There are three things you should know about me:1. I’m in a coma.2. My husband doesn’t love me anymore.3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?

    He may have become the chief of police, but he’s still trying to heal the old wound of having given the testimony that sent his best friend, Vincent King, to prison decades before. Now, thirty years later, Vincent is being released.Duchess is a thirteen-year-old self-proclaimed outlaw. Her mother, Star, grew up with Walk and Vincent. Walk is in overdrive trying to protect them, but Vincent and Star seem bent on sliding deeper into self-destruction. Star always burned bright, but recently that light has dimmed, leaving Duchess to parent not only her mother but her five-year-old brother. At school the other kids make fun of Duchess―her clothes are torn, her hair a mess. But let them throw their sticks, because she’ll throw stones. Rules are for other people. She’s just trying to survive and keep her family together.A fortysomething-year-old sheriff and a thirteen-year-old girl may not seem to have a lot in common. But they both have come to expect that people will disappoint you, loved ones will leave you, and if you open your heart it will be broken. So when trouble arrives with Vincent King, Walk and Duchess find they will be unable to do anything but usher it in, arms wide closed.Chris Whitaker has written an extraordinary novel about people who deserve so much more than life serves them. At times devastating, with flashes of humor and hope throughout, it is ultimately an inspiring tale of how the human spirit prevails and how, in the end, love―in all its different guises―wins.

    Army. But as her city celebrates the end of war, an even more urgent threat arrives: the Spanish flu. Funeral crepe and quarantine signs appear on doors as victims drop dead in the streets and desperate survivors wear white masks to ward off illness. When food runs out in the cramped tenement she calls home, Pia must venture alone into the quarantined city in search of supplies, leaving her baby brothers behind. Bernice Groves has become lost in grief and bitterness since her baby died from the Spanish flu. Watching Pia leave her brothers alone, Bernice makes a shocking, life-altering decision. It becomes her sinister mission to tear families apart when they’re at their most vulnerable, planning to transform the city’s orphans and immigrant children into what she feels are “true Americans.” Waking in a makeshift hospital days after collapsing in the street, Pia is frantic to return home. Instead, she is taken to St. Vincent’s Orphan Asylum – the first step in a long and arduous journey. As Bernice plots to keep the truth hidden at any cost in the months and years that follow, Pia must confront her own shame and fear, risking everything to see justice – and love – triumph at last. Powerful, harrowing, and ultimately exultant, The Orphan Collector is a story of love, resilience, and the lengths we will go to protect those who need us most.

    The second thing is that it matters.On her way to her nineteenth wedding anniversary celebration, Natalie Falcone leaves the struggling restaurant she owns with her brother-in-law Vince. She doesn’t speak to him on her way out; they haven’t spoken in months. Out on the sidewalk, she gets a phone call every mother dreads: It’s from a hospital emergency room in the town where her daughter, Arden, attends college. Arden’s been in a fire, along with Natalie’s niece, Rory—Vince’s daughter and Arden’s best friend.Natalie rushes to the hospital and learns that both Arden and Rory lie unconscious, and that another student has died in the blaze. The police suspect arson.As the investigation mounts, Natalie struggles to piece together the elusive details of Arden’s and Rory’s freshman year. Growing up, Rory was charming, popular, and charismatic, while Arden was artistic, perceptive, and reserved. They were different yet inseparable, more like sisters than cousins. But the case unearths a different portrait—of a complex friendship, a love triangle, a fight, and a girl who was struggling more than anyone realized. To discover what really happened that tragic night, Natalie’s and Vince’s families must confront the one truth that ultimately emerges: Nothing is ever exactly what it seems.

    A struggling actor, a Brit in America without a green card, Claire needs work and money to survive. Then she gets both. But nothing like she expected. Claire agrees to become a decoy for a firm of divorce lawyers. Hired to entrap straying husbands, she must catch them on tape with their seductive propositions. The rules? Never hit on the mark directly. Make it clear you’re available, but he has to proposition you, not the other way around. The firm is after evidence, not coercion. The innocent have nothing to hide. Then the game changes. When the wife of one of Claire’s targets is violently murdered, the cops are sure the husband is to blame. Desperate to catch him before he kills again, they enlist Claire to lure him into a confession. Claire can do this. She’s brilliant at assuming a voice and an identity. For a woman who’s mastered the art of manipulation, how difficult could it be to tempt a killer into a trap? But who is the decoy . . . and who is the prey?

    The more Fox dismisses her fears, the more Blythe begins to question her own sanity, and the more we begin to question what Blythe is telling us about her life as well.Then their son Sam is born–and with him, Blythe has the blissful connection she’d always imagined with her child. Even Violet seems to love her little brother. But when life as they know it is changed in an instant, the devastating fall-out forces Blythe to face the truth.The Push is a tour de force you will read in a sitting, an utterly immersive novel that will challenge everything you think you know about motherhood, about what we owe our children, and what it feels like when women are not believed.

