On August 11, 1921, in Birmingham, Alabama, a Methodist minister named Edwin Stephenson shot and killed a Catholic priest, James Coyle, in broad daylight and in front of numerous witnesses. The killer's motive? The priest had marriedStephenson's eighteen-year-old daughter Ruth to Pedro Gussman, a Puerto Rican migrant and practicing Catholic.Sharon Davies's Rising Road resurrects the murder of Father Coyle and the trial of his killer. As Davies reveals with novelistic richness, Stephenson's crime laid bare the most potent bigotries of the age: a hatred not only of blacks, but of Catholics and foreigners as well. In one of the case'smost unexpected turns, the minister hired future U.S. Supreme Court Justice Hugo Black to lead his defense. Though regarded later in life as a civil rights champion, in 1921 Black was just months away from donning the robes of the Ku Klux Klan, the secret order that financed Stephenson's defense.Entering a plea of temporary insanity, Black defended the minister on claims that the Catholics had robbed Ruth away from her true Protestant faith, and that her Puerto Rican husband was actually black.Placing the story in social and historical context, Davies brings this heinous crime and its aftermath back to life, in a brilliant and engrossing examination of the wages of prejudice and a trial that shook the nation at the height of Jim Crow.Davies takes us deep into the dark heart of the Jim Crow South, where she uncovers a searing story of love, faith, bigotry and violence. Rising Road is a history so powerful, so compelling it stays with you long after you've finished its final page.--Kevin Boyle, author of the National Book Award-winning Arc of JusticeThis gripping history...has all the makings of a Hollywood movie. Drama aside, Rising Road also happens to be a fine work of history. --History News Network

    On one side stood the shield-wall of the expanding kingdom of the Anglo-Saxons. On the other side stood a remarkable alliance of rival kings – at least two from across the sea – who'd come together to destroy them once and for all. The stakes were no less than the survival of the dream that would become England. The armies were massive. The violence, when it began, was enough to shock a violent age. Brunanburh may not today have the fame of Hastings, Crécy or Agincourt, but those later battles, fought for England, would not exist were it not for the blood spilled this day. Generations later it was still called, quite simply, the 'great battle'. But for centuries, its location has been lost. Today, an extraordinary effort, uniting enthusiasts, historians, archaeologists, linguists, and other researchers – amateurs and professionals, experienced and inexperienced alike – may well have found the site of the long-lost battle of Brunanburh, over a thousand years after its bloodied fields witnessed history. This groundbreaking new book tells the story of this remarkable discovery and delves into why and how the battle happened. Most importantly, though, it is about the men who fought and died at Brunanburh, and how much this forgotten struggle can tell us about who we are and how we relate to our past.

    So-called illiberal democracy and authoritarian populism are in the political ascendant; the shelves of our bookshops groan with the work of attention-grabbing thinkers insisting that permissiveness, multiculturalism and 'identity politics' have failed us and that we must now fall back on some notion of tradition. We have had our fun, and now it's time to get serious, to shore our fragments against the ruin of postmodernist meaninglessness. It's not only the usual, conservative suspects who have got on board with this argument. Authentocrats critiques the manner in which post-liberal ideas have been mobilised underhandedly by centrist politicians who, at least notionally, are hostile to the likes of Donald Trump and UKIP. It examines the forms this populism of the centre has taken in the United Kingdom and situates the moderate withdrawal from liberalism within a story which begins in the early 1990s. Blairism promised socially liberal politics as the pay-off for relinquishing commitments to public ownership and redistributive policies: many current centrists insist New Labour's error was not its capitulation to the market, but its unwillingness to heed the allegedly natural conservatism of England's provincial working classes. In this book, we see how this spurious concern for 'real people' is part of a broader turn within British culture by which the mainstream withdraws from the openness of the Nineties under the bad-faith supposition that there's nowhere to go but backwards. The self-anointing political realism which declares that the left can save itself only by becoming less liberal is matched culturally by an interest in time-worn traditional identities: the brute masculinity of Daniel Craig's James Bond, the allegedly 'progressive' patriotism of nature writing, a televisual obsession with the World Wars. Authentocrats charges liberals themselves with fuelling the post-liberal turn, and asks where the space might be found for an alternative.

