Ben Kazin is a brilliant archeologist. Louren Sturvesant is rich, impulsive, and physically imposing, everything Ben is not. Now, the two men--friends, competitors and partners--are searching for the legendary lost city of Opet, built by who escaped the fall of Carthage two thousand years ago.For Ben, the expedition is a chance to prove a controversial thesis. For Louren, it is a chance to spend millions--and make it all back in gold and glory. But what awaits them is an astounding discovery, a siege of terror, and an act of betrayal that will tear the two men apart and bind them together forever...Hidden beneath water, jungle, and blood-red cliffs is a lost world where two men and a beautiful woman were caught in a furious battle of passions two thousands years ago, but which has begun once again....

    But these aren’t random kidnappings. They’re crimes of passion,planned and researched several months in advance, then executed with a singular objective in mind. Revenge.Ariane Walker is one of the victims, dragged from her apartment with few clues to follow. The police said there’s little they can do for her, but that isn’t good enough for her boyfriend, Jonathon Payne.With the help of his best friend (David Jones), Payne gives chase, hoping that a lead in New Orleans somehow pays off. Together, they uncover the mystery of Ariane’s abduction and the truth behind the South’s most violent secret.

    At first, the incidents appear unconnected. However, Inspector Yusuf Khalifa of the Luxor police is suspicious. So is the archaeologist's daughter, Tara Mullray. As they both seek to uncover the truth, they find themselves thrown together in a desperate race for survival. From a mysterious fragment of an ancient hieroglyphic text to rumors of a fabulous lost tomb in the Theban Hills, from the shimmering waters of the Nile to the dusty backstreets of Cairo, Khalifa and Mullray are drawn deeper into a labyrinth of violence, intrigue, and betrayal. It is a path that will eventually lead them into the forbidding, barren heart of the western desert, and to the answer to one of the greatest mysteries of the ancient world.

    Eight hundred years earlier, on the eve of a brutal crusade that will rip apart southern France, a young woman named Alais is given a ring and a mysterious book for safekeeping by her father. The book, he says, contains the secret of the true Grail, and the ring, inscribed with a labyrinth, will identify a guardian of the Grail. Now, as crusading armies gather outside the city walls of Carcassonne, it will take a tremendous sacrifice to keep the secret of the labyrinth safe.

    Now in Jerusalem, she mediates peace talks between Israel and Palestine, which have broken down after two high-profile deaths. Right-wing Zionist Shimon Guttman was gunned down during a supposed attempt to assassinate the Israeli prime minister. "This will change everything," Guttman had cryptically warned the prime minister before he was killed. Palestinian Ahmed Nour, a respected archaeologist, has also been killed on suspicions of being a collaborator. When Maggie discovers that the two men were colleagues, she is plunged into a mystery rooted in an unsolved riddle of the Bible. It all leads back to an ancient clay tablet looted from Baghdad's Museum of Antiquities and a secret that could end a war-or spark a new one.

    England is engulfed in war as King Stephen and his cousin, the Empress Matilda, vie for the crown. In this dangerous world, not even Emma, an eleven-year-old peasant, is safe. A depraved monk obsessed with redheads kidnaps the ginger-haired girl from her village and leaves her for dead. When an archer for hire named Gwyl finds her, she has no memory of her previous life. Unable to abandon her, Gwyl takes the girl with him, dressing her as a boy, giving her a new name—Penda—and teaching her to use a bow. But Gwyn knows that the man who hurt Penda roams free, and that a scrap of evidence she possesses could be very valuable.Gwyl and Penda make their way to Kenilworth, a small but strategically important fortress that belongs to fifteen-year-old Maud. Newly wedded to a boorish and much older husband after her father’s death, the fierce and determined young chatelaine tempts fate and Stephen’s murderous wrath when she gives shelter to the empress.Aided by a garrison of mercenaries, including Gwyl and his odd red-headed apprentice, Maud will stave off Stephen’s siege for a long, brutal winter that will bring a host of visitors to Kenilworth—kings, soldiers . . . and a sinister monk with deadly business to finish.

    John the Eunuch, Emperor Justinian's Lord Chamberlain, orders a Christian court while himself observing the rites of Mithra. Thomas, a knight from Britain, Ahasuerus, a soothsayer, and two ladies from Crete stir up events and old memories for John, who must ask how the visitors link to the death of Leukos, Keeper of the Plate. An Egyptian brothel keeper and a Christian stylite know more than they are telling....In due course, John gets his man - and a love scene....

