A college student and aspiring writer, she devotes herself to a life of the mind--and to the beautiful and endlessly self-possessed Bobbi, her best friend and comrade-in-arms. Lovers at school, the two young women now perform spoken-word poetry together in Dublin, where a journalist named Melissa spots their potential. Drawn into Melissa's orbit, Frances is reluctantly impressed by the older woman's sophisticated home and tall, handsome husband. Private property, Frances believes, is a cultural evil--and Nick, a bored actor who never quite lived up to his potential, looks like patriarchy made flesh. But however amusing their flirtation seems at first, it gives way to a strange intimacy neither of them expect. As Frances tries to keep her life in check, her relationships increasingly resist her control: with Nick, with her difficult and unhappy father, and finally even with Bobbi. Desperate to reconcile herself to the desires and vulnerabilities of her body, Frances's intellectual certainties begin to yield to something new: a painful and disorienting way of living from moment to moment.Written with gem-like precision and probing intelligence, Conversations With Friends is wonderfully alive to the pleasures and dangers of youth."

    Walking away from her stifling father and the social conventions of her time, she leaves drab suburbia for Edwardian London and encounters an unknown world of suffragettes, Fabians and free love. But it is only when she meets the charismatic Capes that she truly confronts the meaning of her new found freedom. Ann Veronica caused a sensation, damned in the press and preached against from the pulpits when it was first published due to Wells' ground breaking treatment of female sexuality. A fascinating description of the women's suffrage movement, Ann Veronica offers an optimistic depiction of one woman's sexual awakening and search for independence.

    The novel has a delicate tangle of schemes and unfulfilled dreams, hidden secrets and a castle or two. Told wonderfully in the deadpan honesty that has become a Pym hallmark, this book is a delight.

    He is also a compulsive storyteller and an exile. As he travels a route that takes him from India to Spain, he leaves behind a labyrinthine tale of mad passions and volcanic family hatreds, of titanic matriarchs and their mesmerised offspring, of premature deaths and curses that strike beyond the grave. The Moor's Last Sigh is a spectacularly ambitious, funny, satirical and compassionate novel. It is a love song to a vanishing world, but also its last hurrah.~from the back cover

    Mor, hoping to enter politics, becomes aware of new desires and a different dream of life. A complex battle develops, involving love, guilt, magic, art and political ambition. Mor's teenage children and their mother fight discreetly and ruthlessly against the invader. The Head, himself enchanted, advises Mor to seize the girl and run. The final decision rests with Rain. Can a 'great love' be purchased at too high a price?

    It is a fiction about fiction-writing in which the invented world is as much infused with wit and genius as the theme of inventing it. It is a joyful celebration of the infinite possibilities of the art of fiction, and a wry demonstration of its limitations. This Penguin Classic contains Christopher Ricks's introductory essay, itself a classic of English literary criticism, together with a new introduction on the recent critical history and influence of Tristram Shandy by Melvyn New. The text and notes are based on the acclaimed Florida Edition, making the scholarship of the Florida editors readily available for the first time.

    She lives with her mother, Maeve, a skittish woman who takes to her bed for days on end, claims not to know who Debbie’s father is, and believes her dreams are prophecies. Rounding out their small family is Maeve’s brother Billy, who lives in a caravan behind their house, drinks too much, and likes to impersonate famous dead writers online. Though they may have their quirks, the Whites’ fierce love for one another is never in doubt.But Debbie’s life is changing. Earning a place at Trinity College Dublin, she commutes to her classes a few days a week. Outside the sheltered bubble of her childhood for the first time, Debbie finds herself both overwhelmed and disappointed by her fellow students and the pace and anonymity of city life. While the familiarity of the farm offers comfort, Debbie still finds herself pulling away from it. Yet just as she begins to ponder the possibilities the future holds, a resurgence of strange dreams raises her fears that she may share Maeve’s fate. Then a tragic accident upends the family’s equilibrium, and Debbie discovers her next steps may no longer be hers to choose.Gorgeous and beautifully wrought, Snowflake is an affecting coming-of-age story about a young woman learning to navigate a world that constantly challenges her sense of self.

