Yeats included almost every sort of Irish folk in this marvelous compendium of fairy tales and songs that he collected and edited for publication in 1892.-- Yeats was fascinated by Irish myths and folklore, and joined forces with the writers of the Irish Literary Revival. He studied Irish folk tales and chose to reintroduce the glory and significance of Ireland's past through this unique literature.

    these tales constitute a powerful work of the imagination, ranking with Tokien's Lord of the Rings novels and T.H. White's The Once and Future King. Evangeline Walton's compelling rendition of these classic, thrilling stories of magic, betrayal, lost love, and bitter retribution include the encounter between Prince Pwyll and Arawn, the God of Death, which Pwyll survives by agreeing to kill the one man that Death cannot fell, and the tale of bran the blessed and his family's epic struggle for the throne.The Mabinogion is internationally recognized as the world's finest arc of Celtic mythology; Walton's vivid retelling introduces an ancient world of gods and monsters, heroes, kings and quests, making accessible one of the greatest fantasy sagas of all time.

    Children meet Bragi, the god of poetry, and the famous Valkyrie maidens, among other gods, goddesses, heroes, and giants. Illustrations throughout depict the wondrous other world of Norse folklore and its fantastical Northern landscape.

    From all across the continent come tales of creation and love, of heroes and war, of animals, tricksters, and the end of the world. Alfonso Ortiz, an eminent anthropologist, and Richard Erdoes, an artist and master storyteller, Indian voices in the best folkloric sources of the nineteenth century to make this the most comprehensive and authentic volume of American Indian myths available anywhere.With black-and-white drawings throughoutPart of the Pantheon Fairy Tale and Folklore Library

    This is a collection of Scottish fairy tales, folk tales and legends, which have been passed on from generation to generation, and have been brought together in this one volume.

    The tales draw on pre-Christian Celtic mythology, international folktale motifs and early medieval historical traditions. While some details may hark back to older Iron Age traditions, each of the tales is the product of a developed medieval Welsh narrative tradition, both oral and written.Lady Charlotte Guest in the mid 19th century was the first to publish English translations of the collection, popularising the name "Mabinogion". The stories appear in either or both of two medieval Welsh manuscripts, the White Book of Rhydderch or Llyfr Gwyn Rhydderch, written c.1350, and the Red Book of Hergest or Llyfr Coch Hergest, written c.1382 – 1410, tho texts or fragments of some of the tales have been preserved in earlier 13th century and later mss.Scholars agree that the tales are older than the existing mss, but disagree over just how much older. The different texts originated at different times. Debate has focused on the dating of the Four Branches of the Mabinogi. Sir Ifor Williams offered a date prior to 1100, based on linguistic and historical arguments, while later Saunders Lewis set forth a number of arguments for a date between 1170 and 1190; Th Charles-Edwards, in a paper published in 1970, discussed both viewpoints, and while critical of the arguments of both scholars, noted that the language of the stories fits the 11th century. More recently, Patrick Sims-Williams argued for a plausible range of about 1060 to 1200, the current scholarly consensus.

    Crofton Croker. From 1812 to 1816, he roamed southern Ireland, listening to his countrymen's stories of pixies, leprechauns, and other supernatural creatures. The result is one of the first collections of Irish fairy tales on record — and it's often considered the finest. Told in plain but colorful language with charming illustrations that capture the wonder of these tales, it became an overnight bestseller. An engaging mix of darkness and humor, the thirty-eight stories are filled to the brim with Irish wit and magic. In "The Haunted Cellar," you'll meet one of Ireland's oldest families, with blood as thick as buttermilk and a reputation for hospitality. But what is the secret in Justin Mac Carthy’s wine cellar that forces every butler to quit? In "The Changeling," a new mother finds a just solution when her infant is replaced by a mischievous fairy. "The Legend of Knockfierna" teaches fearless Carroll O'Daly a hard lesson about interfering with the "little people." And that's just a taste of the delights inside. A rich reflection of Celtic culture, Irish Fairy Legends will entertain you and your family for generations.

    Here fairies and demons walk hand in hand with mortals and anything anything can happen. These tales are sometimes frightening, usually insightful, and always entertaining. But one does not have to be Irish to appreciate these marvelous stories, for as the great Irish poet, W.B. Yeats wrote, "everyone is a visionary if you scratch him deep enough."John Connors and the fairies --Fitzgerald and Daniel Donoghue --Fairies of Rahonain and Elizabeth Shea --The knights of Kerry --Rahonain castle --The cattle jobber of Awnascawil --The midwife of Listowel --Daniel Crowley and the ghosts --Tom Daly and the nut-eating ghost --Tom Connors and the dead girl --The farmer of Tralee and the fairy cows --The two gamblers and the fairies --The girl and the robber --Maurice Griffin and the fairy doctor --The three sisters and their husbands' three brothers --John Shea and the treasure --St. Martin's eve --James Murray and saint martin --Fairy cows --John Reardon and the sister ghosts --Maggie Doyle and the dead man --Pat Doyle and the ghost --The ghost of Sneem --The dead mother --Tim Sheehy sent back to this world to prove his innocence --Tom Moore and the seal woman --The four-leafed shamrock --John Cokeley and the fairy --Tom Foley's ghost --The blood-drawing ghost --Murderous ghosts

