What begins as a hobby to create an easy-peeling apple for her pies becomes Hulda’s driving purpose: a time-consuming interest in plant hybridization that puts her at odds with family and community, as she challenges the early twentieth-century expectations for a simple housewife.Through the years, seasonal floods continually threaten to erase her Woodland, Washington garden and a series of family tragedies cause even Hulda to question her focus. In a time of practicality, can one person’s simple gifts of beauty make a difference?Based on the life of Hulda Klager, Where Lilacs Still Bloom is a story of triumph over an impossible dream and the power of a generous heart.“Beauty matters… it does. God gave us flowers for a reason. Flowers remind us to put away fear, to stop our rushing and running and worrying about this and that, and for a moment, have a piece of paradise right here on earth.”

    The compassion, simplicity, and gentle humor with which he treats the poignant quest of a hapless civil servant for the return of his stolen overcoat—and the fantastic yet realistic manner in which he takes revenge on his nemesis, the Very Important Person—mark "The Overcoat" as one of the greatest achievements of Gogol's genius.The five other "Tales of Good and Evil" in this superb collection demonstrate the broad range of Gogol's literary palette in his short fiction: the fantastic, supernaturally tinged "The Terrible Vengeance," the comic portraiture of "Ivan Fydorovich Shponka and His Aunt," the tragic moral realism of "The Portrait" and "Nevsky Avenue," and the rampaging satire and absurdism of his send-up of Russian upper-class stupidity, "The Nose." The stories offer the reader the perfect introduction to the imaginative genius of Gogol, which was to flower so triumphantly in his masterpiece, 'Deal Souls'.

    Though the townsfolk give way to a mindless idolization, the Gospel Singer is tormented by the extent of his deception and is forced to admit his corrupt activities.

    So why—with all this time, money, and energy being spent—are so few people living the life they really want? Why are millions of smart, talented, motivated people still going through life with one foot on the brake?Here's the real Secret: You don't need any more how-to-succeed information to reach your full potential.The problem isn't lack of motivation or lack of information. The real problem is that most people focus on the "how-to" aspects of success taught by traditional self-help programs, without coming to terms with what productivity expert Noah St. John calls your "head trash"—the subconscious, emotional roadblocks that prevent people from acting on their real hopes, dreams, and ambitions. In this groundbreaking book, based on work with thousands of clients around the world, Noah St. John has created a remarkable, step-by-step approach that helps you achieve long-term happiness, success, and wealth. In The Secret Code of Success, you will learn how to:Eliminate the causes of self-sabotage and fear of successAllow yourself to make more moneyRemove stress while dramatically increasing personal productivityImprove relationships with coworkers, family, and friendsExperience enhanced feelings of happiness, connection, and loveThe Secret Code of Success shows that, when it comes to success, the conscious mind is exactly the wrong place to start. It's only when we first conquer the self-sabotage of our subconscious (which accounts for 90 percent of our behavior) that we can truly begin to enjoy a life filled with success. This insight is at the core of The Secret Code of Success and leads to Noah's revolutionary 7-step method for eliminating these psychological obstacles. True financial freedom and personal success is possible at last!The Secret Code of Success shows you how to get your foot off the brake and start living the life you deserve.

    With this practical book, you’ll learn how pointers provide the mechanism to dynamically manipulate memory, enhance support for data structures, and enable access to hardware. Author Richard Reese shows you how to use pointers with arrays, strings, structures, and functions, using memory models throughout the book.Difficult to master, pointers provide C with much flexibility and power—yet few resources are dedicated to this data type. This comprehensive book has the information you need, whether you’re a beginner or an experienced C or C++ programmer or developer.Get an introduction to pointers, including the declaration of different pointer typesLearn about dynamic memory allocation, de-allocation, and alternative memory management techniquesUse techniques for passing or returning data to and from functionsUnderstand the fundamental aspects of arrays as they relate to pointersExplore the basics of strings and how pointers are used to support themExamine why pointers can be the source of security problems, such as buffer overflowLearn several pointer techniques, such as the use of opaque pointers, bounded pointers and, the restrict keyword

    More than perhaps any other act, Sonic Youth has brought “fringe” art to the mainstream, helping spawn an alternative arts scene that prospers to this day: a world of punk rock, underground films and comics, experimental music, conceptual art, contemporary classical compositions, and even fashion. In Goodbye 20th Century, David Browne tells the full glorious story of “the Velvet Underground of their generation,” an account based on extensive research, fresh interviews with the band and those who have worked with them (from Glenn Branca and Lydia Lunch to Sofia Coppola and Spike Jonze), and unprecedented access to unreleased recordings and documents. This is a richly detailed portrait of an iconic band and the times they helped create.

