All were acquitted of brutally torturing and killing African-Americans during the most explosive period of the civil rights movement. And all are being murdered in the same way as their victims—hung, burned to death, gutted. Now one district attorney must play a deadly game of cat and mouse as he prosecutes the most wrenching case of his career—and walks a dangerous line between retribution, duty, and revenge…For James Reynolds, Mississippi’s only black deputy district attorney, success is almost enough to heal the pain of growing up during brutal segregation—and ease the recurring, unexplained nightmares he’s had sinc childhood. But he knows this case will be more disturbing than anything he’s ever faced—especially when he discovers a local university class that is exposing the perpetrators of “unsolved” civil rights-era murders. Among the class’s unshakable and most dedicated attendees: Brandon Hamilton, a graduate student as relentless about the truth as he was ferocious on the playing field; and teaching assistant Regina Davis, beautiful, brainy, and ruthlessly calculating. Then there’s their renowned, charismatic instructor, Professor Martin Matheson. The handsome son of a venerated African-American civil rights leader, he exhibits a gift for rhetoric that is gaining him fervent public support…and enabling him to play all too well on Reynolds’s professional and personal vulnerabilities.Amid an overwhelming media blitz and mounting racial tensions, Reynolds must not only confront the secrets he’s run from all these years—but play out a devastating endgame against a killer willing to use the law against itself and go to the most deadly extremes for “justice.”A riveting game of intellectual chess that crescendos into a powerful courtroom confrontation, Blood on the Leaves will leave you disturbed, surprised, and, ultimately, dazzled.

    Examining heroic myths in the light of modern psychology, it considers not only the patterns and stages of mythology but also its relevance to our lives today--and to the life of any person seeking a fully realized existence.Myth, according to Campbell, is the projection of a culture's dreams onto a large screen; Campbell's book, like Star Wars, the film it helped inspire, is an exploration of the big-picture moments from the stage that is our world. It is a must-have resource for both experienced students of mythology and the explorer just beginning to approach myth as a source of knowledge.

    A detective on edge. A community that wants answers. One fateful night when off duty, DI Stewart Gardener intervenes in a street brawl and his wife is shot dead. Trying to come to terms with this, he gradually returns to normal duties policing the streets of Leeds. Finding his wife’s murderer is never far from his mind, but with no leads and a hazy recollection of events, it seems hopeless. Soon he is presented with a shocking case. A man is found dead in a grubby apartment, having been killed in the cruellest of ways. It is not long before another man meets the same fate. The deaths are caused by a rapid and violent disintegration of the victims’ flesh. Pathology cannot ascertain the cause. The only connection between the victims is they both worked seasonally as Santas, dressing up as Father Christmas and entertaining kids in grottos and such like. Who would want to kill such innocuous men as these? The detective is flummoxed. The local community is ruffled. The press is having a field day. The top brass wants answers. Can DI Gardener overcome his grief and solve the case? IMPURITY is the first in a series of six books featuring Leeds based Detective Inspector Stewart Gardener. They are all murder mysteries but as suspenseful as the best thrillers. FREE with Kindle Unlimited. Look out for the next in the series, IMPERFECTION, coming soon on Kindle. If you like crime fiction that has you glued to the page and reading late into the night, this is the book for you!

    prison system, tracking down a chameleon con artist in Europe, or riding in a cyclone-tossed skiff with a scientist hunting the elusive giant squid, David Grann revels in telling stories that explore the nature of obsession and that piece together true and unforgettable mysteries.Each of the dozen stories in this collection reveals a hidden and often dangerous world and, like Into Thin Air and The Orchid Thief, pivots around the gravitational pull of obsession and the captivating personalities of those caught in its grip. There is the world's foremost expert on Sherlock Holmes who is found dead in mysterious circumstances; an arson sleuth trying to prove that a man about to be executed is innocent, and sandhogs racing to complete the brutally dangerous job of building New York City's water tunnels before the old system collapses. Throughout, Grann's hypnotic accounts display the power-and often the willful perversity-of the human spirit.Compulsively readable, The Devil and Sherlock Holmes is a brilliant mosaic of ambition, madness, passion, and folly.

