But what makes James’s daily LBC show such essential listening – and has made James a standout social media star – is the careful way he punctures their assumptions and dismantles their arguments live on air, every single morning.In How To Be Right, James provides a hilarious and invigorating guide to talking to people with faulty opinions. With chapters on every lightning-rod issue, James shows how people have been fooled into thinking the way they do, and in each case outlines the key questions to ask to reveal fallacies, inconsistencies and double standards.If you ever get cornered by ardent Brexiteers, Daily Mail disciples or little England patriots, this book is your conversation survival guide.‘I have had a ringside seat as a significant swathe of the British population was persuaded that their failures were the fault of foreigners, that unisex lavatories threatened their peace of mind and that ‘all Muslims’ must somehow apologise for terror attacks by extremists. I have tried to dissuade them and sometimes succeeded… The challenge is to distinguish sharply between the people who told lies and the people whose only offence was to believe them.’James O’Brien

    

    Compulsively readable and always accessible, each story takes the reader into the mind and heart of its central character, whether a young boy suffering from Lawrence Welk damage and teetering precariously on the edge of puberty ("The Music of Your Life") or a not-so-young-anymore man for whom fantasy and reality have become a terrifying blur and who finds himself slipping over the edge toward total meltdown ("Wildlife of Coastal Carolina"). Nostalgia plays a part in these stories as a somewhat jaded New York film critic looks back on his life and the movies that shaped him ("Spectators in Love"), and an aging flower-shop owner ruefully assesses the love he found and lost when, as an eighteen-year-old, he embarked on a Hollywood career that never soared but did include one particularly memorable appearance on the I Love Lucy television show ("Who Loves You?") These stories all create entire worlds within which the characters live and struggle to find their way. Funny, touching, serious, and tender, the tales within The Music of Your Life are sure to appeal to anyone who has ever known the awkwardness of being "different," and while life is often harsh for the stories' characters, the bold determination with which they persevere offers inspiration to all.

    With court-mandated rehab being debated across the country, Shavelson’s in-depth look at the struggles of five addicts as they travel through the treatment maze makes a powerful case for reform.Highly readable and shaped by Shavelson’s experience as a journalist and physician, Hooked takes us through the anguishing “intake” and controversial House meetings, inside counselors’ and judges’ offices where many treatment decisions are made, and to prison cells where, under current policies, many addicts end up. It explores the links between drug addiction, mental illness, and trauma, including child abuse—links often ignored by current rehab efforts—and argues for an integrated approach that treats the roots of drug abuse, not just the behavior itself.Hailed as “compelling” and “heartbreaking” (Time Out), Hooked offers a provocative, honest look at the seemingly intractable issue of drug addiction, and offers powerful alternatives to our current policies.

    From the stirrings of his adolescent libido to his eventual death from AIDS, Oscar Moore's hero confronts his destiny with raw candour, shocking self-awareness, and frightening fatalism.

    First published in 1996, Bound and Gagged opens with the chilling case of Daniel DePew, a man convicted—in the first computer bulletin board entrapment case—of conspiring to make a snuff film and sentenced to thirty-three years in prison for merely trading kinky fantasies with two undercover cops.Using this textbook example of social hysteria as a springboard, Kipnis argues that criminalizing fantasy—even perverse and unacceptable fantasy—has dire social consequences. Exploring the entire spectrum of pornography, she declares that porn isn’t just about gender and that fantasy doesn’t necessarily constitute intent. She reveals Larry Flynt’s Hustler to be one of the most politically outspoken and class-antagonistic magazine in the country and shows how fetishes such as fat admiration challenge our aesthetic prejudices and socially sanctioned disgust. Kipnis demonstrates that the porn industry—whose multibillion-dollar annual revenues rival those of the three major television networks combined—know precisely how to tap into our culture’s deepest anxieties and desires, and that this knowledge, more than all the naked bodies, is what guarantees its vast popularity.Bound and Gagged challenges our most basic assumptions about America’s relationship with pornography and questions what the calls to eliminate it are really attempting to protect.

    Described by the London Review of Books as one of “the most brilliant critics writing in America today,” Gary Indiana is a true radical whose caustic voice has by turns haunted and influenced the literary and artistic establishments. With I Can Give You Anything but Love, Gary Indiana has composed a literary, unabashedly wicked, and revealing montage of excursions into his life and work—from his early days growing up gay in rural New Hampshire to his escape to Haight-Ashbury in the post–summer-of-love era, the sweltering 1970s in Los Angeles, and ultimately his existence in New York in the 1980s as a bona fide downtown personality. Interspersed throughout his vivid recollections are present-day chapters set against the louche culture and raw sexuality of Cuba, where he has lived and worked occasionally for the past fifteen years. Connoisseurs will recognize in this—his most personal book yet—the same mixture of humor and realism, philosophy and immediacy, that have long confused the definitions of genre applied to his writing. Vivid, atmospheric, revealing, and entertaining, this is an engrossing read and a serious contribution to the genres of gay and literary memoir.

    But, at forty-eight years old, having spent decades in San Francisco, he craved change. Grieving over the death of his partner, he quickly discovered the profound consolations of the city's incessant rhythms, the sight of the Empire State Building against the night sky, and New Yorkers themselves, kindred souls that Hayes, a lifelong insomniac, encountered on late-night strolls with his camera.And he unexpectedly fell in love again, with his friend and neighbor, the writer and neurologist Oliver Sacks, whose exuberance--"I don't so much fear death as I do wasting life," he tells Hayes early on--is captured in vignettes throughout. What emerges is a portrait of Sacks at his most personal and endearing, from falling in love for the first time at age seventy-five to facing illness and death (Sacks died of cancer in August 2015).

