"In fact, I'm very modern. Why do you look at me like that?"Left to her own devices in Biarritz, fourteen-year-old Russian Liza meets an older English boy, Cromwell, on a beach. He thinks he has found a magical, romantic beauty and insists upon calling her Isolde; she is taken with his Buick and ability to pay for dinner and champagne. Disaffected and restless, Liza, her brother Nikolai and her boyfriend Andrei enjoy Cromwell's company in restaurants and jazz bars after he follows Liza back to Paris - until his mother stops giving him money. When the siblings' own mother abandons them to follow a lover to Nice, the group falls deeper into its haze of alcohol, and their darker drives begin to take over.First published in 1929, Isolde is a startlingly fresh, disturbing portrait of a lost generation of Russian exiles by Irina Odoevtseva, a major Russian writer who has never before appeared in English.

    Arthur Bowman, a sergeant in the East India Company, is sent on a secret mission during the Second Anglo-Burmese War. But the expedition is foiled - his men are captured and tortured. Throughout their ordeal, a single word becomes Bowman's mantra, a word that will stiffen their powers of endurance in the face of unimaginable suffering: "Survival". But for all that, only a handful escape with their lives.Some years later in London, battling his ghosts through a haze of alcohol and opium, Bowman discovers a mutilated corpse in a sewer. The victim appears to have been subjected to the same torments as Bowman endured in the Burmese jungle. And the word "Survival" has been daubed in blood by the body's side. Persuaded that the culprit is one of the men who shared his captivity, Bowman resolves to hunt him down.From the Burmese jungle to the slums of London to the conquest of the Wild West, Antonin Varenne takes us on a thrilling journey full of sound and unabated fury, reviving the lapsed tradition of the great writers of boundless adventure. Sergeant Bowman belongs to that breed of heroes who inhabit the imaginations of Conrad, Kipling, Stevenson . . . Lost soldiers who have plunged into the heart of darkness and will cross the globe in search of vengeance and redemption. Translated from the French by Sam Taylor

    Happy are the happy. —Jorge Luis BorgesSchnitzler’s La Ronde gives these twenty short chapters their shape while Borges’s poem gives them their content. As we move from story to story, thrilled to reconnect with an old acquaintance from an earlier scene, we can’t help but admit that we are very much at home in this human comedy that understands all too well the passing thoughts, desires, actions, fears, and mistakes that we have and make day after day, but that we would be incapable of rendering with such acuity and compassion.

    The eight stories in this collection, his first to be published in English, represent some of his best writing and most imaginative storylines: from the love story between Balthazar, wealthy and successful author, and Odette, cashier at a supermarket, to the tale of a barefooted princess; from the moving story of a group of female prisoners in a Soviet gulag to the entertaining portrait of a perennially disgruntled perfectionist. Here are eight contemporary fables, populated by a cast of extravagant and affecting characters, about people in search of happiness. Behind each story lies a simple, if elusive, truth: happiness is often right in front of our eyes, though we may frequently be blind to it.

    Three long stories that draw the reader into the lives of three women, all past their first youth, all facing unexpected crises.

    Told from the viewpoints of three different women, this is a story of the psychological impact of illicit love. First viewed through the eyes of Shoko, who learns of the affair through reading her mother's diary, then through the eyes of Midori, who had long known about the affair of her husband with Saiko, and finally through the eyes of Saiko herself.

    Haiku.And snow."An international bestseller, "Snow "is "a novel that reads like a poem. Limpid, delicate, and pure like its title."* In nineteenth-century Japan, a young haiku poet named Yuko journeys through snow-covered mountains on a quest for art and finds love instead. Maxence Fermine's prose is hypnotic, and his sensuous love story envelops you as if you¹re wrapped in one of his dreams with your eyes wide open.Yuko has all the makings of greatness, but must learn to reach beyond the silent starkness of snow, his ultimate inspiration, to find the color pulsing through life. Color enhanced by love, without which he will remain invisible to the world. On his journey to enlightenment he learns how fragile the balance of life can be through the tragic story of his blind master, Soseki, and the love of his life, a French tightrope walker named Snow. Love and art finally converge in a most startling and exquisite way when a special young woman opens Yuko's heart to the purest of color and light."*Gala" (Italy)

    Devastated and desperate, he sets out on a journey in search of redemption. But this is no ordinary journey: it is one that spans ages and countries, and which brings him face-to-face with a host of unforgettable, eccentric characters and legendary creatures from the strangest medieval bestiaries. Laurus’s travels take him from the Middle Ages to the Plague of 1771, where as a holy fool he displays miraculous healing powers, to the political upheavals of the late-twentieth century. At each transformative stage of his journey he becomes more revered by the church and the people, until he decides, one day, to return to his home village to lead the life of a monastic hermit – not realizing that it is here that he will face his most difficult trial yet.Laurus is a remarkably rich novel about the eternal themes of love, loss, self-sacrifice and faith, from one of Russia’s most exciting and critically acclaimed novelists.

