Now she’s put to the test and must return to do it all over again. A challenge made that more difficult due to the injury to her right arm.Join Hatch as she proves what she’s made of and in doing so, that she’s in a class all by herself.

    Scott Wolven is such a talent, and his raw, blistering tales of hard-bitten convicts, dodgy informers, and men running from the law make for "the most exciting, authentic collection of short stories I have read in years," says George Pelecanos. Brooding, edgy, and sometimes violent, Controlled Burn's loosely linked stories are each in some way a distillation of hard time -- spent either in prison, the backwoods of Vermont, or the badlands of the American West. Peopled by boxers, drunks, truck drivers, murderers, bounty hunters, drifters traveling under assumed names, and men whose luck ran out a thousand miles ago, these stories feel hard-won from life, and if they are moody and stark, so too are they filled with human longing. Controlled Burn is divided into two sections: "The Northeast Kingdom" and "The Fugitive West." In each, Scott Wolven reveals a broken world where there is no bottom left to hit. In the haunting "Outside Work Detail," convicts stoically dig graves for their fellow prisoners yet reserve their deepest grief for the senseless death of a deer. "Crank" introduces Red Green, a maniacally brilliant addict who brews his own crystal meth in a backwoods lab, and whose high-energy antics inspire both cautious admiration and mortal fear in his business associates. In "Ball Lightning Reported," Red Green's ultimate fate is revealed. In "Atomic Supernova," a revenge-obsessed sheriff deputizes a known cop-killer to help him hunt down a counterfeiter and drug lord. The unexpectedly tender and heartbreaking "The Copper Kings" concerns a father facing the dark truth behind his son's disappearance. And in "Vigilance," a hunted man struggles to escape his past, always yearning for an honorable yet perhaps unreachable future. Powered by a spare, ruminative prose style that recalls the best of Denis Johnson and Thom Jones, Controlled Burn is an unforgettable debut.

    

    Welcome to the strange and startling world of Adam Marek; a menagerie of futuristic technology, sinister traditions, and scientifically grounded superpowers — a place where the absurd and the mundane are not merely bedfellows, but interbreed. At the core of Adam Marek’s much-anticipated second short story collection is a single, unifying theme: a parent’s instinct to protect a particularly vulnerable child. Whether set amid unnerving visions of the near-future or grounded in the domestic here-and-now, these stories demonstrate that, sometimes, only outright surrealism can do justice to the merciless strangeness of reality, that only the fantastically illogical can steel us against what ordinary life threatens. Bonus BackLit materials will include an interview and a list of Marek’s recommended books.

    Matt Franklin and his companions would rob the Securicor van. Simple. Until the job turned into a nightmare. Two of them are shot dead and another fatally wounded. But who is trying to wipe them out, killing not just them but their families too? How are the Government and the British army implicated? What lurks within a secret research establishment in the English countryside? Franklin has to find out. Finally the only one left alive, he tires of being the prey and decides to become the hunter. His quest will bring him into conflict with forces he cannot begin to imagine or understand but he is driven by a need for revenge that overrides his fear. Aided by a desperate detective, Franklin becomes embroiled in a series of events that lead to a terrifying climax in the London Underground where he comes face to face with the answers he has sought. Like all of us, Franklin was told monsters don't exist. He's about to find out someone was lying...

