All of them - hikers, hunters, fishermen, campers, and canoeists - are drawn to the woods for some special reason. Yet few of them see the forest as a whole, as the web of life it truly is. Here, from New York Times bestselling author Richard M. Ketchum, is the extraordinary story of forests and the trees that comprise them.

    It also relates the extraordinary history of the museum's collection, a collection that has enabled the Van Gogh Museum to evolve into a world-renowned centre of knowledge about Van Gogh's work and the art of his time.

    But every time they think they've finally closed the door, the bird makes an unexpected appearance. It happened in the 1920s, and it’s happened in almost every subsequent decade. For more than 60 years, each sighting has been met with ridicule and scorn. Respected researchers and naturalists have been branded as quacks just for having the temerity to say that the ivory-bill still exists. Yet the reports still trickle in. Is there any truth to these sightings, or are they just a case of wishful thinking, misidentification, or outright fabrication? To unravel the mystery, author Tim Gallagher heads south, deep into the eerie swamps and bayous of the vast Mississippi Delta, searching for people who claim to have seen this rarest of birds and following up—sometimes more than 30 years after the fact—on their sightings. He meets a colorful array of characters: a cigar-chomping ex-boxer who took two controversial pictures of an alleged ivory-bill in 1971; a former corporate lawyer who abandoned her career to search for ivory-bills full time; two men who grew up in the ivory-bill’s last known stronghold in a final remnant of primeval forest in Louisiana. With his buddy Bobby Harrison, a true son of the South from Alabama, Gallagher hits the swamps, wading through hip-deep, boot-sucking mud and canoeing through turgid, mud brown bayous where deadly cottonmouth water moccasins abound. In most cases, they are clearly decades too late. But when the two speak to an Arkansas backwoods kayaker who saw a mystery woodpecker the week before and has a description of the bird that is too good to be a fantasy, the hunt is on. Their Eureka moment comes a few days later as a huge woodpecker flies in front of their canoe, and they both cry out, “Ivory-bill!” This sighting—the first time since 1944 that two qualified observers positively identify an ivory-billed woodpecker in the United States—quickly leads to the largest search ever launched to find a rare bird, as researchers fan out across the bayou, hoping to document the existence of this most iconic of birds.

    “What we found just blew me away. Jaguars, pumas, river otters, howler monkeys. The place was like a Noah’s Ark for all the endangered species driven out of the rest of Central America. There was so much life! That expedition was when I first saw the macaws.”As a young woman, Sharon Matola lived many lives. She was a mushroom expert, an Air Force survival specialist, and an Iowa housewife. She hopped freight trains for fun and starred as a tiger tamer in a traveling Mexican circus. Finally she found her one true calling: caring for orphaned animals at her own zoo in the Central American country of Belize.Beloved as “the Zoo Lady” in her adopted land, Matola became one of Central America’s greatest wildlife defenders. And when powerful outside forces conspired with the local government to build a dam that would flood the nesting ground of the last scarlet macaws in Belize, Sharon Matola was drawn into the fight of her life.In The Last Flight of the Scarlet Macaw, award-winning author Bruce Barcott chronicles Sharon Matola’s inspiring crusade to stop a multinational corporation in its tracks. Ferocious in her passion, she and her confederates–a ragtag army of courageous locals and eccentric expatriates–endure slander and reprisals and take the fight to the courtroom and the boardroom, from local village streets to protests around the world.As the dramatic story unfolds, Barcott addresses the realities of economic survival in Third World countries, explores the tension between environmental conservation and human development, and puts a human face on the battle over globalization. In this marvelous and spirited book, Barcott shows us how one unwavering woman risked her life to save the most beautiful bird in the world.

