Her idea blossomed into this striking and highly original work of narrative nonfiction, an account of her search for meaning within the stories of her ancestors.In a series of short meditations, Petrowskaja delves into family legends, introducing a remarkable cast of characters: Judas Stern, her great-uncle, who shot a German diplomatic attaché in 1932 and was sentenced to death; her grandfather Semyon, who went underground with a new name during the Bolshevik Revolution in Russia, forever splitting their branch of the family from the rest; her grandmother Rosa, who ran an orphanage in the Urals for deaf-mute Jewish children; her Ukrainian grandfather Vasily, who disappeared during World War II and reappeared without explanation forty-one years later—and settled back into the family as if he’d never been gone; and her great-grandmother, whose name may have been Esther, who alone remained in Kiev and was killed by the Nazis.How do you talk about what you can’t know, how do you bring the past to life? To answer this complex question, Petrowskaja visits the scenes of these events, reflecting on a fragmented and traumatized century and bringing to light family figures who threaten to drift into obscurity. A true search for the past reminiscent of Jonathan Safran Foer’s Everything Is Illuminated, Daniel Mendelsohn’s The Lost, and Michael Chabon’s Moonglow, Maybe Esther is a poignant, haunting investigation of the effects of history on one family.

    She was ruthless. She had a steel trap for a mind and a will of iron. Born Vera Maria Rosenberg in Bucharest, she became Vera Atkins, legendary spy and holder of the Legion of Honor. Recruited by William Stevenson—the spymaster who would later come to be known as “Intrepid”—when she was only twenty-three, Vera spent much of the 1930s running countless perilous espionage missions. When war was declared in 1939, her fierce intelligence, blunt manner, personal courage, and knowledge of several languages quickly propelled her to the leadership echelon of the highly secretive Special Operations Executive (SOE), a covert intelligence agency formed by, and reporting to, Winston Churchill. She recruited and trained several hundred agents, including dozens of women, whose objectives were to penetrate deep behind enemy lines. The stirring exploits and the exemplary courage of the SOE agents and the French Resistance fighters—who in the words of General Dwight D. Eisenhower together “shortened the war by many months”—are justly celebrated. But the central role of Vera Atkins has until now been cloaked in silence. William Stevenson was the only person she trusted to record her life; he kept his promise that he would not publish her story until after her death. Here is the extraordinary account of the woman whose intelligence, beauty, and unflagging dedication proved key in turning the tide of World War II.

    'I have decided,' President Franklin Delano Roosevelt announced, 'that approximately 1,000 refugees should be immediately brought from Italy to this country.' One thousand refugees....For years, refugees knocking on the doors of American consulates abroad had been told, 'You cannot enter America. The quotas are filled.' And, while the quotas remained untouchable ... millions died."With this mixture of desperation and hope, Ruth Gruber begins Haven, the inspiring story of one thousand Jewish and Christian refugees brought to sanctuary in America in 1944. As special assistant to Secretary of the Interior Harold L. Ickes, Gruber was selected to carry out this top-secret mission despite the objections of military brass who doubted the thirty-three-year-old woman's qualifications. When Gruber met the gaunt survivors, they told her about hiding in sewers and forests, of risking their lives to save others. As she wrote down their stories, tears often wiped out the words in her notebook. Gruber became the refugees' guardian angel during the dangerous crossing of the U-boat-haunted Atlantic, and during their eighteen-month internment at a former army camp in Oswego, New York. Lobbying Congress at the end of the war, she also helped the refugees become American citizens. This edition concludes with a new chapter featuring Gruber's look back on her many decades as a crusading journalist, and a special Appendix from the 1946 Congressional Record listing the names of all the camp's residents.Basis for the CBS Mini-series Starring Natasha Richardson.

    But at the age of twelve, as the German invasion begins, her beloved village becomes a ghetto and her family and friends reduced to starvation. She takes matters into her own hands and bravely removes her yellow star, risking sneaking out to the surrounding villages to barter for food. It is on her way back that she sees her loved ones rounded up for deportation, and receives a smuggled letter from her sister warning her to stay away. In order to survive, she walks away from everything she holds dear to live by herself in the forest, hiding not just from the Nazis but hostile villagers.  She is followed by a stray cat who stays with her—and seems to come to her rescue time and time again. "Malach" the cat becomes her family and her only respite from painful loneliness, a guide, and areminder to stay hopeful even when faced with unfathomable darkness.  Filled with remarkable spiritual strength that allows readers to see the war through the innocence of a child's eyes, Mala's Cat is a powerful and unique addition to the Holocaust canon.

