Shocked and grieving, Jessa steps up to manage the failing business, while the rest of the Morton family crumbles. Her mother starts sneaking into the shop to make aggressively lewd art with the taxidermied animals. Her brother Milo withdraws, struggling to function. And Brynn, Milo’s wife—and the only person Jessa’s ever been in love with—walks out without a word. As Jessa seeks out less-than-legal ways of generating income, her mother’s art escalates—picture a figure of her dead husband and a stuffed buffalo in an uncomfortably sexual pose—and the Mortons reach a tipping point. For the first time, Jessa has no choice but to learn who these people truly are, and ultimately how she fits alongside them.

    Vanni never planned to get stuck—but that was before her father was diagnosed with Huntington’s disease, leaving her and her mother to care for him. Now, she doesn’t have much of a plan at all: living at home, working as a performing mermaid at a second-rate water park, distracting herself with one boy after another.That changes the day she meets Leigh. Disillusioned with small-town life and looking for something greater, Leigh is not a “nice girl.” She is unlike anyone Vanni has met, and a friend when Vanni desperately needs one. Soon enough, Leigh is much more than a friend. But caring about another person stirs up the moat Vanni has carefully constructed around herself, and threatens to bring to the surface the questions she’s held under for so long.With her signature stunning writing, Rebecca Podos, author of The Mystery of Hollow Places, has crafted a story of first love and of the complex ways in which the deepest parts of us are hidden, even from ourselves.

    She loves her broad-shouldered, bashful husband and her job as an apprentice midwife.But her luck will not last. It is every woman's duty to have a child, to replace those that were lost in the Great Flu. And after a year of marriage and no pregnancy, in a town where barren women are hanged as witches, Ada's survival depends on leaving behind everything she knows.She joins up with the notorious Hole in the Wall Gang. Its leader, a charismatic preacher-turned-robber known to all as The Kid, wants to create a safe haven for women outcast from society. But to make this dream a reality, the Gang hatches a treacherous plan. And Ada must decide whether she's willing to risk her life for the possibility of a new kind of future for them all.

    He studies queer theory, has a dyke best friend, makes zines, and is a flâneur with a rich dating life. But Paul’s also got a secret: he’s a shapeshifter. Oscillating wildly from Riot Grrrl to leather cub, Women’s Studies major to trade, Paul transforms his body at will in a series of adventures that take him from Iowa City to Boystown to Provincetown and finally to San Francisco—a journey through the deep queer archives of struggle and pleasure.

    I was born part precious metal, part pirate."), an orphaned girl who is taken in by blind Mr. Pew, the mysterious and miraculously old keeper of a lighthouse on the Scottish coast. Pew tells Silver stories of Babel Dark, a nineteenth-century clergyman. Dark lived two lives: a public one mired in darkness and deceit and a private one bathed in the light of passionate love. For Silver, Dark's life becomes a map through her own darkness, into her own story, and, finally, into love.One of the most original and extraordinary writers of her generation, Jeanette Winterson has created a modern fable about the transformative power of storytelling.

    In The Chronology of Water, Lidia Yuknavitch expertly moves the reader through issues of gender, sexuality, violence, and the family from the point of view of a lifelong swimmer turned artist. In writing that explores the nature of memoir itself, her story traces the effect of extreme grief on a young woman’s developing sexuality that some define as untraditional because of her attraction to both men and women. Her emergence as a writer evolves at the same time and takes the narrator on a journey of addiction, self-destruction, and ultimately survival that finally comes in the shape of love and motherhood.

    Summers spent with the girls at their lakeside camp in Vermont are her one escape--from her husband's demands, from days consumed by household drudgery, and from the nagging suspicion that life was supposed to hold something different.Then a new family moves in across the street. Ted and Eva Wilson have three children and a fourth on the way, and their arrival reignites long-buried feelings in Billie. The affair that follows offers a solace Billie has never known, until her secret is revealed and both families are wrenched apart in the tragic aftermath.Fifty years later, Ted and Eva's son, Johnny, contacts an elderly but still spry Billie, entreating her to return east to meet with him. Once there, Billie finally learns the surprising truth about what was lost, and what still remains, of those joyful, momentous summers.In this deeply tender novel, T. Greenwood weaves deftly between the past and present to create a poignant and wonderfully moving story of friendship, the resonance of memories, and the love that keeps us afloat.

    By day, she maintains an illusion of existential control, by way of obsessive food rituals, while working as an underling at a Los Angeles talent management agency. At night, she pedals nowhere on the elliptical machine. Rachel is content to carry on subsisting—until her therapist encourages her to take a ninety-day communication detox from her mother, who raised her in the tradition of calorie counting. Early in the detox, Rachel meets Miriam, a zaftig young Orthodox Jewish woman who works at her favorite frozen yogurt shop and is intent upon feeding her. Rachel is suddenly and powerfully entranced by Miriam—by her sundaes and her body, her faith and her family—and as the two grow closer, Rachel embarks on a journey marked by mirrors, mysticism, mothers, milk, and honey. Pairing superlative emotional insight with unabashed vivid fantasy, Broder tells a tale of appetites: physical hunger, sexual desire, spiritual longing, and the ways that we as humans can compartmentalize these so often interdependent instincts. Milk Fed is a tender and riotously funny meditation on love, certitude, and the question of what we are all being fed, from one of our major writers on the psyche—both sacred and profane.

