Eminently readable, chock-full of information, Donnelly's book is a must-read. (Human Rights Quarterly) In this new edition, Jack Donnelly updates his classic text on the rise of human rights issues since World War II to reflect the new challenges posed by globalization and the war on terrorism. The third edition includes two entirely new chapters on the Universality of Human Rights and Terrorism, and focuses on the recent emergence of nonstate actors such as the UN and NGO's.

    He makes clear that these categories are not tied to a chronology but instead are to be found in the English department in one form or another during each decade of the century. His historical treatment includes an examination of the formation of the English department, the founding of the NCTE and its role in writing instruction, the training of teachers of writing, the effects of progressive education on writing instruction, the General Education Movement, the appearance of the CCCC, the impact of Sputnik, and today’s “literacy crisis.”

    For the next three years, the unmarried, orphaned duchess is relentlessly pursued by suitors while Brittany is invaded by its larger, more powerful neighbor of France. With no other way out, at age fourteen she agrees to marry Charles VIII, King of France, to save her country. Better to be a queen than a prisoner...Unexpectedly, a passionate relationship ensues. Yet Charles cannot shake off bad habits he has brought into their marriage, and Anne cannot help him in his darkest area of struggle.Together, they introduce the wonders of the Italian Renaissance to France, building one of Europe’s most glorious 15th century courts at their royal residence in Amboise, in the heart of the Loire Valley.But year after year they fail to achieve the one most important aim they must accomplish to secure the future of their kingdom. As they desperately attempt to make their shared dream come true, an unexpected twist of fate irrevocably changes the fortunes of both Anne and Charles.Anne and Charles is Book One of the Anne of Brittany Series, the gripping story of the only woman in history to be twice crowned queen of France.

    When we think of French cooking, we might picture a fine restaurant with a small army of chefs hovering over sauces for hours at a stretch, crafting elegant dishes with special utensils, hard-to-find ingredients, and architectural skill. But this kind of cooking bears little relationship to the way that real French families eat-yet they eat very well indeed. Now that the typical French woman (the bonne femme of the title) works outside the home like her American counterpart, the emphasis is on easy techniques, simple food, and speedy preparation, all done without sacrificing taste. In a voice that is at once grounded in the wisdom of classical French cooking, yet playful and lighthearted when it comes to the potential for relaxing and enjoying our everyday lives in the kitchen, Moranville offers 300 recipes that focus on simple, fresh ingredients prepared well. The Bonne Femme Cookbook is full of tips and tricks and shortcuts, lots of local color and insight into real French home kitchens, and above all, loads of really good food. It gives French cooking an accessible, friendly, and casual spin.

    This narrative history masterfully weaves together the sweeping events surrounding the so-called “Babylonian captivity” of the popes into the broader story of 14th-century Europe, a turbulent time of transition between Middle Ages and Renaissance when seven successive popes resided in Avignon in the south of France.

    Our story begins with falling in love with France, specifically the enchanting Dordogne. We weren’t the first and we won’t be the last. The region was an inspiration to prehistoric man, as the earliest known works of art are to be found in the nearby caves of Lascaux. From the 1000 chateaux perched on towering cliffs overhanging the meandering Dordogne River to the countless plus beaux villages (most beautiful villages) dotting the region, it is truly a magical place.The first book is a roller-coaster ride of the ups and downs of making the dream a reality, beginning with, Oh my God, are we really doing this?! To looking for the home, getting a loan, wading through the red tape of actually moving, and studying French! Finally, the most important part of making “our” dream come true, adopting a baby girl to make the journey complete.

    By then, she had been the close companion and lover of the writer and philosopher, Voltaire, for thirteen years. For her time - and by today's standards - she was a woman of exceptional talents, abilities, and qualities. Tutored in maths, sciences, and the arts from a young age, she pursued these passions as an adult. At her château at Cirey, near Lorraine, she shared a deep love and passion with Voltaire, as well as a taste for the arts and sciences. Together, they conducted experiments in science and optics, and both submitted essays on the nature of fire to a competition held by the French Royal Academy of Sciences. Neither won a prize but both essays were subsequently published. She was just as fascinated by the complexity of human emotions, and in these reflections on happiness she applies her incisive, analytical mind to such passions as sexual desire, the pursuit of glory, and ambition. She has many interesting and insightful things to say. However, she is no detached or aloof intellectual but writes openly from her own experiences, sharing with us her joys, pleasures and miseries. Her human weaknesses are revealed for all to see, making her all the more endearing and sympathetic. Although not written for publication but as private musings, this essay seems, nevertheless, intended for would-be readers. She alludes frequently to those who are younger and less experienced, and who might 'save time' by listening to what she has to say. She is less than positive about what the future might hold for her, or any woman, after forty, speaking of study as compensation rather than the great voyage of discovery that she, herself, had known. She writes in a state of dejection, having no inkling that within two years she would have a passionate affair with the poet, Saint-Lambert, twelve years her junior, and that she would give birth to his child. This great passion was to be her last as, already in poor health, she would die within weeks of the birth, the child out-living her by a year and a half. In her final year, while pregnant, she completed her greatest work, a translation from Latin into French of Isaac Newton's Principia Mathematica, complete with her commentary and a few hypotheses of her own about light, inspired by Newton's great work and subsequently validated. Her translation of Newton's work was published within ten years of her death and remains, today, the standard French translation. Though writing during the French Enlightenment, and clearly influenced by such near-contemporaries as the English philosopher, John Locke, she has much to say about happiness and its attainment to interest the modern reader, of whatever age, sex, or culture. Some, of course, will be shocked by her unashamed commendation of sensual pleasures, always tempered by her rationality and her emphasis on maximizing the sum total of human happiness. She was fully aware that the rules by which women, in French and other societies, are expected to live are not the same as those applied to men. Some of her advice is thus directed specifically at women. Whether or not this advice to women remains valid and helpful today is for the individual reader to decide.