    The hunt is on for...ATLANTISMarine archaeologist Jack Howard has stumbled upon the keys to an ancient puzzle. With a crack team of scientific experts and ex–Special Forces commandos, he is heading for what he believes could be the greatest archaeological find of all time——the site of fabled Atlantis——while a ruthless adversary watches his every move and prepares to strike.But neither of them could have imagined what awaits them in the murky depths. Not only a shocking truth about a lost world, but an explosive secret that could have devastating consequences today. Jack is determined to stop the legacy of Atlantis from falling into the wrong hands, whatever the cost. But first he must do battle to prevent a global catastrophe.

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.

    Arriving in the ancient Byzantine city in the year 1273, Anna Zarides has only one mission: to prove the innocence of her twin brother, Justinian, who has been exiled to the desert for conspiring to kill Bessarion, a nobleman.Disguising herself as a eunuch named Anastasius, Anna moves freely about in society, using her skills as a physician to manoeuver close to the key players involved in her brother’s fate. With her medical practice thriving, Anna crosses paths with Zoe Chrysaphes, a devious noblewoman with her own hidden agenda, and Giuiliano Dandolo, a ship’s captain conflicted not only by his mixed Venetian-Byzantine heritage but by his growing feelings for Anastasius.Trying to clear her brother’s name, Anna learns more about Justinian’s life and reputation—including his peculiar ties to Bessarion’s beautiful widow and his possible role in a plot to overthrow the emperor. This leaves Anna with more questions than answer, and time is running out. For an even greater threat lies on the horizon: Another Crusade to capture the Holy Land is brewing, and leaders in Rome and Venice have set their sights on Constantinople for what is sure to be a brutal invasion. Anna’s discoveries draw her inextricably closer to the dangers of the emperor’s treacherous court—where it seems that no one is exactly who he or she appears to be.Richly detailed and finely wrought, The Sheen on the Silk is a bold and brilliant work that affirms Anne Perry’s talent as a master storyteller.

    Now, in 1137, the ambitious head of Shrewsbury Abbey has decided to acquire the sacred remains for his Benedictine order. Native Welshman Brother Cadfael is sent on the expedition to translate and finds the rustic villagers of Gwytherin passionately divided by the Benedictine's offer for the saint's relics. Canny, wise, and all too wordly, he isn't surprised when this taste for bones leads to bloody murder.The leading opponent to moving the grave has been shot dead with a mysterious arrow, and some say Winifred herself held the bow. Brother Cadfael knows a carnal hand did the killing. But he doesn't know that his plan to unearth a murderer may dig up a case of love and justice...where the wages of sin may be scandal or Cadfael's own ruin.

    A complex and historically rich novel of Imperial Byzantium, The Bearkeeper's Daughter features an empress whose beauty and power rivals Cleopatra's.

    Increasingly, he feels like a fish out of water among the concrete buildings of the University of Barchester, where he works as an English professor. His one respite is his time spent nestled in the library, nurturing his secret obsession with the Holy Grail and researching his perennially unfinished guidebook to the medieval cathedral.But when a beautiful young American named Bethany Davis arrives in Barchester charged with the task of digitizing the library's manuscripts, Arthur's tranquility is broken. Appalled by the threat modern technology poses to the library he loves, he sets out to thwart Bethany, only to find in her a kindred spirit with a similar love for knowledge and books and a fellow Grail fanatic.Bethany soon joins Arthur in a quest to find the lost Book of Ewolda, the ancient manuscript telling the story of the cathedral's founder. And when the future of the cathedral itself is threatened, Arthur and Bethany's search takes on grave importance, leading the pair to discover secrets about the cathedral, about the Grail, and about themselves.

    Petersburg...

    Able to change shape with lightning speed, to kill silently or with savage, snarling fury, he proved his talents against Rommel in Africa. Now he faces his most delicate, dangerous mission: to unravel the secret Nazi plan known as Iron Fist. From a parachute jump into occupied France to the lush corruption of Berlin, from the arms of a beautiful spy to the cold embrace of a madman's death machine, Gallatin draws ever closer to the ghastly truth about Iron Fist. But with only hours to D-Day, he is trapped in the Nazis' web of destruction....