From maple ice cream to Z-shaped fire escapes, these poems carry a flashlight you'll want to follow: unexpected as night swimming, entertaining as a music video in sign language.

    For anyone who's been let down by life and love, these poems reveal that the most important person one can fall in love with is oneself.

    It includes six interior illustrations from artist Wayne Miller.All new tales of William Hope Hodgson's Carnacki.Meet an Edwardian occult detective who goes where no other gentleman will dare. Nine stories and a novella that take Carnacki deep into neolithic barrows, into the crypts of ancient cathedrals and see him fighting the elemental powers of darkness on his own terms.The Blooded Iklwa: A malevolent spirit is intent on blood. Can Carnacki identify the source of the attacks and stop the Zulu blade from its nightly haunting? Or will his client be forced to suffer a death of a thousand cuts?The Larkhill Barrow: A pounding terror has been called up out of Salisbury Plain; an ancient darkness that will haunt your dreams.The Sisters of Mercy: Battle hardened old soldiers lie sick abed in fear for their souls. Only someone with intimate knowledge of the powers of darkness can help them.The Hellfire Mirror: The rituals of an infamous club have left their mark on a mirror, leading Carnacki into a fight to stop his own home from being overrun with the forces of darkness.The Beast of Glamys: Danger to the daughter of a Scottish Lord leads Carnacki to a remote castle, and the uncovering of the secret behind a legend that has persisted for centuries.The Tomb of Pygea: Something serpentine whispers in the dark under Admiralty Arch, and only Carnacki has the skills, and the nerve, to descend, and to listen.The Lusitania: A cruise ship is berthed in Liverpool, deserted by passengers and crew, stuck in port until Carnacki can remove the cause of their terror; apparitions of disaster and shipwreckThe Haunted Oak: Ghosts of the recent dead walk beneath its spreading boughs and the Church needs Carnacki's expertise. But some things are best left to take their course -- natural, or supernatural.The Shoreditch Worm: When one of the churches of London changes its chimes, something old starts to wake. Can Carnacki stop it before it is too late?The Dark Island: Carnacki uncovers a gateway to a dark realm of magic and myth, where the far future of our planet can be touched and seen, if a man has the stomach for it.Meet Carnacki: Ghosthunter.

    “Pastan . . . expresses a full range of the possibilities and potencies of the human, feminine voice” (Boston Globe).from "In the Forest" The trees are lit from within like Sabbath candlesbefore they are snuffed out.Autumn is such a Jewish season,the whole minor key of it.Hear how the wind trembles through the branches, vibratoas notes of cello music.

    For readers devoted to poetry, it offers illuminating examples of the infinitely various ways a poem reaches a reader.In both the book and the videos on the accompanying DVD, poems by Sappho, Shakespeare, Keats, Whitman, and Dickinson as well as contemporary poets are introduced by people from across the United States—a construction worker, a Supreme Court justice, a glassblower, a marine—each of whom speaks about his or her connection to the poem. Their comments are variously poignant, funny, heartening, tart, penetrating, and eccentric, showing some of the ways poetry is alive for American readers. An Invitation to Poetry will inspire a fresh experience of poetry's pleasure and insight.

    "Stargazing at Noon" is Amanda Torroni's first poetry chapbook- a collection of thirty poems on topics ranging from loving at a distance to grief.

    

    But a wedding for your best friend has it's own certain brand of joy. Jo and Sable are getting married and I'm going to be their Person of Honor.Easy, right?Between defending my dissertation, dealing with wedding plans gone wild, freaking out brides, and my own miss givings, it's going to take a miracle to get us all to the altar.But sometimes just loving someone is enough. If I have to use magic to make it perfect, I will.This is a novelette set in the Twisted Luck series. It is best read between Inherited Luck and Drafted Luck. Get ready for some tears and remembering that love doesn't have a defined form.

    . . must be the most accessible and enjoyable major poet in America. His lines are so clear and simple." --Michael Dirda, The Washington Post"Nothing escapes him; everything is illuminated." --Library Journal"Will one day rank alongside of Edgar Lee Masters, Robert Frost, and William Carlos Williams." --Minneapolis Tribune"Kooser's ability to discover the smallest detail and render it remarkable is a rare gift." --The Bloomsbury ReviewFour decades of poetry--and a generous selection of new work--make up this extraordinary collection by Pulitzer Prize winner Ted Kooser. Firmly rooted in the landscapes of the Midwest, Kooser's poetry succeeds in finding the emotional resonances within the ordinary. Kooser's language of quiet intensity trains itself on the intricacies of human relationships, as well as the animals and objects that make up our days. As Poetry magazine said of his work, "Kooser documents the dignities, habits, and small griefs of daily life, our hunger for connection, our struggle to find balance."From "March 2" Patchy clouds and windy.All morningour house has been flashing in and out of shadelike a signal, and far across the waves of grassa neighbor's house has answered, offering help.Ted Kooser is the author of eleven collections of poetry, including Delights & Shadows, which won the Pulitzer Prize. He served as the Poet Laureate of the United States, and is a visiting professor at the University of Nebraska-Lincoln.