    At least half of the images in the book are exclusively published here for the first time; most other images in the book are rare to the public eye.Alongside these remarkable images are fifty engaging, poignant and often funny written vignettes by Parke, which reveal the very human man behind the reclusive superstar: from shooting hoops to renting out movie theatres at 4am; from midnight requests for camels to meaningful conversations that shed light on Prince as a man and artist.STEVE PARKE started working with Prince in 1988, after a mutual friend showed Prince some of Steve's photorealistic paintings. He designed everything from album covers and merchandise to sets for Prince's tours and videos. Somewhere in all of this, he became Paisley Park's official art director. He began photographing Prince at the request of the star himself, and continued to do so for the next several years. The images in this book are the arresting result of this collaboration.Biographical Notes STEVE PARKE is photo editor for Faerie Magazine. He worked as art director for Prince at Paisley Park for fourteen years. As a photographer, his clients have included Prince, David Bowie, Bon Jovi, Bob Dylan, Sheila E., AC/DC and more. He lives in Baltimore, USA.

    As you browse the photographs they discuss inspiration, censorship, how to find models, and how to make a living capturing beautiful women on film and in pixels. The New Erotic Photography is the room, and 82 photographers from 14 countries are the hosts of this intimate gathering. In this 608 page volume you will meet Ralph Gibson, Jan Saudek, Terry Richardson, Natacha Merritt, Petter Hegre, Richard Kern, Bob Carlos Clarke, Thomas Karsten and the many fresh new talents currently redefining eroticism. Playful, provocative and exuberantly sexy, these aren?t your granddad's art nudes; this is The New Erotic Photography. Photographers featured: Robert Adler, Markus Amon, Guido Argentini, Alethea Austin, Marc Baptiste, Daniel Bauer, Bruno Bisang, Lisa Boyle, Derek Caballero, Bob Carlos Clarke, Didier Carre, BT Charles, John Chilton, Robert Chouraqui, Jean Van Cleemput, Barney Cokeliss, Bob Coulter, Cristian Crisbasan, Yuri Dojc, Susan Egan, Andrew Einhorn, Alla Esipovich, Ivana Ford, Ed Fox, Peter Franck, Jody Frost, Perry Gallagher, Ralph Gibson, Steve Diet Goedde, Peter Gorman, Ludovic Goubet, James Graham, China Hamilton, Naomi Harris, Aaron Hawks, Petter Hegre, Mark Helfrich, Noritoshi Hirakawa, Mike James, Jive, Thomas Karsten, Richard Kern, Christine Kessler, Chas Ray Krider, Eric Kroll, Vlastimil Kula, Dennis Letbetter, Stefano Levi, Herv? Lewis, Kenn Lichtenwalter, Florian Lohmann, Ben Marcato, Olaf Martens, Natacha Merritt, Maki Miyashita, Craig Morey, Ken-ichi Murata, Dave Naz, Beatrice Neumann, SakikoNomura, David Perry, George Pitts, Collin Rae, Nicola Ranaldi, Terry Richardson, Markus Richter, Giovanni Sambuelli, Will Santillo, Jan Saudek, Joan Sinclair, Tony Stamolis, Julie Strain-Eastman, Missy Suicide, Brian Sullivan, Jeremy Thompson, Rebecca Tillett, Larry Utley, Mariano Vargas, Yasuji Watanabe, Ben Westwood, Michael White, Chip Willis

    We witness fiery volcanic eruptions; wind-sculpted icebergs in the Antarctic; mind-blowing migrations of wildlife large and small; natural wonders from Belize's Great Blue Hole to Yellowstone in Wyoming; also the imprint that humanity has made on the planet.

    Thanks largely to YouTube clips posted by the sloth orphanage in Costa Rica, sloths have attracted a vast audience of admirers. Instead of seeing them as ridiculous anachronisms of which we know little, they have turned into creatures considered by many to be the most endearing on earth.Over much the same period, scientific investigations have also changed our view of sloths. No longer are they seen as total misfits in the modern world but, in the words of one specialist sloth investigator, they are 'masters of an alternative lifestyle'.In this wonderfully entertaining celebration of this most unique of creatures, William Hartston reveals the fascinating history of the sloth, from the prehistoric ground sloth to modern pygmy sloths in Panama, explores the current state of the science of sloths and reveals the truth behind sloth behaviour.

    But Robert, the abandoned quail chick would prove them wrong. Born on a kitchen counter in a house on Cape Cod, raised in a box surrounded by a lamb’s wool duster and a small lamp, Robert’s life began auspiciously.

