She has an internship with her famous film director uncle, a hit BookTube channel with her actress cousin Sadie and is fully determined to get her world on track as a true adult person, complete with happiness and sparkly love in spades. But nothing is going to plan. She applied to all the wrong colleges, is the only one of her friends still single and is majorly crushing on 23-year-old cinema genius wunderkind Leo Landis, even though he may or may not be breaking up with his girlfriend and may or may not even notice her. But Saoirse's not giving up.She steels herself with hyper-romantic hope and sets out to be her best positive self, which works fabulously until it doesn't and things get complicated. Luckily, life turns in Saoirse's favor as her Hollywood family spins out of control and a sweet and equally quirky street artist, Hector Rojas, spots her magical sparkle and inspires her to see things from a kaleidoscope of angles, even her own beautiful self.Uniquely charming in a Bridget Jones's Diary way with a Cyrano de Bergerac twist, Saoirse Berger takes us on an 18-year-old's hilariously painful journey through love, self-doubt, rejection and the search for belonging as a new adult, ultimately discovering she's already right where she's supposed to be.

    Everyone is happy to take his money, drink in his bars and forget where it all came from, until Matt is found murdered next to a statue in the woods behind his manor house.DCI Tom Morton and DC Elaine Fraser are reunited to take on the case, which is too hot for the local police. Tom finds himself in an abandoned building with a team of misfits and facing a wall of silence.Inside the wall, Matt’s team manoeuvre for position. The king is dead: will it be his widow, his lawyer or his enforcer who is crowned in his place? Connor Holden knows it won’t be him – he just wants to keep his job and his life.Tom, taking the lead role for the first time in his career, struggles to find the truly guilty in an extended family where no one is innocent, and then he’s blindsided by the arrival of Lucy, a witness from another case – a witness he’d like to get a lot closer to.Mark Hayden’s latest crime novel is an absorbing, multi-layered exploration of tragedy, duty, family and the fight for survival on the other side of the law.

    But the more Jean investigates, the more her life becomes strangely (and not unpleasantly) intertwined with that of the Tilburys: Gretchen is now a friend, and her quirky and charming daughter Margaret a sort of surrogate child. And Jean doesn't mean to fall in love with Gretchen's husband, Howard, but Howard surprises her with his dry wit, his intelligence and his kindness — and when she does fall, she falls hard.But he is married, and to her friend — who is also the subject of the story she is researching for the newspaper, a story that increasingly seems to be causing dark ripples across all their lives. And yet Jean cannot bring herself to discard the chance of finally having a taste of happiness...But there will be a price to pay, and it will be unbearable.

    Or, rather, in his oblique way, which was perhaps a strategy of shyness, he’d simply told her that he was going hiking this weekend, and asked if she wanted to join him. The woman had been introduced to the man several weeks earlier, at a dinner party at a mutual friend’s home in the Berkeley Hills. The friend, closer to the man than to the woman, had said to the man, “You’ll like Mariella. You’ll like her face,” and to the woman, “Simon’s an extraordinary person, but it may not be evident immediately. Give him time.”

    They choose the same university, and through smoke-filled nights, lectures, sexual encounters and first loves, their bond deepens: a friendship which seems like it will last for evermore.But then, at an end-of-year party, something happens which changes everything ... Afterwards, they drift apart. Now Stella, a lawyer in New York, lives for her work; Laura, a struggling journalist in Dublin, is still waiting for the scoop to kick-start her career; while Amanda, broken and beautiful, lives a life of slow decay in London. Then the phone call comes which brings them back together, to the friendship they swore would last, and the night when it all went wrong. The Privileged is a haunting tale of friendship, loyalty and how one decision, one night, can decide the future.