    They pine for lost loves and pop music romances, Hollywood heartthrobs, and sunnier towns. They flee from failed relationships and looming violence, adulthood and other deaths. Written with dark humor and incisive, voice-driven prose, Kara Vernor's stories will stick in your head like a song. "Kara Vernor's "Because I Wanted To Write You A Pop Song" is hilarious, dark, and beguiling. These wonderful stories crackle with hard-earned wisdom and wit and will, like all the very best songs, become forever etched on your heart." --John Jodzio, author of Knockout "Reading Kara Vernor is like being in a fast car that reveals the deepest secrets of its passerby. You rubberneck and yearn for more. You're spinning, you're flying, you're exhilarated and sad and brimming with thrill. Hail this book and hold on tight." --Lindsay Hunter, author of Ugly Girls "Kara Vernor says so much in so few words with these stories that I felt myself becoming a better reader as I read them. Her writing feels like a knife, cutting through so many of the falsehoods of American life and leaving only the truth, somehow leaving it both gently and determinedly at the same time. The stories in Because I Wanted to Write You a Pop Song do not flinch and do not seem to even remember how." --Siamak Vossoughi, author of Better Than War (winner of the Flannery O'Connor Award for Short Fiction) "The stories in "Because I Wanted to Write You a Pop Song" dazzle and tenderize. They are strange little worlds that invite you in...Kara Vernor writes with gut, heart, and striking beauty." --Jensen Beach, author of Swallowed by the Cold "If I could leave a few things in a capsule for the civilization coming next, I think I’d maybe pick Kara Vernor’s stories. Beings of the future might know us that way: how we thought; how our words arranged themselves on our tongues when we were only half thinking; what we were after, and how messed up that all was, but how vital in a deeper way. Like some of my favorite writers, Vernor is able to bring to the page a voice you’re shocked to recognize, for it seems so totally new. All of the stars, is what I’m trying to say. All of the hearts and cherries."--Scott Garson, author of Is That You, John Wayne?

    The story itself was inspired by a real New Year’s Eve bonfire here on the farm when a cousin tried to burn some overly wet wood. I was tickled when my brother said, “Never saw gasoline so wet it wouldn't burn,” and knew I’d use that sentence in a story sometime. They really did try to chase some lovers out of that lane and yes, they really did get mired down to the axle.

    In 1983 Little, Brown and Company's posthumous publication of this book electrified the literary world with a force that still resounds across two decades. A collection of stories that depict the world of Pancake's native rural West Virginia with astonishing power and grace, The Stories of Breece D'J Pancake has remained continuously in print and is a perennial favorite among aspiring writers, participants in creative writing programs, and students of contemporary American fiction. "Trilobites", the first of Pancake's stories to be published in The Atlantic, elicited an extraordinary immediate response from readers and continues to be widely anthologized.

    He's confused, he's disoriented. He asks himself what's going on. But he doesn't know. It's not like anyone's alive to tell him anyway. Just a short trip to the bathroom, a welcome break from the geology class that puts him to sleep and his world is turned upside down. He sees things that defy explanation: His classmate eating his professor, his professor getting up, shrugging off fatal injuries and coming for him.Zack knows he must get out of this nightmare. But when he's inadvertently trapped in the faculty building by a fellow survivor, he soon discovers that the living may be even more dangerous than the monstrous undead.

     Nick Christmas is different for the super rich. During the holidays, I like to dress up as Santa Claus and go to random shopping malls. I listen to the wishes of hundreds of starry-eyed children and then I use my family’s immense wealth and connections to make their dreams come true. It’s my own little gift to myself… what else can you give a man who has everything? …Well, almost everything… I used to wish for love, but I’ve long since given up hope. I don’t know who to trust, everyone just wants a piece of my fortune. But when I meet Krissy, I know that she likes me for me… why else would she be giving me those cute little glances while I’m dressed up as a fat old man!? She’s hesitant, at first… I can tell she’s hiding a secret, but I promise that I’ll show her mine if she shows me hers. All I want for Christmas is her and I’ll do whatever it takes to unwrap her curvy love. Krissy This is no ordinary shopping mall Santa Claus. His bright blue eyes betray something more; something deeper; something… sexy. He has thick, beefy forearms under that red jacket. His thighs are muscular and strong. I might be a little too old for it, but I don’t care; I sit on his lap and make a wish. Will he make my dreams come true? There’s something about this guy that’s driving me wild. Maybe I’ll finally get that present I’ve been hoping for… This story features instant-love, scolding sex scenes, and a sweet, happy ending. There are no cliffhangers! The book is completely self-contained. So, if you’re looking for a quick dose of pure, steamy romantic pleasure, this is the story for you!

    Her admirers include Grace Paley, Jonathan Franzen, and Zadie Smith; as Time magazine observed, her stories are "moving . . . and somehow inevitable, as if she has written what we were all on the verge of thinking."In Varieties of Disturbance, her fourth collection, Davis extends her reach as never before in stories that take every form from sociological studies to concise poems. Her subjects include the five senses, fourth-graders, good taste, and tropical storms. She offers a reinterpretation of insomnia and re-creates the ordeals of Kafka in the kitchen. She questions the lengths to which one should go to save the life of a caterpillar, proposes a clear account of the sexual act, rides the bus, probes the limits of marital fidelity, and unlocks the secret to a long and happy life.No two of these fictions are alike. And yet in each, Davis rearranges our view of the world by looking beyond our preconceptions to a bizarre truth, a source of delight and surprise.Varieties of Disturbance is a 2007 National Book Award Finalist for Fiction.

