AS they pass sweet yet hazardous hours in a china tree, The Grass Harp manages to convey all the pleasures and responsibilities of freedom. But most of all it teaches us about the sacredness of love, "that love is a chain of love, as nature is a chain of life."This volume also includes Capote's A Tree of Night and Other Stories, which the Washington Post called "unobstrusively beautiful...a superlative book."

    In stories filled with heart and humour, Tim Gautreaux explores the stresses and strains of everyday life as his characters struggle to make amends for their mistakes and hope for different, better days to come.

    With a foreword by Robert Shapard and an afterword by Christopher Merrill, this book brings you fresh approaches to an exacting form that demands precision, a species of brevity that is surprisingly expansive. Writers say the pieces are hard to compose, but readers say they are easy to appreciate, a pleasure to envision, a wonder to watch life spun out and painted in small places. Real and surreal, lyrical and prosaic, here are 135 stories by 89 authors, certain to make you think.

    Henry Prize stories collection has offered an exciting selection of the best stories published in hundreds of literary magazines every year. Such classic works of American literature as Ernest Hemingway’s The Killers (1927); William Faulkner’s Barn Burning (1939); Carson McCuller’s A Tree. A Rock. A Cloud (1943); Shirley Jackson’s The Lottery (1949); J.D. Salinger’s For Esme with Love and Squalor (1963); John Cheever’s The Country Husband (1956) ; and Flannery O’Conner’s Everything that Rises Must Converge (1963) all were O. Henry Prize stories. An accomplished new series editor--novelist and short story writer Laura Furman--has read more than a thousand stories to identify the 20 winners, each one a pleasure to read today, each one a potential classic. The O. Henry Prize Stories 2003 also contains brief essays from each of the three distinguished judges on their favorite story, and comments from the prize-winning writers on what inspired their stories. There is nothing like the ever rich, surprising, and original O. Henry collection for enjoying the contemporary short story.The Thing in the Forest A. S. Byatt The Shell Collector Anthony Doerr Burn Your Maps Robyn Jay Leff Lush Bradford Morrow God’s Goodness Marjorie Kemper Bleed Blue in Indonesia Adam Desnoyers The Story Edith Pearlman Swept Away T. Coraghessan Boyle Meanwhile Ann Harleman Three Days. A Month. More. Douglas Light The High Road Joan Silber Election Eve Evan S. Connell Irish Girl Tim Johnston What Went Wrong Tim O’Brien The American Embassy Chimamanda Ngozi Adichie Kissing William Kittredge Sacred Statues William Trevor Two Words Molly Giles Fathers Alice Munro Train Dreams Denis Johnson

    Some move toward the future heartened by what they learn from those around them--a tattoo artist, an invented medicine man, zoo animals, strangers, fellow outsiders. Deftly rendered, these stories abound with oddness and grace.In “Tattooizm,” included in The Best American Short Stories 2006, a young woman struggles with a promise that her boyfriend is determined to make her keep. In the Nelson Algren Award–winning “Space,” a reluctantly undertaken errand forces a young man to finally confront the death of his mother. And in “The Medicine Man,” hailed by the Times (U.K.) as “perfectly pitched and perfectly written,” a man recounts his manic attachment to his sister.Moffett’s closely observed stories are candid and complex, funny and moving. The world of Permanent Visitors is an idiosyncratic and generous one, its inhabitants searching for constancy in a place crowded with contradiction.

    The limitless scope of human emotion and experience are depicted in stories that give aching and eloquent voice to the terrible wounds we inflict on those closest to us. These are tales of loss and redemption; of shame and forgiveness; of love and abuse and the healing power of storytelling. A book that resonates with uncompromising candor and incandescence, Trash is sure to captivate Allison's legion of readers and win her a devoted new following.

    Through the eyes of a man recollecting three episodes from his youth, William Styron explores with new eloquence death, loss, war and racism.

    This short story is taken from one of Steinbeck's early works, "The Pastures of Heaven."

    Jayne Anne Phillips has always been a master of portraiture, both in her widely acclaimed novels and in her short fiction.  The stories in Fast Lanes demonstrated the breadth of her talent in a tour de force of voices, offering elegantly rendered views into the lives of characters torn between the liberation of detachment and the desire to connect.Three stories are collected in this edition for the first time: in "Alma," and adolescent daughter is made the confidante of her lonely mother; "Counting" traces the history of a dommed love affair; and "Callie" evokes memories of the haunting death of a child in 1920's West Virginia.  Along with the original seven stories from Fast Lanes--each told in extraordinary first person narratives that have been hailed by critics as virtuoso performances--these incandescent portraits offer windows into the lives of an entire generation of Americans, demonstrating again and again why Jayne Anne Phillips remains one of our most powerful writers.