    Students begin with a brief introduction to computer hardware which leads to an in-depth look at how microprocessor-based computers are programmed to do real tasks. They also cover assembly language programming of 8086-based systems. Throughout the text, the emphasis is on writing assembly language programs in a top-down, structured manner. Included are comparisons between CISC and RISC microcomputer architectures and their trade-offs. 1990 HC 000pp

    It has been winning converts from dynamic language enthusiasts as well as users of traditional compiled languages. The former appreciate the robustness and efficiency that Go's lightweight type system brings to their code; the latter find Go's simplicity and fast tools a refreshing change. Thanks to its well-designed standard libraries and its excellent support for concurrent programming, Go is fast becoming the language of choice for distributed systems. The Go Programming Language is the definitive book on Go for the working programmer. It assumes no prior knowledge of Go, nor any other specific programming language, so you'll find it an accessible guide whether you come from JavaScript, Ruby, Python, Java, or C++. The book will quickly get you started using Go effectively from the beginning, and by the end, you will know how to use it well to write clear, idiomatic and efficient programs to solve real-world problems. You'll understand not just how to use its standard libraries, but how they work, and how to apply the same design techniques to your own projects. The earlier chapters will introduce you to the basic concepts of Go programming---numbers, strings, functions---while at the same time presenting important computer science concepts like recursion, and useful examples of graphics, UTF-8, and error handling. The chapters on methods and interfaces will show you a new way to think about object-oriented programming; the chapter on concurrency explains why concurrency is so important in modern programming, and how Go helps you handle it well. You'll also learn about Go's pragmatic but effective approach to testing; how to build, test, and manage projects using the go tool, and the art of metaprogramming using reflection. The book contains hundreds of interesting and practical examples that cover the whole language and a wide range of applications. The code samples from the book are available for download from gopl.io.

    In fact, most cross-unit collaborative efforts end up wasting time, money, and resources. How can managers avoid the costly traps of collaboration and instead start getting the results they need?In this book, Hansen shows managers how to get collaboration right through "disciplined collaboration"-- a practical framework and set of tools managers can use to:· Assess when--and when not--to pursue collaboration across units to achieve goals· Identify and overcome the four barriers to collaboration· Get people to buy into the larger picture, even when they own only a small piece of it· Be a "T-Shaped Manager," collaborating across divisions while still working deeply in your own unit· Create networks across the organization that are not large, but nimble and effectiveBased on the author's long-running research, in-depth case studies, and company interviews, Collaboration delivers practical advice and tools to help your organization collaborate--for real results.

    His bite-sized illustrations capture the inherent comedy of being human, and his guidance appeals to anyone who is striving against the odds, believing in both the absurdity and necessity of hope. How to Appear Normal at Social Events is an oddly cheering book of illustrated lists. Largely based on Lord Birthday's popular Instagram account, the book offers excessively absurd, occasionally wise advice on topics ranging from finding your life's purpose to defending yourself against forest clowns. (Hint: Set an oatmeal trap.)

    . . A rollicking you-are-there history of the 60s-80s rock era.---Entertainment WeeklyIn this extraordinary memoir, world-renowned guitarist Andy Summers provides the revealing and passionate account of a life dedicated to music. From his first guitar at age thirteen and his early days on the English music scene to the ascendancy of his band, the Police, Summers recounts his relationships and encounters with the Big Roll Band, Jimi Hendrix, Eric Clapton, the Animals, John Belushi, and others, all the while proving himself a master of telling detail and dramatic anecdote. Andy's account of his role as guitarist for the Police---a gig that was only confirmed by a chance encounter with drummer Stewart Copeland on a London train---has been long-awaited by music fans worldwide. The heights of fame that the Police achieved have rarely been duplicated, and the band's triumphs were rivaled only by the personal chaos that such success brought about, an insight never lost on Summers in the telling. Complete with never-before-published photos from Summers's personal collection, One Train Later is a constantly surprising and poignant memoir, and the work of a world-class musician and a first-class writer.

    A time of good will and cheer and...gifts. But what is The Perfect Gift? Finding or rediscovering love? Forgiveness? A new beginning? Beloved mate to two wolves, Heather lived an idyllic life until hunters destroyed their peaceful existence. Her mates believe she betrayed them. When the truth is revealed, can they find forgiveness and ask Heather to "Love Me, Still"? This Christmas Sophia leaves everything familiar behind, but love finds her anyway. Even on a cruise ship far from home, she discovers with love, she is still "Home for Christmas." Four years ago, Lori and Dean lost so much that it drove them apart. Can they find it in their hearts to forgive each other, and themselves? Will they have a "Second Chance Christmas"? Scott already knows what he wants for Christmas and its Tara, a woman seeking refuge from an ex. Now he just has to convince her to "Look What Santa Brought." Him. Amara is cursed by Saint Nicholas, protector of children. She must answer a simple question to be free, but cannot do it on her own. Will handsome doctor, Nick, and his young daughter help Amara find her "Miracle at Midnight"?

    In this delightful new "tale of dark secrets, mysterious men, and heiresses in distress,"* Louisa May Alcott, the beloved author of Little Women, is cast in the role of amateur sleuth-investigating crimes more heinous than anything she can imagine in her "blood and thunder" romances.

    On the Throne World of the High-Born, he was just the pet of the All-Emperor's Aunt. But Jim Keil was something special, and before he was through with the High-Born, they would about the Wolflings of Earth than they Ctn Qty/50.

