So far he’s on the winning side. He’s never lost a case. But nothing lasts forever, and pride like his has a long way to fall.Funny, smart and always surprising, A Naked Singularity speaks a language all of its own and reads like nothing else ever written. Casi’s beautiful mind and planetary intelligence make him an inimitable and unforgettable narrator.In De La Pava’s hands, the labyrinthine miseries of the New York Justice System are as layered and diabolical as Dante’s nine circles of Hell. But the Devil doesn’t hog the best lines. There are plenty here to go around.

    An essential book for a full understanding of one of our major poets.Color woodcut, Night Scene, by Neil Welliver. Courtesy of the artist.

    The visionary, sardonic, and often outrageous poems in this bilingual edition represent the first presentation of his work in English. With René Daumal he was the founder of the literary movement and magazine "Le Grand Jeu", the essence of which he defined as "the impersonal instant of eternity in emptiness". "The glimpse of eternity in the void", writes Rattray in the Introduction, "was to send Daumal to Hinduism, the study of Yoga philosophy, and Sanskrit. It sent Lecomte on an exploration of what he called a metaphysics of absence". Rattray, a poet acclaimed for his translations of Artaud, keeps intact the power and originality of Gilbert-Lecomte's work.

    Published posthumously in 1971, they add a startling counterpoint to Ariel, the volume that made her reputation. Readers will recognise some of her most celebrated poems – ‘Childless Woman’, ‘Mirror’, ‘Insomniac’ – while discovering those still overlooked, including her radio play Three Women. These two extraordinary volumes find their place alongside The Colossus and Ariel in the oeuvre of a singular talent.

    The story deals with class conflicts, the influence of fathers, and vengeance as viewed through the third-person perspective of a young, impressionable child. It is a prequel to The Hamlet, The Town, and The Mansion, the three novels make up the Snopes trilogy.

    An introduction by Normal Finkelstein connects the biographical elements to a consideration of the work and takes in Auster's early literary and philosophical influences. Penetrating, lyric, and tempered with the same brooding intelligence that informs The New York Trilogy, these poems offer a unique window into postmodern consciousness.

    The novel follows the adventures of Jack Levitt, an orphaned teenager living off his wits in the fleabag hotels and seedy pool halls of Portland, Oregon. Jack befriends Billy Lancing, a young black runaway and pool hustler extraordinaire. A heist gone wrong gets Jack sent to reform school, from which he emerges embittered by abuse and solitary confinement. In the meantime Billy has joined the middle class: married, fathered a son, acquired a business and a mistress. But neither Jack nor Billy can escape their troubled pasts, and they will meet again in San Quentin before their strange double drama comes to a violent and revelatory end.

    The weird turns that followed in this already sensational take are truly astonishing--the Hearst family tried to secure Patty's release by feeding the people of Oakland and San Francisco for free; bank security cameras captured "Tania" wielding a machine gun during a roberry; the LAPD engaged in the largest police shoot-out in American history; the first breaking news event was broadcast live on telelvision stations across the country; and then there was Patty's circuslike trial, filled with theatrical courtroom confrontations and a dramatic last-minute reversal, after which the term "Stockholm syndrome" entered the lexicon. Ultimately, the saga highlighted a decade in which America seemed to be suffering a collective nervous breakdown.

    It is an archetypal American story of escape from domesticity tracing a young man's rite of passage through a series of terrible brushes with death during a fateful sea voyage. Included are eight related tales which further illuminate Pym by their treatment of persistent themes--fantastic voyages, gigantic whirlpools, and premature burials--as well as its relationship to Poe's art and life.ContentsThe narrative of Arthur Gordon Pym of Nantucket -- (1838)MS found in a bottle -- (1833)Loss of breath -- (1832)Mystification -- (1837)How to write a Blackwood article -- (Nov 1838)A descent into the maelström -- (Apr 1841)The pit and the pendulum -- (1843The balloon hoax -- (Apr 13, 1844)The premature burial. (Jul 31, 1844)

    Michener’s monumental saga chronicles the epic history of Texas, from its Spanish roots in the age of the conquistadors to its current reputation as one of America’s most affluent, diverse, and provocative states. Among his finely drawn cast of characters, emotional and political alliances are made and broken, as the loyalties established over the course of each turbulent age inevitably collapse under the weight of wealth and industry. With Michener as our guide, Texas is a tale of patriotism and statesmanship, growth and development, violence and betrayal—a stunning achievement by a literary master.  Praise for Texas   “Fascinating.”—Time   “A book about oil and water, rangers and outlaws, frontier and settlement, money and power . . . [James A. Michener] manages to make history vivid.”—The Boston Globe   “A sweeping panorama . . . [Michener] grapples earnestly with the Texas character in a way that Texas’s own writers often don’t.”—The Washington Post Book World  “Vast, sprawling, and eclectic in population and geography, the state has just the sort of larger-than-life history that lends itself to Mr. Michener’s taste for multigenerational epics.”—The New York Times

