Embries—better known as “Merlin”—informs a young captain that he is next in line to the throne. For James Arthur Stuart is not the commoner he has always believed himself to be—he is Arthur, the legendary King of Summer, reborn. But the road to England’s salvation is dangerous, with powerful enemies waiting in ambush. For Arthur is not the only one who has returned from the mists of legend. And Merlin’s magic is not the only sorcery that has survived the centuries.AVALON“A rousing postscript to Lawhead’s bardic Pendragon Cycle . . . Playing off snappy contemporary derring-do against the powerful shining glimpses of the historical Arthur he created, Lawhead pulls off a genuinely moving parable of good and evil.”—Publishers Weekly

    It's a wise and wacky look at our recent past seen through a fun-house mirror...it's a satire on our violent, inexplicable, wonderful world...and it's a mind trip inward to expose our deepest hopes and fears.The missing plutonium a terrorist group turns into nuclear devices, the Mad Fishmonger, the future America called Unistat, our hero Benny "Eggs" Benedict, and the Invisible Hand are real but beyond the Black Hole, out of space, out of time—in the universe next door.

    In this wonderfully written and masterfully plotted novel, Jane Smiley, the prizewinning author of A Thousand Acres, offers a wickedly funny, darkly poignant comedy.

    Brian Tate and his wife Erica seem to have it all: a strong relationship, beautiful children, good friends and enough money. But when Brian, a middle-aged professor of political science, begins an affair with a female student, the snug fabric of the Tates' lives starts to unravel alarmingly fast.Alison Lurie enters into the worlds of husband, wife, adulteress and child with equal measures of empathy and humour in this richly imagined story of a family breakdown, set in the sharply observed domain of American academia.

    Invited to the family seat--Pendragon Castle in North Wales--Batky receives a mysterious phone call warning him not to go; but he does and finds himself in a bizarre world of mysticism, romance, animal experimentation, and planned murder. His quest to solve the central mystery takes him down strange byways--old libraries and warehouse cellars, Welsh mountains, and underground tombs.

    Anita Loos first published the diaries of the ultimate gold-digging blonde in the flapper days of 1925. Now Gentlemen Prefer Blondes and its brunette sequel are together at last in a two-in-one volume, complete with the original hilarious Ralph Barton illustrations throughout.

    Michener’s monumental saga chronicles the epic history of Texas, from its Spanish roots in the age of the conquistadors to its current reputation as one of America’s most affluent, diverse, and provocative states. Among his finely drawn cast of characters, emotional and political alliances are made and broken, as the loyalties established over the course of each turbulent age inevitably collapse under the weight of wealth and industry. With Michener as our guide, Texas is a tale of patriotism and statesmanship, growth and development, violence and betrayal—a stunning achievement by a literary master.  Praise for Texas   “Fascinating.”—Time   “A book about oil and water, rangers and outlaws, frontier and settlement, money and power . . . [James A. Michener] manages to make history vivid.”—The Boston Globe   “A sweeping panorama . . . [Michener] grapples earnestly with the Texas character in a way that Texas’s own writers often don’t.”—The Washington Post Book World  “Vast, sprawling, and eclectic in population and geography, the state has just the sort of larger-than-life history that lends itself to Mr. Michener’s taste for multigenerational epics.”—The New York Times

    In Saul Bellow’s masterly translation, the title story follows the exploits of Gimpel, an ingenuous baker who is universally deceived but who declines to retaliate against his tormentors. Gimpel and the protagonists of the other stories in this volume all inhabit the distinctive pre–World War II ghettos of Poland and, beyond that, the larger world created by Singer’s unforgettable prose.

    The story of a middle aged professor who, upon completion of his massive historical study, Guilt and Innocence in Hitler's Germany, finds himself writing a novel about his own life instead of the introduction to his magnum opus. The Tunnel meditates on history, hatred, unhappiness, and, above all, language.

    Playing cards and getting drunk, he uses all his cunning and genial subterfuge to deal with the police, clergy, and officers who chivy him toward battle.Cecil Parrott's vibrant translation conveys the brilliant irreverence of this classic about a hapless Everyman caught in a vast bureaucratic machine.

    On this occasion, their ringleader is inspired to rebellion after reading some books on philosophy and science.Anatole France's 1914 satire of war, government, and religion offers an ever-resonant protest against violence and tyranny.

    Finding each other's voice attractive, they soon switch to a private, "one-to-one" connection. Their seduction-through-conversation begins hesitantly and then becomes erotic.

    Centering her story around the fictional family of Ling Tan, Buck recreates the heart wrenching devastation that war inflicted on these gentle innocent people. Ling Tan and his family were simple farmers living in peaceful isolation. Western technology, and likewise the machinery of war, were unknown in these outlying regions of China. And even though literacy was on the rise among the younger generations, the alarming reports of foreign aggression went largely ignored. For the peasants, the transition from one political ruler to another was virtually inconsequential; life revolved around their farms and their villages. Patriotism was not the concept of loving and defending a country; their land was their country. But as the invasion moves inland and the roads are jammed with survivors fleeing west, Ling Tan and his neighbors are forced to face the harsh realities of war. "Days passed and with the rulers gone the people held themselves the more steadfast knowing that they and they alone were left to stand against the enemy and upon each man himself now depended what would happen. So it had happened again and again in other times, for rulers anywhere are always the first to fly, and the people must stay behind to be steadfast.

    The radioactivity acts as a catalyst for the bug spray, causing his body to shrink at a rate of approximately 1/7 of an inch per day. A few weeks later, Carey can no longer deny the truth: not only is he losing weight, he is also shorter than he was and deduces, to his dismay, that his body will continue to shrink.

    It is voiced in first-person by an anonymous narrator often using jargon, broken grammar and punctuation with a poetry-like structure. The narration shifts quickly from random idea to idea with little to no connectivity between them, typically giving vivid descriptions of abstract situations. The narrative styles in the book vary significantly as well, with no apparent solid identity to the narrator itself. Some characters and ideas emerge suddenly and disappear without explanation.Within this form incorporate elements of science fiction, cyberpunk, tabloid journalism, and advertising slogans. Due to its use of pop-culture references (e.g. to kung-fu films) and literary allusions it requires knowledge of (then) current affairs. Leyner resorts to irony and humor as a means of interplay with traditional realism.-Wikipedia