    At the time, I was inclined to attribute this glibness to the triumph of middle age & to the compromises perhaps necessary to negotiate the then-new ascendancy of Reagan. But, looking back over this extraordinary journal of a plague year, written 40 years ago, I suddenly appreciate that Mailer in 1968 had already been rehearsing for some kind of ideological synthesis, & discovering it in the most improbable of places. Party conventions have been such dull spectacles of stage-management for so long that this year (I happen to be writing on the day after the closing Democratic primaries) it has been considered nothing less than shocking that delegates might arrive in Denver in August with any more than ceremonial or coronational duties ahead of them. The coverage of such media-events, now almost wholly annexed by the cameras & those who serve them, has undergone a similar declension into insipidity. Mailer could see this coming: having left the Republican gathering in Miami slightly too early "he realized he had missed the most exciting night of the convention, at least on the floor, & was able to console himself only with the sad knowledge that he could cover it better on tv than if he had been there." This wasn't quite true yet: what we have here is the last of the great political-convention essayists, & the close of a tradition that crested with H.L. Mencken & was caught so deftly in Gore Vidal's play The Best Man. You will note the way in which Mailer decided to write about himself in the 3rd person, using for a title the name "the reporter." This isn't invariably a good idea but it generally works in this instance, even when he muses, of himself, that: "The Democratic Convention in 1960 in Los Angeles which nominated John F. Kennedy, & the Republican in San Francisco in 1964 which installed Barry Goldwater, had encouraged some of his very best writing." "They venerated Nixon for his service to Eisenhower, & his comeback now--it was his comeback which had made him a hero in their eyes, for America is the land which worships the Great Comeback, & so he was Tricky Dick to them no more, but the finest gentleman in the land; they were proud to say hello." Pauline Kael was later to make herself a laughing stock by exclaiming in astonishment that she didn't "know anybody" who had voted for Nixon. Mailer was determined to avoid this mistake in advance, confessing his own ignorance & admitting that in a large Miami ballroom filled with delegates, "there were not 10 people he recognized." The only other person of liberal/radical temper who tried to avoid condescending to Nixon & to Nixonism was that other master of convention-floor prose, the late Murray Kempton. It was from Kempton himself that Mailer annexed what eventually became the running theme & essential insight of his attendance at both events. "'Politics is property'...[a] delegate's vote is his holding--he will give it up without return no more than a man will sign over his house entire to a worthy cause." More self-evident, perhaps, among the Chamber of Commerce types in Miami (& Nelson Rockefeller with his "catfish mouth"), this extended metaphor worked particularly well--and Mailer did his level best to extend it--in the gaunt, unsentimental world of Chicago stock-yard ward-heeling: that rugged inland coast on which the waves of 60s idealism broke in vain. It wasn't to be "new phalanxes of order" that were conjured. It was the bitter old phalanx of the Daley machine & the Chicago PD. Of necessity, the Illinois chapter was much longer & more intense than the Florida one, but before we shift the scene it is worth saluting Mailer 1st for seeing clearly that Nixon would be "the one" & 2nd for guessing that Ronald Reagan might well be the next one. His method in the 2nd case was equally intuitive. He noticed the clever rebound from the Goldwater defeat while also understanding the purely showbiz aspect. Could that gifted but gruesome twosome of Burroughs & Genet help to explain Mailer's recurrence to the threat of "nihilism"? He hated the war & the police and had contempt for the mobbed-up big mayors & union men who constituted the muscle of the Democrats. But he found Eugene McCarthy brittle & dislikeable, & McCarthy supporters addicted to defeat. Then there was this: "He liked his life. He wanted it to go on, which meant that he wanted America to go on--not as it was going, not Vietnam--but what price was he really willing to pay?" Mailer here was being plaintive but honest, as in the case of the above account of his Lincoln Park funk. It was becoming another of those moments where the best lacked all conviction while the worst...well, we know how that goes. Incidentally, one can't be too careful about making familiar poetic citations. Mailer quotes Edward Kennedy as saying of Bobby's supporters that they had "followed him, honored him, lived in his mild & magnificent eye," & one suddenly realizes that he thinks he is quoting Teddy himself rather than Robert Browning's famous lines from The Lost Leader. As Joan Didion once observed, there are those who say "No Man Is an Island" who firmly believe that they are echoing Ernest Hemingway. Our Democratic primaries are run the way they are now mainly because of the way they were run then. Mailer dryly watched the roll-call in Chicago & noted that the state which put Hubert Humphrey over the top (Pennsylvania) was the one where McCarthy had received 90% of the primary votes. To touch on another comparison with today's politics, Mailer also noticed in Miami that Nixon had won the nomination in such a way as to also win the election: in other words without splitting or embittering his party. These & similar reflections are of interest & value in a year where the Democratic nominee is, in one of his many protean incarnations, a Chicago South Side operator with a wife whose father was a Daley precinct captain, while the Republican candidate is a repository of something in which almost nobody in 1968 would ever have believed: America's residual pride about its own valor in Vietnam. The almost-closing line of the book is the prediction that Mailer wishes he had made to Eugene McCarthy's daughter: "'Dear Miss,' he could have told her, 'we will be fighting for 40 years.'" He got that right, among many other things.--Christopher Hitchens