Professor Gellner asserts here that a society's affluence and economic growth depend on innovation, occupational mobility, the effectiveness of the mass media, universal literacy, and an all-embracing educational system based on a shared, standard idiom. These factors, taken together, govern the relationship between culture and the state. Political units that do not conform to the principle, one state, one culture feel the strain in the form of nationalistic activity.

    The result is an accessible text that has sold well over half a million copies in English, has been translated into eighteen languages, and shows every sign of becoming more and more influential as time goes on.

    The second chapter considers the way in which the West was seen at the time by residents of Central and Eastern Europe, while the third outlines the practice of Ketman, the act of paying lip service to authority while concealing personal opposition, describing seven forms applied in the people's democracies of mid-20th century Europe.The four chapters at the heart of the book then follow, each a portrayal of a gifted Polish man who capitulated, in some fashion, to the demands of the Communist state. They are identified only as Alpha, the Moralist; Beta, The Disappointed Lover; Gamma, the Slave of History; and Delta, the Troubadour. However, each of the four portraits were easily identifiable: Alpha is Jerzy Andrzejewski, Beta is Tadeusz Borowski, Gamma is Jerzy Putrament and Delta is Konstanty Ildefons Gałczyński.The book moves toward its climax with an elaboration of "enslavement through consciousness" in the penultimate chapter and closes with a pained and personal assessment of the fate of the Baltic nations in particular.

    Why capitalism cannot overcome its internal contradictions and the working class cannot "reform" away exploitation and economic crises.

    The German military attaché in Paris receives a visit from a seedy-looking man who claims to be a French army officer in desperate need of money, offering to sell them military secrets.Captain Alfred Dreyfus was a rising star in the French artillery command. Reserved yet intelligent and ambitious, Dreyfus had everything: a family, money, and a clear path to a prestigious post on the General Staff. However, Dreyfus had enemies as a result of his ambition. Many of them came from the impoverished Catholic aristocracy and disliked Dreyfus because he was rich, bourgeois, and, above all, a Jew.On the basis of flimsy evidence, Dreyfus was placed under arrest for the crime of high treason. Not long afterward, he was sentenced to spend the rest of his life on the legendary, lethal Devil's Island. The saga of Dreyfus's many trials-he was not exonerated until 1906, twelve years after first being arrested-the fight to free him, and the intrigues on both sides, is a fast-moving mystery story rife with heroes and villains, loose women, loyal wives, bisexual men, tricksters, and charlatans. But this was no mere sideshow. The anti-Semitism and deceit on display in the Dreyfus case was an ominous prelude to the Holocaust and the long, bloody twentieth century to come.In an era when religious conflict, fierce patriotism, and charged debates over national identity pervade the public sphere, the scandal of Captain Dreyfus still has much to teach us. In the hands of prizewinning novelist, biographer, and narrative historian Piers Paul Read, this real-life morality tale comes alive for a new generation. Using his storytelling skills and a nuanced, deep knowledge of French history, Read rediscovers l'affaire Dreyfus as a rich, riveting tale.

    Among the most prominent members of what became the Frankfurt School were the philosophers Walter Benjamin, Theodor Adorno, Max Horkheimer, and Herbert Marcuse. Not only would they change the way we think, but also the subjects we deem worthy of intellectual investigation. Their lives, like their ideas, profoundly, sometimes tragically, reflected and shaped the shattering events of the twentieth century.Grand Hotel Abyss combines biography, philosophy, and storytelling to reveal how the Frankfurt thinkers gathered in hopes of understanding the politics of culture during the rise of fascism. Some of them, forced to escape the horrors of Nazi Germany, later found exile in the United States. Benjamin, with his last great work—the incomplete Arcades Project—in his suitcase, was arrested in Spain and committed suicide when threatened with deportation to Nazi-occupied France. On the other side of the Atlantic, Adorno failed in his bid to become a Hollywood screenwriter, denounced jazz, and even met Charlie Chaplin in Malibu.After the war, there was a resurgence of interest in the School. From the relative comfort of sun-drenched California, Herbert Marcuse wrote the classic One Dimensional Man, which influenced the 1960s counterculture and thinkers such as Angela Davis; while in a tragic coda, Adorno died from a heart attack following confrontations with student radicals in Berlin.By taking popular culture seriously as an object of study—whether it was film, music, ideas, or consumerism—the Frankfurt School elaborated upon the nature and crisis of our mass-produced, mechanised society. Grand Hotel Abyss shows how much these ideas still tell us about our age of social media and runaway consumption.