    Ben likes Noah back. No one must know. But somebody does ... Between his depression and anxiety disorder and his secret relationship with popular jock Ben Hynes, seventeen-year-old Noah Simmons has already more than enough to deal with. But there is always room for deterioration.When an anonymous blackmailer threatens to publish a salacious video of them unless they comply with his demands, Noah and Ben are hard-pressed to figure out the lesser of two evils. Ben has a reputation to lose. Noah has one hardly worth fighting for, but he doesn't want to lose Ben. Neither of them wants to be an inadvertent teenage porn star, so how far are they willing to go to protect their secret?Get your copy of Instafamous now for a fresh and relevant look at the intricacies of social media, teenagers, and mental health.

     Luke’s life couldn’t get any worse. His parents are gone, the family bar is failing, and he's had to drop out of college. On top of everything else, now he's engaged in a custody battle with his grandparents over his younger brother. Adam is a drop-dead gorgeous lawyer, representing a certain pair of grandparents in the custody battle. He isn’t pleased to be involved with such snobby clients, and he’s definitely miffed to be shipped out to the Midwest for this case. That all changes when he meets Luke. The man is handsome, charming, and he gets Adam’s sense of humor. Worse, he definitely deserves to win the case. They’re not supposed to talk to one another, much less date, but both Adam and Luke feel a connection they can’t ignore. Can they figure out a way to make it work? Or will the case – and the things they have to do to win it – tear them apart? If you love tense, sensual, heartwarming gay romance, dive in to Fighting for Love tonight. Delight in desperation and a guaranteed happy ending. Get this and five other books with steamy, sweet stories in the Fighting for Love Bundle!

    It follows the figure of the working man through the daily tedium of the office to the humiliating mandatory team-building exercise, to awkward encounters with the boss who pretends to hate capitalism and tells you to be authentic.

    John Chapman, an impulsive young man and a sexual outlaw, forsaken in the bitter winter of the Allegheny Plateau, clings to his one tenuous dream: to claim a future in the Western outpost. Unarmed and near death, Chapman is on the brink of giving up when an unexpected rescue changes his course in life forever, and he discovers the true meaning of survival. The mysterious savior is Daniel McQuay, a loner whose overpowering bond with Chapman is as shifting as a shadow, as dark as the prairie tale he spins for the impressionable young man. For Chapman, McQuay's story of a deranged killer clings to his transient soul like a nightmare, tracking him further south and into the safe haven of a gentle Indian woman named Gwennie. His journey also takes him into the intimate deliverance of Palmer, a brash but irresistibly innocent seventeen-year-old settler. As the three adventurers carve a new life out of the endless wilderness, they face the ultimate enemy -- man -- in a life-and-death struggle that unfolds in the shadow of a legendary and avenging evil.

    Drifting through life, confused about her sexuality, Tess decides to live a life of celibacy and to open up a restaurant devoted to soup. Tess has a talent for making soups with strong medicinal and spiritual qualities – something passed down from her great-great grandmother, a descendant of one of the Salem witches.In the second week of the restaurant’s opening, an elderly professor of English, Roger Beanstock, comes in at closing time. Beany, haunted by his own past has lived a celibate life devoted to his work. He visits the restaurant every Thursday night for the next year to share soup and wine with Tess, which she calls the Year of Soup, before taking his life. Shortly after Beany’s death, Tess meets Jim at the restaurant, a furniture maker with his own reasons for keeping to himself. It is through a series of letters that Beany has left for Tess that she learns the truth about the Professor, is able to come to terms with her own sexuality, and discover Jim’s own tragic secret that will change both of their lives.

    Colonel Cammermeyer's dismissal from the U.S. Army has stirred debate all the way to the Presidency; now she writes of her decision to challenge official policy on homosexuality. 16-page photo insert.

    “Gay Bar is an absolute tour de force.” (Maggie Nelson)"Beautiful . . . Atherton Lin has a five-octave, Mariah Carey-esque range for discussing gay sex.” –New York Times Book ReviewStrobing lights and dark rooms; throbbing house and drag queens on counters; first kisses, last call: the gay bar has long been a place of solidarity and sexual expression—whatever your scene, whoever you’re seeking. But in urban centers around the world, they are closing, a cultural demolition that has Jeremy Atherton Lin wondering: What was the gay bar? How have they shaped him? And could this spell the end of gay identity as we know it?In Gay Bar, the author embarks upon a transatlantic tour of the hangouts that marked his life, with each club, pub, and dive revealing itself to be a palimpsest of queer history. In prose as exuberant as a hit of poppers and dazzling as a disco ball, he time-travels from Hollywood nights in the 1970s to a warren of cruising tunnels built beneath London in the 1770s; from chichi bars in the aftermath of AIDS to today’s fluid queer spaces; through glory holes, into Crisco-slicked dungeons and down San Francisco alleys. He charts police raids and riots, posing and passing out—and a chance encounter one restless night that would change his life forever. The journey that emerges is a stylish and nuanced inquiry into the connection between place and identity—a tale of liberation, but one that invites us to go beyond the simplified Stonewall mythology and enter lesser-known battlefields in the struggle to carve out a territory. Elegiac, randy, and sparkling with wry wit, Gay Bar is at once a serious critical inquiry, a love story and an epic night out to remember.