    But as all our lives become increasingly entwined with our online presence, British Muslims are taking to social media to carve their own narratives and tell their own stories, challenging stereotypes along the way. Follow Me, Akhi explores how young Muslims in Britain are using the internet to determine their own religious identity, both within their communities and as part of the country they live in. Entering a world of Muslim dating apps, social media influencers, online preachers, and LGBTQ and ex-Muslim groups, journalist Hussein Kesvani explores how British Islam has evolved into a multi-dimensional cultural identity that goes well beyond the confines of the mosque. He shows how a new generation of Muslims who have grown up in the internet age use blogs, vlogging, and tweets to define their religion on their terms—something that could change the course of 'British Islam' forever.

    ENGLAND 1321 AD After viciously assaulting a corrupt but powerful clergyman Robin Hood flees the only home he has ever known in Wakefield, Yorkshire. Becoming a member of a notorious band of outlaws, Hood and his new companions – including John Little and Will Scaflock – hide out in the great forests of Barnsdale, fighting for their very existence as the law hunts them down like animals. When they are betrayed, and their harsh lives become even more unbearable, the band of friends seeks bloody vengeance. Meanwhile, the country is in turmoil, as many of the powerful lords strive to undermine King Edward II’s rule until, inevitably, rebellion becomes a reality and the increasingly deadly yeoman outlaw from Wakefield finds his fate bound up with that of a Hospitaller Knight… "Wolf’s Head" brings the brutality, injustice and intensity of life in medieval England vividly to life, and marks the beginning of a thrilling new historical fiction series in the style of Bernard Cornwell and Simon Scarrow.

    Christianity, Judaism and Islam all had their genesis in the region but with them came not just civilisation and religion but also some of the great struggles of history. A Short History of the Middle East makes sense of the shifting sands of Middle Eastern History, beginning with the early cultures of the area and moving on to the Roman and Persian Empires; the growth of Christianity; the rise of Islam; the invasions from the east; Genghis Khan's Mongol hordes; the Ottoman Turks and the rise of radicalism in the modern world symbolised by Islamic State.

    Francois de Beaufort will lose the castle which is his inheritance, be horribly maimed in battle, see the woman he loves imprisoned and tortured for her faith. But he vows to fight back, to survive - and to rescue her.

    It can refer to awe before unutterable holiness, but it can also refer to the coercion where some voices are silenced in the interest of control by the dominant voices. It is the latter silence that Walter Brueggemann explores, urging us to speak up in situations of injustice.  Interrupting Silence illustrates that the Bible is filled with stories where marginalized people break repressive silence and speak against it. Examining how maintaining silence allows the powerful to keep control, Brueggemann motivates readers to consider situations in their lives where they need to either interrupt silence or be part of the problem, convincing us that God is active and wanting us to act for justice.

    Yet the authors could offer no real proof, since their access to relevant source material was restricted. At last the truth can be told!This extraordinary and controversial book, packed with intrigue, begins where others have ended. Sir Laurence Gardner has been granted privileged access to European Sovereign and Nobel archives, along with favored insight into chivalric and Church repositories. He proves for the first time that there is a royal heritage of the Messiah in the West and documents the systematic and continuing suppression of records tracing the descendant of the sacred lineage by regimes down the centuries.This unique book, lavishly illustrated in full-color throughout, gives a detailed genealogical account of the authentic line of succession of the Blood Royal from the sons of Jesus and his brother James down to the present day.

    Specializing in the Mediterranean world and naval topics, Bradford was an enthusiastic sailor himself and spent almost thirty years sailing the Mediterranean, where many of his acclaimed books are set. He served in the Royal Navy during World War II, finishing as the first lieutenant of a destroyer, and afterward worked as an editor and correspondent for the BBC.Now, his engaging series of military histories is available to a new generation of readers. Constantinople, jewel of the East, whose Roman emperor embraced Christianity and transformed a fanatic cult into the most powerful religion the world had ever known. The city became itself a center of art, culture, and commerce and the capital of the Eastern Roman Empire. Yet, when the forces of Islam swept the Holy Land and captured Jerusalem, the avenging Christian crusaders set their eyes on Constantinople, attacked, and sacked it. The war pitted Christian against Christian, severing Rome’s Eastern capital from its Western one. The Fourth Crusade spelled the decline and ultimate doom of the Holy Roman Empire. In The Great Betrayal, Bradford brings to life this powerful tale of envy, greed, and betrayal.

