Lavery comes a collection of darkly mischievous stories based on classic fairy tales. Adapted from his beloved "Children's Stories Made Horrific" series, The Merry Spinster takes up the trademark wit that endeared Lavery to readers of both The Toast and his best-selling debut Texts from Jane Eyre. The feature become among the most popular on the site, with each entry bringing in tens of thousands of views, as the stories proved a perfect vehicle for Lavery’s eye for deconstruction and destabilization. Sinister and inviting, familiar and alien all at the same time, The Merry Spinster updates traditional children's stories and fairy tales with elements of psychological horror, emotional clarity, and a keen sense of feminist mischief.Readers of The Toast will instantly recognize Lavery's boisterous good humor and uber-nerd swagger: those new to Lavery's oeuvre will delight in his unique spin on fiction, where something a bit mischievous and unsettling is always at work just beneath the surface.Unfalteringly faithful to its beloved source material, The Merry Spinster also illuminates the unsuspected, and frequently, alarming emotional complexities at play in the stories we tell ourselves, and each other, as we tuck ourselves in for the night.Bedtime will never be the same.The daughter cells --The thankless child --Fear not: an incident log --The six boy-coffins --The rabbit --The merry spinster --The wedding party --Some of us had been threatening our friend Mr.Toad --Cast your bread upon the waters --The frog's princess --Good fences make good neighbors

    Blurring the lines between magical realism, horror, and science-fiction, Chung uses elements of the fantastic and surreal to address the very real horrors and cruelties of patriarchy and capitalism in modern society.Anton Hur’s translation skilfully captures the way Chung’s prose effortlessly glides from being terrifying to wryly humorous. Winner of a PEN/Heim Grant.

    Alberto Manguel has selected 72 fantastic tales from life on the edge of the twilight zone, with stories from Marguerite Yourcenar, Herman Hesse, Italo Calvino, Vladimir Nabokov, and many, many more. This is a collection of irresistible masterpieces, many of which have never before appeared in the English language.Fantastic literature Manguel writes in his introduction, makes use of our everyday world as a facade through which the undefinable appears, hinting at the half-forgotten dreams of our imagination. Unlike tales of fantasy, fantastic literature deals with what can be best defined as the impossible seeping into the possible, what Wallace Stevens calls black water breaking into reality. Fantastic literature never really explains everything, it thrives on surprise, on the unexpected logic that is born from its own rules.Contents:House taken over by Julio CortázarHow love came to Professor Guildea by Robert S. HichensClimax for a ghost story by I.A. IrelandThe mysteries of the Joy Rio by Tennessee WilliamsPomegranate seed by Edith WhartonVenetian masks by Adolfo Bioy CasaresThe wish house by Rudyard KiplingThe playground by Ray BradburyImportance by Manuel Mujica LáinezEnoch Soames by Max BeerbohmA visitor from down under by L.P. HartleyLaura by SakiAn injustice revealedA little place off the Edgware Road by Graham GreeneFrom "A School Story" by M.R. JamesThe signalman by Charles DickensThe tall woman by Pedro Antonio de AlarcónA scent of mimosa by Francis KingDeath and the gardener by Jean CocteauLord Mountdrago by W. Somerset MaughamThe sick gentleman's last visit by Giovanni PapiniInsomnia by Virgilio PiñeraThe storm by Jules VerneA dream (from The Arabian Nights Entertainments)The facts in the case of M. Valdemar by Edgar Allan PoeSplit second by Daphne du MaurierAugust 25, 1983 by Jorge Luis BorgesHow Wang-Fo was saved by Marguerite YourcenarFrom "Peter and Rosa" by Isak DinesenTattoo by Jun'ichirō TanizakiJohn Duffy's brother by Flann O'BrienLady into fox by David GarnettFather's last escape by Bruno SchulzA man by the name of Ziegler by Hermann HesseThe Argentine ant by Italo CalvinoThe lady on the grey by John CollierThe queen of spades by Alexander PushkinOf a promise kept by Lafcadio HearnThe wizard postponed by Juan ManuelThe monkey's paw by W.W. JacobsThe bottle imp by Robert Louis StevensonThe rocking-horse winner by D.H. LawrenceCertain distant suns by Joanne GreenburgThe third bank of the river by João Guimarães RosaHome by Hilaire BellocThe door in the wall by H.G. WellsThe friends by Silvina OcampoEt in sempiternum pereant by Charles WilliamsThe captives of Longjumeau by Léon BloyThe visit to the museum by Vladimir NabakovAutumn Mountain by Ryūnosuke AkutagawaThe sight by Brian MooreClorinda by André Pieyre de MandiarguesThe pagan rabbi by Cynthia OzickThe fisherman and his soul by Oscar WildeThe bureau d'echange de maux by Lord DunsanyThe ones who walk away from Omelas by Ursula K. LeGuinIn the penal colony by Franz KafkaA dog in Durer's etching "The Knight, Death and the Devil" by Marco DeneviThe large ant by Howard FastThe lemmings by Alex ComfortThe grey ones by J.B. PriestleyThe feather pillow by Horacio QuirogaSeaton's aunt by Walter de la MareThe friends of the friends by Henry JamesThe travelling companion by Hans Christian AndersenThe curfew tolls by Stephen Vincent BenetThe state of grace by Marcel AyméThe story of a panic by E.M. ForsterAn invitation to the hunt by George HitchcockFrom the "American Notebooks" by Nathaniel HawthorneThe dream by O. Henry

