She was born for finer things like the rosesmelling Lux soap she steals, the glasses of fresh lime juice that she helps herself to, and the brand new shoes she begs for. But her fate is dictated by the Vithanages, the family she has been working for since she was five years old. We follow Latha’s story for thirty years as she fights for her dignity and navigates the loss of her innocence, competing with Thara Vithanage—a girl her own age who enjoys every freedom that Latha yearns for but is denied, including the love of an ordinary boy. Interwoven with Latha’s story is the tale of Biso, a devoted mother who has decided to leave her coastal Southern town and escape from her abusive husband, taking her three young children with her. But her journey toward a better life in the mountains results in a series of devastating missteps that connects her life with that of Latha’s in an unexpected and heartbreaking way. A Disobedient Girl is a compelling exploration of personal desire set against the volatile backdrop of class and prejudice as two women journey toward their future, united by a shared history but separated by different fates.

    Now thirteen years old, Pinky lives with her grandmother and her uncle’s family in a bungalow on the Malabar Heights in Bombay. While she has never really been accepted by her uncle’s family, she has always had Maji’s love. One day, as monsoons engulf the city, Pinky opens a mysteriously bolted door, unleashing the ghosts of an infant who drowned shortly before Pinky’s arrival and of the nursemaid who cared for the child. Three generations of the Mittal family must struggle to come to terms with their secrets amidst hidden shame, forbidden love, and a call for absolute sacrifice.

    When Ramchand is sent to show his wares to a wealthy family preparing for their daughter's wedding, he is jolted out of the rhythm of his narrow daily life. His glimpse into a different world gives him an urgent sense of possibility. And so he attempts to recapture the hope that his childhood had promised, arming himself with two battered English grammar books, a fresh pair of socks, and a bar of Lifebuoy soap. But soon these efforts turn his life upside down, bringing him face to face with the cruelties on which his very existence depends. Reading group guide included.

    The tragedy spurs him to write a novel set in the household of Lala Motichand. It follows the lives of the wealthy lala and his three sons: Self-confident Dinanath, the true heir to Motichand’s mercantile temperament, lonely Diwanchand, uninterested in business and steeped in poetry; and illegitimate Makhan Lal, a Marx-loving schoolteacher kept to the periphery of his father’s life. In an illuminating act of self-reflection, Vishwanath, the son of a cook for a rich sethji, also tells the story of the lala’s personal servant, Mange Ram and his son, Parsadi. Fatherhood, brotherhood and childhood, love, loyalty and poetry all come to the fore as sons and servants await the lala’s death. By writing about mortality and family, Vishwanath confronts the wreckage of his own life while seeking to make sense of the new India that came into being after independence. Spellbinding and penetrating, Half the Night Is Gone raises questions of religion, literature and society that speak to our fractured times.

    All the stories are set in India, but the people in them seem somehow displaced within their own society—a society in transition but a transition that does not come fast enough to help them. Appachana manages to capture the pervasive humor, poignancy, and self-delusion of the lives of the people she observes, but she does so without seeming to pass judgments on them. She focuses on unexpected moments, as if catching her characters off guard, lovingly exposing the fragile surfaces of respectability and convention that are so much a part of every society, but particularly strong in India, with its caste system, gender privileges, and omnipresent bureaucracies.All life seems to be prescribed; these characters bravely or cautiously confront the rules and regulations or finally give in to them resignedly—any small triumphs they achieve are never clear-cut. One of the most unusual aspects of many of the stories is the way in which they are informed by but never ruled by the author's feminism. She never lectures her readers but lets us see for ourselves: a bride caught in a hopeless marriage where she has given up all rights to any life of her own, a hapless college student who is confined to campus for minor infractions just at the time when she had an appointment for an abortion, a young girl who keeps the dark secret of her sister's rape, a woman executive and a digruntled male clerk both trapped in the intricate bureaucracy of their business firm and the roles they must play to survive there. By turns warm, gullible, arrogant and bigoted, all of these characters live their lives amid contradictions and double standards, superstitions and impossible dreams. Appachana's vision is unique, her writing superb. Readers will thank her for allowing them to enter territory that is at once distant and exotic but also familiar and recognizable.

