They were asked to take off all their clothes and hold very still in a fetal position until they felt a painful tingling sensation. Then they vanished. They would awake to find themselves apart, and inside their younger bodies—driven to find each other and change history for the better. Their faithful guide on this journey is Samuel L. Jackson, a brilliant actor from the present who appears in the form of an augmented reality that only they can see and hear. And thus, they find themselves leaping through time, striving to right injustice wherever they find it, looking for a world which they can proudly call home.A visual feast that’s both graphic and novel, this book is a love letter to cheesy science fiction and the two men who can still be counted on to inspire us.  Featuring comics produced by Titmouse Inc (Big Mouth, The Venture Bros.), it’s 224 pages of adventure that will melt your snowflake brain and give you hope for humanity at the same time.

    When a sudden medical incident lands Tomine in the emergency room, he begins to question if it was really all worthwhile: despite the accolades, awards, and opportunities of a seemingly charmed career, it's the gaffes, humiliations, slights, and insults he's experienced (or caused) within the industry that loom largest in his memory.But as those memories are delineated in excruciatingly hilarious detail, a different, parallel narrative plays out in the background. In between chaotic book tours, disastrous interviews, and difficult interactions with other artists, life happens: Tomine fumbles his way into marriage, parenthood, and an indisputably fulfilling existence. While mining his conflicted relationship with comics and comics culture, Tomine illustrates the amusing absurdities of life and how we choose to spend our time. Through these cringe-inducing moments, a deeper emotional story emerges, and we see Tomine’s life develop into something much more robust than the blunders. In a bold departure in style from his award-winning Killing and Dying, Tomine distills his art to the loose, lively essentials of cartooning. His stripped-down lines communicate effortlessly, with each pen stroke economically imbued with human depth. Designed as a sketchbook complete with place-holder ribbon and an elastic band, The Loneliness of the Long-Distance Cartoonist shows an acclaimed artist at the peak of his career.

    Ward (1905–85), in employing the concept of the wordless pictorial narrative, acknowledged his predecessors the European artists Frans Masereel and Otto Nückel. Released the week of the 1929 stock market crash, Gods' Man was the first of six woodcut novels that Ward produced over the next eight years. It presents the artist's struggles in a world characterized by both innocence and corruptions and can be considered a forerunner of the contemporary graphic novel, popularized by artists such as Daniel Clowes. Although best known for his "novels in woodcuts," Ward was also a successful illustrator of children's books. In 1953 he won the Caldecott Medal for The Biggest Bear, which he both wrote and illustrated. His illustrations also appeared in numerous books that received the Newbery Medal. Ward's final work was the acclaimed wordless novel The Silver Pony (1973). Until now, Gods' Man has only been widely available in high-priced original editions. This top-quality, low-cost republication of Ward's masterpiece will be welcomed by collectors of his work as well as by readers new to his achievement.

    The road to becoming an underground- comics legend begins with Komisky-Crumb as a nice jewish girl from Long Island, carries her to Greenwich Village in the 1960's, and to California, land of hippy cartoonists, and on to a more or less sedate life with hubby(equally legendary R. Crumb) and daughter, Sophie. Her funny/sad tales show a woman bewildered by her place in society and determined to find her own way. These stories touch on every phase of her existence from childhood, to sexual obsessions, food, motherhood and, of course, her art. The book includes sharp vignettes of the Movers and Shakers - and the jerks - of the art and music worlds since the sixties.

    There’s only one thing she does want: to fight dragons!Granted, no dragons have been breathing fire around Hereville, the Orthodox Jewish community where Mirka lives, but that doesn’t stop the plucky girl from honing her skills. She fearlessly stands up to local bullies. She battles a very large, very menacing pig. And she boldly accepts a challenge from a mysterious witch, a challenge that could bring Mirka her heart’s desire: a dragon-slaying sword! All she has to do is find—and outwit—the giant troll who’s got it!A delightful mix of fantasy, adventure, cultural traditions, and preteen commotion, Hereville will captivate middle-school readers with its exciting visuals and entertaining new heroine.

    The story about a group of young people navigating adulthood and personal relationships is told with such sympathy and perception that the book was immediately hailed as an important new work.Seven years later, it's clear that Same Difference has won a place among the great literature of the last decade. It stands not only with Fun Home, Persepolis, and American Born Chinese as a lasting graphic novel, but with much of the best fiction of this young century. Derek's distinctive voice as an author, coupled with his clear, crisp, expressive art has made this story a classic. And this classic is now back in print, in a deluxe edition from First Second.

