Who feel everything and everything has feeling."In My Head, the debut release of one of Instagram's most popular poets whose writing has been liked by millions, dives below the surface of love, loss, and life.J.M. Storm has crafted a haunting yet hopeful poetry collection that is meant to be felt as much as it is read.

    In the world of these poems, no one is innocent; everyone is confined to the complexity, absurdity, and, above all, fallibility of their human condition…. Anchoring the work is a conversational, lyrical speaker willing to implicate herself as part of the political and social constructs she criticizes, as when she depicts a Southern American culture still reeling from its history of social injustice, and even the Civil War: “Don’t tell us/ history. Nobody hearts a cemetery/ like we do.” It’s a fantastic collection; Belieu desires not to dress issues up but confront them.”—Publishers Weekly, starred review“A smart and nettling book of poems — about love, sex, social class and our free-floating anxieties — from a writer who is a comedian of the human spirit. Her crisp free verse has as many subcurrents as a magnetic field.”—Dwight Garner, The New York Times"Politics, pop culture, and parenthood appear here along with reflections on our collective moments of hypocrisy and hope. '12-Step,' one of the most resonant entries, begins innocuously with a meditation about lighthouses, then the speaker gathers speed and confidence and reaches a risky but profound one-word stanza—'myself'—before ending with a haunting inversion of the Serenity Prayer used by Alcoholics Anonymous. Amid the quips and the elegant observations about immortality, Belieu's speakers never forget their responsibilities, or their possibilities." —Booklist"From poem to poem in the smart, savvy Slant Six, Belieu channels an updated American idiom, one of stubborn in-betweenhood. Like the plain-spoken poetry that plumbed the depths of American consciousness in the 20th century, Belieu trawls the shallows of today’s America and finds just as much caught in its oily reflections as in its murkier subcurrents. It’s '[b]etter,' she suggests, 'to forget perfection.'" —The Boston Globe“I’ve never read a poem by Erin Belieu that I didn’t want to immediately rip from its bindings so I could fold it up and carry around in my pockets and read so many times that the paper turned back into pulp. She’s just that good. That honest and brave and beautiful and wise and funny. She writes poems we need. Poems that say who I am and who you are and how and why we got to be this way. Poems that wonder if we can ever change. Poems that know us and show us and grace us. Poems that remember us and forget us and leave us dazzled in their dust. In Slant Six, she’s outdone herself. It’s a spellbinding, heart-opening beauty of a book.” —Cheryl Strayed"Erin Belieu . . . is always ready to surprise, to astonish, and, ultimately, to defy comparison."—Boston Book Review"[One] of America's finest poets."—Robert Olen ButlerErin Belieu's fourth collection, Slant Six, is an inundation of the humor and horror in contemporary American life—from the last saltine cracked in the sleeve, to the kitty-cat calendar in an office cubicle. With its prophecies of impending destruction, and a simultaneous flood of respect for Americans, Erin Belieu's poems close like Ziploc bags around a human heart.From "12-Step":I am consideringlighthousesin a completely new light—their butch neutrality, their grandbut modest surfaces.A lighthouse could appearhere at any moment.I have been making this effort,placing myself in uncomfortable positions,only for the documented health benefits . . .

    With equal parts humanity, insanity, and profanity, Frank Stepnowski, a twenty year veteran of the academic wars, offers unique insight into a world everybody knows about but very few understand. "Step" as he was re-christened by his students, pulls no punches in the classroom, and takes no prisoners in his writing debut. The title, which comes from a line that the author heard many times throughout his career, is both a confession and a confirmation. "I wanted a book," he explains, "that would make people laugh out loud but also open their eyes to just how insane the teaching profession can get. With that in mind, the book is a riotous success, providing searing insight into the classroom and giving an iconoclastic voice to a profession that often goes unheard. Why Are All the Good teachers Crazy? is a wake up call for some, a rallying cry for others, and an invitation to laugh and learn for everyone.Based on actual events, the vivid imagery, colorful characters, and incendiary dialogue of this nuclear powered novel will take readers on a roller coaster ride that they will be talking about long after the ride is over.