    Toibin's portrayal of the intricacy and drama of ordinary lives brings to mind of the work of Alice Munro.      Set in Wexford, Ireland, and in breathtaking Ballyconnigar by the sea, Colm Toibin's tour de force eighth novel introduces the formidable, memorable Nora Webster. Widowed at 40, with four children and not enough money, Nora has lost the love of her life, Maurice, the man who rescued her from the stifling world she was born into. Wounded and self-centred from grief and the need to provide for her family, she struggles to be attentive to her children's needs and their own difficult loss. In masterfully detailing the intimate lives of one small family, Toibin has given us a vivid portrait of a time and an intricately woven tapestry of lives in a small town where everyone knows everyone's business, and where well-meaning gestures often have unforeseen consequences. Toibin has created one of contemporary fiction's most memorable female characters, one who has the strength and depth of Ibsen's Hedda Gabler. In Nora Webster, Colm Toibin is writing at the height of his powers.

    We journey with her as she recounts a lifetime of comforting rituals, tantalizing textures, colors, and fragrances, exquisite jewels and adornments, and assorted beauty and health secrets passed through generations of women by word of mouth.In Almond Eyes, Lotus Feet, Sharada Dwivedi, a native of India, and Shalini Devi Holkar, an Indian princess by marriage, draw on the oral histories of privileged Indian women to capture and revive their many wonderful and wise beauty traditions. The result is a rich cultural tapestry, filled with ancient remedies, recipes, and tonics used to soften skin, silken hair, enrich the body, and lift the spirit like no store-bought products can. Additionally, the book offers a glossary of plants, flowers, spices, and grains and simple home remedies for women in all stages of life—from puberty to pregnancy to menopause—including:Almond-Saffron for cleansing and exfoliationPapaya-Mint-Tea for acne and pimplesCream & Honey for dry skin and wrinklesCress & Rosewater for post-natal strengthTulsi Kadha (Basil Tea) for coughs or morning sicknessReplete with gorgeous photos and illustrations from a bygone era, Almond Eyes, Lotus Feet is a treasure trove of time-honored health and beauty customs that will delight the senses of modern women everywhere.

    You will find yourself in the middle of a torrid liaison in The Affair , revel in the euphoria of budding romance in Just One Glance and discover what it means to let go of your loved one in The Impasse .Love can also be brutal and unconventional as The Unseen Boundaries of Love and Something about Karen will show you. But most of all, as Death of a Widower and Siddharth show, you will see that love is all about hope and taking the leap of faith.Selected from a nationwide Romance Contest conducted by Rupa Publications, this heart-warming collection of stories urges you to believe that love is eternal...and forever.

    Adam Banting, a somewhat aimless young scholar at Cambridge University, is called to his professor's office one afternoon and assigned a special summer project: to write a scholarly monograph about a famous garden built in the 1500s. Dedicated to the memory of Signor Docci's dead wife, the garden is a mysterious world of statues, grottoes, meandering rills, and classical inscriptions. But during his three-week sojourn at the villa, Adam comes to suspect that clues to a murder are buried in the strange iconography of the garden: the long-dead Signor Docci most likely killed his wife and filled her memorial garden with pointers as to both the method and the motive of his crime. As the mystery of the garden unfolds, Adam finds himself drawn into a parallel intrigue. Through his evolving relationship with the lady of the house - the ailing, seventy-something Signora Docci - he finds clues to yet another possible murder, this one much more recent. The signora's eldest son was shot by Nazi officers on the third floor of the villa, and her husband, now dead, insisted that the area be sealed and preserved forever. Like the garden, the third-floor rooms are frozen in time. Delving into his subject, Adam begins to suspect that his summer project might be a setup. Is he really just the naive student, stumbling upon clues, or is Signora Docci using him to discover for herself the true meaning of the villa's murderous past?

