Step into Lady Helena Whitcombe’s world with the first novel in a series that will blend family saga and mystery-driven action with a slow-burn romance in seven unputdownable investigations. 1881, Sussex. Lady Helena Scott-De Quincy’s marriage to Sir Justin Whitcombe, three years before, gave new purpose to a life almost destroyed by the death of Lady Helena’s first love. After all, shouldn’t the preoccupations of a wife and hostess be sufficient to fulfill any aristocratic female’s dreams? Such a shame their union wasn’t blessed by children . . . but Lady Helena is content with her quiet country life until Sir Justin is found dead in the river overlooked by their grand baroque mansion. The intrusion of attractive, mysterious French physician Armand Fortier, with his meddling theory of murder, into Lady Helena’s first weeks of mourning is bad enough. But with her initial ineffective efforts at investigation and her attempts to revive her long-abandoned interest in herbalism comes the realization that she may have been mistaken about her own family’s past. Every family has its secrets—but as this absorbing series will reveal, the Scott-De Quincy family has more than most. Can Lady Helena survive bereavement the second time around? Can she stand up to her six siblings’ assumption of the right to control her new life as a widow? And what role will Fortier—who, as a physician, is a most unsuitable companion for an earl’s daughter—play in her investigations? A new series by Jane Steen, author of the House of Closed Doors series that has delighted thousands of fans (over 300 5-star reviews on Amazon and over 700 5-star ratings on Goodreads.) If you’re looking for an unputdownable Victorian mystery saga, here’s where you start!

    But when the lively aspiring equine trainer tangles with British aristocracy, she meets her match--and a murderer . . . Spring, 1905: Free-spirited like the Thoroughbreds she rides across the Kentucky countryside, Stella takes adventure by the reins when she's asked to attend a mysterious wedding in rural England. But once she arrives at the lush Morrington Hall estate, her cold and ambitious father confesses that he won't only give away his best racehorses as gifts--he has also arranged to give away his daughter as bride to the Earl of Atherly's financially strapped son . . .Stella refuses to be sold off like a prized pony. Yet despite a rough start, there's something intriguing about her groom-to-be, the roguish Viscount "Lyndy" Lyndhurst. The unlikely pair could actually be on the right track with each other . . . until they find the vicar who was to marry them dead in the library.With culture clashes mounting between families, a scandalous murder case hangs over Morrington Hall. Now, Stella and Lyndy must go from future spouses to amateur sleuths as they team up to search for the truth--and prevent an unbridled criminal from destroying their new life together right out of the gate . . .

    In a churchyard, villagers gather on the night when the ghosts of those who will die in the coming year are thought to be seen. Here, where the estuary leads out to the sea, superstitions still hold sway.Standing alone is the taxidermist's daughter. At 17, Constantia Gifford lives with her father in a decaying house: it is all that is left of Gifford's once world-famous museum of taxidermy. The stuffed animals that used to grace every parlour are out of fashion, leaving Gifford a disgraced and bitter man.The bell begins to toll and all eyes are fixed on the church. No one sees the gloved hand pick up a flint. As the last notes fade into the dark, a woman lies dead.While the village braces itself against rising waters and the highest tide of the season, Connie struggles to discover who is responsible, but finds herself under suspicion. Is Constantia who she seems - is she the victim of circumstances or are more sinister forces at work? And what is the secret that lies at the heart of Gifford House, hidden among the bell jars of her father's workshop?Told over one summer, The Taxidermist's Daughter is the haunting new novel from the bestselling author of Labyrinth, Sepulchre, Citadel and The Winter Ghosts.

    Anson House, Greyminster, Staircase No. 3. How can Flavia de Luce resist such an urgent plea? After all, examining a dead body sounds like a perfectly splendid way to spend a Sunday. So Flavia hops upon her trusted bicycle, Gladys, whose rubber tires hiss happily along the rainy road, and arrives at her father’s mist-shrouded old school. There, a terrified boy leads her to the loo where, sitting in a bathtub, is what appears to be a statue. But, no: To Flavia’s surprise, the thing is in fact a naked dead man. Save his face, he seems to have been carved out of copper. Never one to shy away from the macabre, Flavia gets to work—only to find that when an investigation begins with a metallic cadaver, ever more curious twists are to be expected.

     She is terrified – but begs Poirot not to find and punish her killer. Once she is dead, she insists, justice will have been done.Later that night, Poirot learns that three guests at a fashionable London Hotel have been murdered, and a cufflink has been placed in each one’s mouth. Could there be a connection with the frightened woman? While Poirot struggles to put together the bizarre pieces of the puzzle, the murderer prepares another hotel bedroom for a fourth victim...

