Banks learns that one of the young men he has seen occasionally about the house is about to become his son-in-law. Daughter Kay announces the engagement out of nowhere. Mrs. Banks and her sons are happy, but Mr. Banks is in a dither. The groom-to-be, Buckley Dunstan, appears on the scene and Mr. Banks realizes that the engagement is serious. Buckley and Kay don't want a "big" wedding just a simple affair with a few friends! We soon learn, however, that the "few" friends idea is out. Then trouble really begins. The guest list grows larger each day, a caterer is called in, florists, furniture movers and dressmakers take over, and the Banks household is soon caught in turmoil.

    (The first book, 'Mrs Caldicot's Cabbage War was filmed starring Pauline Collins in the title role.) Mrs Caldicot and her colleagues from the Twilight Years Rest Home win the lottery. Their win is small but it transforms their lives in an unexpected way. A trip abroad results in disaster but Mrs Caldicot and company rise above their misfortune.

    A celebrity artist shining bright at the crest of the Restoration Ned, or Mr. K as he's called, is applauded onstage and off for his interpretations of Shakespeare's tragic ladies: Ophelia, Cleopatra, especially his Desdemona and his famous "death scene". He s the toast of the town and the very secret "mistress" of the powerful Duke of Buckingham. But when an unknown named Margaret Hughes plays Desdemona one night at an illegal theater, instead of stopping the show, the ever-game King Charles II changes the law to allow women to act. By the stroke of a pen, Kynaston's world is turned upside-down. He loses his cachet, his livelihood, his lover and his sense of self. And as such women as the king's own courtesan Nell Gwynn, and Kynaston s former dresser Maria, become stars, his own light disappears until fate and his desire for revenge give him a chance to take the stage again.

    By Patricia Gray. Based on the classic by J.R.R. Tolkien.Cast: approximately 26. Variable number of hobbits and other inhabitants of Middle Earth. It's unusual for a modern work to become a classic so quickly, but Tolkien's "ring" stories, which began with The Hobbit, clearly are in this very special category. They stir the imagination and intellect of everyone they touch. Bilbo, one of the most conservative of all Hobbits, is asked to leave his large, roomy and very dry home in the ground in order to set off as chief robber in an attempt to recover an important treasure. It's the last thing that any sensitive Hobbit would want to do, but great benefit eventually results—not only for Bilbo but for all of the Hobbits who inhabit Middle Earth—and the hearts of those children and adults who continue to enjoy this kind of magic. Multiple simple sets. Approximate running time: 120 minutes.

    He explores the queasy relationships between life and art, love and estrangement, and the bane that is American identity drift, with unsparing but compassionate candor.” –Misha Berson, Seattle Times“Margulies’s remarkable gift of building characterization through realistic dialogue is undiminished. Full of aching ruefulness that underlies the comedy, Brooklyn Boy’s scenes are written with precision and humor. The play isn’t about Brooklyn, nor is it about a boy—it’s about a man without a home.” –Don Shirley, Los Angeles TimesThis new play by the Pulitzer Prize-winning author of Dinner with Friends follows the career of Eric Weiss, a writer whose novel hits the bestseller list the same time his life begins to unravel. His wife is out the door, his father is in the hospital, and his childhood friend thinks he has sold himself to the devil. A funny and emotionally rich look at family, friends and fame.Donald Margulies received the 2000 Pulitzer Prize for Drama for Dinner with Friends. The play received numerous awards, including the American Theatre Critics Association New Play Award, the Dramatists Guild/Hull-Warriner Award, the Lucille Lortel Award, the Outer Critics Circle Award and a Drama Desk nomination, and has been produced all over the United States and around the world. In addition to his adaptation of God of Vengeance, his many plays include Collected Stories, The Country House, Sight Unseen, The Model Apartment, The Loman Family Picnic, What’s Wrong with This Picture? and Time Stands Still. Mr. Margulies currently lives with his wife and their son in New Haven, Connecticut, where he teaches playwriting at Yale University.

    Winner of the Los Angeles Drama Critics Circle Award for Best Playwright, David Lindsay-Abaire's Kimberly-Akimbo focuses, with uncanny depth and quirky wit, on a sixteen-year-old girl suffering from a disease that causes her body to age nearly five times faster than it should.

    He just wanted to retire in peace. Change descended when he accidentally shot a Peeping Tom. Though he buried him on his remote Montana property, he couldn't bury the man's curse. Haunted by it, and about to be found out, he sent up a desperate prayer. That night he had a strange dream. Priscilla's interpretation of the dream was to stockpile enough food to look after seventy people for five years because perilous times were surely coming . . .