    Art

    How to Lose a Country: The Seven Warning Signs of Rising Populism is a field guide to spotting the insidious patterns and mechanisms of the populist wave sweeping the globe – before it’s too late. ‘It couldn’t happen here’ Ece Temelkuran heard reasonable people in Britain say it the night of the Brexit vote.She heard reasonable people in America say it the night Trump’s election was soundtracked by chants of ‘Build that wall.’She heard reasonable people in Turkey say it as Erdoğan rigged elections, rebuilt the economy around cronyism, and labelled his opposition as terrorists.How to Lose a Country is an impassioned plea, a warning to the world that populism and nationalism don’t march fully-formed into government; they creep. Award winning author and journalist Ece Temelkuran, identifies the early-warning signs of this phenomenon, sprouting up across the world from Eastern Europe to South America, in order to define a global pattern, and arm the reader with the tools to root it out.Proposing alternative, global answers to the pressing – and too often paralysing – poltical questions of our time, Temelkuran explores the insidious idea of ‘real people’, the infantilisation of language and debate, the way laughter can prove a false friend, and the dangers of underestimating one’s opponent. She weaves memoir, history and clear-sighted argument into an urgent and eloquent defence of democracy.No longer can the reasonable comfort themselves with ‘it couldn’t happen here.’ It is happening. And soon it may be too late.

    On the front page of a Paris newspaper, the novelist published a terrific denunciation of French government officials, entitled “J’accuse…!” (“I Accuse…!”) It was written as an open letter to Félix Faure, President of the French Republic, and accused the government of anti-Semitism in the Dreyfus Affair. The brave letter had much to do with freeing Dreyfus in 1899.This Kindle edition, equivalent in length to a physical book of approximately 20 pages, includes the complete text, in English, of Zola’s open letter to the French President.Includes supplemental material:•About Alfred Dreyfus•About Émile ZolaAbout the Author:Émile Zola (1840-1902) was a French novelist and critic. Other works include “Nana,” “Germinal,” and “La Terre.”

    Includes end notes and master index.

    It is told through the letters of Peter Abélard, a French philosopher and one of the greatest logicians of the twelfth century, and of his gifted pupil Héloïse. Through their impassioned writings unfolds the story of a romance, from its reckless, ecstatic beginnings through to public scandal, an enforced secret marriage and its devastating consequences. These eloquent and intimate letters express a vast range of emotions from adoration and devotion to reproach, indignation and grief, and offer a fascinating insight into religious life in the Middle Ages.This is the revised edition of Betty Radice's highly regarded translation, in which Michael Clanchy, the biographer of Abélard, updates the scholarship on the letters and the lovers. This volume includes Abélard's remarkable autobiography and his spiritual advice to Héloïse and her nuns, as well as a selection of the 'lost love letters' of Abélard and Héloïse, letters between Héloïse and Peter the Venerable, two of Abélard's hymns, a chronology, notes and maps.

    Peter Watson has produced a fluent and engaging narrative of the intellectual tradition of the twentieth century, and the men and women who created it.

    Waterloo changed almost everything.’Bestselling author Bernard Cornwell is celebrated for his ability to bring history to life. Here, in his first work of non-fiction, he has written the true story of the epic battle of Waterloo – a momentous turning point in European history – a tale of one campaign, four days and three armies.He focuses on what it was like to be fighting in that long battle, whether officer or private, whether British, Prussian or French; he makes you feel you are present at the scene. The combination of his vivid, gripping style and detailed historical research make this, his first non-fiction book, the number one book for the upcoming 200th anniversary of the Battle of Waterloo.It is a magnificent story. There was heroism on both sides, tragedy too and much misery. Bernard Cornwell brings those combatants back to life, using their memories to recreate what it must have been like to fight in one of the most ghastly battles of history. It was given extra piquancy because all of Europe reckoned that the two greatest soldiers of the age were Napoleon and Wellington, yet the two had never faced each other in battle. Both were acutely aware of that, and aware that history would judge them by the result. In the end it was a victory for Wellington, but when he saw the casualty lists he wept openly. ‘I pray to God,’ he said, ‘I have fought my last battle.’ He had, and it is a story for the ages.

    Continuously in print since 1932, Ortega's vision of Western culture as sinking to its lowest common denominator and drifting toward chaos brought its author international fame and has remained one of the influential books of the 20th century.

    Buckley made a confession to Corey Robin. Capitalism is "boring," said the founding father of the American right. "Devoting your life to it," as conservatives do, "is horrifying if only because it's so repetitious. It's like sex." With this unlikely conversation began Robin's decade-long foray into the conservative mind. What is conservatism, and what's truly at stake for its proponents? If capitalism bores them, what excites them?Tracing conservatism back to its roots in the reaction against the French Revolution, Robin argues that the right is fundamentally inspired by a hostility to emancipating the lower orders. Some conservatives endorse the free market, others oppose it. Some criticize the state, others celebrate it. Underlying these differences is the impulse to defend power and privilege against movements demanding freedom and equality.Despite their opposition to these movements, conservatives favor a dynamic conception of politics and society--one that involves self-transformation, violence, and war. They are also highly adaptive to new challenges and circumstances. This partiality to violence and capacity for reinvention has been critical to their success.Written by a keen, highly regarded observer of the contemporary political scene, The Reactionary Mind ranges widely, from Edmund Burke to Antonin Scalia, from John C. Calhoun to Ayn Rand. It advances the notion that all rightwing ideologies, from the eighteenth century through today, are historical improvisations on a theme: the felt experience of having power, seeing it threatened, and trying to win it back.