    In this magisterial work of fiction, Joyce Carol Oates explores the uneasy fault lines in a racially troubled society. In such a tense, charged atmosphere, Oates reveals that there must always be a sacrifice—of innocence, truth, trust, and, ultimately, of lives. Unfolding in a succession of multiracial voices, in a community transfixed by this alleged crime and the spectacle unfolding around it, this profound novel exposes what—and who—the “sacrifice” actually is, and what consequences these kind of events hold for us all.Working at the height of her powers, Oates offers a sympathetic portrait of the young girl and her mother, and challenges our expectations and beliefs about our society, our biases, and ourselves. As the chorus of its voices—from the police to the media to the victim and her family—reaches a crescendo, The Sacrifice offers a shocking new understanding of power and oppression, innocence and guilt, truth and sensationalism, justice and retribution.A chilling exploration of complex social, political, and moral themes—the enduring trauma of the past, modern racial and class tensions, the power of secrets, and the primal decisions we all make to protect those we love—The Sacrifice is a major work of fiction from one of our most revered literary masters.

    Four members of the American Indian Movement were indicted on murder charges, and one, Leonard Peltier, was convicted and is now serving consecutive life sentences in a federal penitentiary. Behind this violent chain of events lie issues of great complexity and profound historical resonance, brilliantly explicated by Peter Matthiessen in this controversial book. Kept off the shelves for eight years because of one of the most protracted and bitterly fought legal cases in publishing history, In the Spirit of Crazy Horse reveals the Lakota tribe's long struggle with the U.S. government, and makes clear why the traditional Indian concept of the earth is so important at a time when increasing populations are destroying the precious resources of our world.

    When war arrives, the master of Beauvais, Anthony Levallios, foresees that mastery in a new America will be measured not in acres of tobacco under cultivation by his slaves, but in industry and capital. A grievously wounded Confederate veteran loses his grip on a world he no longer understands, and his daughter finds herself married to Levallois, an arrangement that feels little better than imprisonment. And two people enslaved at Beauvais plantation, Nurse and Rawls, overcome impossible odds to be together, only to find that the promise of coming freedom may not be something they will live to see.Seamlessly interwoven is the story of George Seldom, a man orphaned by the storm of the Civil War, looking back from the 1950s on the void where his childhood ought to have been. Watching the government destroy his neighborhood to build a stretch of the interstate highway system through Richmond, Virginia, and recognizing that his days on earth are coming to an end, he travels south to try to fill in that void. With the help of a young woman, he goes in search of his beginnings, all the while remembering the life that witnessed so much change during the 20th century, and so much that didn't. As the narrative finds that young woman farther in the future, now in her middle age, the questions remain: How do we live in a world built on the suffering of others? And can love exist in a place where for 400 years violence has been the strongest form of intimacy?Written with the same emotional intensity, harrowing realism, and poetic precision that made THE YELLOW BIRDS one of the most celebrated novels of the past decade, A SHOUT IN THE RUINS cements Powers' place in the forefront of American letters and demands that we reckon with the moral weight of our troubling history.

    Though originally published separately, these prose poems have always been intended as a loose trilogy of thought and feelingor of thought manifested as feeling. The author comments: "Just as the title Curves to the Apple combines the organic and geometry (not to mention myth and history of science) the poems navigate the conflicting, but inextricable claims of body and mind, especially the female body and feelings in a space of logic and physics. The poems could all be called dialogic, reaching out across a synaptic (sometimes humorous) gap to a possible 'you' (though it may be rhetorical, another point of view in the same mind). But while the 'I' dominates the first two volumes, the third gives both voices equal space and chance."

    Fashioning himself Eric Galt, this nondescript thief and con man—whose real name was James Earl Ray—drifted through the South, into Mexico, and then Los Angeles, where he was galvanized by George Wallace’s racist presidential campaign. On February 1, 1968, two Memphis garbage men were crushed to death in their hydraulic truck, provoking the exclusively African American workforce to go on strike. Hoping to resuscitate his faltering crusade, King joined the sanitation workers’ cause, but their march down Beale Street, the historic avenue of the blues, turned violent. Humiliated, King fatefully vowed to return to Memphis in April. With relentless storytelling drive, Sides follows Galt and King as they crisscross the country, one stalking the other, until the crushing moment at the Lorraine Motel when the drifter catches up with his prey. Against the backdrop of the resulting nationwide riots and the pathos of King’s funeral, Sides gives us a riveting cross-cut narrative of the assassin’s flight and the sixty-five-day search that led investigators to Canada, Portugal, and England—a massive manhunt ironically led by Hoover’s FBI.