    In other stories, a young woman battles with the cancers draining her body and her family; menacing undercurrents among a group of teenagers explode in violence on a winter night; a little girl tears through a house like a tornado, driving her babysitter to the brink; and couples feel out the jagged edges of connection, comfort, and cruelty.One of the breakout literary stars of 2020, Brandon Taylor has been hailed by Roxane Gay as "a writer who wields his craft in absolutely unforgettable ways." With Filthy Animals he renews and expands on the promise made in Real Life, training his precise and unsentimental gaze on the tensions among friends and family, lovers and others. Psychologically taut and quietly devastating, Filthy Animals is a tender portrait of the fierce longing for intimacy, the lingering presence of pain, and the desire for love in a world that seems, more often than not, to withhold it.

    She’s not used to mixing work and friendship―after all, between her jealous boyfriend and his young daughter, she has enough on her plate. But the newest dancer is so clueless that Samantha feels compelled to help her learn the hustle and drama of the club: how to sweet-talk the boss, fit in with the other women, and make good money. One night, when the new girl needs a ride home, Samantha agrees to drive: a simple decision that turns deadly.Georgia, another dancer drawn into the ensuing murder and missing person investigation, gathers information for Holly, a grieving detective determined to solve the case. Georgia just wants to help, but her involvement makes her a target. As Holly and Georgia round up their suspects, the story’s point of view shifts between dancers, detectives, children, club patrons―and the killer.Drawing on her experience as a former dancer, Marie Rutkoski immerses us in the captivating world of the club, which comes alive with complicated people trying their best to protect themselves and those they love. Character-driven and masterfully plotted, Real Easy gets to the heart of the timeless question: How do women live their lives knowing that men can hurt them?

    Jack’s vivid and long-term visions take the form of an elaborate fantasy world layered over our own—a world ruled by the Wicker King. As Jack leads them on a quest to fulfill a dark prophecy in this alternate world, even August begins to question what is real or not. August and Jack struggle to keep afloat as they teeter between fantasy and their own emotions. In the end, each must choose his own truth.

    She poses the eternal question: Can you heal once you’ve been marked by a monster, or will the sun always sting?

    It is back to this fallen community that Starla Mia Martin must return to live with her overbearing mother after dropping out of university and racking up significant debt. But an economic downturn, mother-daughter drama, and Generation X disillusionment soon prove to be to be the least of Starla's troubles. A mysterious and salacious force begins to dog her; inexplicable sounds in the night and indescribable sights spotted in the periphery. Soon enough, Starla must confront the unresolved traumas that haunt Crystal Beach. Sodom Road Exit might read like a conventional paranormal thriller, except that Starla is far from a conventional protagonist. Where others might feel fear, Starla feels lust and queer desire. When others might run, Starla draws the horror nearer. And in turn, she draws a host of capricious characters toward her--all of them challenged to seek answers beyond their own temporal realities. Sodom Road Exit, the second novel by Lambda Literary Award winner Amber Dawn, is a book that's alive with both desire and dread.

    The Christodora is home to Milly and Jared, a privileged young couple with artistic ambitions. Their neighbor, Hector, a Puerto Rican gay man who was once a celebrated AIDS activist but is now a lonely addict, becomes connected to Milly and Jared’s lives in ways none of them can anticipate. Meanwhile, Milly and Jared’s adopted son Mateo grows to see the opportunity for both self-realization and oblivion that New York offers. As the junkies and protesters of the 1980's give way to the hipsters of the 2000's and they, in turn, to the wealthy residents of the crowded, glass-towered city of the 2020's, enormous changes rock the personal lives of Milly and Jared and the constellation of people around them. Moving kaleidoscopically from the Tompkins Square Riots and attempts by activists to galvanize a true response to the AIDS epidemic, to the New York City of the future, Christodora recounts the heartbreak wrought by AIDS, illustrates the allure and destructive power of hard drugs, and brings to life the ever-changing city itself.

    But just as they are about to debut their creation, one of them suffers a breakdown, putting the whole project—and future of time travel—in jeopardy. To protect their invention, one member is exiled from the team—erasing her contributions from history.Fifty years later, time travel is a big business. Twenty-something Ruby Rebello knows her beloved grandmother, Granny Bee, was one of the pioneers, though no one will tell her more. But when Bee receives a mysterious newspaper clipping from the future reporting the murder of an unidentified woman, Ruby becomes obsessed: could it be Bee? Who would want her dead? And most importantly of all: can her murder be stopped?Traversing the decades and told from alternating perspectives, The Psychology of Time Travel introduces a fabulous new voice in fiction and a new must-read for fans of speculative fiction and women’s fiction alike.