    Her task is to clean it out and prepare it to sell, since she has no interest in living in the oversized space. But the billionaire living next door keeps distracting her from getting her work done.Grayston Young isn’t just Fiona’s neighbor. He owns the very building where her father lived. But he’s also the man who plans to take away the thing that matters most to her: her small bookstore. One of his top projects involves buying up the entire strip mall and turning it into a medical center.In their battle, they both start to realize there’s more to life than work. But one of them has to give in if they can ever be together, which means choosing love over business.The Music City Billionaire series is a sweet, clean contemporary billionaire series filled with swoon-worthy heroes and plenty of romantic moments.

    "[David Foster] Wallace sent it to us as a way of wishing Godspeed—it was an act of kindness, one that we have since done everything we could to try to deserve. There is no flash summary possible, no shortcut I can offer through the bramble of it. I can only testify, as so many others have, that it is vintage Wallace, breaking expectation, compelling devoted attention, repaying in the way that the best art does: by letting us feel at the end that something has been rearranged and at a deep level." About the author: David Foster Wallace was born in Ithaca, New York, in 1962 and raised in Illinois, where he was a regionally ranked junior tennis player. He received bachelor of arts degrees in philosophy and English from Amherst College and wrote what would become his first novel, The Broom of the System, as his senior English thesis. He received a masters of fine arts from University of Arizona in 1987 and briefly pursued graduate work in philosophy at Harvard University. His second novel, Infinite Jest, was published in 1996. Wallace taught creative writing at Emerson College, Illinois State University, and Pomona College, and published the story collections Girl with Curious Hair, Brief Interviews with Hideous Men, Oblivion, the essay collections A Supposedly Fun Thing I'll Never Do Again, and Consider the Lobster. He was awarded the MacArthur Fellowship, a Lannan Literary Award, and a Whiting Writers' Award, and was appointed to the Usage Panel for The American Heritage Dictionary of the English Language. He died in 2008. His last novel, The Pale King, was published in 2011. About the Guest Editor: Like so many other ventures that first saw light in the counter-culture era, AGNI (founded in 1972 by Askold Melnyczuk) set itself up as an alternative to the status quo, a fly in whatever was the going ointment. Though much has changed and evolved, and though captains and crews have grown a bit older, we like to think that the founding spirit survives. Not so much as a politics, more as a feisty eclecticism, a welcoming of spirits from all parts of the world (we prize fine translation), and as an insistent celebration of the literature that represents the thorny complexity, the complex thorniness, of making a self in a world become “hyper” in so many respects. We look for language that gets our moment, that achieves excellence through the integration of perspectives, that strikes the note of the new. Our avatar is the Vedic god of fire, our goal is literary combustion. About the Publisher: Electric Literature is an independent publisher working to ensure that literature remains a vibrant presence in popular culture. Electric Literature’s weekly fiction magazine, Recommended Reading, invites established authors, indie presses, and literary magazines to recommended great fiction. Once a month we feature our own recommendation of original, previously unpublished fiction, accompanied by a Single Sentence Animation. Single Sentence Animations are creative collaborations: the author chooses a favorite sentence and we commission an artist to interpret it. Stay connected with us through email, Facebook, and Twitter, and find previous Electric Literature picks in the Recommended Reading archives.

    On the verge of giving up—anchored to dreams that never came true and to people who have long since disappeared from their lives—Van Booy's characters walk the streets of these stark and beautiful stories until chance meetings with strangers force them to face responsibility for lives they thought had continued on without them.

    All around him lights are flashing on and generators are powering up. Bang. The sound comes from the other side of the 15-inch thick steel door. One of Them. Above the bunker, a rabies outbreak has mutated into a deadly worldwide infection that attacks the very essence of being human, leaving only the most primitive desire: to feed. Against this onslaught, there is one defense - Bunker Z.