    It assures you that tomorrow will be a better day and encourages you to realise your potential and achieve your aspirations. Petit à Petit is centred on themes like self-love, self-confidence and taking life into your own hands.No matter how far-away and impossible your dreams seem, don't be afraid to reach for them.

    After deciding not to take over the crown from Princess Fiona's father, Shrek must embark on a journey to find a new king. But the task is not an easy one, as the trio runs into trouble with a long list of characters in the forest. Will they make it home before this difficult quest takes its toll on them?

    Young Vincent Malloy's vivid imagination takes him on a macabre journey into a fantastical and weird world in which his home is filled with spiders and bats, his aunt becomes an exhibit in his wax museum, and his beautiful wife is buried in his mother's flower bed.

    They ask us to think about our relationship to desire and exploitation. They are both nostalgic for, and exhausted by, the pursuit of an endless summer.‘The intricate politics woven into Tibble’s poetry give her writing strength and purpose.’ —Winnie Siulolovao Dunn, Cordite Poetry Review‘Tibble speaks about beauty, activism, power and popular culture with compelling guile, a darkness, a deep understanding and sensuality.’ —Hinemoana Baker‘The poetry is utterly agile on the beam of its making. There is brightness, daring and sure-footedness.’ —Paula Green, NZ Poetry Shelf‘It demonstrates the power of all paradigm-shifting books – which is to fold up previously knotty stumbling blocks like they are furniture left out in the rain, and then replace it with an enlarged space.’ —John Freeman, LitHubTayi Tibble (Te Whānau ā Apanui/Ngāti Porou) was born in 1995 and lives in Wellington. Her first book, Poūkahangatus, won the Jessie Mackay Best First Book of Poetry Award in 2019.

    

    In the world of these poems, no one is innocent; everyone is confined to the complexity, absurdity, and, above all, fallibility of their human condition…. Anchoring the work is a conversational, lyrical speaker willing to implicate herself as part of the political and social constructs she criticizes, as when she depicts a Southern American culture still reeling from its history of social injustice, and even the Civil War: “Don’t tell us/ history. Nobody hearts a cemetery/ like we do.” It’s a fantastic collection; Belieu desires not to dress issues up but confront them.”—Publishers Weekly, starred review“A smart and nettling book of poems — about love, sex, social class and our free-floating anxieties — from a writer who is a comedian of the human spirit. Her crisp free verse has as many subcurrents as a magnetic field.”—Dwight Garner, The New York Times"Politics, pop culture, and parenthood appear here along with reflections on our collective moments of hypocrisy and hope. '12-Step,' one of the most resonant entries, begins innocuously with a meditation about lighthouses, then the speaker gathers speed and confidence and reaches a risky but profound one-word stanza—'myself'—before ending with a haunting inversion of the Serenity Prayer used by Alcoholics Anonymous. Amid the quips and the elegant observations about immortality, Belieu's speakers never forget their responsibilities, or their possibilities." —Booklist"From poem to poem in the smart, savvy Slant Six, Belieu channels an updated American idiom, one of stubborn in-betweenhood. Like the plain-spoken poetry that plumbed the depths of American consciousness in the 20th century, Belieu trawls the shallows of today’s America and finds just as much caught in its oily reflections as in its murkier subcurrents. It’s '[b]etter,' she suggests, 'to forget perfection.'" —The Boston Globe“I’ve never read a poem by Erin Belieu that I didn’t want to immediately rip from its bindings so I could fold it up and carry around in my pockets and read so many times that the paper turned back into pulp. She’s just that good. That honest and brave and beautiful and wise and funny. She writes poems we need. Poems that say who I am and who you are and how and why we got to be this way. Poems that wonder if we can ever change. Poems that know us and show us and grace us. Poems that remember us and forget us and leave us dazzled in their dust. In Slant Six, she’s outdone herself. It’s a spellbinding, heart-opening beauty of a book.” —Cheryl Strayed"Erin Belieu . . . is always ready to surprise, to astonish, and, ultimately, to defy comparison."—Boston Book Review"[One] of America's finest poets."—Robert Olen ButlerErin Belieu's fourth collection, Slant Six, is an inundation of the humor and horror in contemporary American life—from the last saltine cracked in the sleeve, to the kitty-cat calendar in an office cubicle. With its prophecies of impending destruction, and a simultaneous flood of respect for Americans, Erin Belieu's poems close like Ziploc bags around a human heart.From "12-Step":I am consideringlighthousesin a completely new light—their butch neutrality, their grandbut modest surfaces.A lighthouse could appearhere at any moment.I have been making this effort,placing myself in uncomfortable positions,only for the documented health benefits . . .