    George combines clear, intelligent, and functional advice on fiction writing with anecdotes from her own life, the story of her journey to publication, and inside information on how she meticulously researches and writes her novels. George's solid understanding of craft is conveyed in the enticing manner of a true storyteller, making Write Away not only a marvelous, interesting, and informative book but also a glimpse inside the world of a beloved writer.

    She’s watched as, each summer, the tight-knit small village braces for the invasion of vacationers seeking refuge from city life. But this year, a new kind of visitor arrives in Port Isley, bringing something most unexpected.Soon after the season begins, a teenage girl’s mutilated body is found in a local park. The police declare it a random act of violence, but Amanda’s not so sure…because how can she explain that she had a premonition of the crime just hours before it happened? Or that the neighbors she’s known forever inexplicably are beginning to change…into lustful, violent shadows of themselves? Amanda knows something’s not right. And she knows it has something to do with the sinister stranger who’s come to town. But can she uncover his dark secret in time to stop him—and in time to save the souls of Port Isley?

    Why? Could it be we really are alone in the universe? Or is it that the truth has been withheld from us by a global conspiracy of silence? When radio telescope operators Lauren Stelleck, a woman with a special gift enabling her to literally see certain sounds, and Steve Andrews, a diehard sci-fi geek, detect a signal like no other at Jodrell Bank in England, a chain of events is unleashed that propels Earth towards all-out nuclear war. Can Lauren and Steve unlock the secret of the signal before our species tears itself apart? The Signal is a prequel novella to the Fractured Light trilogy, and is part of the Multiverse Chronicles, an epic series of interlinked stories that follows the struggle of humanity to survive across parallel universes. Watch the skies because the darkness is coming for us. Please note that there is the occasional use of strong language in The Signal and the story deals with adult themes. Recommended age is 16+.

    William Landay explodes onto the suspense scene with an electrifying novel about the true price of crime and the hidden corners of the criminal justice system. Only an insider could so vividly capture Boston’s gritty underworld of cops and criminals. And only a natural storyteller could weave this mesmerizing tale of murder and memory, a story about the hold of time past over time present–and the story of one unforgettable young policeman who ventures into the most dangerous place of all. By a gleaming lake in the forests of western Maine, outside a sleepy town called Versailles, the body of a man lies sprawled in a deserted cabin. The dead man was an elite D.A. from Boston, and his beat was that city’s toughest neighborhood: Mission Flats. Now, for small-town police chief Ben Truman, investigating the murder will mean leaving his quiet, haunted home and journeying to an alien world of hard streets and hard bargains, where the fierce struggle between police and criminals is fought for the ultimate stakes. Ben joins a manhunt through Mission Flats, where cops are scrambling to find their number-one suspect: Harold Braxton, a ruthless predator targeted for prosecution by the murdered D.A. To the Boston police, Braxton is a marked man. But as Ben watches the shadow dance of cops and suspects, he begins to voice doubts about Braxton’s guilt…especially when he uncovers a secret history of murder and retribution stretching back twenty years…back to a brutal killing now nearly forgotten. As past and present collide and a bloody mystery unfolds, only one thing remains certain: the most powerful revelations are yet to come.Mission Flats is at once a relentless page-turning mystery and a vivid portrait of a cop’ s life. Here are the street corners, courtrooms, and stationhouses; the deal makers, thugs, and quiet heroes. An unforgettable world–and the luminous, boundary-breaking debut of a new voice in suspense fiction–Mission Flats will haunt you long after the final pages.

    John Lyon, a veteran but emotionally unstable newscaster, is drawn into a sinister web of evil in the heart of Appalachia when he investigates a woman's bizarre story about a West Virginia doctor who has been killing babies.