     They say everyone has a skeleton in their closet, but why are so many of them coming to life? Tempest and Amanda work at the only paranormal detective agency in the book and business is booming. This second box set gives you over 1000 pages of pulse-pounding hilarious paranormal mayhem as they get themselves into yet more hot water solving cases no one else would be dumb enough to take. Dead Pirates of Cawsand – A ghost ship has been spotted off the coast of a quiet Cornish village where gold coins were recently found. Now skeletal pirates are wandering the streets, hiding in the mist to strike fear into the local community because they want their gold back. But they didn’t count on England’s best paranormal P.I. turning up. His well-earned break soon goes sideways as murder, kidnap, and ghost hunters ruin his vacation and threaten more than just his life. In the Doodoo with Voodoo – A client cursed by a voodoo priest is the start of a case that will push Amanda to her very limits. With Tempest away in Cornwall, Amanda has no back up, but she wants to do this for herself even though the priest is a scary character. However, when BFF Patience goes missing, it’s a race against time to solve the case before someone dies and she is about to find out just how badly she underestimated her suspect. The Witches of East Malling – There’s a storm brewing. It’s late Autumn in England, but the wet weather is hiding a dark crime – witches using lighting to kill! Hired to investigate, Tempest soon becomes a target himself when he comes face to face with a witch and she knows who and what he is. Is he closing in on the coven, or are they closing in on him? The deadly conclusion with leave you breathless. Crop Circles, Cows, and Crazy Aliens – Aliens? Really? There are lights in the sky, crop circles in the fields and the cows are producing glowing milk. It’s Amanda’s case, and seems a simple one until the first body shows up. Suddenly she has a mystery person leaving her clues, an internet star trying to help her investigation and conspiracy nuts raining from the sky. Is this the first wave of an alien invasion, or something far worse? Whispers in the Rigging – His dad reported stories of a ghost in the old Royal Dockyard, but that’s not why Tempest is going undercover. He’s there because his dad was found unconscious in a dumpster when he tried to poke around. Now Tempest must find out what is going on, but all too soon he realises there’s something beneath the dockyard that is much worse than ghosts. The paranormal? It’s all nonsense, but proving might just get them killed.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Seeing an elderly woman crushed to death under a baby grand piano is not the best start to anyone’s day, and Max Dempsey’s is about to get a whole lot worse.When sacked bank manager turned bank robber Max Dempsey (aka Simon Golightly) finds himself deep in debt to dodgy undertaker Danny Bishop, he’s prepared to do almost anything to pay it off and keep all of his fingers.But he’s likely to lose a lot more than his fingers when he agrees to do a “little job” for Danny and unintentionally crosses psychopathic Greek gangster, Nikos Spiropoulos.Meanwhile, Bernard Pemberton and his granddaughter Tess are on a road trip to scatter their beloved Dottie’s ashes on a Scottish hilltop, but is it really her ashes in the cremation urn or something else altogether?Cremains is a crime caper that twists and turns its way towards a conclusion that even Max himself couldn’t have predicted.

    However, celebrations come to an abrupt end when the host suffers an horrific accident.As the victim lies in a coma, an almost unthinkable plan starts to take shape: could her suffering be their next work of art? The group is ecstatic in its new found project until things slip out of their control and, to the surprise of all, the patient awakes?pool (no water) is a visceral and shocking new play about the fragility of friendship and the jealousy and resentment inspired by success.Citizenship is a bittersweet comedy about growing up, following a boy's frank and messy search to discover his sexual identity. It was developed as part of the National Theatre Shell Connections 2005 Programme

    In the earlier play Ostrovsky had adopted a satiric tone that proved him a worthy disciple of Gogol, the great founder of Russian realism. Not one lovable character appears in that gloomy picture of merchant life in Moscow; even the old mother repels us by her stupidity more than she attracts us by her kindliness. No ray of light penetrates the "realm of darkness" -- to borrow a famous phrase from a Russian critic -- conjured up before us by the young dramatist. In Poverty Is No Crime we see the other side of the medal. Ostrovsky had now been affected by the Slavophile school of writers and thinkers, who found in the traditions of Russian society treasures of kindliness and love that they contrasted with the superficial glitter of Western civilization. Life in Russia is varied as elsewhere, and Ostrovsky could change his tone without doing violence to realistic truth. The tradesmen had not wholly lost the patriarchal charm of their peasant fathers. A poor apprentice is the hero of Poverty Is No Crime, and a wealthy manufacturer the villain of the piece. Good-heartedness is the touchstone by which Ostrovsky tries character, and this may be hidden beneath even a drunken and degraded exterior. The scapegrace, Lyubim Tortsov, has a sound Russian soul, and at the end of the play rouses his hard, grasping brother, who has been infatuated by a passion for aping foreign fashions, to his native Russian worth. Alexander Ostrovsky (1823-1886) was an early Russian Realist whose work led to the founding of the Moscow Arts Theatre and to the career of Stanislavsky. He has been acknowledged to be the greatest of the Russian dramatists.

    This time there are no suave, wise-cracking good guys, no humorless, drug-addled bad guys. The story I want to tell you is all about how I learned to sleep at night, to close my eyes without seeing cold places and dead eyes… how I dragged whatever was left of me up out of the dark, finally. That’s the story I want to tell, because that’s the story I need to hear. I want to know how it ends..."Returning to normal life after his dark days in the depths of the Jianghu hasn't been easy for Randall Lee. With big changes coming in his future, though, Randall offers to help rehabilitate an injured friend, only to find that the need for healing goes far deeper than he ever expected. Bridging the events of Jianghu and the upcoming Randall Lee Mystery, The Art of War, Eating Bitter is a quiet story of resilience and perseverance, punctuated with Randall's trademark humor and self-deprecation.

    This volume presents a comprehensive critical study of Samuel Beckett's first and most renowned dramatic work. Lawrence Graver discusses the play's background and provides a detailed analysis of its originality and distinction as a landmark of modern theatrical art. He also reviews some of the differences between Beckett's original French version and his English translation.

    And what is more, she is so intensely interesting that the girls admire her above all else. But Miss Brodie is not honest. She prevaricates and then tells the girls to do as she tells them, not as she does herself. She is having an affair with the music teacher and has had one with the art teacher, and this is not the most exemplary conduct. A