When the poor man was unable to stand it any longer, he ran to the Rabbi for help.As he follows the Rabbi's unlikely advice, the poor man's life goes from bad to worse, with increasingly uproarious results. In his little hut, silly calamity follows foolish catastrophe, all memorably depicted in full-color illustrations that are both funnier and lovelier than any this distinguished artist has done in the past.It Could Always Be Worse is a 1977 New York Times Book Review Notable Children's Book of the Year and Outstanding Book of the Year, and a 1978 Caldecott Honor Book.

    All he has left of Eddie is the journal his friend wrote stories in. Tristan is dreading the month he’s going to spend on his grandparents’ farm in Alabama, where he’s being sent to heal from the tragedy. But on his first night there, a sticky creature shows up in his bedroom and steals Eddie’s journal. Tristan chases after it — is that a doll? — and a tug-of-war ensues between them underneath a Bottle Tree. In a last attempt to wrestle the journal out of the creature’s hands, Tristan punches the tree, accidentally ripping open a chasm into the MidPass, a volatile place with a burning sea, haunted bone ships, and iron monsters that are hunting the inhabitants of this world. Tristan finds himself in the middle of a battle that has left black American gods John Henry and Brer Rabbit exhausted. In order to get back home, Tristan and these new allies will need to entice the god Anansi, the Weaver, to come out of hiding and seal the hole in the sky. But bartering with the trickster Anansi always comes at a price. Can Tristan save this world before he loses more of the things he loves?

     Follow one African-American boy through the course of his day as the harsh reality of segregation and racial prejudice comes into vivid focus. But the boy dreams of a different life--one full of freedom, hope, and wild possibility, where he can fling his arms wide in the face of the sun.

    Illustrated with black-and-white archival engravings with an introduction by Henry Louis Gates, Jr.

    There is no shortage of so-called princesses, but how can he tell whether or not they are what they claim to be? Then one night, a great storm rages, there's a knock on the palace gate, and the prince's life is never the same. Caldecott Honors-winning artist Rachel Isadora exquisitely illustrates this retelling of the classic Hans Christian Andersen fairy tale and takes readers to a beautiful African setting--a first for the ?true story? of a tiny pea that changed everything.

    But then one of the billy goats wonders: Why is that gigante so grumpy, anyway?This thoughtful question sends their plan in a new direction, and the results are better than they ever imagined.Dashes of humor, empathy, and kindness make this modern twist on a classic tale a charming delight.

    Writing in the midst of a Europe-wide rebirth of national literature, Anderson broke new ground with his fairy tales in two important ways. First, he composed them in the vernacular, mimicking the language he used in telling them to children aloud. Second, he set his tales in his own land and time, giving rise to his loving descriptions of the Danish countryside. In contrast to such folklorists as the Brothers Grimm, Anderson’s tales are grounded in the real and often focus on the significance of small or overlooked things.Tinderbox --Little Claus and big Claus --Princess on the pea --Thumbelina --Traveling companion --Little mermaid --Emperor's new clothes --Steadfast tin soldier --Wild swans --Flying trunk --Nightingale --Sweethearts --Ugly duckling --Fir tree --Snow queen --Red shoes --Shepherdess and the chimney sweep --Shadow --Old house --Little match girl --Story of a mother --Collar --Bell --Marsh King's daughter --Wind tells of Valdemar Daae and his daughters --Snowman --Ice maiden --Wood nymph --Most incredible thing --Auntie toothache.

    "Children will delight in the cunning way that Fiona triumphs over the leprechaun king, as well as in the rhythmic language of this well-told tale." - Kirkus Reviews

    But today, for his fifth birthday, he climbs aboard one with his grandfather. As the matatu pulls away from the market, the village dogs chase after them. When Kioko asks his grandfather why the dogs always bark and chase after matatus, his grandfather tells him an entertaining tale about a dog, a goat and a sheep. Set in East Africa, The Matatu is a colorful story filled with many unexpected turns and twists along the way.

    They swept Europe, all the while pursuing their vision of the stag. Their leader was called Attila, and the land Hungary. Here is the epic story of their tribal migration and their fierce leader—known to us even today.

    He faces many obstacles on his quest and sacrifices much to help others in need. But the mouse's compassion and faith in himself prove to be a source of great power...and bring him rewards even beyond his dreams.

    In his "wee house in the heather," where he lives with his family of twelve, he welcomes to his hearth every weary traveler who passes by on a stormy night. "There's always room for one more," says Lachie, and how his grateful guests say a wonderful "Thank you" provides a delightfully warm and tender ending to this hilarious tale of kindness.

    She often makes them up to help her little brother fall asleep. But in her small village there are only a few books and she has read them all. One morning, Ana wakes up to the clip-clop of hooves, and there before her, is the most wonderful sight: a traveling library resting on the backs of two burros—all the books a little girl could dream of, with enough stories to encourage her to create one of her own.Inspired by the heroic efforts of real-life librarian Luis Soriano, award-winning picture book creators Monica Brown and John Parra introduce readers to the mobile library that journeys over mountains and through valleys to bring literacy and culture to rural Colombia, and to the children who wait for the BiblioBurro.A portion of the proceeds from sales of this book was donated to Luis Soriano's BiblioBurro program.

    And her dream is realized when a trader brings Pempa to her parents' tea house. But after a band of robbers steals the valuable dog and quickly escapes with him into the mountains, Momo is determined to catch them and recover her beloved Pempa. To do so, she must follow the Great Trade Route across the mountains—a path that most people avoid, and which will surely put her life at risk. Momo undertakes a dangerous journey from the mountains of Tibet to the city of Calcutta, in search of her stolen dog Pempa.

    Tuan was lonely and looked hard for a wife, but even the matchmaker couldn't help him. One night, however, Tuan's luck changed. And so begins the story of Tuan, White Wave, and the Dinner that Cooked Itself. This beautiful and enchanting Chinese fairytale will captivate the imagination with the perfect blend of magic and realism!J.C. Hsyu was born in Taipei, Taiwan, and raised in Los Angeles. A graduate of UCLA and the Clarion Writers' Workshop, she has worked in the animation, VFX, and video game industries and published speculative fiction short stories. She lives in San Francisco, California, with her husband and reads incessantly. The Dinner That Cooked Itself is her first children's book.Kenard Pak grew up in Baltimore and Howard County, Maryland. He studied at Syracuse University and California Institute of the Arts. A visual development artist on many films, Pak has worked for Dreamworks Animation and Walt Disney Feature Animation. The Dinner that Cooked Itself is his second children's book. Pak now lives and works in San Francisco with his patient wife.