    Phoebe Snetsinger had planned to be a scientist, but, like most women who got married in the 1950s, she ended up keeping house, with four kids and a home in the suburbs by her mid-thirties. Numb and isolated, she turned to bird-watching, but she soon tired of the birds near home and yearned to travel the world. Then her life took a crushing turn: At forty-nine, she was diagnosed with cancer and told that she had less than a year to live. Devastated, she began crisscrossing the globe, finding rare and spectacular birds that brought her to the heights of spiritual ecstasy. But as it turned out, she beat the cancer. She eventually went to more than a hundred countries, had frequent brushes with danger, became a hero in the birding world, and set a record for the most species seen. Life List is a powerful portrait of a woman who found refuge from society’s expectations in a dangerous and soul-stirring obsession.

    For among the finches of Daphne Major, natural selection is neither rare nor slow: it is taking place by the hour, and we can watch.In this dramatic story of groundbreaking scientific research, Jonathan Weiner follows these scientists as they watch Darwin's finches and come up with a new understanding of life itself. The Beak of the Finch is an elegantly written and compelling masterpiece of theory and explication in the tradition of Stephen Jay Gould.With a new preface.

    During the heyday of the American circus from the mid-1800s to mid-1900s, traveling circuses performed for audiences of up to 12,000-14,000 per show, employed as many as 1,600 men and women, and crisscrossed the country on 20,000 miles of railroad in one season alone. The spectacle of death-defying daredevils, strapping super-heroes and scantily-clad starlets, fearless animal trainers, and startling freaks gripped the American imagination, outshining theater, vaudeville, comedy, and minstrel shows of its day, and ultimately paved the way for film and television to take root in the modern era. Long before the Beat generation made ""on the road"" expeditions popular, the circus personified the experience and offered many young Americans the dream of adventure, reinvention, excitement, and glamour.

    Over the past ten years it has experienced radical changes, in part due to the rise of digital technologies. Photography is now often engaged in by artists who are not just printing in a darkroom, but using the medium as a single aspect of a larger ouvre, as one of several media under exploration. Vitamin Ph focuses on diverse global developments in 'art' photography through the work of 121 contemporary artists, who were nominated by 78 international critics, curators and artists. These selections will be accompanied by a 5000 word introductory text by TJ Demos, aiming to explore ideas relevant to contemporary photography with reference to the works included in the book. In addition, the work of each photographer/artist will be introduced by a short commissioned text of approximately 500 words. Similar in concept, scope and structure to Vitamin P and Vitamin D, Vitamin Ph presents, in A to Z order, artists who have emerged, or in some instances re-emerged, in the last five years using the medium of photography.

    Think of the collections of Jacqueline Kennedy Onassis, Truman Capote, the Duke and Duchess of Windsor. In Leanne Shapton's marvelously inventive and invented auction catalog, the 325 lots up for auction are what remain from the relationship between Lenore Doolan and Harold Morris (who aren't real people, but might as well be). Through photographs of the couple's personal effects--the usual auction items (jewelry, fine art, and rare furniture) and the seemingly worthless (pajamas, Post-it notes, worn paperbacks)--the story of a failed love affair vividly (and cleverly) emerges. From first meeting to final separation, the progress and rituals of intimacy are revealed through the couple's accumulated relics and memorabilia. And a love story, in all its tenderness and struggle, emerges from the evidence that has been left behind, laid out for us to appraise and appreciate. In an earlier work, Was She Pretty?, Shapton, a talented artist and illustrator, subtly explored the seemingly simple yet powerfully complicated nature of sexual jealousy. In Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris--a very different yet equally original book--she invites us to contemplate what is truly valuable, and to consider the art we make of our private lives.

    Following the death of his mother, photographer Phillip Toledano was shocked to learn of the extent of his father's severe memory loss. He started a blog on which he posted photographs and accompanying reflections on his father's changing state. Through sometimes sad, often funny, and always loving observations, we follow Toledano as he learns to reconcile the elderly man living in a twilight of half memories with the ambitious and handsome young man he occasionally still glimpses. Days With My Father is an honest and moving reflection about coming to terms with an aging parent.