    Yet, it is going unnoticed in far too many circles. Social Justice Goes to Church can serve as a wake-up call."—Samuel C. Smith, Ph.D.Chair and Graduate Program Director, Department of History, Liberty UniversityIn order to understand why so many evangelicals recently support left-leaning political causes, it is important to know a little history.In the 1970s, many campus radicals raised in Christian homes brought neo-Marxist ideas from college back to church with them. At first, figures like Jim Wallis, Ron Sider, and Richard Mouw made great gains for their progressive evangelical cause. But, after the defeat of Jimmy Carter, the religious right stole the headlines.Today, a new crop of mainstream evangelicals has taken up the cause of the New Left, whether they know it or not. As pro-life evangelicals rush to support movements like #BlackLivesMatter and #MeToo, it is important to realize they are walking in footprints already laid down. Their mission may be more successful, but it is not new. To understand where the evangelical social justice movement is heading, it is vital to understand the origins of the movement.Social Justice Goes to Church: The New Left in Modern American Evangelicalism answers, from a historical perspective, the vital question, "Why are American evangelicals moving Left?"“The great injunction to the Church was to preach the Gospel to the world, while not being of the world. Social justice neatly reverses this trend, preaching the ways of the world into the church. That is not its only critical reversal. The Gospel is about freedom from guilt and sin and bondage. Social justice seeks above all to apportion guilt and sin and bondage, enslaving entire demographics and requiring that they kneel before man in attrition. How important that a book of this nature should enter the fray right now. I applaud Mr. Harris for his excellent work in providing the practical means of identifying and repelling this fraudulent force, this ideological interloper, this dangerous false teaching.”—Douglas KrugerAuthor of Political Correctness Does More Harm Than Good: How to Identify, Debunk, and Dismantle Dangerous Ideas

    On March 24, 1988, at the University of Mississippi, J.P. Moreland, a leading Christian philosopher and ethicist, and Kai Nielsen, one of today's best-known atheist philosophers, went head-to-head over these questions. Does God Exist? records their entire lively debate and includes questions from the audience, the debaters' answers, and the responses of four recognized scholars - William Lane Craig, Antony Flew, Dallas Willard, and Keith Parsons. Noted author and philosopher Peter Kreeft has written an introduction, concluding chapter, and appendix - all designed to help readers decide for themselves whether God is fact or fantasy.

    Abu Ameenah Bilal Philips has rendered Ibn Taymiyah's treatise, "Eedâh ad-Dalâlah fee 'Umoom ar-Risâlah", from volume 19 of Majmoo' al-Fatâwâ (A Collection of Religious Rulings) into very readable English. This abridged and annotated translation is significant in that it is perhaps the first book available in English exclusively on the topic of spirit-possession and exorcism in Islam.Shaykh Ibn Taymiyah's treatise provides a very clear, concise, and authentic view of this intriguing subject based on the Qur'an, the Sunnah, the interpretation and experience of the Companions of the Prophet (blessings and peace of Allah be upon him) and the early scholars of Islam. Dr. Philips has also added an appendix consisting of an article written on the subject of spirit-possession and exorcism by one of the leading contemporary scholars of Saudi Arabia confirming Ibn Taymiyah's views as both relevant and orthodox.

    Dividing the time into three periods: 600-900, 900-1500 and 1500-1800, they set the artistic development in each era within its historical context and use art as a window into Islamic culture. Written in a lively and accessible style, and illustrated throughout with photographs, maps and plans, the book captures the essence of Islamic culture as expressed in its buildings, books and applied arts, and provides an essential introduction to the subject for both the student and the general reader.

    Using language full of unique beauty and charisma, Miller writes everything from love poems to biblical chronicles, exploring themes such as conflicting identity, home and family, and the spirit of his Jamaican ancestors.