This book is for all these people—it's an engaging and intimate glimpse into the personal pages of a wide variety of select artists and journal keepers whose works not only provide visual delight and inspiration but evidence the intensity and devotion that such personal journals invite.

    Looks are deceiving. Just as Lemony Snicket has spent years researching the distressing lives of the Baudelaire orphans, now you too can record your own unfortunate events. The blank pages of this fraudulent book are perfect for writing down any secretive and upsetting research of your own, including the names of suspicious teachers; secret codes you have devised; details of sinister conversations you have overheard; maps of places that are important to you, and other crucial and woeful information. With cover art by Brett Helquist, a beautifully designed interior, a page of black-and-white stickers, and quotations from A Series of Unfortunate Events, this journal is the perfect way for fans of Lemony Snicket to begin documenting their own alarming lives. Ages 9-11

    Written by the son and daughter of Henry Hill (the Mafia informant who became the focus of the book Wiseguy and the movie Goodfellas), this is an account of a childhood spent inside the Witness Protection Programme.

    Is it really working? God’s intention all along has been for the believer’s life to work. From divine perspective toward terrestrial turf, God meant for his children to succeed. . .Are our Christian lives successful? Are they achieving and experiencing what Scripture said they would? In a recent sermon my son-in-law preached, Curt told us the only way we were going to impact the world and the next generation is to prove that our faith in Christ is real and that it works. For countless Christians I’m convinced it’s real. My concern is whether or not we have the fruit to suggest it works.”—Beth Moore; Believing God

    In this four-color book—designed to look like a one-of-a-kind hand-bound journal—she creates the look and feel of a spontaneously composed diary chronicling her experiences and reflections during a series of solitary retreats. Her handwritten notes and exquisite drawings capture wondrous moments in the natural environment: a dragonfly's brief pause, a surprised deer in tall grass, woodchucks watching her from a distance, a raindrop making its way down a windowpane. Nature lovers, gardeners, and anyone who enjoys walking in the woods will recognize a kindred spirit and find hours of pleasure in these pages.

    It presents an alternative approach to the religious doctrines of ancient Egypt demonstrating its continuing vitality and relevance to contemporary life, with superb rendition of hieroglyphics from Dr Seleems's own comuter program. The book contains reproductions of the ilustrations from the original book.

    (A version of The Scream was stolen from the Edvard Munch Museum in Oslo, Norway, in August 2004, and has not yet been recovered.) But Munch considered himself a writer as well as a painter. Munch began painting as a teenager and, in his young adulthood, studied and worked in Paris and Berlin, where he evolved a highly personal style in paintings and works on paper. And in diaries that he kept for decades, he also experimented with reminiscence, fiction, prose portraits, philosophical speculations, and surrealism. Known as an artist who captured both the ecstasies and the hellish depths of the human condition, Munch conveys these emotions in his diaries but also reveals other facets of his personality in remarks and stories that are alternately droll, compassionate, romantic, and cerebral.This English translation of Edvard Munch's private diaries, the most extensive edition to appear in any language, captures the eloquent lyricism of the original Norwegian text. The journal entries in this volume span the period from the 1880s, when Munch was in his twenties, until the 1930s, reflecting the changes in his life and his work. The book is illustrated with fifteen of Munch's drawings, many of them rarely seen before. Though excerpts from these diaries have been previously published elsewhere, no translation has captured the real passion and poetry of Munch's voice. This translation lets Munch speak for himself and evokes the primal passion of his diaries. J. Gill Holland's exceptional work adds a whole new level to our understanding of the artist and the depth of his scream.