    It's the one thing Walter will never be. But what if he could play white, the way so many others seem to do? Would it bring him privilege or simply deny the pain? The title story in this collection asks those questions, and then moves on to challenge notions of race, privilege, personal choice, and even life and death with equal vigor. From the spectrum spanning despair and hope in "What She Saw When They Flew Away" to the stark weave of personal struggles in "Chocolate Park," Let's Play White speaks with the voices of the overlooked and unheard. "I Make People Do Bad Things" shines a metaphysical light on Harlem's most notorious historical madame, and then, with a deft twist into melancholic humor, "Cue: Change" brings a zombie-esque apocalypse, possibly for the betterment of all mankind.

    Initially created by H. P. Lovecraft and a group of his amorphous contemporaries (the so-called "Lovecraft Circle"), The Cthulhu Mythos story cycle has taken on a convoluted, cyclopean life of its own. Some of the most prodigious writers of the 20th century, and some of the most astounding writers of the 21st century have planted their seeds in this fertile soil. The Book of Cthulhu harvests the weirdest and most corpulent crop of these modern mythos tales. From weird fiction masters to enigmatic rising stars, The Book of Cthulhu demonstrates how Mythos fiction has been a major cultural meme throughout the 20th century, and how this type of story is still salient, and terribly powerful today.Skyhorse Publishing, under our Night Shade and Talos imprints, is proud to publish a broad range of titles for readers interested in science fiction (space opera, time travel, hard SF, alien invasion, near-future dystopia), fantasy (grimdark, sword and sorcery, contemporary urban fantasy, steampunk, alternative history), and horror (zombies, vampires, and the occult and supernatural), and much more. While not every title we publish becomes a New York Times bestseller, a national bestseller, or a Hugo or Nebula award-winner, we are committed to publishing quality books from a diverse group of authors.

     Featuring stories by Amy Cross, Mike Duke, Matthew Brockmeyer, Lex H. Jones, J.C. Michael and Kevin J. Kennedy.

    Lansdale compiles and introduces 26 of his own favorite and most violent dark horror tales in this review of his work. "God of the Razor" introduces the dark god behind serial killers. A martial arts fight to the death between a reluctant champion and a sadistic alpha male is featured in "Master of Misery." Human sacrifice to ensure prosperity and as a coming-of-age ritual, are themes of "On a Dark October" and "Duck Hunt." In "The Fat Man," young boys learn the hard way that some mysteries should not be investigated. Many of the tales are truly weird, such as "Chompers," a story of false teeth with an appetite. All of the stories are individually introduced by Lansdale, who explains the humorous, weird, and sometimes sad genesis for each.

    For those who already know these tales, the poignant introduction is a window on the creator's mind. Reflecting back after 14 years, Barker writes: I look at these pieces and I don't think the man who wrote them is alive in me anymore.... We are all our own graveyards I believe; we squat amongst the tombs of the people we were. If we're healthy, every day is a celebration, a Day of the Dead, in which we give thanks for the lives that we lived; and if we are neurotic we brood and mourn and wish that the past was still present. Reading these stories over, I feel a little of both. Some of the simple energies that made these words flow through my pen--that made the phrases felicitous and the ideas sing--have gone. I lost their maker a long time ago. These enthusiastic tales are not ashamed of visceral horror, of blood splashing freely across the page: "The Midnight Meat Train," a grisly subway tale that surprises you with one twist after another; "The Yattering and Jack," about a hilarious demon who possesses a Christmas turkey; "In the Hills, the Cities," an unusual example of an original horror premise; "Dread," a harrowing non-supernatural tale about being forced to realize your worst nightmare; "Jacqueline Ess: Her Will and Testament," about a woman who kills men with her mind. Some of the tales are more successful than others, but all are distinguished by strikingly beautiful images of evil and destruction. No horror library is complete without them. --Fiona Webster

