Not on this earth but elsewhere . . .Determined to make his mark like those before him, Pharus is hell-bent on being the best choir leader in the school's fifty-year history. First he must gain the respect of his peers, but he's an outsider in a world steeped in rites and rituals, a community that demands he conform.Tarell Alvin McCraney's piercing new play set in an all boys, all black American prep school scores a gospel refrain of the politics of minority and masculinity.Choir Boy premiered at the Theatre Upstairs at the Royal Court, London, in September 2012. It was commissioned by, and is a co-production with Manhattan Theatre Club and was supported by The Andrew W. Mellon Foundation.

    Poulin, Jr., Poetry Prize. In his foreword he writes, "I was immediately struck by the boldness of imagination, the strange cadences, and wild music of these poems. We should be glad that young poets like Keetje Kuipers are making their voices heard not by tearing up the old language but by making the old language new."Keetje Kuipers, a native of the Northwest, earned her BA at Swarthmore College and MFA at the University of Oregon. A Stegner Fellow at Stanford University, she divides her time between Stanford and Missoula, Montana.From Devils Lake Journal:“Keetje Kuipers’ Beautiful in the Mouth is at once lovely, frank, and haunting. The poems move easily between landscapes, inhabiting the American west, Paris, and New York City with equal ease and yet, they never exploit sympathies of locale for their power. Instead, they rely on nothing but the speaker’s own candor, who is able to speak through such disparate poems as “Bondage Play as Substitue for Prayer” alongside “Waltz of the Midnight Miscarriage,” “Reading Sappho in a Wine Bar,” and “Barn Elegy” with a good spattering of honest-to-goodness sonnets.”From ForeWord Reviews:“The poems move like ghosts themselves: disappearing into walls, circling back, appearing for a moment to be captured, then evaporating into thin air. Kuipers pins moments onto the page with the care of an etymologist collecting rare specimens. Her poems are at once visceral and cosmic, “a wave as well as a particle.””

    Besides George Meredith and his wife Mary Ellen, Swinburne and his companion Theodore Watts-Dunton are among those who also find a place in the three poem-sequences that comprise the book: "Arisbe," "The Leisure of the Theory Class," and "Rückenfigur." Howe's historical linkings, resonant with the sorrows of love and loss and the tragedies of war, create a compelling canvas of associations. "It's the blanks and gaps," she says, "that to me actually represent what poetry is-the connections between seemingly unconnected things-as if there is a place and might be a map to thought, when we know there is not."

    The hijack of a security van would bring the gang thousands, but the job went wrong & Harry & his team were killed. Harry's widow, Dolly, had three options. She could hand over Harry's ledgers to the police. She could hand them over to a bunch of thugs. Or she could take the business over.

     Kit Averin is anything but a gambler. A scientist with a quiet, steady job at a university, Kit’s focus has always been maintaining the acceptable status quo. A sudden windfall doesn’t change that, with one exception: the fixer-upper she plans to buy, her first and only real home. It’s more than enough to keep her busy, until an unsettlingly handsome, charming, and determined corporate recruiter shows up in her lab—and manages to work his way into her heart... Ben Tucker is surprised to find that the scientist he wants for Beaumont Materials is a young woman—and a beautiful, sharp-witted one at that. Talking her into a big-money position with his firm is harder than he expects, but he’s willing to put in the time, especially when sticking around for the summer gives him a chance to reconnect with his dad. But the longer he stays, the more questions he has about his own future—and who might be in it. What begins as a chilly rebuff soon heats up into an attraction neither Kit nor Ben can deny—and finding themselves lucky in love might just be priceless...

    But this summer, Sunshine and Margot will turn disasters into destiny…As an etiquette coach, Margot teaches her clients to fit in. But she’s never faced a client like Bianca, an aging movie star who gained fame—and notoriety—through a campaign of shock and awe. Schooling Bianca on the fine art of behaving like a proper diplomat’s wife requires intensive lessons, forcing Margot to move into the monastery turned mansion owned by the actress’s intensely private son. Like his incredible home, Alec’s stony exterior hides secret depths Margot would love to explore. But will he trust her enough to let her in?Sunshine has always been the good-time sister, abandoning jobs to chase after guys who used her, then threw her away. No more. She refuses to be “that girl” again. This time, she’ll finish college, dedicate herself to her job as a nanny, and she 100 percent will not screw up her life again by falling for the wrong guy. Especially not the tempting single dad who also happens to be her boss.Master storyteller Susan Mallery weaves threads of family drama, humor, romance and a wish-you-were-there setting into one of the most satisfying books of the year!

    Imperfect Thirst includes beautiful love poems and approaches elemental subjects with a remarkable balance of good nature and holy dread: recollections of childhood, snapshots of impassive cruelty, reflections on art and nature. This energetic collection will prove once again why Galway Kinnell is one of America's masters of the art.