    Originally titled “Three Lives,” the memoir describes Vienna of the late Austro-Hungarian Empire, the world between the two world wars and the Hitler years.Translated from the German by Benjamin W. Huebsch and Helmut Ripperger; with an introduction by Harry Zohn, 34 illustrations, a chronology of Stefan Zweig’s life and a new bibliography, by Randolph Klawiter, of works by and about Stefan Zweig in English.“The best single memoir of Old Vienna by any of the city’s native artists.” — Clive James“A book that should be read by anyone who is even slightly interested in the creative imagination and the intellectual life, the brute force of history upon individual lives, the possibility of culture and, quite simply, what it meant to be alive between 1881 and 1942.” — The Guardian“It is not so much a memoir of a life as it is the memento of an age.” — The New Republic

    “Bloom where you’re planted,” is the advice Christine Bolz receives from her beloved Oma. But seventeen-year-old domestic Christine knows there is a whole world waiting beyond her small German village. It’s a world she’s begun to glimpse through music, books—and through Isaac Bauerman, the cultured son of the wealthy Jewish family she works for. Yet the future she and Isaac dream of sharing faces greater challenges than their difference in stations. In the fall of 1938, Germany is changing rapidly under Hitler’s regime. Anti-Jewish posters are everywhere, dissenting talk is silenced, and a new law forbids Christine from returning to her job—and from having any relationship with Isaac. In the months and years that follow, Christine will confront the Gestapo’s wrath and the horrors of Dachau, desperate to be with the man she loves, to survive—and finally, to speak out. Set against the backdrop of the German home front, this is an unforgettable novel of courage and resolve, of the inhumanity of war, and the heartbreak and hope left in its wake.

    In 1941, in Berlin, Helga Schneider's mother abandoned her along with her father and younger brother. Let Me Go recounts Helga's final meeting with her ailing mother in a Vienna nursing home some sixty years after World War II, in which Helga confronts a nightmare: her mother's lack of repentance about her past as a Nazi SS guard at concentration camps, including Auschwitz, where she was responsible for untold acts of torture. With spellbinding detail, Schneider recalls their conversation, evoking her own struggle between a daughter's sense of obligation and the inescapable horror of her mother's deeds.

    When the Germans invaded Poland on September 1, 1939, Thomas Toivi Blatt was twelve years old. He and his family lived in the largely Jewish town of Izbica in the Lublin district of Poland—the district that was to become the site of three major Nazi extermination camps: Belzec, Sobibor, and Majdanek. Blatt tells of the chilling events that led to his deportation to Sobibor, and of the six months he spent there before taking part in the now-famous uprising and mass breakout. Blatt's tale of escape, and of the five harrowing years spent eluding both the Nazis and anti-Semitic Polish nationalists, is gripping account of resilience and survival. This edition also includes the author's interview with Karl Frenzel, a former Nazi commandant at Sobibor.

    All but anonymous even in his own city, carefully maintaining his privacy, this man, Greene's father would point out to him, had "won the war." He was Paul Tibbets. At the age of twenty-nine, at the request of his country, Tibbets assembled a secret team of 1,800 American soldiers to carry out the single most violent act in the history of mankind. In 1945 Tibbets piloted a plane—which he called Enola Gay, after his mother—to the Japanese city of Hiroshima, where he dropped the atomic bomb.On the morning after the last meal he ever ate with his father, Greene went to meet Tibbets. What developed was an unlikely friendship that allowed Greene to discover things about his father, and his father's generation of soldiers, that he never fully understood before. Duty is the story of three lives connected by history, proximity, and blood; indeed, it is many stories, intimate and achingly personal as well as deeply historic. In one soldier's memory of a mission that transformed the world—and in a son's last attempt to grasp his father's ingrained sense of honor and duty—lies a powerful tribute to the ordinary heroes of an extraordinary time in American life.What Greene came away with is found history and found poetry—a profoundly moving work that offers a vividly new perspective on responsibility, empathy, and love. It is an exploration of and response to the concept of duty as it once was and always should be: quiet and from the heart. On every page you can hear the whisper of a generation and its children bidding each other farewell.

    Describes the lives of Jews living in Spain as Catholics.

    He was also one of the most remarkable double agents Britain has ever produced. Inside the traitor was a man of loyalty; inside the villain was a hero. The problem for Chapman, his spymasters, and his lovers was to know where one persona ended and the other began.In 1941, after training as a German spy in occupied France, Chapman was parachuted into Britain with a revolver, a wireless, and a cyanide pill, with orders from the Abwehr to blow up an airplane factory. Instead, he contacted MI5, the British Secret Service. For the next four years, Chapman worked as a double agent, a lone British spy at the heart of the German Secret Service who at one time volunteered to assassinate Hitler for his countrymen. Crisscrossing Europe under different names, all the while weaving plans, spreading disinformation, and, miraculously, keeping his stories straight under intense interrogation, he even managed to gain some profit and seduce beautiful women along the way.The Nazis feted Chapman as a hero and awarded him the Iron Cross. In Britain, he was pardoned for his crimes, becoming the only wartime agent to be thus rewarded. Both countries provided for the mother of his child and his mistress. Sixty years after the end of the war, and ten years after Chapman’s death, MI5 has now declassified all of Chapman’s files, releasing more than 1,800 pages of top secret material and allowing the full story of Agent Zigzag to be told for the first time.A gripping story of loyalty, love, and treachery, Agent Zigzag offers a unique glimpse into the psychology of espionage, with its thin and shifting line between fidelity and betrayal.