    'Durrell is a magician. He juggles with glittering words, he conjures up "cloud capped towers, gorgeous palaces and solemn temples," he entrances, intrigues and impresses.' The TimesAvignon: the kingdom of kings and Popes, capital of the historic South of France, heart of legendary Provence. The entwined lives of a group of friends - and lovers - are transformed forever by the outbreak of World War II. But their dramatic present only plunges them further into the darkness of an ancient past, as they become entangled in buried plots, gnostic cults, religious rituals, and a mysterious hunt for hidden Knight's Templar treasure. From Hitler's Europe to the medieval world, French chateaus to Egyptian deserts, The Avignon Quintet is an epic symphony of ecstasy and terror, madness and memory, passion and death. Consisting of five majestic novels - Monsieur, Livia, Constance, Sebastian and Quinx - it is a wild, wise masterpiece that could only be written by the literary master of his century, Lawrence Durrell.'Entrancing ... Swooning ... Charged with Durrell's strange magic.' Guardian'An enigmatic and secretive work, a cluster of dark passages and gaudy treasure-filled caves ... Inventive gusto and fictive extravagance ... Sensational.' London Review of Books'Splendid ... Reckless all-or-nothing writing.' Sunday Telegraph 'A virtuoso, capable of extraordinary feats.' New York Times 'Pungent and teasing ... There is some insidious power in him that keeps one reading.' Observer What readers are saying: 'As if Proust had written Raiders of the Lost Ark ...Templars, gnostics, handsome princes, asylums, madness, Freudians, southern France, Egypt, ancient tombs, castles, exotica, erotica, incest, ghosts, gypsies, ascetics, spies, Nazis, secret societies, bordellos, feasts, Nubian lesbians, assassins disguised as nuns, literary doppelgangers, convents, hidden treasure, suicide, and art.''Mystery, love, incest, war, espionage, gypsies, mysticism, secret rituals: a masterful writer.' 'Magnificent ... An incredible level of writing that should be experienced by everyone who loves modern literature.''A masterpiece ... Unlike anything I've ever read.' 'The master at his peak.' 'The writing is spectacular, unlike anything today.' 'Deeply complex, very clever use of language and gripping. Highly recommended.' 'Hairs suddenly rise on the back of the neck ... Read with a glass of wine.'

    This is its completion, praised for its delicacy, wit and discretion.When Charlotte Heywood, eldest daughter of a family of fourteen, is invited to stay with Mr. and Mrs. Parker of Sanditon, she accepts with alacrity, intrigued to visit the once quiet town being promoted by Mr. Parker as the newly fashionable resort for sea-bathing.As a guest of the Parkers, Charlotte is introduced to the full range of Sanditon polite society, from Lady Denham to her impoverished ward Clara and from the feckless Sidney Parker to his hypochondriac sisters. A heroine whose clear-sighted common sense is often at war with romance, she cannot help observing around her both folly and romance in many guises, but can she herself resist the attractions of the heart?

    As a first book of poems, it is remarkable for its accurate perceptions and its rich linguistic gifts.

    From the tale of commitment, loneliness and hope in Of Mice and Men, to the tough yet charming portrait of people on the margins of society in Cannery Row, to The Pearl's examination of the fallacy of the American dream, Steinbeck stories of realism, that were imbued with energy and resilience.

    This volume brings together three of his novels contrasting the lives of servants and masters (Loving); workers and owners, set in a Birmingham iron foundry (Living); and the different lives of the wealthy and the ordinary, (Party Going).

    The only thing that can be guaranteed is that it will be his next earth-movingly funny bestseller. And we are still pretty confidently saying it will not be about earthworm migration patterns in East Devon.This is the story of Ned Maddenstone, a nice young man who is about to find out just what hell it is to be one of the stars' tennis balls.  For Ned, 1978 seems a blissful year: handsome, popular, responsible and a fine cricketer, life is progressing smoothly for him, if not effortlessly. When he meets Portia Fendeman his personal jigsaw appears complete. What if her left-wing parents despise his Tory MP father? Doesn't that just make them star-crossed lovers? And surely, in the end, won't the Fendemans be won over by their happiness?  But, of course, one person's happiness is another's jealous spite. And spite is about to change Ned's life forever.  A promise made to a dying teacher and a vile trick played by fellow pupils rocket Ned from cricket captain to solitary confinement, from head boy to political prisoner. Twenty years later, Ned returns to London a very different man from the boy seized outside a Knightsbridge language college.  A man implacably focused on revenge. Revenge is a dish he plans to savour and serve to those who conspired against him, and to those who forgot him.

    Based on Cronin's own experiences as a physician, The Citadel boldly confronts traditional medical ethics, and has been noted as one of the inspirations for the formation of the National Health Service.The Citadel has been adapted into several successful film, radio, and television productions around the world, including the Oscar-nominated 1938 film starring Ralph Donat, Rosalind Russell, Ralph Richardson, and Rex Harrison.

    Magnus Mills gives us a wiry novel of tensile strength that proves him a writer of ferocious talent. Eerie, resonant, spare yet rich in tones both hilarious and ominous—as if a work by Irvine Welsh, or perhaps Macbeth, had been adapted by the Coen brothers—his story has a finale so ingenious, insidious, and satisfying, it remains locked in the mind long after the last wire has been strung into place.