Once seen as a thousand years of warfare, religious infighting, and cultural stagnation, they are now understood to be the vital connection between the past and the present. Along with the battles that helped shape the modern world are a rich heritage of architecture, arts, and literature, of empire and its dissolution. It was the era of the Crusades and the Norman Conquest, the Black Death and the fall of Constantinople. It is a landscape both familiar and foreign, dark and foreboding at times, but also filled with the promise and potential of the future.

    It is, in its earliest form, a spontaneous and instinctive endeavor to shape the facts of the world to meet the needs of the imagination, the cravings of the heart.Classics included in this volume include:One Eye, Two Eyes, Three Eyes,The Magic Mirror,The Enchanted Stag,Hansel and Grethel,The Story of Aladdin,This Story of Ali Baba,The Second Voyage of Sinbad the Sailor,The White Cat,The Golden Goose,The Twelve Brothers,The Fair One With the Golden Locks,Tom Thumb,Blue Beard,Cinderella,Puss In Boots,The Sleeping Beauty In the Wood,Jack and The Bean-Stalk

    McNelly. South Texas was overrun by thieves and outlaws, and over three thousand Mexican guerrillas raided settlers on both sides of the border. McNelly’s Rangers became famous for their often violent and murderous campaigns. Maintaining strict law in the anarchic area was not easy and they quickly gained a reputation as "fire-eating, quarrelsome daredevils”. During this period they made over eleven hundred arrests and killed many more. McNelly ordered them “to have fun, and to carry out a set policy of terrorizing the Mexicans at every opportunity," Jenning’s memoir includes many accounts of these clashes with Mexican guerrillas and records well-known incidents involving McNelly — his battles with the US government and the fight at Las Cuevas with Cortuna and his raiders. Jennings also provides first-hand accounts of scrapes with King Fisher’s outlaw band, John Wesley Hardin, and the families involved in the Taylor-Sutton feud. In an era of cattle thieving and terror, A Texas Ranger follows Jennings through the southern border of Texas and finds a vivid first-hand portrayal of life in the late 19th century in one of the most lawless and violent places in the United States. “If any time of the past was ever vivid and vital enough to live on through mere reporting… it was the time when McNelly’s rangers rode the bloody border of Texas. Hence it is exceedingly fortunate that a man who was to become a skilled reported rode with them and later saw reason for putting down some of the things he had been part of.” — J. Frank Dobie Napoleon Augustus Jennings was born in Philadelphia, the son of a wealthy merchant, on January 11, 1856, and graduated from St. Paul's School in Concord, New Hampshire. He moved to Texas in 1874 and became a ranger, that years chronicled in this book. When his father died in 1878 he returned to Philadelphia and attempted to run the family business, but was smothered by city life. He returned to the West in 1881 as a prospector, miner, stagecoach driver, and sign painter in Colorado. Jennings died in New York on December 15, 1919.

    Anthony Cronin’s account of life in post-war literary Dublin is as funny and colourful as one would expect from an intimate of Brendan Behan, Patrick Kavanagh and Myles na Gopaleen; but it is also a clear-eyed and bracing antidote to the kitsch that passes for literary history and memory in the Dublin of today. Cronin writes with remarkable subtlety of the frustrations and pathologies of this generation: the excess of drink, the shortage of sex, the insecurity and begrudgery, the painful limitations of cultural life, and the bittersweet pull of exile. We read of a comical sojourn in France with Behan, and of Cronin’s years in London as a literary editor and a friend of the writer Julian Maclaren-Ross and the painters Robert MacBryde and Robert Colquhoun. The generation chronicled by Cronin was one of wasted promise. That waste is redressed through the shimmering prose of Dead as Doornails, earning its place in Irish literary history alongside the best works of Behan, Kavanagh and Myles.

    Along the way he reflects on the American character, racial hostility, the particular form of American loneliness he finds almost everywhere, and the unexpected kindness of strangers.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Crook's memoir brings an astonishing array of personal details of life in the executive mansion. His sensitive observations of Lincoln are especially moving.A well-known figure in Washington, Crook knew every president from Lincoln until Crook's death in 1915. He was a keen observer and his stories will entertain and sometimes surprise you.

    This new, expanded edition features exclusive, unpublished photos taken by the 23-year-old Ernesto on his journey across a continent, and a tender preface by Aleida Guevara, offering an insightful perspective on the man and the icon.Features of this edition include:A preface by Che Guevara’s daughter AleidaIntroduction by Cintio Vintier, well-known Latin American poetPhotos & maps from the original journeyPostcript: Che’s personal reflections on his formative years: “A child of my environment.”  Published in association with the Che Guevara Studies Center, Havana

    Her tales of childhood in rural Ireland hard back to a timeless past, to a world now lost, but ever and fondly remembered. The colorful characters and joyous moments she offers have made The School Through the Fields in Irish phenomenon, and have made Alice herself the mose beloved author in all of the Emerald Isle.

    While there, Levi reflected on the harsh landscape and its inhabitants, peasants who lived the same lives their ancestors had, constantly fearing black magic and the near presence of death. In so doing, Levi offered a starkly beautiful and moving account of a place and a people living outside the boundaries of progress and time.

    This portrait of a beguiling Southern city was a best-seller (though a flop as a movie). ~ Shots rang out in Savannah's grandest mansion in the misty, early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this city of moss-hung oaks and shaded squares. John Berendt's narrative reads like a thoroughly engrossing novel, and yet it is a work of nonfiction. Berendt interweaves a first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case.The story is peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman's Card Club; the turbulent young redneck gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the "soul of pampered self-absorption"; the uproarious black drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young blacks dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else.

    Stanton devoted her life to the cause of advancing the political, legal, and social standing of women, and she became its most eloquent spokesperson. Whereas Susan B. Anthony, her "steadfast friend for half a century," had a gift for organizing and mobilizing women to take action, Stanton's talent was for publicizing the key issues of the movement and speech writing. This talent is evident on every page of this autobiography, which records as much about the cause that was her life's work as it does about her personal reminiscences.Here she vividly describes the momentous occasion of organizing the Seneca Falls Convention in the summer of 1848, her first speech before the New York State legislature, the preparation and delivery (by Susan B. Anthony) of the Woman's Declaration of Rights at the national centennial celebration in Philadelphia in 1876, writing the History of Woman Suffrage and The Woman's Bible, plus her views on theology, marriage, and divorce, as well as reminiscences of her parents, husband, and seven children. Two chapters are devoted to Susan B. Anthony, and there are many anecdotes about Lucretia Mott, Matilda Joslyn Gage, and other leading feminists of the day.This fascinating account of history in the making conveys the amazing commitment of all of these pioneering women's rights advocates, against the indifference and derision of what seemed to be a hopelessly patriarchal society. Through it all Stanton displays an unflagging, exuberant optimism and the determination that the noble goal to which she dedicated her life would someday be accomplished.This unabridged edition is enhanced by an introduction by Denise M. Marshall, trustee of the Elizabeth Cady Stanton Foundation.