Prodigal Son is pure, splendid Shanley: shaggily idealistic and always scratching a philosophical itch underneath jokes and banter." -- Davide Cote, Time Out New York“Shanley chooses characters stretched to the breaking point between rage and love… His are characters of obsessive passions who match those passions with hyper-melodic language.” --BOMB magazineWhen a troubled but gifted boy from the South Bronx arrives at a private school in New Hampshire, two faculty members wrestle with how to help him adjust to his new environment. The boy is violent, brilliant, alienated, and on fire with a ferocious loneliness. As with his Pulitzer Prize-winning play, Doubt, John Patrick Shanley has drawn on his personal experiences to create an explosive portrait of a young man on the verge of either salvation or destruction.John Patrick Shanley is the author of Doubt, a parable (Pulitzer Prize for Drama, Tony Award for Best Play), Outside Mullingar (Tony nomination for Best Play), Defiance, Storefront Church, Danny and the Deep Blue Sea, and Dirty Story, among many other plays. He wrote the teleplay for Live from Baghdad (Emmy nomination for Outstanding Writing of a Miniseries, Movie or Dramatic Special) and the screenplays for Congo, Alive, Five Corners, Joe Versus the Volcano, Doubt, a parable (Academy Award nomination for Best Adapted Screenplay) and Moonstruck (Academy Award for Best Original Screenplay).

    "When Winter Comes" is one novella from this collection.It's been too long since Rebecca has done what she loves—put on her skates and fly across the ice. Five years have passed since a winter accident took her twin Lizzie and left Rebecca heartbroken. And Ben has waited for her all that time. At last she's starting to heal. But has too much time passed for their hearts to reconnect?

    A novel by Mark Shipper - The Life and Times of the Beatles: The spurious Chronicle of Their Rise to Stardom, Their Triumphs & Disasters Plus the Amazing Story of Their Ultimate Reunion.

    They throw us off rooftops and say we slipped. They shoot my father and say he was crazy. They put a bullet in my head and say they found me that way."Blending images of street life, drugs, and AIDS against hope and determination, Willie Perdomo is a cutting-edge bard who speaks to the soul of his generation.

    Earth's social structure has undergone a complete reversal - women dominate society and men have been reduced to the status of manipulated objects. Into this world comes Dion Quern, a self-styled troubadour who refuses to conform to the social norm. But he discovers that women are superior to men in both bodily strength and number. And how can one man hope to change a whole society?

    It's not that she's an outcast (she might even be your friend or your wife, or your mother) so much as she's a social variable. Sometimes, she's the life of the party; others, she's the center of gossip. She's the unruly woman, and she's one of the most provocative, powerful forms of womanhood today. There have been unruly women for as long as there have been boundaries of what constitutes acceptable "feminine" behavior, but there's evidence that she's on the rise--more visible and less easily dismissed--than ever before. In Too Fat, Too Slutty, Too Loud, Anne Helen Petersen uses the lens of "unruliness" to explore the ascension of eleven contemporary powerhouses: Serena Williams, Melissa McCarthy, Abbi Jacobson, Ilana Glazer, Nicki Minaj, Kim Kardashian, Hillary Clinton, Caitlyn Jenner, Jennifer Weiner, and Lena Dunham. Petersen explores why the public loves to love (and hate) these controversial figures, each of whom has been conceived as "too" something: too queer, too strong, too honest, too old, too pregnant, too shrill, too much. With its brisk, incisive analysis, Too Fat, Too Slutty, Too Loud will be a conversation-starting book on what makes and breaks celebrity today.

    It has had an enormous impact on cultural studies and work across many disciplines on gender, sexuality, and the body. Bringing a new set of questions to this key work, Ann Laura Stoler examines volume one of History of Sexuality in an unexplored light. She asks why there has been such a muted engagement with this work among students of colonialism for whom issues of sexuality and power are so essential. Why is the colonial context absent from Foucault’s history of a European sexual discourse that for him defined the bourgeois self? In Race and the Education of Desire, Stoler challenges Foucault’s tunnel vision of the West and his marginalization of empire. She also argues that this first volume of History of Sexuality contains a suggestive if not studied treatment of race.Drawing on Foucault’s little-known 1976 College de France lectures, Stoler addresses his treatment of the relationship between biopower, bourgeois sexuality, and what he identified as “racisms of the state.” In this critical and historically grounded analysis based on cultural theory and her own extensive research in Dutch and French colonial archives, Stoler suggests how Foucault’s insights have in the past constrained—and in the future may help shape—the ways we trace the genealogies of race.Race and the Education of Desire will revise current notions of the connections between European and colonial historiography and between the European bourgeois order and the colonial treatment of sexuality. Arguing that a history of European nineteenth-century sexuality must also be a history of race, it will change the way we think about Foucault.