    It was a mystery of sorts: a young Jewish girl named Lientje had been taken in during the war by relatives and hidden from the Nazis, handed over by her parents, who understood the danger they were in all too well. The girl had been raised by her foster family as one of their own, but then, well after the war, there was a falling out, and they were no longer in touch. What was the girl's side of the story, Bart wondered? What really happened during the war, and after?So began an investigation that would consume Bart van Es's life, and change it. After some sleuthing, he learned that Lientje was now in her 80s and living in Amsterdam. Somewhat reluctantly, she agreed to meet him, and eventually they struck up a remarkable friendship, even a partnership. The Cut Out Girl braids together a powerful recreation of that intensely harrowing childhood story of Lientje's with the present-day account of Bart's efforts to piece that story together, including bringing some old ghosts back into the light.It is a story rich with contradictions. There is great bravery and generosity--first Lientje's parents, giving up their beloved daughter, and then the Dutch families who face great danger from the Nazi occupation for taking Lientje and other Jewish children in. And there are more mundane sacrifices a family under brutal occupation must make to provide for even the family they already have. But tidy Holland also must face a darker truth, namely that it was more cooperative in rounding up its Jews for the Nazis than any other Western European country; that is part of Lientje's story too. Her time in hiding was made much more terrifying by the energetic efforts of the local Dutch authorities, zealous accomplices in the mission of sending every Jew, man, woman and child, East to their extermination. And Lientje was not always particularly well treated, and sometimes, Bart learned, she was very badly treated indeed.The Cut Out Girl is an astonishment, a deeply moving reckoning with a young girl's struggle for survival during war, a story about the powerful love of foster families but also the powerful challenges, and about the ways our most painful experiences define us but also can be redefined, on a more honest level, even many years after the fact. A triumph of subtlety, decency and unflinching observation, The Cut Out Girl is a triumphant marriage of many keys of writing, ultimately blending them into an extraordinary new harmony, and a deeper truth.

    Based in part on previously classified documents, Patricia Posner exposes Capesius’s reign of terror at the camp, his escape from justice, fueled in part by his theft of gold ripped from the mouths of corpses, and how a handful of courageous survivors and a single brave prosecutor finally brought him to trial for murder twenty years after the end of the war. The Pharmacist of Auschwitz is much more, though, than a personal account of Capesius. It provides a spellbinding glimpse inside the devil’s pact made between the Nazis and Germany’s largest conglomerate, I.G. Farben, and its Bayer pharmaceutical subsidiary. The story is one of murder and greed with its roots in the dark heart of the Holocaust. It is told through Nazi henchmen and industrialists turned war criminals, intelligence agents and zealous prosecutors, and intrepid concentration camp survivors and Nazi hunters. Set against a backdrop ranging from Hitler’s war to conquer Europe to the Final Solution to postwar Germany’s tormented efforts to confront its dark past, Posner shows the appalling depths to which ordinary men descend when they are unrestrained by conscience or any sense of morality. The Pharmacist of Auschwitz is a moving saga that lingers long after the final page.

    Within days Emma's husband, Jacob, is forced to disappear underground, leaving her imprisoned within the city's decrepit, moldering Jewish ghetto. But then, in the dead of night, the resistance smuggles her out. Taken to Krakow to live with Jacob's Catholic aunt, Krysia, Emma takes on a new identity as Anna Lipowski, a gentile. Emma's already precarious situation is complicated by her introduction to Kommandant Richwalder, a high-ranking Nazi official who hires her to work as his assistant. Urged by the resistance to use her position to access details of the Nazi occupation, Emma must compromise her safety—and her marriage vows—in order to help Jacob's cause. As the atrocities of war intensify, so does Emma's relationship with the Kommandant, building to a climax that will risk not only her double life, but also the lives of those she loves.

    But his iron will and quick wit allowed him to survive when all seemed lost. Staging escapes from death camps and avoiding Nazi pursuit through the frozen Ukrainian countryside-all while facing the loss of his family, famine, constant threat of capture, torture, and execution - would be a monumental task for the strongest of men. Despite his mild manners, emaciated body, and poor vision, he evaded the death squads in Nazi-occupied Ukraine for four years. Moyshe's Holocaust memoir is a remarkable example of human fortitude during a time when many welcomed an end to their suffering.