    The Last Dickens is a tale filled with the dazzling twists and turns, the unerring period details, and the meticulous research that thrilled readers of the bestsellers The Dante Club and The Poe Shadow.Boston, 1870. When news of Charles Dickens’s untimely death reaches the office of his struggling American publisher, Fields & Osgood, partner James Osgood sends his trusted clerk Daniel Sand to await the arrival of Dickens’s unfinished novel. But when Daniel’s body is discovered by the docks and the manuscript is nowhere to be found, Osgood must embark on a transatlantic quest to unearth the novel that he hopes will save his venerable business and reveal Daniel’s killer.Danger and intrigue abound on the journey to England, for which Osgood has chosen Rebecca Sand, Daniel’s older sister, to assist him. As they attempt to uncover Dickens’s final mystery, Osgood and Rebecca find themselves racing the clock through a dangerous web of literary lions and drug dealers, sadistic thugs and blue bloods, and competing members of Dickens’s inner circle. They soon realize that understanding Dickens’s lost ending is a matter of life and death, and the hidden key to stopping a murderous mastermind.

    The first of an exciting new series of novels.London, September 1666. The Great Fire rages through the city, consuming everything in its path. Even the impregnable cathedral of St. Paul’s is engulfed in flames and reduced to ruins. Among the crowds watching its destruction is James Marwood, son of a disgraced printer, and reluctant government informer.In the aftermath of the fire, a semi-mummified body is discovered in the ashes of St. Paul’s, in a tomb that should have been empty. The man’s body has been mutilated and his thumbs have been tied behind his back.Under orders from the government, Marwood is tasked with hunting down the killer across the devastated city. But at a time of dangerous internal dissent and the threat of foreign invasion, Marwood finds his investigation leads him into treacherous waters – and across the path of a determined, beautiful and vengeful young woman.

    A. Milne was also the author of numerous dramas, essays, and novels for adults — among them, this droll and finely crafted whodunit.In it, Milne takes readers to the Red House, a comfortable residence in the placid English countryside that is the bachelor home of Mr. Mark Ablett. While visiting this cozy retreat, amateur detective Anthony Gillingham and his chum, Bill Beverley, investigate their genial host's disappearance and its connection with a mysterious shooting. Was the victim, whose body was found after a heated exchange with the host, shot in an act of self-defense? If so, why did the host flee, and if not, what drove him to murder?Between games of billiards and bowls, the taking of tea, and other genteel pursuits, Gillingham and Beverley explore the possibilities in a light-hearted series of capers involving secret passageways, underwater evidence, and other atmospheric devices.Sparkling with witty dialogue, deft plotting, and an intriguing cast of characters, this rare gem will charm mystery lovers, Anglophiles, and general readers alike.

    The East India Company rules India - or most of it; and its most notorious and celebrated son, Xavier Mountstuart, has gone missing.William Avery, a down-at-heel junior officer in the Company's army, is sent to find him, in the unlikely company of the enigmatic and uncouth Jeremiah Blake. A more mismatched duo couldn't be imagined, but they must bury their differences as they are caught up in a search that turns up too many unanswered questions and seems bound to end in failure.What was it that so captivated Mountstuart about the Thugs, the murderous sect of Kali-worshippers who strangle innocent travellers by the roadside? Who is Jeremiah Blake and can he be trusted? And why is the whole enterprise shrouded in such secrecy?In the dark heart of Company India, Avery will have to fight for his very life, and in defence of a truth he will wish he had never learned.M. J. Carter is a former journalist and the author of two acclaimed works of non-fiction: Anthony Blunt: His Lives and The Three Emperors: Three Cousins, Three Empires and the Road to World War One.