    Both are Black British, both won scholarships to private schools where they struggled to belong, both are now artists - he a photographer, she a dancer - trying to make their mark in a city that by turns celebrates and rejects them. Tentatively, tenderly, they fall in love. But two people who seem destined to be together can still be torn apart by fear and violence.

    Kathy Obear has helped thousands of whites find the courage to challenge and change the dynamics of racism in their organizations. Do you stay silent and hold back for fear of making a mistake? Or making things worse? Are there times you want to speak up, but don’t know how to interrupt racist dynamics or organizational practices? Do you sometimes feel alone, like you are the only one raising issues about racial justice in your organization? Through engaging stories and concrete examples and tools, Kathy shares her own personal struggles and the common challenges many whites face as they work to create more equitable, inclusive organizations. Find practical skills and strategies to move through your fear of being called racist and learn to: Speak up with greater confidence and clarity Engage racist comments to deepen learning and facilitate change Stop feeling so alone and isolated Respond effectively when colleagues call you racist or criticize your efforts Develop powerful partnerships to create meaningful change in your organization Read this book and find the inspiration and tools to deepen your resolve to live your values every day as a change agent for racial justice.

    When special prosecutor Thomas E. Dewey selected twenty lawyers to help him clean up the city’s underworld, she was the only member of his team who was not a white male.Eunice Hunton Carter, Stephen Carter’s grandmother, was raised in a world of stultifying expectations about race and gender, yet by the 1940s, her professional and political successes had made her one of the most famous black women in America. But her triumphs were shadowed by prejudice and tragedy. Greatly complicating her rise was her difficult relationship with her younger brother, Alphaeus, an avowed Communist who ― together with his friend Dashiell Hammett ― would go to prison during the McCarthy era. Yet she remained unbowed.Moving, haunting, and as fast-paced as a novel, Invisible tells the true story of a woman who often found her path blocked by the social and political expectations of her time. But Eunice Carter never accepted defeat, and thanks to her grandson’s remarkable book, her long forgotten story is once again visible.

    Introducing modern gender studies, gender theories and gender politics, this text traces the history of Western intellectuals' ideas and discusses current findings on gender differences, inequalities and patterns in the state and corporations.

    Rocky is a large man suffering from gigantism, and Twig is a foul-mouthed and perverted midget. Separately, they had always been mistreated and bullied, but together, they are unstoppable, unleashing sadistic and barbaric acts of violence on the assholes of society.Warning! This is an extreme-horror/ splatterpunk story that contains adult content, including, but not limited to: profanity, sexuality, brutality and obscenities. If you’re not a seasoned extreme-horror reader, it’s highly advised not to embark on this journey. It will save you distress and me a negative review.

    Trump, journalist Seyward Darby went looking for the women of the so-called alt-right--really just white nationalism with a new label. The mainstream media depicted the alt-right as a bastion of angry white men, but was it? As women headlined resistance to the Trump administration's bigotry and sexism, most notably at the women's marches, Darby wanted to know why others were joining a movement espousing racism and anti-feminism. Who were these women, and what did their activism reveal about America's past, present, and future? Darby researched dozens of women across the country before settling on three: Corinna Olsen, Ayla Stewart, and Lana Lokteff. Each was born in 1979 and became a white nationalist in the post-9/11 era. Their respective stories of radicalization upend much of what we assume about women, politics, and political extremism.

    Raye Lucas never believed she would see Staff Sergeant Sean Martin again. Eighteen months later when she practically ran into him while she closed up her ceramic shop, the past and memories came flooding back. From one glance he knew the daughter she carried in her arms was his. She met his angry accusations with some of her own. He was the one who left and destroyed what they had. But when he kissed her to distraction, Raye knew the love she felt for him never faded away. Did she dare let him in again with only promises? This time it wasn’t only her heart that had to be protected. Their child would also be torn apart if he left again.Raye, Sean assumed their goodbye was it when he left to serve his tour in Afghanistan. But every day, minute, and hour his thoughts were on her. Her tear-filled eyes haunted him while he was gone. He thought he had a good reason for breaking it off. Now Sean knew he was never so wrong in his life. How could he prove to her that he still loved her? Convince Raye to open her life and heart to him again? There were two loves of his life now, and because of his past mistake, he may have destroyed any chance of having the family he thought might never be possible.

    Mainstream feminists rarely talk about meeting basic needs as a feminist issue, argues Mikki Kendall, but food insecurity, access to quality education, safe neighborhoods, a living wage, and medical care are all feminist issues. All too often, however, the focus is not on basic survival for the many, but on increasing privilege for the few. That feminists refuse to prioritize these issues has only exacerbated the age-old problem of both internecine discord and women who rebuff at carrying the title. Moreover, prominent white feminists broadly suffer from their own myopia with regard to how things like race, class, sexual orientation, and ability intersect with gender. How can we stand in solidarity as a movement, Kendall asks, when there is the distinct likelihood that some women are oppressing others?