    This new collection of eleven mind-bending and spellbinding tales includes some of Krzhizhanovsky's most dazzling conceits: a provincial journalist who moves to Moscow finds his existence consumed by the autobiography of his room's previous occupant; the fingers of a celebrated pianist's right hand run away to spend a night alone on the city streets; a man's lifelong quest to bite his own elbow inspires both a hugely popular circus act and a new refutation of Kant. Ordinary reality cracks open before our eyes in the pages of Autobiography of a Corpse, and the extraordinary spills out.An NYRB Classics Original

    Written in a French style that long defied successful translation - Cocteau was always a poet no matter what he was writing - the book came into its own for English-language readers in 1955 when the present version was completed by Rosamond Lehmann. It is a masterpiece of the art of translation of which the Times Literary Supplement said: "It has the rare merit of reading as though it were an English original." Miss Lehmann was able to capture the essence of Cocteau's strange, necromantic imagination and to bring fully to life in English his story of a brother and sister, orphaned in adolescence, who build themselves a private world out of one shared room and their own unbridled fantasies. What started in games and laughter became for Paul and Elisabeth a drug too magical to resist. The crime which finally destroyed them has the inevitability of Greek tragedy. Illustrated with twenty of Cocteau's own drawings.

    This NYRB Classics edition (and an accompanying second volume forthcoming in 2019) is the first complete English translation of Shalamov's stories, based on the definitive edition of his collected works, published in Russia in 2013.Shalamov spent six years as a slave in the gold mines of Kolyma, a far northeast region of the USSR and one of the coldest and most inhospitable places on Earth, before finding a less intolerable life as a paramedic in the prison camps. He began writing his account of life in Kolyma after Stalin's death in 1953 and continued until his own physical and mental decline in the late 1970s.In Kolyma Stories, the line between autobiography and fiction is indistinct: Everything in these stories was experienced or witnessed by Shalamov. His work records the real names of prisoners and their oppressors; he himself appears simply as "I" or "Shalamov," or at times under a pseudonym, such as Andreyev or Krist. These collected stories form the biography of a rare survivor, a historical record of the Gulag, and, because the stories have more than documentary value, a literary work of creative power and conviction. This new complete translation of Kolyma Stories will fill a significant gap in the English-language library of Russian literature.

    On this occasion, their ringleader is inspired to rebellion after reading some books on philosophy and science.Anatole France's 1914 satire of war, government, and religion offers an ever-resonant protest against violence and tyranny.

    I'm here to celebrate the mad energy of this strange novel. In it we have the pleasure of seeing Mark Twain's imagination go berserk," writes Bobbie Ann Mason in her introduction. The American Claimant is a comedy of mistaken identities and multiple role switches--fertile and familiar Mark Twain territory. Its cast of characters include an American enamored of British hereditary aristocracy and a British earl entranced by American democracy. The central character, Colonel Mulberry Sellers, is an irrepressible, buoyant mad scientist, Mason writes, "brimming with harebrained ideas. Nothing is impossible for him.... He's totally loopy." His voluble wackiness leaves the reader reeling in the wake of inventions that prefigure DNA cloning, fax machines, and photocopiers. Twain uses this over-the-top comic frame to explore some serious issues as well--such as the construction of self and identity, the role of the press in society, and the moral and social questions raised by capitalism and industrialization in the United States. A unique melange of science fiction and fantasy, romance, farce, and political satire, Twain's least-known comic novel is both thought-provoking and entertaining.

    Dr. Charcot holds all of Paris in thrall with his displays of hypnotism on women who have been deemed mad and cast out from society. But the truth is much more complicated—these women are often simply inconvenient, unwanted wives, those who have lost something precious, wayward daughters, or girls born from adulterous relationships. For Parisian society, the highlight of the year is the Lenten ball—the Madwomen’s Ball—when the great and good come to gawk at the patients of the Salpetriere dressed up in their finery for one night only. For the women themselves, it is a rare moment of hope. Genevieve is a senior nurse. After the childhood death of her sister Blandine, she shunned religion and placed her faith in both the celebrated psychiatrist Dr. Charcot and science. But everything begins to change when she meets Eugenie—the 19-year-old daughter of a bourgeois family that has locked her away in the asylum. Because Eugenie has a secret: she sees spirits. Inspired by the scandalous, banned work that all of Paris is talking about, The Book of Spirits, Eugenie is determined to escape from the asylum—and the bonds of her gender—and seek out those who will believe in her. And for that she will need Genevieve's help . . .

    For Ducky, Princess Victoria Melita, hers was a Romanov cousin, a member of the doomed Russian royal family. Her father is Prince Alfred, Duke of Edinburgh, Queen Victoria's second son. Her mother is Grand Duchess Marie, the daughter of Tsar Alexander II. Ducky seems doomed to be a pawn on her grandmother's dynastic chessboard. But Ducky is not so easily controlled. In an era when death is considered preferable to divorce she fights for the freedom to be with the true love of her life. From disgraced exile in Paris to the glitter of St Petersburg and the mud and carnage of the Eastern Front, she forges her own path. As Russia descends into the chaos of 1917 and the Romanov dynasty falters, Ducky is right at the heart of events. Exiled once more, she tells us her story.