First published in 1972, it was based on the BBC television series about which the (London) Sunday Times critic commented: "This is an eye-opener in more ways than one: by concentrating on how we look at paintings . . . he will almost certainly change the way you look at pictures." By now he has."Berger has the ability to cut right through the mystification of the professional art critics . . . He is a liberator of images: and once we have allowed the paintings to work on us directly, we are in a much better position to make a meaningful evaluation" —Peter Fuller, Arts Review"The influence of the series and the book . . . was enormous . . . It opened up for general attention to areas of cultural study that are now commonplace" —Geoff Dyer in Ways of TellingWinner of the 1972 Booker Prize for his novel, G., John Peter Berger (born November 5th, 1926) is an art critic, painter and author of many novels including A Painter of Our Time, From A to X and Bento’s Sketchbook.

    They were alternately known as “waste people,” “offals,” “rubbish,” “lazy lubbers,” and “crackers.” By the 1850s, the downtrodden included so-called “clay eaters” and “sandhillers,” known for prematurely aged children distinguished by their yellowish skin, ragged clothing, and listless minds.Surveying political rhetoric and policy, popular literature and scientific theories over four hundred years, Isenberg upends assumptions about America’s supposedly class-free society––where liberty and hard work were meant to ensure real social mobility. Poor whites were central to the rise of the Republican Party in the early nineteenth century, and the Civil War itself was fought over class issues nearly as much as it was fought over slavery.Reconstruction pitted "poor white trash" against newly freed slaves, which factored in the rise of eugenics–-a widely popular movement embraced by Theodore Roosevelt that targeted poor whites for sterilization. These poor were at the heart of New Deal reforms and LBJ’s Great Society; they haunt us in reality TV shows like Here Comes Honey Boo Boo and Duck Dynasty. Marginalized as a class, "white trash" have always been at or near the center of major political debates over the character of the American identity.We acknowledge racial injustice as an ugly stain on our nation’s history. With Isenberg’s landmark book, we will have to face the truth about the enduring, malevolent nature of class as well.

    In the Spring of 1997, a serial killer held Nashville, Tennessee in an icy grip of terror. In February, he murdered two employees at a Captain D's restaurant. In March, he struck a McDonalds just miles away, killing three people and maiming one. In April, he kidnapped and slaughtered two Baskin-Robbins employees.They called him "The Fast Food Killer" but his real name is Paul Dennis Reid, Jr. When he was caught and sentenced to seven death sentences, yet a new chapter began in the saga of one of the most heinous serial killers in our time, and the people whose lives he cut short. The victims were reduced to being called "the victims of Paul Reid." Until now. Here, for the first time, and with the approval of the family and friends, are the stories of those innocent, young people whose lives were ended far too soon. It is also the story of how a crime ripped a city apart.

    America was founded by wishful dreamers, magical thinkers, and true believers, by hucksters and their suckers. Fantasy is deeply embedded in our DNA.Over the course of five centuries--from the Salem witch trials to Scientology to the Satanic Panic of the 1980s, from P. T. Barnum to Hollywood and the anything-goes, wild-and-crazy sixties, from conspiracy theories to our fetish for guns and obsession with extraterrestrials--our love of the fantastic has made America exceptional in a way that we've never fully acknowledged. From the start, our ultra-individualism was attached to epic dreams and epic fantasies--every citizen was free to believe absolutely anything, or to pretend to be absolutely anybody. With the gleeful erudition and tell-it-like-it-is ferocity of a Christopher Hitchens, Andersen explores whether the great American experiment in liberty has gone off the rails.

    Paradoxically characterized as both barbaric and innocent, the Celts appeal to the modern world as a symbol of a bygone era, a world destroyed by theambition of empire and the spread of Christianity throughout Western Europe. Despite the pervasive cultural and literary influence of the Celts, shockingly little is known of their way of life and beliefs, because very few records of their stories exist. In this book, for the first time, PhilipFreeman brings together the best stories of Celtic mythology.Everyone today knows about the gods and heroes of the ancient Greeks, such as Zeus, Hera, and Hercules, but how many people have heard of the Gaulish god Lugus or the magical Welsh queen Rhiannon or the great Irish warrior C� Chulainn? We still thrill to the story of the Trojan War, but the epicbattles of the Irish T�in B� Cuailgne are known only to a few. And yet those who have read the stories of Celtic myth and legend-among them writers like J. R. R. Tolkien and C. S. Lewis-have been deeply moved and influenced by these amazing tales, for there is nothing in the world quite like them.In these stories a mysterious and invisible realm of gods and spirits exists alongside and sometimes crosses over into our own human world; fierce women warriors battle with kings and heroes, and even the rules of time and space can be suspended. Captured in vivid prose these shadowy figures-gods, goddesses, and heroes-come to life for the modern reader.

