When Roger Huntington comes home from college for the summer and is met by his best friend, Tooth, he knows they're going to have a good time. A summer full of beer, comic books, movies, laughs, and maybe even girls. So much pain. The sun is high and the sky is clear as Roger and Tooth set out to shoot beer cans at Bobcat Mountain. Just two friends catching up on lost time, two friends thinking about their futures, two friends-- So much blood. --suddenly thrust in the middle of a nightmare. Forced to fight for their life against a sadistic killer. A killer with an arsenal of razor sharp blades and a hungry dog by his side. So much death. If they are to survive, they must decide: are heroes born, or are they made? Or is something more powerful happening to them? And more importantly, how do you survive when all roads lead to death!

    It's what I do. It's all I do. It's all I've ever done." He lives in your community, in a nice house with a well-tended garden. He shops in your grocery store, bumping shoulders with you and apologizing with a smile. He drives beside you on the highway, politely waving you into the lane ahead of him. What you don't know is that he has an elaborate cage built into a secret basement under his garage. And the food that he's carefully shopping for is to feed a young woman he's holding there against her will—one in a string of many, unaware of the fate that awaits her. This is how it's been for a long time. It's normal... and it works. Perfectly. Then he meets the checkout girl from the 24-hour grocery. And now the plan, the hunts, the room... the others. He doesn't need any of them anymore. He needs only her. But just as he decides to go straight, the police start to close in. He might be able to cover his tracks, except for one small problem—he still has someone trapped in his garage. Discovering his humanity couldn't have come at a worse time.

    She could not believe her ears. This was her nephew, Michael Young on the phone, Michael, who had been dead for sixteen years.Who was this mysterious caller? Could it really be Michael? And if so, what did he want?

    The detective assigned to the case, Conor Reid, swore to protect the sisters from then on.Beth moved on, throwing herself fully into the art world, running the family gallery, and raising a beautiful daughter with her husband Pete. Kate, instead, retreated into herself and took to the skies as a pilot, always on the run. When Beth is found strangled in her home, and Moonlight goes missing again, Detective Reid can’t help but feel a sense of déjà vu.Reid immediately suspects Beth’s husband, whose affair is a poorly kept secret. He has an airtight alibi—but he also has a motive, and the evidence seems to point to him. Kate and Reid, along with the sisters’ closest childhood friends, struggle to make sense of Beth’s death, but they only find more questions: Who else would have wanted Beth dead? What’s the significance of Moonlight?Twenty years ago, Reid vowed to protect Beth and Kate—and he’s failed. Now solving the case is turning into an obsession . . .

    He lives in the quiet village of Skelbrooke with his family. He has a new home and a successful career writing true crime books. He never gives a thought to the vast nearby cemetery known as the Necropolis. He never wonders what might lurk there.Then the letters begin to arrive in the dead of night demanding trivial offerings—chocolate, beer, toys. At first John dismisses the notes as a prank. But he soon learns the hard way that they're not. For there is an ancient entity that resides beneath the Necropolis that has the power to demand things. And the power to punish those foolish enough to refuse.DARKNESS DEMANDS YOUR ETERNAL SOUL

    Your arms are the weakest.Rule Four—Hit to kill. The first blow should be the last, if at all possible.Rule Five—The letters are the law.Kit takes her role as London’s notorious “Perfect Killer” seriously. The letters and cash that come to her via a secret mailbox are not a game; choosing who to kill is not an impulse decision. Every letter she receives begins with “Dear Killer,” and every time Kit murders, she leaves a letter with the dead body. Her moral nihilism and thus her murders are a way of life—the only way of life she has ever known.But when a letter appears in the mailbox that will have the power to topple Kit’s convictions as perfectly as she commits her murders, she must make a decision: follow the only rules she has ever known, or challenge Rule One, and go from there.Katherine Ewell’s Dear Killer is a sinister psychological thriller that explores the thin line between good and evil, and the messiness of that inevitable moment when life contradicts everything you believe.

    She has no memory of the past few weeks. The doctor, Maynard Straker, tells her that she admitted herself under the name Lucy Ashton the day before, then suffered a seizure. When she insists he has mistaken her for someone else, Dr. Straker sends a telegram to her uncle, who replies that Georgina Ferrars is at home with him in London: “Your patient must be an imposter.” Suddenly her voluntary confinement becomes involuntary. Who is the woman in her uncle’s house? And what has become of her two most precious possessions, a dragonfly pin left to her by her mother and a writing case containing her journal, the only record of those missing weeks? Georgina’s perilous quest to free herself takes us from a cliffside cottage on the Isle of Wight to the secret passages of Tregannon House and into a web of hidden family ties on which her survival depends. Another delicious read from the author praised by Ruth Rendell as having “a gift for creating suspense, apparently effortlessly, as if it belongs in the nature of fiction.”

