He is set adrift in the Bay, eventually being picked up by Wolf Larsen.Larsen is the captain of a seal-hunting schooner, the Ghost. Brutal and cynical, yet also highly intelligent and intellectual, he rules over his ship and terrorizes the crew with the aid of his exceptionally great physical strength.

    Before long, it becomes apparent that hers is a prodigious talent, and as she progresses to the top of the US chess rankings she is able to forge a new life for herself. But she can never quite overcome her urge to self-destruct. For Beth, there’s more at stake than merely winning and losing.

    But Isabel, resolved to determine her own fate, does not hesitate to turn down two eligible suitors. She then finds herself irresistibly drawn to Gilbert Osmond, who, beneath his veneer of charm and cultivation, is cruelty itself. A story of intense poignancy, Isabel's tale of love and betrayal still resonates with modern audiences.

    BUT THE ONE WHO KNOWS THEM BEST MAY HAVE OTHER PLANS ...Abigail Stanton's whole life was rooted in her faith, a faith she now clings to solely to survive. In the wake of losing her husband and young son, Abby sets out alone, bereft and heartsick, to discover what God wants her to do. When he leads her to Conor MacKay's doorstep, though, the very foundation of her beliefs starts to shift.As the volatile rancher's new housekeeper, Abby is supposed to keep his affairs --- and his equally capricious little girl --- in order. Why, then, does she feel confusion, passion, desire, and anything but order every time they are together? Conor tries to hide his own seething emotions beneath a cold facade, but there is something about his prim new housekeeper that sets him on edge. And the more ruthlessly he attacks Abby's faith, the more his defenses crack.As Abby and Conor draw closer to the flame of their attraction, they must grapple with their deepest beliefs and fears. In opening their hearts again, both risk even greater loss for a chance at the greatest love of all.

    And in the air, a lone plane struggles to reach its destination. Over the course of seven pulse-pounding hours, a tense human drama plays out as a brilliant airport manager, an arrogant pilot, a tough maintenance man, and a beautiful stewardess strive to avert disaster.Featuring a diverse cast of vibrant characters, Airport is both a realistic depiction of the airline industry and a novel of nail-biting suspense.

    But as he continues his lawsuit, he begins to realize that the very people he's fighting with are the very people who rule New York. He must be wily and careful if he is to survive this pursuit of justice.

    Here, many famous names are mentioned and there is obviously a grave risk that families and friends are going to take offence... Uncle Oswald discovers the electrifying properties of the Sudanese Blister Beetle and the gorgeous Yasmin Howcomely, a girl absolutely soaked in sex, and sets about seducing all the great men of the time for his own wicked, irreverent reasons.

    Gordon Comstock has declared war on the money god; and Gordon is losing the war. Nearly 30 and "rather moth-eaten already," a poet whose one small book of verse has fallen "flatter than any pancake," Gordon has given up a "good" job and gone to work in a bookshop at half his former salary. Always broke, but too proud to accept charity, he rarely sees his few friends and cannot get the virginal Rosemary to bed because (or so he believes), "If you have no money ... women won't love you." On the windowsill of Gordon's shabby rooming-house room is a sickly but unkillable aspidistra--a plant he abhors as the banner of the sort of "mingy, lower-middle-class decency" he is fleeing in his downward flight.In Keep the Aspidistra Flying, George Orwell has created a darkly compassionate satire to which anyone who has ever been oppressed by the lack of brass, or by the need to make it, will all too easily relate. He etches the ugly insanity of what Gordon calls "the money-world" in unflinching detail, but the satire has a second edge, too, and Gordon himself is scarcely heroic. In the course of his misadventures, we become grindingly aware that his radical solution to the problem of the money-world is no solution at all--that in his desperate reaction against a monstrous system, he has become something of a monster himself. Orwell keeps both of his edges sharp to the very end--a "happy" ending that poses tough questions about just how happy it really is. That the book itself is not sour, but constantly fresh and frequently funny, is the result of Orwell's steady, unsentimental attention to the telling detail; his dry, quiet humor; his fascination with both the follies and the excellences of his characters; and his courageous refusal to embrace the comforts of any easy answer.