    Book and CDs work beautifully together, kindling deeper appreciation for the transmuting power of poetry, a practice of discipline, skill, and magic." - BOOKLIST ..".The prose comes to life when read aloud, especially when you hear James Joyce read it himself." NPR's ALL THINGS CONSIDERED host Jacki Lyden "This tome is a reminder how the human spirit is capable of finding an outlet in oppressive times, how poetry can help explain why we do what we do as a thinking people...Certainly, in our struggle to make sense out of what we do not understand, Poetry Speaks Expanded helps on so many levels." Carol Hoenig, THE HUFFINGTON POST ..".[A] bountiful experience: there is the thrill of discovery and re-discovery as with any good anthology, with an added emphasis on the poets' personalities and growth" John Hammond, SAN ANTONIO EXPRESS-NEWS "[An] accessible, beautifully executed collection guaranteed to offer poetry fans a memorable reading and listening experience" WORDCANDY.NET ..".[A]s I savored these beautiful poems, it reminded me of French poet Charles Baudelaire who wrote, 'Any man can go without food for two days - but not without poetry.'" - Norm Goldman, BOOKPLEASURES.COM "Light[s] up a reader's eyes." - Frank Wilson, PHILADELPHIA INQUIRER Hear And Read All Of These Poets (And More)244 Poems Included In The Book107 Poems Read By The Poets Themselves On 3 Audio CDs Robert Graves, E. E. Cummings, Walt Whitman, Ezra Pound, William Butler Yeats, Gertrude Stein, Carl Sandburg, James Joyce, William Carlos Williams, Ted Hughes, Robinson Jeffers, Philip Larkin, Wallace Stevens, Louise Bogan, Melvin B. Tolson, Laura (Riding) Jackson, Ogden Nash, W. H. Auden, Louis MacNeice, Allen Ginsberg Theodore Roethke, Elizabeth Bishop, Robert Hayden, Robert Frost, Muriel Rukeyser, Gwendolyn Brooks, Randall Jarrell, Jack Kerouac, John Berryman, Dylan Thomas, Robert Lowell, Robert Browning, Robert Duncan, May Swenson, John Crowe Ransom Poetry Speaks Expanded is a fusion of the poet's words with the poet's voice, including text and recordings of nearly 50 of the greatest poets who ever lived, ranging from Walt Whitman, Robert Frost, James Joyce and T. S. Eliot to Langston Hughes, Jack Kerouac, Sylvia Plath, Ted Hughes and Gwendolyn Brooks. "This book has the potential to draw more readers to poetry than any collection in years."-PUBLISHERS WEEKLY, STARRED REVIEW "Readers and listeners are guaranteed to hear poems in a new way after spending time with this book and CD set."-LIBRARY JOURNAL, STARRED REVIEW "Superb, accessible....A unique and essential purchase"-SCHOOL LIBRARY JOURNAL Poetry--For the first time ever, James Joyce reads "Anna Livia Plurabelle" from Finnegans Wake alongside the original text from the book--T. S. Eliot reading "The Love Song of J. Alfred Prufrock"--Sylvia Plath's anger and raw emotion as she reads "Daddy" and "Lady Lazarus"--Jack Kerouac reading from "MacDougal Street Blues," accompanied by Steve Allen on piano--May Swenson rehearsing "The Watch" prior to a reading--H. D. reading a part of "Helen in Egypt" from a rare recording made shortly before her death--Ted Hughes reading "February 17" during a BBC interview--A never-before-published recording of Alfred, Lord Tennyson reading "The Charge of the Light Brigade"--W. B. Yeats explaining his reading style and why he chooses to read that way--Robert Frost reading "The Road Not Taken" and "Stopping by Woods on a Snowy Evening" Essays Written By Today's Most Influential Poets, Including: W. S. Merwin on Robert Graves, Seamus Heaney on W. B. Yeats, Paul Muldoon on James Joyce, Robert Pinsky on William Carlos Williams, Sonia Sanchez on Gwendolyn Brooks, Galway Kinnell on Walt Whitman, Rita Dove on Melvin B. Tolson, Jorie Graham on Elizabeth Bishop and Al Young on Langston Hughes "The most ambitious, innovative poetry project to be published in years."-QUALITY PAPERBACK BOOK CLUB A Book Sense Top-10 Selection