    It brings together a combination of Yeats's poetry and prose - all the major poems, complemented by plays, critical writings, and letters - to give the essence of his work and thinking. W. B. Yeats was born in 1865, only 38 years after the death of William Blake, and died in 1939, the contemporary of Ezra Pound and James Joyce. His career crossed two centuries, and this volume represents the full range of his achievement, from the Romantic early poems of Crossways and the symbolist masterpiece The Wind Among the Reeds to his last poems. Myth and folk-tale influence both his poems and his plays, represented here by Cathleen ni Houlihan and Deirdre among others. The importance of the spirit world to his life and work is evident in his critical essays and occult writings, and the anthology also contains political speeches, autobiographical writings, and a selection of his letters.

    Celebrating the 125th anniversary of its original publication, this expanded and updated edition of a classic reference features a new, simplified organization.

    Against the claim that art making has become so heterogeneous as to defy historical analysis, Foster argues that the critic must still articulate a clear account of the contemporary in all its complexity. To that end, he offers several paradigms for the art of recent years, which he terms “abject,” “archival,” “mimetic,” and “precarious.”From the Hardcover edition.

    It is a dark and brooding modern fairy tale from one of our most gifted writers.

    Years later, raising two kids alone in the beachside community of Santa Cruz, Kelsey’s faith is again tested when her daughter’s life is in jeopardy. Now, she must make a choice to drown under the weight of her past or resurface triumphantly in the faith and hope she left behind.Alex Bechtel traded his successful CPA business for his first love: Pastoring a small church in a quaint seaside village. But when he discovers the church is long on rules and short on compassion, he must question his decisions and his own definition of faith.Can two people with troubled pasts find hope and love in one another? Or is Swimming to the Surface worth the effort?

    Fisher searches for the traces of these lost futures in the work of David Peace, John Le Carré, Christopher Nolan, Joy Division, Burial and many others.

    Combining innovative comic book art, hand lettering, and graphic design, Ware’s uniquely appealing work is characterized by ceaseless experimentation with narrative and graphic forms. The publication of his novel Jimmy Corrigan: The Smartest Kid on Earth in2000 inspired a near avalanche of praise from critics and general readers alike. This book is the first to explore the life and work of Chris Ware. Daniel Raeburn looks closely at Ware’s career, work methods, and artistic innovations. Born in Omaha in 1967, Ware introduced the character Jimmy Corrigan in a full-page strip he began writing for the Chicago tabloid New City. Combining six years’ worth of the strips, Ware created the best-selling novel named after Jimmy that spans an Irish-American family’s life in Chicago from the Civil War to the present. For its experiments in graphic form—including pull-out, three-dimensional inserts—and its non-chronological narrative, the novel earned numerous honors, among them the Guardian First Book Award, presented for the first time to a comic book. For this volume Raeburn interviewed Chris Ware for many hours to make fascinating connections between Jimmy Corrigan’s fictional life and the life of his creator. Raeburn discusses the scope of Ware’s career, including his drawings for New City, the New Yorker, and his own comic book, The Acme Novelty Library. AsRaeburn shows, Ware’s unique art form extends beyond the world of graphic novels into the broader worlds of literature, graphic art, and popular culture, and challenges traditional definitions of all three.

    Then the woman-hunt begins. Astrid and her boyfriend Mike track her mom from San Francisco to a spooky castle in darkest Transylvania, meeting several unexpected and mostly unwanted relatives on the way. The castle holds an dark secret, too horrifying to describe here. And it gets worse, as civil war appears to have broken out, and our intrepid couple must escort two young girls through the warzone to their grandma, at the same time trying to build their own shaky relationship and escape the past that is desperately trying to catch up with them.

    As Larry McCaffery has pointed out, "the lonesome lady of the book's title, who is gradually revealed to be lady language herself, creates an elaborate series of devices which she hopes will draw attention to her slighted charms [and] force the reader to confront what she literally is: a physically exciting literary text."

    I branched out and my branches carried me far away from the roots and the ground. I questioned the tutoring of my conservative society and green leaves covered my bare branches. My tree bore its fruits; poisoned fruits that were the poison of many who dropped dead next to the solid stubborn tree. This is a book about love, marriage, divorce, sex, dating, virginity, adult dating, religion, shame, taboos, gender wars and fear that grew and blossomed on my poison tree.