    Five victims; four of them killed with military efficiency and, judging from the wounds, a military bayonet. The fifth victim, the lady of the house, is found nearly naked, sprawled on a bed, her throat slashed with a razor. Even more startling than the actual carnage are two subsequent findings: the lack of any sort of sexual assault and the discovery of a child - a young girl hiding beneath a bed.Scotland Yard sends out Inspector John Madden to investigate the murders. Madden, with some heavy psychological baggage of his own courtesy of the war, recognizes the mark of madness in the killer's work and has a unique understanding of the killer's methods, habits, and rituals. While the local constabulary figures the murders for a robbery gone horribly wrong, Madden is quick to recognize the presence of a more sinister motive. He seeks the help of Dr. Helen Blackwell, a local physician who lost both her brothers and her husband to the war. Dr. Blackwell's professional connections include a Viennese psychiatrist who is well versed in the relatively new field of forensic psychology, and together they try to develop a psychological profile for the killer.The deeper Madden digs into the case, the harder it is for him to maintain the fragile wall he has built around his own painful memories. A spark between him and Helen Blackwell quickly becomes an all-consuming fire, and in the tender exploratory phase of their relationship, Helen gently urges him to face his personal demons head-on. Meanwhile, Madden discovers the killer has struck once before, a murder that was left unsolved. When Madden gets the idea to look for similar crimes that may have occurred during the war, he finds one, and a clearer and even more frightening picture of the killer begins to evolve. As the police investigation proceeds, plodding at times and getting fortuitous breaks at others, the killer plans his next attack. Together, killer and cops move along parallel timelines, a loose scrabble of concurrent events held together by a taut string of tension. When the string finally breaks, it culminates in a vivid and terrifying climax that demonstrates how fine a line often exists between sanity and utter madness. River of Darkness is the first book in a promised series. Inspector John Madden is precisely the type of multifaceted and complex character readers will enjoy meeting time and again. And the supporting cast of characters is the perfect complement, the sum total being a rich and full-bodied story. What's more, if Airth shows the same flair for finely etched prose and brilliantly manipulated tension as he does here, this series promises to be the start of a powerful new niche in psychological suspense, a uniquely fresh voice that will stand out among the crowd.

    But whoever this nameless woman was, and whatever befell her, is knowledge lost to another time. . . . Boston, 1830: In order to pay for his education, Norris Marshall, a talented but penniless student at Boston Medical College, has joined the ranks of local “resurrectionists”–those who plunder graveyards and harvest the dead for sale on the black market. Yet even this ghoulish commerce pales beside the shocking murder of a nurse found mutilated on the university hospital grounds. And when a distinguished doctor meets the same grisly fate, Norris finds that trafficking in the illicit cadaver trade has made him a prime suspect. To prove his innocence, Norris must track down the only witness to have glimpsed the killer: Rose Connolly, a beautiful seamstress from the Boston slums who fears she may be the next victim. Joined by a sardonic, keenly intelligent young man named Oliver Wendell Holmes, Norris and Rose comb the city–from its grim cemeteries and autopsy suites to its glittering mansions and centers of Brahmin power–on the trail of a maniacal fiend who lurks where least expected . . . and who waits for his next lethal opportunity.

    She has no memory of the past few weeks. The doctor, Maynard Straker, tells her that she admitted herself under the name Lucy Ashton the day before, then suffered a seizure. When she insists he has mistaken her for someone else, Dr. Straker sends a telegram to her uncle, who replies that Georgina Ferrars is at home with him in London: “Your patient must be an imposter.” Suddenly her voluntary confinement becomes involuntary. Who is the woman in her uncle’s house? And what has become of her two most precious possessions, a dragonfly pin left to her by her mother and a writing case containing her journal, the only record of those missing weeks? Georgina’s perilous quest to free herself takes us from a cliffside cottage on the Isle of Wight to the secret passages of Tregannon House and into a web of hidden family ties on which her survival depends. Another delicious read from the author praised by Ruth Rendell as having “a gift for creating suspense, apparently effortlessly, as if it belongs in the nature of fiction.”

    Increasingly, he feels like a fish out of water among the concrete buildings of the University of Barchester, where he works as an English professor. His one respite is his time spent nestled in the library, nurturing his secret obsession with the Holy Grail and researching his perennially unfinished guidebook to the medieval cathedral.But when a beautiful young American named Bethany Davis arrives in Barchester charged with the task of digitizing the library's manuscripts, Arthur's tranquility is broken. Appalled by the threat modern technology poses to the library he loves, he sets out to thwart Bethany, only to find in her a kindred spirit with a similar love for knowledge and books and a fellow Grail fanatic.Bethany soon joins Arthur in a quest to find the lost Book of Ewolda, the ancient manuscript telling the story of the cathedral's founder. And when the future of the cathedral itself is threatened, Arthur and Bethany's search takes on grave importance, leading the pair to discover secrets about the cathedral, about the Grail, and about themselves.

    This astonishing debut explores the terrifying prospect of hunting down one of the world's first serial killers without the advantage of modern forensics or profiling. Sherlock's desire to stop the killer who is terrifying the East End of London is unwavering from the start, and in an effort to do so he hires an "unfortuate" known as Mary Ann Monk, the friend of a fellow streetwalker who was one of the Ripper's earliest victims. However, when Holmes himself is wounded in Whitechapel attempting to catch the villain, and a series of articles in the popular press question his role in the crimes, he must use all his resources in a desperate race to find the man known as "The Knife" before it is too late. Penned as a pastiche by the loyal and courageous Dr. Watson, Dust and Shadow recalls the ideals evinced by Sir Arthur Conan Doyle's most beloved and world-renowned characters, while testing the limits of their strength in a fight to protect the women of London, Scotland Yard, and the peace of the city itself.