Here Lauren and her older brother, Alex, thought they were safe.But one morning, six-year-old Lauren and eight-year-old Alex awoke after a night spent in their tree house to discover their mother’s body and their beloved father arrested for the murder.Years later, Lauren is surrounded by uncertainty. Her one constant is Alex, always her protector, still trying to understand the unraveling of his idyllic childhood. But Lauren feels even more alone when Alex reveals that he’s been in contact over the years with their imprisoned father—and that he believes he and his sister have yet to learn the full story of their mother’s death.Then Alex disappears. As Lauren is forced to peek under the floorboards of her carefully constructed memories, she comes to question the version of her history that she has clung to so fiercely. Lauren’s search for the truth about what happened on that fateful night so many years ago is a riveting tale that will keep readers feverishly turning pages.

    Then there is a twenty-year-old neighbor who was angry because she didn’t invite him to the party.Or is there someone else who has not yet been seen on the radar?Kerry’s older sister Aline, a twenty-eight-year-old guidance counselor, is determined to assist the Prosecutor's Office in learning the truth. She does not realize that now she is putting her own life in danger...

    They first met as college roommates and soon became inseparable, even though they are as different as three women can be. Twenty years later, one of them is standing at the edge of a bridge... and someone else is urging her to jump. How did things come to this?As the novel cuts back and forth between their college years and their adult years, you see the exact reasons why these women love and hate each other—but can feelings that strong lead to murder? Or will everyone assume, as is often the case, that it’s always the husband?

    Peter Byerly isn't sure what drew him into this particular bookshop. Nine months earlier, the death of his beloved wife, Amanda, had left him shattered. The young antiquarian bookseller relocated from North Carolina to the English countryside, hoping to rediscover the joy he once took in collecting and restoring rare books. But upon opening an eighteenth-century study of Shakespeare forgeries, Peter is shocked when a portrait of Amanda tumbles out of its pages. Of course, it isn't really her. The watercolor is clearly Victorian. Yet the resemblance is uncanny, and Peter becomes obsessed with learning the picture's origins. As he follows the trail back first to the Victorian era and then to Shakespeare's time, Peter communes with Amanda's spirit, learns the truth about his own past, and discovers a book that might definitively prove Shakespeare was, indeed, the author of all his plays.

    Soft‑petalled flowers that go to seed. The resolute passage of the seasons. Swallows that fly thousands of miles to follow the eternal summer.Children who don’t die before their parents.When Kate receives a phone call with news that Rosie Anderson is missing, she’s stunned and disturbed. Rosie is eighteen, the same age as Kate’s daughter, and a beautiful, quiet, and kind young woman. Though the locals are optimistic—girls like Rosie don’t get into real trouble—Kate’s sense of foreboding is confirmed when Rosie is found fatally beaten and stabbed.Who would kill the perfect daughter, from the perfect family? Yet the more Kate entwines herself with the Andersons—graceful mother Jo, renowned journalist father Neal, watchful younger sister Delphine—the more she is convinced that not everything is as it seems. Anonymous notes arrive, urging Kate to unravel the tangled threads of Rosie’s life and death, though she has no idea where they will lead.Weaving flashbacks from Rosie’s perspective into a tautly plotted narrative, The Bones of You is a gripping, haunting novel of sacrifices and lies, desperation and love.

    Summer 1763.Anne Jaccob is coming of age, the daughter of a wealthy merchant. When she is taken advantage of by her tutor — a great friend of her father’s — and is set up to marry a squeamish snob named Simeon Onions, she begins to realize just how powerless she is in Georgian society. Anne is watchful, cunning, and bored.Her saviour appears in the form of Fub, the butcher’s boy. Their romance is both a great spur and an excitement. Anne knows she is doomed to a loveless marriage to Onions and she is determined to escape with Fub and be his mistress. But will Fub ultimately be her salvation or damnation? And how far will she go to get what she wants?Dark and sweeping, The Butcher’s Hook is a richly textured debut featuring one of the most memorable characters in fiction.

    J. Finn) No Exit—a riveting new psychological page-turner featuring a fierce and unforgettable heroine.Three months ago, Lena Nguyen’s estranged twin sister, Cambry, drove to a remote bridge sixty miles outside of Missoula, Montana, and jumped two hundred feet to her death. At least, that is the official police version.But Lena isn’t buying it.Now she’s come to that very bridge, driving her dead twin’s car and armed with a cassette recorder, determined to find out what really happened by interviewing the highway patrolman who allegedly discovered her sister’s body.Corporal Raymond Raycevic has agreed to meet Lena at the scene. He is sympathetic, forthright, and professional. But his story doesn’t seem to add up. For one thing, he stopped Cambry for speeding a full hour before she supposedly leapt to her death. Then there are the sixteen attempted 911 calls from her cell phone, made in what was unfortunately a dead zone.But perhaps most troubling of all, the state trooper is referred to by name in Cambry’s final enigmatic text to her sister: Please Forgive Me. I couldn’t live with it. Hopefully you can, Officer Raycevic.Lena will do anything to uncover the truth. But as her twin’s final hours come into focus, Lena’s search turns into a harrowing, tooth-and-nail fight for her own survival—one that will test everything she thought she knew about her sister and herself...