    Some are arcane, some simply hilarious—and one editor, Carol Fisher Saller, reads every single one of them. All too often she notes a classic author-editor standoff, wherein both parties refuse to compromise on the "rights" and "wrongs" of prose styling: "This author is giving me a fit." "I wish that I could just DEMAND the use of the serial comma at all times." "My author wants his preface to come at the end of the book. This just seems ridiculous to me. I mean, it’s not a post-face."In The Subversive Copy Editor, Saller casts aside this adversarial view and suggests new strategies for keeping the peace. Emphasizing habits of carefulness, transparency, and flexibility, she shows copy editors how to build an environment of trust and cooperation. One chapter takes on the difficult author; another speaks to writers themselves. Throughout, the focus is on serving the reader, even if it means breaking "rules" along the way. Saller’s own foibles and misadventures provide ample material: "I mess up all the time," she confesses. "It’s how I know things."Writers, Saller acknowledges, are only half the challenge, as copy editors can also make trouble for themselves. (Does any other book have an index entry that says "terrorists. See copy editors"?) The book includes helpful sections on e-mail etiquette, work-flow management, prioritizing, and organizing computer files. One chapter even addresses the special concerns of freelance editors.Saller’s emphasis on negotiation and flexibility will surprise many copy editors who have absorbed, along with the dos and don’ts of their stylebooks, an attitude that their way is the right way. In encouraging copy editors to banish their ignorance and disorganization, insecurities and compulsions, the Chicago Q&A presents itself as a kind of alter ego to the comparatively staid Manual of Style. In The Subversive Copy Editor, Saller continues her mission with audacity and good humor.

    For thirty-something mechanical engineer Cass Jennings, Antarctica offers an opportunity to finally escape the guilt of her troubled past and to rebuild her life.But the death of a colleague triggers a series of mysterious incidents that push Cass and the rest of the forty-four-person crew to the limits of their sanity and endurance. Confined and cut off from the outside world, will they work together or turn against one another? As the tension escalates, Cass must find the strength to survive not only a punishing landscape but also an unrelenting menace determined to destroy the station—and everyone in it.

    A treasure trove of compelling facts, riveting anecdotes, and extraordinary characters, For the Love of Books is a book about books—and the inside stories about the people who write them.Learn how books evolved, what lies behind some of the greatest tales ever told, and who’s really who in the world of fiction.From banned books to famous feuding authors, from literary felons to rejected masterpieces, from tips for aspiring writers to stand-out book lists for readers to catch up on, For the Love of Books is a celebration of the written word and an absolute page-turner for any book lover.Read all about it!

    He contacted one man before he died: investigative journalist, Jack Logan. He left Jack a single clue to help him uncover the truth and keep Phillips’s widow, Taylor, safe. But safe from whom? Jack and Taylor’s desperate hunt leads them to a vast network of corrupt authority, controlling everything from social media and television programming to law enforcement and US legislation. The key to unraveling a complex web of lies is a set of ancient relics, dating back to the time of Christ. But what do these relics have to do with a senator’s death? Allies turn to foes when Jack and Taylor discover that those closest to them are part of the conspiracy and that they too have been manipulated. How long has a puppet master been pulling their strings—and will Jack and Taylor trust the right people long enough to win what becomes a colossal battle for souls?

    How to Disappear is the authoritative and comprehensive guide for people who seek to protect their privacy as well as for anyone who’s ever entertained the fantasy of disappearing—whether actually dropping out of sight or by eliminating the traceable evidence of their existence.

    The story begins in 1973, in the offices of The Atlantic Monthly, in Boston, where a young freelance writer named Tracy Kidder came looking for an assignment. Richard Todd was the editor who encouraged him. From that article grew a lifelong association. Before long, Kidder’s The Soul of a New Machine, the first book the two worked on together, had won the Pulitzer Prize. It was a heady moment, but for Kidder and Todd it was only the beginning of an education in the art of nonfiction.Good Prose explores three major nonfiction forms: narratives, essays, and memoirs. Kidder and Todd draw candidly, sometimes comically, on their own experience—their mistakes as well as accomplishments—to demonstrate the pragmatic ways in which creative problems get solved. They also turn to the works of a wide range of writers, novelists as well as nonfiction writers, for models and instruction. They talk about narrative strategies (and about how to find a story, sometimes in surprising places), about the ethical challenges of nonfiction, and about the realities of making a living as a writer. They offer some tart and emphatic opinions on the current state of language. And they take a clear stand against playing loose with the facts. Their advice is always grounded in the practical world of writing and publishing.Good Prose—like Strunk and White’s The Elements of Style—is a succinct, authoritative, and entertaining arbiter of standards in contemporary writing, offering guidance for the professional writer and the beginner alike. This wise and useful book is the perfect companion for anyone who loves to read good books and longs to write one.