As was well known at the time, Richter had spent several years in the Southwest, where he collected the material for his first successful book, Early Americans and Other Stories, but by 1933, he had returned to live in his hometown, Pine Grove, Pennsylvania. John Donner, the main protagonist in The Waters of Kronos, traces a similar route from west to east, although he finds that his family home and native town have been submerged under the deep waters of a lake formed by the construction of a hydroelectric dam. As Richter narrates his alter ego's efforts to salvage his past, he moves beyond "semi-autobiography" to offer what are widely recognized as his most haunting reflections upon the power of family history, the fragility of human memory, and art's role in structuring the communal ethos. David McCullough, a fellow Pulitzer Prize winner, met and befriended Richter in the 1960s and has called him "an American master," praising The Waters of Kronos as "his most beautiful book."

    At first the characters appear to have little in common, but as the novel progresses their motives and desires cross and blend in a geometry of misunderstanding.

    Among them: a middle-aged Aeschylus taking his place at Marathon, still vying for parental approval. A maddeningly indefatigable Victorian explorer hauling his expedition, whaleboat and all, through the Great Australian Desert in midsummer. The first woman in space and her cosmonaut lover, caught in the star-crossed orbits of their joint mission. Two Texas high school football players at the top of their food chain, soliciting their fathers’ attention by leveling everything before them on the field. And the rational and compassionate chief executioner of Paris, whose occupation, during the height of the Terror, eats away at all he holds dear.Brimming with irony, compassion, and withering humor, these eleven stories are at once eerily pertinent and dazzlingly exotic, and they showcase the work of a protean, prodigiously gifted writer at the height of his form. Reading Jim Shepard, according to Michael Chabon, “is like encountering our national literature in microcosm.”

    Charles Baxter is a professor of English at the University of Michigan and the author of numerous works, including The Feast of Love.

    Yet only Stone's Dog Soldiers is still remembered today. That oversight is startling when considering the literary impact of The Hair of Harold Roux. A dazzlingly crafted novel-within-a-novel hailed as a masterpiece, it deserves a new generation of readers. In The Hair of Harold Roux, we are introduced to Aaron Benham: college professor, writer, husband, and father. Aaron-when he can focus-is at work on a novel, The Hair of Harold Roux, a thinly disguised autobiographical account of his college days. In Aaron's novel, his alter ego, Allard Benson, courts a young woman, despite the efforts of his rival, the earnest and balding Harold Roux-a GI recently returned from World War II with an unfortunate hairpiece. What unfolds through Aaron's mind, his past and present, and his nested narratives is a fascinating exploration of sex and friendship, responsibility and regret, youth and middle age, and the essential fictions that see us through.

    A dazzling fourth novel by the author of The Recognitions, Carpenter’s Gothic, and JR uses his considerable powers of observation and satirical sensibilities to take on the American legal system.

    Everyone else is annihilated. When a medic finally rescues Paco almost two days later, he is waiting to die, flies and maggots covering his burnt, shattered body. He winds up back in the US with his legs full of pins, daily rations of Librium and Valium, and no sense of what to do next. One evening, on the tail of a rainstorm, he limps off the bus and into the small town of Boone, determined to find a real job and a real bed—but no matter how hard he works, nothing muffles the anguish in his mind and body. Brilliantly and vividly written, Paco's Story—winner of a National Book Award—plunges you into the violence and casual cruelty of the Vietnam War, and the ghostly aftermath that often dealt the harshest blows.

    

    Only the absence of leaves and sap, the presence of straggling bands of awkward crows, the gray-yellow flutter of field larks, and the broad, matter-of-fact hibernation of the earth said it was winter as Sam Tucker walked along the road, his long legs functioning automatically, farmerly. His body had about it the look of country dogs at the end of winter, when they are all ribs and leg muscles and jaw muscles and teeth. . . .Hold Autumn in Your Hand, is the memorable story of Sam Tucker and the year that he contracts to farm sixty-eight acres of San Pedro bottomland. He is eager to work the rich soil despite the fact that he will earn only six bits a day. Sam, his wife Nona, their two children, and one of the most irrepressible grandmothers in modern fiction absorb the reader in their joys and disappointments. The story is built around Sam Tucker's determination to use his knowledge of the land and hard work to provide food for his family and hope for the future.

    Three generations of the Chapin family are portrayed with intimacy and uncompromising clarity. Many other people at all levels of the social ladder are portrayed as well, and what they do and say to one another is often shocking.

    While there, he launched The Eighth Day, a tale set in a mining town in southern Illinois about two families blasted apart by the apparent murder of one father by the other. The miraculous escape of the accused killer, John Ashley, on the eve of his execution and his flight to freedom triggers a powerful story tracing the fate of his and the victim’s wife and children.At once a murder mystery and a philosophical story, The Eighth Day is a “suspenseful and deeply moving” (New York Times) work of classic stature that has been hailed as a great American epic.

    A kind, sensitive, family man, he is also prone to irascible outbursts against the people he must work for, now that he can no longer make his living from the sea.Pierce's one great passion, a fifty-foot fishing boat called Spartina, lies unfinished in his back yard. Determined to get the funds he needs to buy her engine, he finds himself taking a foolish, dangerous risk. But his real test comes when he must weather a storm at sea in order to keep his dream alive. Moving and poetic, Spartina is a masterly story of one man's ongoing struggle to find his place in the world.

    If one half of the characters live their secret, interior lives apart from society, then the other half are looking for their own ways out: drugs, murder, revolution, betrayal, and infidelity.

    Dunyazade, Scheherazade's kid sister, holds the destiny of herself and the prince who holds her captive.Perseus, the demigod who slew the Gorgon Medusa, finds himself at forty battling for simple self-respect like any common mortal.Bellerophon, once a hero for taming the winged horse Pegasus, must wrestle with a contentment that only leaves him wretched.

    He was born in New York City to Jewish parents; his father was born in Poland. He went to college and earned his B.A. from New York University and went on to acquire an M.A. as well as a Ph.D. in English Literature from the University of Michigan, before spending most of his adult life in Berkeley, California.Going Places, his first book of short stories, made his reputation as one of the most brilliant of that era's fiction writers; the stories are urban, funny, and written in a private, hectic diction that gives them a remarkable edge. The follow-up, coming six years later (Michaels was perhaps not prolific enough to build a widely popular career), was I Would Have Saved Them If I Could, a collection as strong as the first.