    One of the late Shusaku Endo’s finest works, The Samurai tells of the journey of some of the first Japanese to set foot on European soil and the resulting clash of cultures and politics.

    But when her forward-thinking father is beaten senseless by the British police, she is forced to live with her grandfather's large traditional family, where the women live apart from the men and are meant to be married off as soon as possible.Vidya's only refuge becomes her grandfather's upstairs library, which is forbidden to women. There she meets Raman, a young man also living in the house who relishes her intellectual curiosity. But when Vidya's brother decides to fight with the hated British against the Nazis, and when Raman proposes marriage too soon, Vidya must question all she has believed in.Padma Venkatraman's debut novel poignantly shows a girl struggling to find her place in a mixedup world. Climbing the Stairs is a powerful story about love and loss set against a fascinating historical backdrop.

    All she did was fall in love with a white Christian carnivore instead of a conventional Indian boy. Years later, with her parents not speaking to her and her controversial relationship in tatters, all Preeti has left is her career at a prestigious Los Angeles law firm.But when Preeti receives word of a terrible accident in the city where she was born, she returns to India, where she’ll have to face her estranged parents…and the complicated past they left behind. Surrounded by the sights and sounds of her heritage, Preeti catches a startling glimpse of her family’s battles with class, tradition, and sacrifice. Torn between two beautifully flawed cultures, Preeti must now untangle what home truly means to her.

    With him ride his wives, his sisters, his daughters, his aunts and his distant female relatives. Unhindered by a relatively recent conversion to Islam, these women will help found a culture of such magnificence and beauty that it will become a by-word for opulence in the world. These Mughal women of Hindustan—unmarried daughters, eccentric sisters, fiery milk-mothers and beautiful wives, will contribute to the great syncretic culture of the Mughals by writing biographies, building monuments, engaging in diplomacy, and patronizing the arts. And even as the zenana changes from the earlier nomadic, tented spaces to the later more sequestered grandeur within the high stone walls of mighty qilas, the influence of the women remains visible and unquestioned. This book looks at the lives of these Mughal women, and the enigma of their disappearance, except as objects of curiosity, from our collective memory.

    The simple and lively stories compel you to take a look back at your own life, and remember when you put these incidences at the back of your mind. Its not just a collection of stories and a true incident, but also a reflection of what every one of us has seen sometime or the other, in our lives. The characters come alive, time and again as people we may have met, or as a persona of our own self.Not too many works in recent years have managed to capture the nuances of ordinary, daily lives as effortlessly and fluently as Terms and Conditions Apply has done. A wonderful assortment of 13 short stories and a true incident, Whether it is highs and lows of a relationship, chaos and bedlam of school life, petty or harmless office gossips, or the buzz of a salon; all stories are strongly steeped in reality and yet they take a superb flight of fancy in the hands of a master craftsman. Rich in imagination, broad in its scope and elegant in its style, Terms and Conditions Apply is arguably one of the best debut works in recent Hindi literature.

    A Passage North begins with a message from out of the blue: a telephone call informing Krishan that his grandmother's caretaker, Rani, has died under unexpected circumstances--found at the bottom of a well in her village in the north, her neck broken by the fall. The news arrives on the heels of an email from Anjum, an impassioned yet aloof activist Krishnan fell in love with years before while living in Delhi, stirring old memories and desires from a world he left behind.As Krishan makes the long journey by train from Colombo into the war-torn Northern Province for Rani's funeral, so begins an astonishing passage into the innermost reaches of a country. At once a powerful meditation on absence and longing, as well as an unsparing account of the legacy of Sri Lanka's thirty-year civil war, this procession to a pyre "at the end of the earth" lays bare the imprints of an island's past, the unattainable distances between who we are and what we seek.Written with precision and grace, Anuk Arudpragasam's masterful new novel is an attempt to come to terms with life in the wake of devastation, and a poignant memorial for those lost and those still alive.