A series of Turing Test-inspired poems grounds its exploration of questions not just of identity, but of consciousness―how to be tender and feeling and still survive a violent world filled with artificial intelligence and automation. We are dropped straight into the tangled intersections of technology, violence, erasure, agency, gender, and loneliness.

    Her uniquely true and mystical voice is like a glass of pure water: refreshing, healing, and oh, so necessary."—Nin Andrews"Her poems are an intense vision of the power of art to heal, to help us understand ourselves and our world. Agodon invokes artists as disparate as Kahlo and Cornell, Picasso and Pollock, as a way into the world she creates for us in her deft and musical poems. She brilliantly succeeds."—Wyn CooperKelli Russell Agodon is the author of two previous collections of poetry and lives in Kingston, Washington.

    

    The protagonist, Abby, is a very different but equally likely and endearing hero as Alex Woods.

    A gifted med student, he has spent his entire adulthood struggling to escape the legacy of his father, an esteemed psychiatrist who used him as a test subject when he was a boy. Thomas lived his entire young life as the “Boy in the Box,” watched by researchers behind two-way glass.But now the tables have turned. Thomas is the researcher, and his subjects are three homeless men, all of whom claim to be messiahs—but no three people can be the one and only saviour of the world. Thomas is determined to “cure” the three men of their delusions, and in so doing save his career—and maybe even his love life. But when Thomas’s father intervenes in the experiment, events spin out of control, and Thomas must confront the voices he hears in the labyrinth of his own mind.The Shoe on the Roof is an explosively imaginative tour de force, a novel that questions our definitions of sanity and madness, while exploring the magical reality that lies just beyond the world of scientific fact.

    Shaped prose is a form that works the "little edges" of lyric and discourse, and radiates out into the space between them. As occasional pieces, many of the poems in the book are the result of a request or commission to comment upon a work of art, or to memorialize a particular moment or person. In Moten's poems, the matter and energy of a singular event or person are transformed by their entrance into the social space that they, in turn, transform. An online reader's companion is available at http: //fredmoten.site.wesleyan.edu.

    

    These poems are allusive and tough. While they celebrate the pleasures of the natural world--mutability, desire, and the flowering of things--they are compounded by a critical awareness of contemporary culture. As we traverse their associative leaps, we discover a linguistic landscape that is part garden, part wilderness, where a poem can perform its own natural history. Divided into four cantos interrupted by lyrics and errata, Meteoric Flowers mirrors the form of Erasmus Darwin's 18th-century scientific pastorals. In attending to poetry's investigative potential, Willis shifts our attention from product to process, from commodity to exchange, from inherited convention to improvisational use.

    In spare lines, Abdolmalekian conjures surreal, cinematic images that pan wide as deftly as they narrow into intimate focus. Time is a thread come unspooled: pain arrives before the wound, and the dead wait for sunrise.Abdolmalekian resists definitive separations between cause and effect, life and death, or heaven and hell, and challenges our sense of what is fixed and what is unsettled and permeable. Though the speakers in these poems are witnesses to the deforming effects of grief and memory, they remain alive to curiosity, to the pleasure of companionship, and to other ways of being and seeing. Lean Against This Late Hour illuminates the images we conjure in the face of abandonment and ruin, and finds them by turns frightening, bewildering, ethereal, and defiant. "This time," a disembodied voice commands, "send us a prophet who only listens."

    There are no beautiful rainbows here, no whispers, but raw cries from somewhere primal. "Silas' words dart in and out like a scalpel revealing layers of flesh that have been given-or-taken-by lovers, parents, cruelty, and fate." - Sean Felix

    Oliver's poems begin in the small everyday moments familiar to all dog lovers, but through her extraordinary vision these observations become higher meditations on the world and our place in it.Dog Songs includes visits with old friends, like Oliver's beloved Percy, and introduces still others in poems of love and laughter, heartbreak and grief. Throughout, the many dogs of Oliver's life emerge as fellow travelers and guides, uniquely able to open our eyes to the lessons of the moment and the joys of nature and connection.

    But can you trust her?The people who call End of the Line need hope. They need reassurance that life is worth living. But some are unlucky enough to get through to Laura. Laura doesn’t want them to hope. She wants them to die.Laura hasn’t had it easy: she’s survived sickness and a difficult marriage only to find herself heading for forty, unsettled and angry. She doesn’t love talking to people worse off than she is. She craves it.But now someone’s on to her—Ryan, whose world falls apart when his pregnant wife ends her life, hand in hand with a stranger. Who was this man, and why did they choose to die together?The sinister truth is within Ryan’s grasp, but he has no idea of the desperate lengths Laura will go to…Because the best thing about being a Good Samaritan is that you can get away with murder.

    A stranger saw his distress and stopped to talk with him – a decision that saved Jonny's life. Fast forward to 2014 and Jonny, together with Rethink Mental Illness launch a campaign with a short video clip so that Jonny could finally thank that stranger who put him on the path to recovery. More than 319 million people around the world followed the search. ITV's breakfast shows picked up the story until the stranger, whose name is Neil Laybourn, was found and – in an emotional and touching moment – the pair re-united and have remained firm friends ever since. The Stranger on the Bridge is a memoir of the journey Jonny made both personally, and publicly to not only find the person who saved his life, but also to explore how he got to the bridge in the first place and how he continues to manage his diagnosis of schizoaffective disorder. Using extracts from diaries Jonny has been writing from the age of thirteen, this book is a deeply personal memoir with a unique insight on mental health. Jonny was recognised for his work as an influential activist changing the culture around mental health, when he was awarded an MBE in 2017. He and Neil now work full-time together visiting schools, hospitals, prisons and workplaces to help end the stigma by talking about mental health and suicide prevention. The pair ran the London Marathon together in 2017 in aid of HeadsTogether. Following the global campaign to find the stranger, in 2015 Channel 4 made a documentary of Jonny's search which has now been shown in 14 territories.

    Includes a 5 track cd/ep featuring performances by Shane. Currently in a 2nd edition and going to a corrected and remastered 3rd edition available at end of summer 2007. Voted to *Best Books of 2005* lists in the Guardian (UK) and Globe and Mail newspapers.

    In The Feather Room, Mojgani further explores storytelling in poetic form while traveling farther down the path of magic realism, endowing his tales with a greater sense of fantasy and brightness. The work recounts loss and heartbreak while discovering lightness and beauty on the other side. Throughout the book, Mojgani opens tree trunks to reveal chandeliers. He leads us through the rooms inside himself, using poems to part curtains and paint walls. He is lifting windows to let the fantasy indoors.