    In Molly Brodak’s dazzling memoir, Bandit, her eye is so honest, I found myself nodding like I was agreeing with her, sometimes cringing at what she sustained, and laughing—often. I can’t wait to buy a copy for everyone I know.”—Kathryn Stockett, author of The HelpIn the summer of 1994, when Molly Brodak was thirteen years old, her father robbed eleven banks, until the police finally caught up with him while he was sitting at a bar drinking beer, a bag of stolen money plainly visible in the backseat of his parked car. Dubbed the “Mario Brothers Bandit” by the FBI, he served seven years in prison and was released, only to rob another bank several years later and end up back behind bars.In her powerful, provocative debut memoir, Bandit, Molly Brodak recounts her childhood and attempts to make sense of her complicated relationship with her father, a man she only half knew. At some angles he was a normal father: there was a job at the GM factory, a house with a yard, birthday treats for Molly and her sister. But there were darker glimmers, too—another wife he never mentioned to her mother, late-night rages directed at the TV, the red Corvette that suddenly appeared in the driveway, a gift for her sister. Growing up with this larger-than-life, mercurial man, Brodak’s strategy was to “get small” and stay out of the way. In Bandit, she unearths and reckons with her childhood memories and the fracturing impact her father had on their family—and in the process attempts to make peace with the parts of herself that she inherited from this bewildering, beguiling man.Written in precise, spellbinding prose, Bandit is a stunning, gut-punching story of family and memory, of the tragic fallibility of the stories we tell ourselves, and of the contours of a father’s responsibility for his children.

    With these words, Jim Harrison sends his sixty-something protagonist, divorced and robbed of his farm by a late-blooming real estate shark of an ex-wife, on a road trip across America, armed with a childhood puzzle of the United States and a mission to rename all the states and state birds to overcome the banal names men have given them. Cliff's adventures take him through a whirlwind affair with a former student from his high school-teacher days twenty-some years before, to a snake farm in Arizona owned by an old classmate; and to the high-octane existence of his son, a big-time movie producer in San Francisco.The English Major is the map of a man's journey into--and out of--himself, and it is vintage Harrison--reflective, big-picture American, and replete with wicked wit.

    Rexroth’s poems of nature and protest are remarkable for their erudition and biting social and political commentary; his love poems justly celebrated for their eroticism and depth of feeling.The cloth edition was one of the most widely reviewed poetry titles in 2003:“Scholars and critics who endeavor to discuss mid-20th century American poetry responsibly ignore Rexroth at their peril.”—Los Angeles Times Book Review, cover feature and selected as a Book of the Year“Rexroth is probably best known as the ‘Father of the Beat Generation.’ These poems reveal that great beauty lies beyond that cliché.”—NPR’s All Things Considered“Rexroth’s prodigious breadth of learning, his hungry attention to the natural world, his contempt for warmongering and his profound, occasionally overlapping love of women are all on flourishing display.”—The San Francisco Chronicle“Rexroth never mistook his poetry for a product, and he could present ideas and images in an urgent, memorable and eloquent way.”—The Nation“Rexroth is one of the most readable and rewarding 20th-century American poets.”—BooklistKenneth Rexroth (1905–1982) was one of the world’s great literary minds. In addition to being a poet, translator, essayist and teacher, he helped found the San Francisco Poetry Center and influenced generations of readers with his Classics Revisited series.

    Animals populate its pages—owl, groundhog, fox, each with its own inimitable survival skills—and the poet who so meticulously observes their behaviors has accumulated a lifetime’s worth of skills herself: she too has survived. The power of these extraordinary poems lies in their recognition that all our experience is ultimately useless—that human beings are at every moment beginners, facing the earth as if for the first time. "Don’t you think I’m doing better," asks the first poem. "You got sick you got well you got sick," says the last.Eschewing punctuation, forgoing every symmetry, the poems hurl themselves forward, driven by an urgent need to speak. Headwaters is a book of wisdom that refuses to be wise, a book of fresh beginnings by an American poet writing at the height of her powers.

    Sloat's Hotel Almighty is a book-length erasure of Misery by Stephen King, a reimagining of the novel's themes of constraint and possibility in elliptical, enigmatic poems. Here, "joy would crawl over broken glass, if that was the way." Here, sleep is “a circle whose diameter might be small," a circle "pitifully small," a "wrecked and empty hypothetical circle." Paired with Sloat's stunning mixed-media collage, each poem is a miniature canvas, a brief associative profile of the psyche―its foibles, obsessions, and delights.

    It was a sample (and not even the correct file - it was an old rough draft that was saved under a new title), and Goodreads will not take it down. The Amazon link directs to the correct, and full, edition. "She is lost, but the world is too. It is a perfect circle.For life is, but a dream /// is not."- "Seeing Ghosts/A Perfect Circle" excerptA. H. SewellCopyright 2015

    At the hospital, her worst fears are confirmed: doctors explain that her baby has died, and she will need to deliver him, still.Hansen gives birth to her son, Reid, amidst an avalanche of grief. Nine days later, she publishes a candid essay on her website sharing photos from the delivery room. Much to her surprise, her essay goes viral, sparking positive reactions around the world. Still shares what comes next: a struggle with grief and confusion alongside a desire to better understand stillbirth, which is experienced by more than two million women annually, but rarely talked about in public.At once honest, brave, and uplifting, Still is about one woman’s search for her own definition of motherhood, even as she faces one of life’s greatest challenges: learning to live after loss.

    Sometimes we have so many things pulling for our attention that nothing actually gets our attention. We’re distracted, not present. Meanwhile, pressures mount, and all the things deep down rise to the surface... • Can I manage all this? • Will my life ever get any better? • How can I be truly happy? • God, where are you? Hi God (It’s Me Again) is for those moments when we need to stop, be still, and remember who God is. We know we should go to God amidst the craziness, but how can we find the time? And once we get with him, what do we even say? In this 60-day devotional, Pastor Nicole Crank empowers readers with biblical affirmation, reminding them that God is in control of their chaos and has purpose in their pain. Sharing short and simple words of encouragement, she meets readers in the everyday and reminds them of the importance of spending quality time with God.