    With honest and vulnerable storytelling from her own in betweens, Kaitlyn encourages you to say - no matter what page of the story you find yourself on - that although you believe God could come through how you're asking, you'll trust Him... even if not."Even If Not is a sweet, grace-filled read to help you fill in the blanks that fall after life's question marks." -- Kayla Aimee, author of Anchored: Finding Hope in the Unexpected"We live in a world where the story doesn't always unfold the way we expected. In those moments we need to know we're going to be okay. We need to know we can trust the Author. We need to know whatever happens we are not done yet. That is what Kaitlyn Bouchillon beautifully, honestly and powerfully offers our hearts in this book. When I got to the final page it didn't feel like the end; it felt like a new chapter of hope in my life was ready to begin" -- Holley Gerth, Wall Street Journal bestselling author of You're Already Amazing"Even If Not is a tender, gracious read that will not only help you more fully receive the love and care of your tender, gracious Savior, it will help you settle into your own spectacular life story. With wisdom beyond her years, Kaitlyn's words moved Gospel truth from my head to my heart." -- Kristen Strong, author of Girl Meets Change: Truths to Carry You through Life's Transitions

    Bambrick began writing poems in order to document the forms of violence she witnessed towards the people and the environment of the Columbia River. While working there she found that reservoirs foster a uniquely complex community--from fish biologists to the owners of luxury summer homes--and became interested in the issues and tensions between the people of that place. The idea of power, literal and metaphorical, was present in every action and encounter with bosses and the people using the river. The presence of a young woman on the crew irritated her older, male co-workers who'd logged, built houses, and had to suffer various forms of class discrimination their entire lives. She found throughout this experience that their issues, while not the same, were inherently connected to the suffering of the lands they worked. Introduction by Sharon Olds.

    His unique poetry is now recognized as among Poland's finest. Largely self-taught, he left Poland at the age of 21, moving widely around Europe - befriended by Chopin among others - before travelling to America. Persistently dogged by financial crises, he was forced to return to Paris in 1854. There he spent the rest of his life, dying in a hostel for Polish insurrection veterans in Ivry in 1883. Norwid's work is introduced by Bogdan Czaykowski, the eminent Polish poet, who is also a noted scholar and critic. Adam Czerniawski, born in Warsaw in 1934, has translated widely from Polish (including Tadeusz Rózewicz's selected poetry, They Came to See a Poet', also from Anvil) as well as publishing poetry, stories, criticism and a memoir in his first language. He has lived in Palestine, Lebanon, Germany, England and Scotland, working in a variety of academic and literary posts.

    

    This small collection of the best English poems offers the reader the chance to re-engage with poetry. Filled with favourites, and thoughtfully selected by Laura Barber (editor of Penguin's Poems for Life and the forthcoming Penguin's Poems for Love) this anthologoy is an essential addition to everyone's repertoire.

    They have become one of the most influential British rock bands of their generation, sharing with their fans a belief that music can inspire change. Dear Future Historians features front-man Rou Reynolds own song interpretations and social commentary alongside all of their lyrics to date.

    Sometimes life is spiced up through natural events, sometimes life feels bland and tasteless. Sour Honey and Soul Food, is a book which explores the beauty and intricacies of love, life and connections, through poetry. Billy Chapata's third book looks to touch on the variety of flavors we taste, on this beautiful journey we call life.