    Surrounded by the terraced hills of the Yangtze River valley, Fuling has long been a place of continuity, far from the bustling political centers of Beijing and Shanghai. But now Fuling is heading down a new path, and gradually, along with scores of other towns in this vast and ever-evolving country, it is becoming a place of change and vitality, tension and reform, disruption and growth. As the people of Fuling hold on to the China they know, they are also opening up and struggling to adapt to a world in which their fate is uncertain.Fuling's position at the crossroads came into remarkably sharp focus when Peter Hessler arrived as a Peace Corps volunteer in 1996, marking the first time in more than half a century that the city had an American resident. He found himself teaching English and American literature at the local college, discovering how Shakespeare and other classics look when seen through the eyes of students who have been raised in the Sichuan countryside and educated in Communist Party doctrine. His students, though, are the ones who taught him about the ways of Fuling — and about the complex process of understanding that takes place when one is immersed in a radically different society.As he learns the language and comes to know the people, Hessler begins to see that it is indeed a unique moment for Fuling. In its past is Communist China's troubled history — the struggles of land reform, the decades of misguided economic policies, and the unthinkable damage of the Cultural Revolution — and in the future is the Three Gorges Dam, which upon completion will partly flood thecity and force the resettlement of more than a million people. Making his way in the city and traveling by boat and train throughout Sichuan province and beyond, Hessler offers vivid descriptions of the people he meets, from priests to prostitutes and peasants to professors, and gives voice to their views. This is both an intimate personal story of his life in Fuling and a colorful, beautifully written account of the surrounding landscape and its history. Imaginative, poignant, funny, and utterly compelling, River Town is an unforgettable portrait of a city that, much like China itself, is seeking to understand both what it was and what it someday will be.

    But are high heels good? Are they feminist? What does it mean for a woman (or, for that matter, a man) to choose to wear them? Meditating on the labyrinthine nature of sexual identity and the performance of gender, High Heel moves from film to fairytale, from foot binding to feminism, and from the golden ratio to glam rock. It considers this most provocative of fashion accessories as a nexus of desire and struggle, sex and society, setting out to understand what it means to be a woman by walking a few hundred years in her shoes.Object Lessons is published in partnership with an essay series in The Atlantic.

    Join writer, researcher, and archaeologist, Dr. Heather Lynn, as she investigates who is behind the latest Sumerian discovery near the ancient city of Ur. What is its connection to big oil, bankers, and elite families? Among many of the new artifacts, one stands out that has been quickly shipped off for analysis. It speaks of royal bloodlines... This report is the first part of a series of briefings designed to keep the public informed on this unfolding story. It will leave you with more questions, than answers, with the goal that you become engaged in the process of investigation. If we work together, the truth can be brought to light. Any profits from the sale of this publication go directly to support the Society for Truth in Archaeological Research (STAR).

    In her new book Superstition, Sally Coulthard explores the history and background of 50 of these fascinating cultural behaviours, how they affected our everyday, and how many of these beliefs still permeate modern life. From opening umbrellas indoors to not putting new shoes on the table, Sally gets under the skin of these peculiar pastimes and reveals how they started and why they became so popular.

    KennedyStatesman and hero, opportunist and fraud. John F. Kennedy’s contradictions have inspired such fascination that the public’s interest in him has never dimmed. Now, with the same striking technique she used in the bestselling Forty Ways to Look at Winston Churchill, Gretchen Rubin has written an enthralling new work that captures the crucial elements of Kennedy’s story.Rubin’s “forty ways” approach highlights JFK’s high ideals, trenchant wit, glamorous family, and unforgettable charisma; it also examines his astonishing sexual appetite, his lies to the public, his shrewd manipulation of the press, and his exploitation of imagery. By showing the many sides of JFK–ranked by the public, but not historians, as one of America’s greatest presidents–Rubin invites readers to decide whether Kennedy was a great statesman or a shallow charmer; whether his success was due to his own merits or to his ruthless father; whether he could be both an unfaithful husband and a good man.Most important, this biography seeks to solve the enduring puzzle about JFK: What made Kennedy Kennedy? What made him such a dazzling, unforgettable figure? How did he become a secular saint and a political movie star? Rubin illuminates Kennedy’s provocative character and explains the source of his enduring magic as not even the most exhaustive JFK studies have managed to do. Forty Ways to Look at JFK stands out among Kennedy biographies as a splendidly focused assessment of Kennedy’s life, presidency, and myth. It is for both Kennedy fans and anyone fascinated by the impact of his personality on American culture and politics. Crisp, vivid, and brilliantly readable, it is a significant addition to the author’s innovative approach to biography.