    . .When Reese is forced to go on a boating trip with his family, the last thing he expects is to be shipwrecked on an island-especially one teeming with weird plants and animals. But what starts out as simply a bad vacation turns into a terrible one, as the castaways must find a way to escape while dodging the island's dangerous inhabitants. With few resources and a mysterious entity on the hunt, each secret unlocked could save them . . . or spell their doom. One thing Reese knows for sure: This is one Bad Island.

    We hear words like nosh, schlep, and schmutz all the time, but how did these words come to pepper American English? In Yiddishkeit: Jewish Vernacular and the New Land, Harvey Pekar and Paul Buhle trace the influence of Yiddish from medieval Europe to the tenements of New York’s Lower East Side. This comics anthology contains original stories by notable writers and artists such as Barry Deutsch, Peter Kuper, Spain Rodriguez, and Sharon Rudahl. Through illustrations, comics art, and a full-length play, four major themes are explored: culture, performance, assimilation, and the revival of the language. The last fully realized work by Harvey Pekar, this book is a thoughtful compilation that reveals the far-reaching influences of Yiddish.Praise for Yiddishkeit: “The book is about what Neal Gabler in his introduction labels ‘Jewish sensibility.’ It pervades this volume, which he acknowledges is messy; he writes: ‘You really can't define Yiddishkeit neatly in words or pictures. You sort of have to feel it by wading into it.’ The book does this with gusto.” —New York Times “Yiddishkeit is as colorful, bawdy, and charming as the culture it seeks to represent.” —Print magazine “every bit of it brimming with the charm and flavor of its subject and seamlessly meshing with the text to create a genuinely compelling, scholarly comics experience” —Publishers Weekly“Yiddishkeit is a book that truly informs about Jewish culture and, in the process, challenges readers to pick apart their own vocabulary.” —Chicago Tribune “a postvernacular tour de force” —The Forward “A fascinating and enlightening effort that takes full use of the graphic storytelling medium in an insightful and revelatory way.” —The Miami Herald “With a loving eye Pekar and Buhle extract moments and personalities from Yiddish history.” —Hadassah “gorgeous comix-style portraits of Yiddish writers” ––Tablet “Yiddishkeit has managed to survive, if just barely, not because there are individuals dedicated to its survival, though there are, but because Yiddishkeit is an essential part of both the Jewish and the human experience.” —Neal Gabler, author of An Empire of Their Own: How the Jews Invented Hollywood, from his introduction

    The brutal police response and their violent tactics trigger an exploration of urban planning and its hidden connections to military strategies. Marshal Bugeaud’s urban warfare tactics in Algeria, Haussmann’s plan for Paris, planning and repression in the New World; theory and personal experience collide into an ambitious and poetic cartoon memoir.Sophie Yanow was born north of San Francisco in 1987. In 2011 she moved to Montreal, and with the Colosse collective published In Situ, her acclaimed autobiographical comics series. She was an invited artist- researcher for the Canadian Center for Architecture’s “C for Condo” workshop, and her work has been exhibited throughout the US and Canada. She lives in Montreal.

    And you need to read this graphic novel, the amazing deadpan masterpiece from mighty Jason.

    With the uncanny ability to perform complex math problems in his head, Joel endeared himself to audiences across the country and later became the basis of several characters in fiction. Following a childhood spent in the public eye, Joel deliberately spent the remainder of his life removed from popular scrutiny.In All the Answers, his first graphic novel, Michael recounts the struggle to fully understand his distant father and his complex past, even as the onset of Alzheimer’s threatens to take away his present. With wit and heart, Michael presents a fascinating account of mid-century radio and early television history, the pro-Jewish propaganda the Allies used to counteract the Nazis, and the early age of modern celebrity culture.Filled with wisdom and insight, All the Answers is both a powerful father-son story and an engaging portrayal of what identity came to mean at this turning point in American history. Perfect for fans of Alison Bechdel’s Fun Home and Roz Chast’s Can’t We Talk About Something More Pleasant?

    Includes excerpts from in-universe religious texts, stories, and more.

    Ellerbisms catches a glimpse into the life of a young couple, their highs and lows, their sighs and LOLs.Ellerbisms collects more than 200 original strips plus an additional 30 pages of brand new material exclusive to this edition.

    She shares the important post-death firsts, such as celebrating holidays without her mom, the utter despair of cleaning out her mom's closet, ending old traditions and starting new ones, and the sting of having the "I've got to tell Mom about this" instinct and not being able to act on it. This memoir, bracingly candid and sweetly humorous, is for anyone struggling with loss who just wants someone to get it.

    The most important myth in Ancient Egypt is faithfully retold in glorious black and white! Horus, son of Isis, vows bloody revenge on his Uncle Set.