The furthest thing from Yatta’s mind is love and relationships. He’s focused on providing for his family, hitting licks with his day one niggas, Alaric and Zamir, and staying out of the way of the law. But, as fate has it, he meets the alluring Erin Hughes and his perception of love shifts in a new direction. Erin is a born and raised Detroit city girl with dreams as big as her heart. Her love for drawing and painting made her a bit of an out cast. But with the support of her cousin Dreka, her best friend Cassidy and her father, she has never known the feeling of not being loved, despite the lack of it it she received from her distant mother. Erin doesn’t let anything discourage her from living life and being happy. Lately, the one thing that would truly make her happy is being with Yatta. But its easier said than done as many things get on the way of them being together. One of them being Yatta’s baby mama, Cleo. Things slowly unravel and before you know it love, secrets, and deadly decisions causes great turmoil in their lives. Will Erin regret the day she gave her heart to a bad boy? Or will Yatta sweep her off her feet, showing her that bad boys fall in love, too?

    Her characters suffer and survive against the enormous weight of the times with a dignity that inspires. Her work challenges the audience and reader to reexamine the conflicts and meaning of our everyday lives through her singular, poetic imagery and language.Includes: One Flea SpareIn the Heart of AmericaSlaughter CityThe War BoysThe Trestle at Pope's Creek

    School is her get away, and her safe haven, because at home, she suffers through an abusive relationship with her boyfriend William.Due to the stress of life and school, Amelia loses her job, but quickly bounces back and finds a better opportunity, and with a new job on the horizon, she falls into the arms of the owner of the business, Ceedric.Ceedric is a savage street king who goes legit and leaves his past behind, opening a construction company.The chemistry between these two is real and raw, but what will she do about William? With the fear of leaving William, and falling into something new with Ceedric, hearts and lives are on the line and in the way.Can Ceedric use his tru savage ways to hold on to his woman, or will she slip through his fingers, and stick to what she knows, abandoning her chance at happiness?

    has revved up the chaos in her second installment of Pretty Lips That Thugs Love series. Twyla T. intensely catapults the audience into the lives of Ashanti and Kentay as love, drama, and secrets unfold in droves. Kentay Mill adamantly claims Ashanti McNeal as his woman in more ways than one. However, his philandering ways always find its way to Ashanti’s front door—literally when his baby is dropped off at the front door. Kentay has been the man in Ashanti’s life for years, but his constant disrespect and unfaithfulness are pushing her into the arms of another man. And, the kicker is that it’s just not any man, but his very own blood. Regardless of the situation, Kentay vows to keep Ashanti as his by any means necessary. He hates to lose and declares that he will win no matter what. Not trying to entertain the thought, he decides to take matters into his own hands and takes desperate measures to ensure that she will always be his. Ashanti is not feeling the love for Kentay that she used to feel. She knows that she is a good woman and has grown tired of his ill treatment of her. When she wasn’t looking, Ashanti finds love in an unexpected place when it literally bumps into her by the name of Ahmad Jones. Their budding friendship develops into something more that neither of them could deny any longer. After watching Ahmad and his team win the NCAA Championship for his college Mississippi State University, Ahmad and Ashanti celebrate with a hot and passionate kiss on live TV that the world sees and she knows that there is no turning back. Ahmad and Ashanti enter new relationship territory and can’t wait to explore their new found love. They are ready to deal and to tackle the fallout with Kentay in order to start their lives together, but they know it won’t be easy. Just as things are looking up for the new couple, tragedy strikes that sends all of their lives in a tumultuous domino. Secrets will no longer remain secrets. No one will go unscathed as lives are turned upside and inside out. Lives will be changed. Relationships will be tried and tested. Pain is inevitable. Love still rules in the end. As darkness descends over the lives of Ashanti, Kentay, and Ahmad, will any of them find light at the end of the tunnel? Whose love will endure the torrent of disasters? Discover who will survive all of the hazy drama that is unrelenting and unlimited in the second installment of this urban fiction love story in Pretty Lips That Thugs Love 2

    They were the eldest of the James/Santos offspring who were all either siblings or cousins and ranged in age from infants to early teens. But, now that the three boys were older, they had to face real life issues and responsibility. Lil Q’s name had already been run through the system due to the parents of his first puppy love, Jyla. Now the majority of his summer vacation was spent going back and forth to the courthouse trying to clear his name. Cons’ vacation was spent on his new career, but he later finds himself walking the footsteps of his father. Cons was a go-getter and had been that way since he could comprehend that people catered to children. Once Cons’ career blew up, he also figured out how much it brought attention from his peers, be it good or bad. Now that Cee saw how much drama had come into his family from his little brother and cousin, he chose to keep his feelings for his best friend at bay, not knowing that she liked him too. Cee, Cons, and Lil Q all knew the rules of the James and Santos family. Now that they were older, their parents felt they needed a little more freedom, but would it all be taken away after their parents learned just how much chaos surrounded their children?