    Like Faulkner's Mississippi and Cormac McCarthy's American West, Gay's Tennessee is redolent of broken souls. Mining that same fertile soil, his debut collection, I Hate to See That Evening Sun Go Down, brings together thirteen stories charting the pathos of interior lives. Among the colorful people readers meet are: old man Meecham, who escapes from his nursing home only to find his son has rented their homestead to "white trash"; Quincy Nell Qualls, who not only falls in love with the town lothario but, pregnant, faces an inescapable end when he abandons her; Finis and Doneita Beasley, whose forty-year marriage is broken up by a dead dog; and Bobby Pettijohn -- awakened in the night by a search party after a body is discovered in his back woods. William Gay expertly sets these conflicted characters against lush backcountry scenery and defies our moral logic as we grow to love them for the weight of their human errors.

    In between, Moore’s stories have been shortlisted for more than a dozen different awards including the Bridport Prize, the Fish Prize, the Lightship Flash Fiction Prize, the Manchester Fiction Prize and the Nottingham Short Story Competition. The title story won first prize in the novella category of The New Writer Prose and Poetry Prizes.

    Here are disconnected marriages and uneasy reunions, nostalgic reminiscences and sudden epiphanies--a remarkable and moving collage of contemporary lives.

    Joline B. Newhouse, who writes a "fortnightly" newspaper column called "Between the Lines." Georgia Rose, the girl whose life is more like a soap opera than the TV serial she's addicted to. Martha Rasnick, the young housewife in "Dear Phil Donahue" who writes all her troubles to the TV personality. Florrie, the cake lady in "Cakewalk" who causes her prissy sister no end of embarrassment by "wearing running shoes, at her age, and wooly white athletic socks that fall in crinkles down around her ankles." "From the Paperback edition."

    His is a voice combining humor and pathos with an edginess creating fresh new stories that are being published in great literary journals regularly.A boy acts out at the death of his father and abandonment by his brother through a savage playground beating; a young man confronts his own troubled history when asked to hire on his girlfriend's strung-out brother in an attempt to keep him out of prison; a teenage babysitter works through a scorching-hot summer afternoon that will prove to alter her life forever; a grieving widower finds comfort in the unlikeliest of places, a recently-built casino; an itinerant farm worker visits the same former lover in South Dakota year after year while following the Harvest north; two friends search for excuses and fail to claim responsibility for their own decisions after one loses his father, and the other's house burns to the ground; and a taxidermist falls in love with the ex-wife of his high school bully and tries to convince her to marry him despite her son who seems to share his father's bullying mentality."A brilliant, sometimes heartbreaking debut by this gifted young writer and Columbia writing teacher. Cross captures the angst and tenderness of the young men and women growing up in the rust belt with little hope and less luck. The moments of grace and redemption shine through. I loved every story." —Linda Bubon, Women & Children First Bookstore"There are countless moments like this in Fires of Our Choosing, lines that appear true from the moment they’ve been written and hang in the back of the mind for days afterwards... With Fires of Our Choosing, Cross climbs boldly into the ring with the greats, if only to deliver a decisive knockout punch." —Urban Waite, Fiction Writers Review"Cross offers no apologies for his characters: their poor choices, their lack of moral fortitude, their betrayals of each other and the poverty of their surroundings and, often, themselves; he leaves these things alone. They are who they are, and if dignity has been denied them by the rest of us, including us story-tellers, it is restored by this collection. That he has undertaken to serve as their raconteur should place Cross on the radar of all the big prizes that gift those blessed with talent, compassion and fearlessness, particularly during this present moment in our history." —Ru Freeman, Huffington PostEugene Cross was born and raised in Erie, Pennsylvania and received an MFA from the University of Pittsburgh. His stories have appeared in Narrative Magazine (which named him one of "20 Best New Writers" and his story "Harvester's" a "Top Five Story of 2009-2010"), American Short Fiction, Story Quarterly, TriQuarterly, and Callalloo among other publications. His work was also listed among the 2010 Best American Short Stories' 100 Distinguished Stories. He is the recipient of scholarships from the Bread Loaf Writers' Conference and the Chautauqua Writers' Festival, and the winner of the 2009 Dzanc Prize for Excellence in Literary Fiction and Community Service. He currently lives in Chicago where he teaches in the Fiction Department at Columbia College Chicago.

    A collection of Penn Warren’s best short fiction: two novelettes and twelve stories that skillfully handle a variety of themes and styles.”Worth reading for their craftsmanship and variety” (Charles Poore, New York Times).