    But even though this gutsy 14-year-old is seeking vengeance, she is smart enough to figure out she can't go alone after a desperado who's holed up in Indian territory. With some fast-talking, she convinces mean, one-eyed US Marshal "Rooster" Cogburn into going after the despicable outlaw with her.

    Today it is generally regarded as one of his three best novels, along with Sister Carrie and An American Tragedy. But the text of Jennie Gerhardt heretofore known to readers is quite different from the text as Dreiser originally wrote it. In the tradition of the University of Pennsylvania Dreiser Edition, James L. W. West III has recaptured the text as it was originally written, restoring it to its complete, unexpurgated form. As submitted to Harper and Brothers in 1911, Jennie Gerhardt was a powerful study of a woman tragically compromised by birth and fate. Harpers agreed to publish the book but was nervous about its subject matter and moral stance. Jennie has an illegitimate child by one man and lives out of wedlock with another - but Dreiser does not condemn her for her behavior. As a requirement for publication, Harpers insisted on cutting and revising the text. Although Dreiser fought against many of the cuts and succeeded in restoring some material, Harpers shortened the text by 16,000 words and completely revised its style and tone. These changes ultimately transformed Jennie Gerhardt from a blunt, carefully documented work of social realism to a touching love story merely set against a social background. Passages critical of organized religion and of the institution of marriage were reduced and altered. Perhaps most important, Jennie's point of view - her innate romantic mysticism - was largely edited out of the text. As a consequence, the central dialectic of the novel was skewed and the narrative thrown out of balance.

    Journalist Edward Malone, rejected by the woman he loves because he is too prosaic, decides to go in search of adventure and fame to prove himself worthy of her. Soon after, he meets Professor George Challenger, a scientist who claims to have discovered a 'lost world' populated by pterodactyls and other prehistoric monsters.

    Her irresponsible Da is dead. She is grief-stricken and alone – but for the first time in her life free to please herself. After her mother deserted the family, Ivy became the sole provider for her Da and three brothers. Pushing a pram around the well-to-do areas of Dublin every day, she begged for the discards of the wealthy which she then turned into items she could sell around Dublin’s markets. As she visits the morgue to pay her respects to her Da, a chance meeting introduces Ivy to a new world of money and privilege, her mother's world. Ivy is suddenly a woman on a mission to improve herself and her lot in life. Jem Ryan is the owner of a livery near Ivy’s tenement. When an accident occurs in one of his carriages, leaving a young girl homeless, it is Ivy he turns to. With Jem and the people she meets in her travels around Dublin, Ivy begins to break out of the property-ridden world that is all she has ever known. Through Streets Broad and Narrow is a story of strength and determination in the unrelenting world that was Dublin tenement life.

    Elias is a Christian Arab living on the eastern side of the newly divided city, and Lila is a Jew living on the western side. A growing conflict between their cultures casts a heavy shadow over the region and their burgeoning relationship. Between them lie not only a wall of stone and barbed wire but also the bitter enmity of two nations at war.Told in the voice of Elias as he looks back upon the long years of his life, About the Night is a timely story of how hope can nourish us, loss can devastate us, and love can carry us beyond the boundaries that hold human beings apart.

    William Styron traces the betrayals and infidelities—the heritage of spite and endlessly disappointed love—that afflict the members of a Southern family and that culminate in the suicide of the beautiful Peyton Loftis.

    Henrys, and shared the Young Lions Award. Now he has written one of the most beautiful, wise, and compelling first novels of recent times. David Winkler begins life in Anchorage, Alaska, a quiet boy drawn to the volatility of weather and obsessed with snow. Sometimes he sees things before they happen—a man carrying a hatbox will be hit by a bus; Winkler will fall in love with a woman in a supermarket. When David dreams that his infant daughter will drown in a flood as he tries to save her, he comes undone. He travels thousands of miles, fleeing family, home, and the future itself, to deny the dream. On a Caribbean island, destitute, alone, and unsure if his child has survived or his wife can forgive him, David is sheltered by a couple with a daughter of their own. Ultimately it is she who will pull him back into the world, to search for the people he left behind. Doerr's characters are full of grief and longing, but also replete with grace. His compassion for human frailty is extraordinarily moving. In luminous prose, he writes about the power and beauty of nature and about the tiny miracles that transform our lives. About Grace is heartbreaking, radiant, and astonishingly accomplished.