    Now he's out - for revenge.Former CIA officer James 'Wes' Wesley paid the ultimate price for his patriotism when he was locked up in a French jail for an anti-terror operation gone wrong - abandoned by the Agency he served, shunned by his colleagues and friends, cut off from his family.Now he is shattered by the news that his ex-wife, Rachel, a State Department analyst, has been killed in a terrorist attack in Spain. He also discovers that his young son, Ethan, is missing. But Wes didn't know he had a son - until now.Why was Rachel in Spain? And why did she keep his son secret from him?Granted early release, Wes takes flight across Europe to search for the truth and exact his revenge. But can he catch the spies who betrayed him before they track him down? In order to find the answers and save his son, Wes realises he must confront the dark secrets in his own past - before it's too late.

    Scattered Bible verses and the image of a man lying in a pool of blood haunt her memory.The same night of the accident, a young woman is murdered and tossed in a dumpster. Kylie Milliard, Hagen’s only detective, doesn’t immediately recognize the victim, but Kylie soon discovers that Lily and the dead woman share a dark past…if only Lily could remember what it was.Lily and Kylie both want answers. But Kylie has to play by the book. Lily has to play it safe. And the more Lily learns about her identity, the more she fears the truth.

    They never dreamed they would find Louise: a quiet, polite, devoted woman who sings to the children, cleans the family's chic apartment in Paris's upscale tenth arrondissement, stays late without complaint, and hosts enviable kiddie parties. But as the couple and the nanny become more dependent on one another, jealousy, resentment, and suspicions mount, shattering the idyllic tableau.

    Built in the glory days of Asbury Park by a reclusive millionaire, the magnificent structure - which foreshadowed the beauties of art deco architecture - is now boarded up and marked for demolition.The five people are "creepers," the slang term for urban explorers: city archeologists with a passion for investigating abandoned buildings and their dying secrets. On this evening, they are joined by a reporter who wants to profile them - anonymously, as this is highly illegal activity - for a New York Times article.Frank Balenger, a sandy-haired, broad-shouldered reporter with a decided air of mystery about him, isn't looking for just a story, however. And after the group enters the rat-infested tunnel leading to the hotel, it becomes clear that he will get much more than he bargained for. Danger, terror, and death await the creepers in a place ravaged by time and redolent of evil.

    and Cindy, have gone missing. Later that day, Cindy's body is found in a derelict lot a half mile from her home, strangled. Ten days later, Frankie Jr.'s decomposing body is found. Immediately, all fingers point to Ruth. As police investigate the murders, the detritus of Ruth's life is exposed. Seen through the eyes of the cops, the empty bourbon bottles and provocative clothing which litter her apartment, the piles of letters from countless men and Ruth's little black book of phone numbers, make her a drunk, a loose woman - and therefore a bad mother. The lead detective, a strict Catholic who believes women belong in the home, leaps to the obvious conclusion: facing divorce and a custody battle, Malone took her children's lives. Pete Wonicke is a rookie tabloid reporter who finagles an assignment to cover the murders. Determined to make his name in the paper, he begins digging into the case. Pete's interest in the story develops into an obsession with Ruth, and he comes to believe there's something more to the woman whom prosecutors, the press, and the public have painted as a promiscuous femme fatale. Did Ruth Malone violently kill her own children, is she a victim of circumstance - or is there something more sinister at play?

    She watches, unmoving, as someone dressed in a rabbit costume kidnaps a young girl. Devastated over having done nothing, Rhonda joins the investigation. But the closer she comes to identifying the abductor, the nearer she gets to the troubling truth about another missing child: her best friend, Lizzy, who vanished years before.From the author of the acclaimed Promise Not to Tell comes a chilling and mesmerizing tale of shattered innocence, guilt, and ultimate redemption.

    Then he discovered that the olive grove in front of their 14th century farmhouse had been the scene of the most infamous double-murders in Italian history, committed by a serial killer known as the Monster of Florence. Preston, intrigued, meets Italian investigative journalist Mario Spezi to learn more.This is the true story of their search for—and identification of—the man they believe committed the crimes, and their chilling interview with him. And then, in a strange twist of fate, Preston and Spezi themselves become targets of the police investigation. Preston has his phone tapped, is interrogated, and told to leave the country. Spezi fares worse: he is thrown into Italy's grim Capanne prison, accused of being the Monster of Florence himself. Like one of Preston's thrillers, The Monster of Florence, tells a remarkable and harrowing story involving murder, mutilation, and suicide—and at the center of it, Preston and Spezi, caught in a bizarre prosecutorial vendetta.

    He's handsome and charming, but something in his past has made him abide by a different set of rules. He's a serial killer whose one golden rule makes him immensely likeable: he only kills bad people. And his job as a blood spatter expert for the Miami police department puts him in the perfect position to identify his victims. But when a series of brutal murders bearing a striking similarity to his own style start turning up, Dexter is caught between being flattered and being frightened—of himself or some other fiend.