the accused murderer’s neck, the only question seemed to be whether Levi would make it to trial or be lynched first.The young man’s only hope was to hire a legal dream team. And thus it was that New York’s most bitter political rivals and greatest attorneys did the unthinkable—they teamed up.At once an absorbing legal thriller and an expertly crafted portrait of the United States in the time of the Founding Fathers, Duel with the Devil is a masterpiece of narrative nonfiction.

    The Last Innocents is a thoughtful, technicolor portrait of these six players—friends, mentors, confidants, rivals, and allies—and their storied team that offers an intriguing look at a sport and a nation in transition. Bringing into focus the high drama of their World Series appearances from 1962 to 1972 and their pivotal games, Michael Leahy explores these men’s interpersonal relationships and illuminates the triumphs, agonies, and challenges each faced individually.Leahy places these men’s lives within the political and social maelstrom that was the era when the conformity of the 1950s gave way to demands for equality and rights. Increasingly frustrated over a lack of real bargaining power and an iron-fisted management who occasionally meddled in their personal affairs, many players shared an uneasy relationship with the team’s front office. This contention mirrored the discord and uncertainty generated by myriad changes rocking the nation: the civil rights movement, political assassinations, and growing hostility to the escalation of the Vietnam War. While the nation around them changed, these players each experienced a personal and professional metamorphosis that would alter public perceptions and their own.Comprehensive and artfully crafted, The Last Innocents is an evocative and riveting portrait of a pivotal era in baseball and modern America.

    It begins, appropriately, with the winter doldrums and "sweating out" a new contract, then follows the author and his family to spring training in Florida and through the full season s schedule to October. "One of the best baseball books ever written. It is probably one of the best American diaries as well." New York Times Book Review. "The greatest baseball book ever written." Jimmy Cannon."

    Underneath the crew cut and behind the all-American boy-next-door good looks lurked a maverick with a signature style. Whether it was his frank talk about player salaries and mistreatment by management, his passionate advocacy of progressive politics, or his efforts to convince the United States to boycott the 1968 Olympics, Bouton confronted the conservative sports world and compelled it to catch up with a rapidly changing American society.                Bouton defied tremendous odds to make the majors, won two games for the Yankees in the 1964 World Series, and staged an improbable comeback with the Braves as a thirty-nine-year-old. But it was his fateful 1969 season with the Seattle Pilots and his resulting insider’s account, Ball Four, that did nothing less than reintroduce America to its national pastime in a lasting, profound way. In Bouton: The Life of a Baseball Original, Mitchell Nathanson gives readers a look at Bouton’s remarkable life. He tells the unlikely story of how Bouton’s Ball Four, perhaps the greatest baseball book of all time, came into being, how it was received, and how it forever changed the way we view not only sports books but professional sports as a whole. Based on wide-ranging interviews Nathanson conducted with Bouton, family, friends, and others, he provides an intimate, inside account of Bouton’s life. Nathanson provides insight as to why Bouton saw the world the way he did, why he was so different than the thousands of players who came before him, and how, in the cliquey, cold, bottom‑line world of professional baseball, Bouton managed to be both an insider and an outsider all at once.

    He was destined to be one of those rare "high-character " superstars. But in 2001, working his way from the minors to the majors, all of the plans for Josh went off the rails in a moment of weakness. What followed was a 4-year nightmare of drugs and alcohol, estrangement from friends and family, and his eventual suspension from baseball. BEYOND BELIEF details the events that led up to the derailment. Josh explains how a young man destined for fame and wealth could allow his life to be taken over by drugs and alcohol. But it is also the memoir of a spiritual journey that breaks through pain and heartbreak and leads to the rebirth of his major-league career.Josh Hamilton makes no excuses and places no blame on anyone other than himself. He takes responsibility for his poor decisions and believes his story can help millions who battle the same demons. "I have been given a platform to tell my story" he says. "I pray every night I am a good messenger."