    Miriam Ticktin focuses on France and its humanitarian immigration practices to argue that a politics based on care and protection can lead the state to view issues of immigration and asylum through a medical lens. Examining two “regimes of care”—humanitarianism and the movement to stop violence against women—Ticktin asks what it means to permit the sick and sexually violated to cross borders while the impoverished cannot? She demonstrates how in an inhospitable immigration climate, unusual pathologies can become the means to residency papers, making conditions like HIV, cancer, and select experiences of sexual violence into distinct advantages for would-be migrants. Ticktin’s analysis also indicts the inequalities forged by global capitalism that drive people to migrate, and the state practices that criminalize the majority of undocumented migrants at the expense of care for the exceptional few.

    The result is a brilliant, lively, intimate exchange of letters, sharing of opinions on past and contemporary culture, and Bernhardt's reflections on her career, friends, motherhood, lovers, money and fans. Though the letters are imaginary, the real woman, Sarah Bernhardt dominated the stage not only in her native France, but throughout the world for sixty years, literally until the week she died in 1923.

    The novel’s elusive narrative thread ties landscape to character to an expanse just beyond our grasp. The narrator encounters a shepherding family and glimpse by glimpse, each family member and the shepherding way of life is revealed to us. The novel culminates in a large shepherds’ gathering where a traditional Shepherd’s Play—a kind of creation myth that includes in its cast The River, The Sea, The Man, and The Mountain—is enacted. The work’s proto-environmental world view as well as its hybrid form—part play, part novel—makes The Serpent of Stars astonishingly contemporary. W.S. Merwin’s "Green Fields" begins, "By this part of the century few are left who believe in the animals for they are not there in the carved parts/of them served on plates and the pleas from slatted trucks..." This novel leaves the reader believing not only in the animals, but the terrain they are part of, the people who tend them, and the life all these elements together compose.

    Next, it introduces the measurement and reporting of cash flows, analysis and interpretation of financial statements; cost-volume-profit analysis; full costing; budgeting, and capital investment decisions. Extensive self-assessment and review questions are included, along with a detailed glossary.

    But as Europe moves into the second decade of the twenty-first century, problems are multiplying—problems that arose due to the EU's very existence. In The Trouble with Europe, Roger Bootle, winner of the 2012 Wolfson Economics Prize, tackles the uncomfortable truth that the European Union might be going down—and could take the global economy with it.Bootle expertly outlines the factors that gave birth to the European union of the twentieth century, from the collective Euro-spirit that initiated a solution to the region's various problems and the subsequent unforeseen consequences of the compromises nations made in order to create a sustainable organization. Bootle examines how the euro has hindered independent actions of member nations, both economically and politically, before envisaging how a post-EU Europe might come about and how it would affect the United Kingdom, along with other member states and the world at large. Is a full dissolution the only answer or could the United Kingdom's withdrawal be a viable course of action? With EU elections looming in May 2014, The Trouble with Europe is a compelling read for anyone interested in the economic, political, and social future of the United Kingdom and all of Europe.Roger Bootle is an economist and a weekly columnist for the Daily Telegraph. He is currently the managing director of Capital Economics, an independent macroeconomic research consultancy. Bootle is the author of several books, including The Trouble with Markets and Money for Nothing.

    Abandoned by his parents at an early age and raised by a foster father, later imprisoned, chained and tortured, somehow Villon survived to write one of the most enduring epics ever. Louis Simpson, winner of the Pulitzer Prize in poetry, is the author of several books of poetry and criticism. He has received a number of prestigious awards throughout his career, including the Prix de Rome, fellowships from the Guggenheim Foundation, and the Columbia Medal for Excellence. Louis Simpson lives in Setauket, New York.

    How Stoker became the creator of the mysterious, seductive count from a castle (and coffin) in Transylvania was a story in and of itself. Over the past century, Dracula has never been out of print and has become its own cultural phenomena, starting with Bela Lugosi’s famed rendition in 1931, to Mel Brooks, Francis Ford Coppola, Christopher Lee, Buffy, Anne Rice’s Vampire Chronicles and the hugely popular Twilight series. This generously illustrated documentary collection explores in full the scope of the Dracula phenomenon, from the folkloric origins of the vampire legend to its unending legacy as a vital influence on the literary and performing arts, not to mention the Romanian tourist industry. Nor does it overlook Bram Stoker himself, and includes his working notes and exceptional primary documents.

    In the fashionable social circles of 1831, the vogue is to collect one’s own menagerie, and there is soon a demand for exotic animals from the four corners of the world. Musing on how a monkey, a bear, and a turtle came to inhabit the same Parisian drawing room, Dumas introduces Captain Pamphile, a decidedly unorthodox Provençal sea caption with a flair for “liberating” unusual species from their native shores. The narrative soon gives way to the story of Pamphile’s own life—from his early hunting expeditions to his daring naval hijackings and his aberrant involvement in the local slave trade. French novelist and playwright Alexandre Dumas who is best remembered for The Three Musketeers and The Count of Monte Cristo.