    A Patterson-style thriller with a dash of Hannibal...A city paralyzed by a serial killer stalking the night, taking a most gruesome trophy.The only standing in the murderer's way is an FBI profiler...recently released from a mental institution.Plain Jane combines the swift action of Patterson with the macabre of Harris.Just remember to keep the lights on when reading this one!

    The house belongs to her. She should be happy. But Valerie isn’t quite normal… She’s taking in roommates to make ends meet, but, one by one, they keep ending up dead. Her young niece is crying out for a special kind of discipline that only she can provide. And there’s the voices she hears...voices that want her to do terrible things. Valerie is only trying to survive. If she stops doing what the voices tell her, something grotesquely evil will devour her soul... WHAT’S WRONG WITH VALERIE?

    . . and they're both next on his kill list.Carrie wants a normal life.Carrie Lawrence doesn’t need a happily ever after. She’ll just settle for “after.” After a decade of helping her sister hide her victims. After a lifetime of lies. She just wants to be safe, boring, and not trekking through the woods at night with a dead body wrapped in a carpet. Becca wants to get away with murder.Becca Lawrence doesn’t believe in happily ever after because she’s already happy. She’s gotten away with murder for a decade and has blackmailed her sister into helping her hide the evidence—what more could a girl want? But first they have to stop a serial killer.When thirteen bodies are discovered in their small town, people are shocked. But not as shocked as Carrie, who thought she knew all the details of Becca’s sordid pastime. When Becca swears she’s not behind the grisly new crimes, they realize the town has a second serial killer who has the sisters in his sights, and what he wants is…Carrie.

    He's handsome and charming, but something in his past has made him abide by a different set of rules. He's a serial killer whose one golden rule makes him immensely likeable: he only kills bad people. And his job as a blood spatter expert for the Miami police department puts him in the perfect position to identify his victims. But when a series of brutal murders bearing a striking similarity to his own style start turning up, Dexter is caught between being flattered and being frightened—of himself or some other fiend.

    A devastating fire burned down their home, but she remains convinced her daughter survived.Now you don'tTen-year-old Tom lives by a neglected church. Is he the only one who sees the strange, solitary child playing there? And what is she trying to tell him?Now you runThere's a new vicar in town -- Harry. But menacing events suggest he isn't welcome. What terrible secret is this town hiding?Sometimes I wish that she'd just leave me in peace.

    What if some morning as the old woman stood at the head of the staircase she were suddenly to feel a weight thrusting against the back of her legs? What if she were to lunge forward, grasping at the air, striking her thin skull against the edge of a stair? What would become of me if she were found unmoving at the bottom of the stairway?’Such are the thoughts of Baxter, a sociopathic bull terrier on the hunt for the perfect master, as he contemplates the demise of his first victim. The basis for the acclaimed 1989 film Baxter, Ken Greenhall’s utterly chilling and long-unobtainable Hell Hound (1977) has earned a reputation as a lost classic of horror fiction. This first-ever reissue includes a new introduction by Grady Hendrix.

    It’s a place where most of the population will likely die blocks from where they were born; where gossip spreads like wildfire, and the big entertainment on weekends is the inevitable fight at the local bar. But recently, something out of the ordinary—perhaps even supernatural—has been stirring in Brewster. While packs of coyotes gather on back roads and the news spreads that a baby has been stolen from Memorial Hospital (and replaced in its bassinet by a snake), a series of inexplicably violent acts begins to confound Detective Woody Potter and the local police—and inspire terror in the hearts and minds of the locals.From award-winning author Stephen Dobyns comes a sardonic yet chillingly suspenseful novel: the literary equivalent of a Richard Russo small-town tableau crossed with a Stephen King thriller. The Burn Palace is a darkly funny, twisted portrait of chaos and paranoia, with an impressive host of richly rendered, larger-than-life characters and a thrilling plot that will keep readers guessing until the final pages.

    The grounds are beautiful and it’s fun to explore the sprawling house with its creepy rooms and secret passages. Except now her mom wants to renovate, rather than sell the estate—which means they're not going back to the city…or Seda's friends and school. As the days grow shorter, Seda is filled with dread. They’re about to be cut off from the outside world, and she’s not sure she can handle the solitude or the darkness it brings out in her.Then a group of teens get stranded near the mansion during a blizzard. Seda has no choice but to offer them shelter, even though she knows danger lurks in the dilapidated mansion—and in herself. And as the snow continues to fall, what Seda fears most is about to become her reality…