    In Smoke, Laux revisits familiar themes of family, working class lives and the pleasures of the body in poetry that is vital and artfully crafted—poetry that "gets hard in the face of aloofness," in the words of one reviewer. In Smoke, as in her previous work, Laux weaves the warp and woof of ordinary lives into extraordinary and complex tapestries. In "The Shipfitter’s Wife," a woman recalls her husband’s homecoming at the end of his work day:Then I’d open his clothes and takethe whole day inside me—the ship’sgray sides, the miles of copper pipe,the voice of the foreman clangingoff the hull’s silver ribs. Spark of leadkissing metal. The clamp, the winch,the white fire of the torch, the whistle,and the long drive home.And in the title poem, Laux muses on her own guilty pleasures:Who would want to give it up, the coala cat’s eye in the dark room, no one therebut you and your smoke, the windowcracked to street sounds, the distant criesof living things. Alone, you are almostsafe . . .With her keen ear and attentive eye, Dorianne Laux offers us a universe with which we are familiar, but gives it to us fresh.Dorianne Laux is the author of two previous collections of poetry from BOA Editions, Ltd., and is co-author, with Kim Addonizio, of The Poet’s Companion: A Guide to the Joys of Writing Poetry (W.W. Norton, 1997), chosen as an alternate selection by several bookclubs. Laux was the judge for the 2012 A. Poulin, Jr. Poetry Contest, and is a tenured professor in the creative writing program at the University of Oregon. Laux lives in Eugene, Oregon.

    But I wrote a lot of good poems.”So maintains Anita Liberty, the caustically funny New York City performance artist who was going along happily healing her hurt by hating and humiliating her detestable ex-boyfriend on stage and in print until the unthinkable happened: she had a good date. And one good date deserves another. And another. And another. And, all of the sudden, Anita Liberty finds herself in a predicament. Getting dumped launched Anita’s career–Will falling in love finish it? Who’s more important: her devoted audience or her newly devoted boyfriend? And on top of everything, Hollywood won’t stop calling and Anita can’t figure out if It wants a serious commitment or just a little bit of no-strings-attached fun. From digging mercilessly into the minutiae of her new relationship to dramatically torching every professional bridge she crosses in L.A., Anita refuses to let a big load of bliss get dumped right in the middle of her career path.“He said that my work was amazing and hilarious and smart and that he can’t wait to see me perform.So I had sex with him.”“My boyfriend asked me to change my look.To something other than contemptuous.”{BARGAIN} Whatever Hollywood ends up paying me for the rights to the story of my life.“It’s easier to go back to fantasizing about perfection . . .than to accept that perfection is just a fantasy.”“Boyfriend thinks I’d rather be right than happy.Boyfriend’s right.But I’m not telling him that.”Through blog entries, film scenes, poems, and to-do lists, Anita Liberty documents the perils and pitfalls of dating, sex, relationships, artistic success, and the kind of true love that sucks the creative life out of you to the point where you just end up staring at a blank computer screen and thinking gooey thoughts about your new boyfriend even though you should be writing.

    Throughout, poetry is discovered to be among our most effective tools to examine the delirium of making contact."Hot":The sexiest thing a woman has ever doneto or with or for me—while wearing the loose breezeof a dress or standing inside its red zero on the floor—while bending over and pulling her shorts downon a racquetball court or to reach the watershutoff valve behind the fridge—as Satiewhispers against our thighs or hummingher brain's native tune as we touchthe smudged glass protecting extinct beetlesin a museum—with her lips swaddling my tongueor finger up my ass—is tell the truth—which makes my wife the hottest womanI've ever known—her mouth erotic every timeshe speaks—she is an animal when it comes to sexand love—comes to us—in that she doesn't primpin front of the mirror of what she thinks I wanther to say or be—the only real flesh—only nakedthat matters––how she looks at meBob Hicok's poems have appeared in the New Yorker, Poetry, and the American Poetry Review. His books have been awarded the Bobbitt Prize from the Library of Congress and named a "Notable Book of the Year" by Booklist. Hicok has worked as an automotive die designer and a computer system administrator. He is currently teaching at Purdue University.

    TV nerds have "The Walking Dead." Fiction fans have World War Z. Now, a cross-section of some of the best contemporary poets from the stage and the page rise up and shamble their way through an anthology of post-apocalyptic zombie poetry edited by Write Bloody author and GeekWeek.com personality Rob "Ratpack Slim" Sturma. Funny, creepy, shocking, and even poignant, this collection challenges award winning authors like Scott Woods, Laura Yes Yes, and Khary Jackson to shake the dust off of old conventions, pull the triggers on their imaginations, and...Aim For The Head.