    3 IS THE LAST OF A THREE VOLUME SET OF RICHARD MATHESON'S COLLECTED STORIES. VOLUME THREE INCLUDES SOME OF MATHESON'S MOST FAMOUS STORIES INCLUDING "DUEL" UPON WHICH THE STEVEN SPIELBERG MOVIE WAS BASED. 33 STORIES IN AN AFFORDABLE TRADE PAPERBACK.

    ‘Rashōmon’ and ‘In a Bamboo Grove’ inspired Kurosawa’s magnificent film and depict a past in which morality is turned upside down, while tales such as ‘The Nose’, ‘O-Gin’ and ‘Loyalty’ paint a rich and imaginative picture of a medieval Japan peopled by Shoguns and priests, vagrants and peasants. And in later works such as ‘Death Register’, ‘The Life of a Stupid Man’ and ‘Spinning Gears’, Akutagawa drew from his own life to devastating effect, revealing his intense melancholy and terror of madness in exquisitely moving impressionistic stories.A WORLD IN DECAY- Rashōmon- In a Bamboo Grove- The Nose- Dragon: The Old Potter's Tale- The Spider Thread- Hell ScreenUNDER THE SWORD- Dr. Ogata Ryōsai: Memorandum- O-Gin- LoyaltyMODERN TRAGICOMEDY- The Story of a Head That Fell Off- Green Onions- Horse LegsAKUTAGAWA'S OWN STORY- Daidōji Shinsuke: The Early Years- The Writer's Craft- The Baby's Sickness- Death Register- The Life of a Stupid Man- Spinning Gears

    In this unique collection of vampire stories you will find some of the earliest depictions of these fearful creatures as in John Polidori's 'The Vampyre' and James Malcolm Rymer's 'Varney, the Vampyre', a tale which held readers in thrall when it was first published in the mid-nineteenth century. As well as these rare stories and those featuring the more well known bloodsuckers such as Le Fanu's 'Carmilla' and Stoker's 'Dracula', there is a clutch of lesser known but equally frightening tales written by expert practitioners in the art of raising goose pimples. Children of the Night is a volume filled with the rich blood of chilling vampire fiction.

    The highly anticipated new collection of macabre delights, that explores dark realms of the fevered, fecund mind, and visits strange landscapes and vistas. These are grim and grotesque tales of terror -- modern Mysterium Tremendums -- that open new doors of perception and reality.“Gavin’s writing serves as a testament that great masters once crafted great stories .. .and as evidence that they shall do so again.”— Thomas Ligotti

    Hamantaschen returns with another collection of his inimitable brand of weird, dark fiction. At turns despairing, resonant, macabre and insightful, these nine stories intend to stay with you.

    The good wit of bad manners, elegantly spiced with irony and deftly controlled malice, has made Saki stories small, perfect gems of the English language. Here for the first time, are the collected writings of Saki--including all of his short stories ("Reginald", "Reginald in Russia", "The Chronicles of Clovis", "Beasts and Super-Beasts" "The Toys of Peace", and "The Square Egg"), his three novels (THE UNBEARABLE BASSINGTON, WHEN WILLIAM CAME and THE WESTMINSTER ALICE), and three plays (THE DEATHTRAP, KARL-LUDWIG'S WINDOW and THE WATCHED POT. You are invited to meet once again Clovis, Reginald, the Unbearable Bassington, and the other memorable characters etched so superbly by the pen of H.H. Munro. "In all literature, he was the first to employ successfully a wildly outrageous premise in order to make a serious point. I love that. And today the best of his stories are still better than the best of just about every other writer around."--Roald Dahl. Introduction by Noel Coward.(less)

    One is the main course of dinner, another the porn star contracted to copulate in space for a reality TV show. They become futuristic ant farms, get knocked up by the star high school quarterback and have secret abortions, use parakeets to reverse amputations, make love to garden gnomes, go into air conditioning ducts to confront their mother’s ghost, and do so in settings that range from Hell to the local white-supremacist bowling alley.