    The 26 stories of "Guleesh," "The Horned Women," "King O'Toole and His Goose," "The Sea-Maiden," "The Shee An Gannon and the Gruagach Gaire," "The Lad with the Goat-Skin," the legendary "Dierdre," "Beth Gellert," and the other wonderful characters, the curses and hexes, the broken promises and granted wishes are accompanied by eight full-page plates, 37 drawings, and decorated capitals and endpieces that help make this book the charming one that generations of youngsters have proclaimed it to be.

    This magnificent book is a collection of stories, anecdotes, and legends from all six of the regions where celtic ways have persisted in the modern world.

    When Mother Troll Took in the King’s Washing by Elsa Beskow2. The Magician’s Cape by Anna Wahlenberg 3. The Barrel Bung by Anna Wahlenberg 4. The Seven Wishes by Alfred Smedberg 5. The King’s Choice by Anna Wahlenberg 6. The Four Big Trolls and Little Peter Pastureman by Cyrus Graner7. The Troll Ride by Anna Wahlenberg 8. The Trolls and the Youngest Tomte by Alfred Smedberg9. The Ring by Helena Nyblom10. The Old Troll of Big Mountain by Anna Wahlenberg 11. Leap the Elk and Little Princess Cottongrass by Helge Kjellin12. The Magpie with Salt on Her Tail by Anna Wahlenberg 13. The Boy Who Was Never Afraid by Alfred Smedberg14. The Changelings by Helena Nyblom15. Stalo and Kauras by P. A. Lindholm 16. The Flower of Happiness on Sunnymount Crest by Alfred Smedberg17. Dag and Daga, and the Flying Troll of Sky Mountain by Harald Ostenson18. Linda-Gold and the Old King by Anna Wahlenberg 19. The Boy and the Trolls, or The Adventure by Walter Stenstrom20. The Maiden in the Castle of Rosy Clouds by Harald Ostenson21. The Queen by Anna Wahlenberg

    Gods disguised as beggars and beasts, animals enacting Machiavellian intrigues, sagacious jesters and magical storytellers, wise counselors and foolish kings--all inhabit a fabular world, yet one that is also firmly grounded in everyday life. Here is an indispensable guide to India's ageless folklore tradition.With black-and-white illustrations throughoutPart of the Pantheon Fairy Tale and Folklore Library

    They are best known as the "Four Branches of the Mabinogi," and comprise the tales of Pwyll, Branwen, Manawydan, and Math. The remaining stories also spring from the same tree, and together they form a collection that comprises the core of the ancient Welsh mythological cycle. They are also among the best the medieval Celtic literature has to offer.In the first thoroughly revised edition and translation of this world classic since Lady Charlotte Guest's famous Mabinogion went out of print, Mr. Ford has endeavored to present a scholarly document in readable, modern English. Basing his criteria on the latest scholarship in myth, he includes only those stories that have remained unadulterated by the influence of the French Arthurian romances. These are, in addition to the "Four Branches," the tale of "Kulhwch and Olwen," which is rooted in the mythological origins of Arthur, seen here in his role of divine hunter in pursuit of the swine-god; "Lludd and Lleuelis," which reaches beyond its immediate Celtic sources into ancient Indo-European ideologies; and the long unavailable "Tale of Taliesin," which offers insights into Celtic concepts of the archetypal poet-seer and the acquisition of Divine Wisdom.

    The mythic legacy of the Scandinavians includes a cycle of stories filled with magnificent images from pre-Christian Europe. Gods, humans, and monstrous beasts engage in prodigious drinking bouts, contests of strength, greedy schemes for gold, and lusty encounters. The Norse pantheon includes Odin, the wisest and most fearsome of the gods; Thor, the thundering powerhouse; and the exquisite, magic-wielding Freyja. Their loves, wars, and adventures take us through worlds both mortal and divine, culminating in a blazing doomsday for gods and humans alike. These stories bear witness to the courage, passion, and boundless spirit that were hallmarks of the Norse world.“Kevin Crossley-Holland retells the Norse myths in clear, attractive prose . . . An excellent introduction, notes, and a glossary provide mythological and historical backgrounds and suggest parallels with myths in other parts of the world.”–The Denver Post

    A "Who's Who" of fairyland, with entries by fairy name and additional legends, songs, and anecdotes within each entry.