    As she helps women plan and execute their special day, Reese is secretly waiting for the day it is her walking down the aisle. However, it seems that with Cordell, a well-known Miami DJ, that will never happen. Though she thought she had a fairy tale, after finding out a secret, Reese has to do her best to move on. It may be easier said than done, though. Anthony is a rapper, and to the outside eye, he has everything. The money, the cars, and the picture perfect trophy girlfriend, Elysia. However, with her continuously pressuring Anthony to get married, he strongly doubts their relationship and where it's meant to head. When he meets Reese, the inevitable happens. With her outgoing and vibrant smile, he finds himself easily attracted to her. However, all is not fair in love and war. Will their hearts be the casualty?

    

    Banks learns that one of the young men he has seen occasionally about the house is about to become his son-in-law. Daughter Kay announces the engagement out of nowhere. Mrs. Banks and her sons are happy, but Mr. Banks is in a dither. The groom-to-be, Buckley Dunstan, appears on the scene and Mr. Banks realizes that the engagement is serious. Buckley and Kay don't want a "big" wedding just a simple affair with a few friends! We soon learn, however, that the "few" friends idea is out. Then trouble really begins. The guest list grows larger each day, a caterer is called in, florists, furniture movers and dressmakers take over, and the Banks household is soon caught in turmoil.

    When the outside world comes calling, intent on manipulation for political and economic reasons, the islanders find their own world blown apart from the inside as well as beyond. Further Than The Furthest Thing is a beautifully drawn story evoking the sadness and beauty of a civilisation in crisis.Further Than The Furthest Thing premiered at the Traverse Theatre, Edinburgh in August, 2000.

    The first play, Tughlaq, is a historical play in the manner of nineteenth-century Parsee theater. The second, Hayavadana was one of the first modern Indian plays to employ traditional theatrical techniques. In Naga-Mandala, the third play, Karnad turns to oral tales, usually narrated by women. This selected work of one of India's best known playwrights should attract the attention of students and scholars of comparative literature, or any reader interested in South Asian literature.

    The play is set in a beach bungalow. The young man who lives there has pulled a lost young woman from the ocean. Soon, she finds herself trapped in his life and torn between her need to come to rest somewhere and her certainty that all human relationships turn eventually into nightmares. The struggle between his tolerant and gently ironic approach to life and her strategy of suspicion and attack becomes a kind of war about love and creation which neither can afford to lose. This is an offbeat, wonderful love story. Note: The play contains a wealth of excellent monologue and scene material.

    Her oldest daughter, Kess, is a university professor in Minneapolis, but she has come home at the request of her sister, Jo who is concerned for Evelyn's mental health. Kess, a professed lesbian, wants to cut her family ties once and for all; Jo, an incurable romantic and longtime virgin, has now become pregnant; while Sherry, salty-tongued and amoral, wants only to finish high school so she can leave home for good. In the end, there is no accommodation possible but, instead, only a kind of arbitrary independence for each of the protagonists, as they come to realize that each must find her own heaven or hell in her own way.

    Use these fully illustrated classic and contemporary plays for reading practice or performance.Each script offers performance notes, character lists, exercises, and glossaries.

    They sailed far out to sea. The blue one returned to the harbor. The red one sailed home too. But the yellow boat sailed up to the sun." Benjamin always concluded his bedtime ritual by saying, "Mom, you can be the red boat or the blue boat, but I am the yellow boat." This remarkable voyage of Benjamin was extensively developed and widely produced in America for several years, always to ovations. Cast of 4 men and 3 women.THE YELLOW BOAT is based on the true story of David and Sonja Saar's son, Benjamin, who was born with congenital hemophilia, and died in 1987 at the age of 8 of AIDS related complications. A uniquely gifted visual artist, Benjamin's buoyant imagination transformed his physical and emotional pain into a blaze of colors and shapes in his fanciful drawings and paintings. The story of THE YELLOW BOAT Is a glorious affirmation of a child's life, and the strength and courage of all children. Recommended for children of age 8 and older, parents, families and adults.

    Scenery: A bare stageThe six teenage characters communicate only via the internet. Conversations range in subject from Britney Spears to Willy Wonka to - suicide: Jim is depressed and talks of ending his life and Eva and William decide to do their utmost to persuade him to carry out his threat. From this chilling premise is forged a funny, compelling and uplifting play that tackles the issues of teenage life head-on and with great understanding.