    When Robert Gordon started covering Memphis music, the golden ages of his hometown had passed. But the links were there if you looked for them. Starting as a teenager, Gordon sought out old legends Furry Lewis and Mose Vinson, spent time at Jr. Kimbrough’s house parties, went into the grooves of records by Leadbelly and Robert Johnson, and picked up the threads in the new sounds that were developing around him, becoming the official chronicler of the Memphis scene. Memphis Rent Party compiles the best of these short pieces from the first three decades of Gordon’s career, many previously unpublished. The focus is on Memphis, but, like mint seeping into bourbon, Gordon gets into the wider world. In addition to homegrown renegades Alex Chilton (Box Tops, Big Star) and producer Jim Dickinson (Replacements, Rolling Stones), he spends time with those whom Memphis has inspired, like Cat Power, Jeff Buckley and Townes Van Zandt. A rent party is when friends come together to hear music, dance, and help a pal through hard times. With this stellar collection, Gordon—a deep listener, passionate cultural commentator, and unparelleled scribe of Southern sound—throws a rent party that will keep readers reading, music lovers listening, and culture hounds howling for more.

    At least, that's what the legend says. But with a figure like Martin Luther, who looms so large in the historical imagination, it's hard to separate the legend from the life, or even sometimes to separate assorted legends from each other. Over the centuries, Luther the man has given way to Luther the icon, a polished bronze figure on a pedestal.In A World Ablaze, Craig Harline introduces us to the flesh-and-blood Martin Luther. Harline tells the riveting story of the first crucial years of the accidental crusade that would make Luther a legendary figure. He didn't start out that way; Luther was a sometimes-cranky friar and professor who worried endlessly about the fate of his eternal soul. He sought answers in the Bible and the Church fathers, and what he found distressed him even more -- the way many in the Church had come to understand salvation was profoundly wrong, thought Luther, putting millions of souls, not least his own, at risk of damnation. His ideas would pit him against numerous scholars, priests, bishops, princes, and the Pope, even as others adopted or adapted his cause, ultimately dividing the Church against itself. A World Ablaze is a tale not just of religious debate but of political intrigue, of shifting alliances and daring escapes, with Luther often narrowly avoiding capture, which might have led to execution. The conflict would eventually encompass the whole of Christendom and served as the crucible in which a new world was forged.The Luther we find in these pages is not a statue to be admired but a complex figure -- brilliant and volatile, fretful and self-righteous, curious and stubborn. Harline brings out the immediacy, uncertainty, and drama of his story, giving readers a sense of what it felt like in the moment, when the ending was still very much in doubt. The result is a masterful recreation of a momentous turning point in the history of the world.

    But how much do you really know about this amazing country? Forget about shamrocks, leprechauns, and all that blarney--this book is a concise and authoritative guide that dispels the myths and tells the true stories of the Irish. Highlights include: Who St. Patrick really was The story behind "Sunday Bloody Sunday" Scandals in the Irish church Coming to America and the real gangs of New York The spooky truth behind changelings, leprechauns, and fairies Complete with an Irish language primer and pronunciation guide, this book is an informative pot of gold for everyone who loves the Irish!

    A poet and actress who had done occasional workshops at the correctional facility, Peterson was ill-prepared for a full-time stint teaching in the GED program for the incarcerated youths. For the first time faced with full days teaching the rambunctious, hyper, and fragile adolescent inmates, "Ms. P" comes to understand the essence of her predominantly Black and Latino students as she attempts not only to educate them, but to instill them with a sense of self-worth long stripped from their lives."I have quite a spirited group of drama kings, court jesters, flyboy gangsters, tricksters, and wannabe pimps all in my charge, all up in my face, to educate," Peterson discovers. "Corralling this motley crew of bad-news bears to do any lesson is like running boot camp for hyperactive gremlins. I have to be consistent, alert, firm, witty, fearless, and demanding, and most important, I have to have strong command of the subject I'm teaching." Discipline is always a challenge, with the students spouting street-infused backtalk and often bouncing off the walls with pent-up testosterone. Peterson learns quickly that she must keep the upper hand--set the rules and enforce them with rigor, even when her sympathetic heart starts to waver.Despite their relentless bravura and antics--and in part because of it--Peterson becomes a fierce advocate for her students. She works to instill the young men, mostly black, with a sense of pride about their history and culture: from their African roots to Langston Hughes and Malcolm X. She encourages them to explore and express their true feelings by writing their own poems and essays. When the boys push her buttons (on an almost daily basis) she pushes back, demanding that they meet not only her expectations or the standards of the curriculum, but set expectations for themselves--something most of them have never before been asked to do. She witnesses some amazing successes as some of the boys come into their own under her tutelage.Peterson vividly captures the prison milieu and the exuberance of the kids who have been handed a raw deal by society and have become lost within the system. Her time in the classroom teaches her something, too--that these boys want to be rescued. They want normalcy and love and opportunity.

    His range is wide, and his insights are acute, frequently ironic, and often downright funny. Translated by William Weaver. A Helen and Kurt Wolff Book