    Jefferson Parker.Laguna Beach, California, 1968. The Age of Aquarius is in full swing. Timothy Leary is a rock star. LSD is God. Folks from all over are flocking to Laguna, seeking peace, love, and enlightenment.Matt Antony is just trying get by.Matt is sixteen, broke, and never sure where his next meal is coming from. Mom's a stoner, his deadbeat dad is a no-show, his brother's fighting in Nam . . . and his big sister Jazz has just gone missing. The cops figure she's just another runaway hippie chick, enjoying a summer of love, but Matt doesn't believe it. Not after another missing girl turns up dead on the beach.All Matt really wants to do is get his driver's license and ask out the girl he's been crushing on since fourth grade, yet it's up to him to find his sister. But in a town where the cops don't trust the hippies and the hippies don't trust the cops, uncovering what's really happened to Jazz is going to force him to grow up fast.If it's not already too late.

    No one knew where she went - no note, no body. It was a mystery that was never solved and it tore her family apart.Now another girl has disappeared, with chilling echoes of the past. And it seems that she might not be the only one.Claire is convinced Julia's disappearance is linked.But when she begins to learn the truth about her sister, she is confronted with a shocking discovery, and nothing will ever be the same...

    She traveled everywhere with two boxes: the first with red sequins for the dress she wore as a magician’s assistant, the second with green sequins for her mermaid tail. She'd grown up on wild stories told by wild circus people. Books, she hadn’t had books until she’d found Daniel Watson and stopped moving.The first time Daniel saw her, Paulina was floating in a glass tank, suspended in water that sparkled like it was made from night sky. She has settled down now, living in a house on a cliff on Long Island Sound with Daniel and their young family: six-year-old Simon and his baby sister, Enola. But if you steal the magician’s assistant from a carnival, how can you know if she’ll disappear?

    . .Five years ago, three-year-old Dillon disappeared. For his father Harry - who left him alone for ten crucial minutes - it was an unforgivable lapse. Yet Dillon's mother Robyn has never blamed her husband: her own secret guilt is burden enough.Now they're trying to move on, returning home to Dublin to make a fresh start.But their lives are turned upside down the day Harry sees an eight-year-old boy in the crowd. A boy Harry is convinced is Dillon. But the boy vanishes before he can do anything about it.What Harry thought he saw quickly plunges their marriage into a spiral of crazed obsession and broken trust, uncovering deceits and shameful secrets. Everything Robyn and Harry ever believed in one another is cast into doubt.And at the centre of it all is the boy that never was . . .

    Three years ago, she was involved in a tragic incident that left three classmates dead. She served her time, and now her mother, Maria, is resolved to keep that devastating fact tucked far away from their new beginning, hiding the past even from her new husband and demanding that Zoe do the same.Tonight Zoe is giving a recital that Maria has been planning for months. It needs to be the performance of Zoe’s life. But instead, by the end of the evening, Maria is dead.In the aftermath, everyone—police, family, Zoe’s former solicitor, and Zoe herself—tries to piece together what happened. But as Zoe knows all too well, the truth is rarely straightforward, and the closer we are to someone, the less we may see.

    That is, if you were to go by a definition of 'no obvious indicators of peculiarity', and you didn't know her very well. She has good friends, a good job, a nice enough home. This normality, however, is precariously plastered on top of a different life. A life that is Amy's real life. The only one her brain will let her lead.What is it really like to live with mental illness?An insight into the reality of life with obsessive compulsive disorder (OCD), anxiety and depression.

    Elodie was smart. Elodie was manipulative. Elodie is dead.When Sylvie Durand receives a letter calling her back to her crumbling family home in the South of France, she knows she has to go. In the middle of a sweltering 1990's summer marked by unusual fires across the countryside, she returns to La Reverie with her youngest daughter Emma in tow, ignoring the deep sense of dread she feels for this place she's long tried to forget.As memories of the events that shattered their family a decade earlier threaten to come to the surface, Sylvie struggles to shield Emma from the truth of what really happened all those years ago. In every corner of the house, Sylvie can't escape the specter of Elodie, her first child. Elodie, born amid the '68 Paris riots with one blue eye and one brown, and mysteriously dead by fourteen. Elodie, who reminded the small village of one those Manson girls. Elodie who knew exactly how to get what she wanted. As the fires creep towards the villa, it's clear to Sylvie that something isn't quite right at La Reverie . . . And there is a much greater threat closer to home.

    Faith Finley. She’s married to the perfect man, Liam Finley, a respected food critic.Until the night everything goes horribly wrong, and Faith’s life is shattered forever.Liam is missing—gone without a trace—and the police are suspicious of everything Faith says. They either think she has something to hide, or that she’s lost her mind.And then the notes begin to arrive. Notes that are ripped from Faith’s own book, the one that helps victims leave their abusers. Notes like “Lock your windows. Consider investing in a steel door.”As the threats escalate, the mystery behind Liam’s disappearance intensifies. And Faith’s very life will depend on finding answers.

    So for his own sake, and the safety of those around him, he lives by rigid rules he's written for himself, practicing normal life as if it were a private religion that could save him from damnation.Dead bodies are normal to John. He likes them, actually. They don't demand or expect the empathy he's unable to offer. Perhaps that's what gives him the objectivity to recognize that there's something different about the body the police have just found behind the Wash-n-Dry Laundromat---and to appreciate what that difference means.Now, for the first time, John has to confront a danger outside himself, a threat he can't control, a menace to everything and everyone he would love, if only he could.Dan Wells' debut novel is the first volume of a trilogy that will keep you awake and then haunt your dreams.