It is still Iskwatam - the "door" which opens to the lower reaches of the Athabasca, the Slave, and the Mackenzie. It is somewhat difficult to find on the map, yet it is there, because its history is written in more than a hundred and forty years of romance and tragedy and adventure in the lives of men, and is not easily forgotten. Over the old trail it was about a hundred and fifty miles north of Edmonton. The railroad has brought it nearer to that base of civilization, but beyond it the wilderness still howls as it has howled for a thousand years, and the waters of a continent flow north and into the Arctic Ocean. It is possible that the beautiful dream of the real-estate dealers may come true, for the most avid of all the sportsmen of the earth, the money-hunters, have come up on the bumpy railroad that sometimes lights its sleeping cars with lanterns, and with them have come typewriters, and stenographers, and the art of printing advertisements, and the Golden Rule of those who sell handfuls of earth to hopeful purchasers thousands of miles away - "Do others as they would do you." And with it, too, has come the legitimate business of barter and trade, with eyes on all that treasure of the North which lies between the Grand Rapids of the Athabasca and the edge of the polar sea.

    The scheduled train from Granger was overdue by three hours. He’d suspected a mechanical breakdown or maybe even a derailment. But the engineer of the next train to use that track had just reported that he hadn’t found any signs of the train.He had no idea how an entire train could simply vanish, but as he pondered the mystery, the head telegrapher came to his office and showed him a telegram that had been sent to Union Pacific headquarters. It was a ransom demand for a hundred thousand dollars. If it wasn’t paid within a week, the train and its thirty-four passengers would be blown up.He hurried out of his office and rushed through the early morning streets to tell the resident Union Pacific special agent of the kidnapped train. It was Nelson Cook’s problem now.

    Until Hayden Tilden caught up with him.Smilin’ Jack Paine is one face from the past that Hayden would rather forget, but the man’s sinister grin is permanently etched in his memory, along with the chilling thoughts of Paine’s unspeakable crimes. There seems to be no other way to put that demon to rest than to tell the whole story—from the day Hayden first heard the man’s name to the day he finally wiped the grin off Paine’s face for good.Praise for Lawdog: The Life and Times of Haydon Tilden“Lawdog should assume its rightful place beside other Western classics.” —Peter Brandvold, author of Once Hell Freezes Over“Lawdog has it all. I couldn’t put it down.” —Jack Ballas, author of West of the RiverAbout the Author:J. Lee Butts is the author of 22 published books and numerous magazine articles and short works. His book Brotherhood of Blood was runner-up for the Western Writers of America Spur Award in 2005. He’s worn many hats over the years (teacher, administrator, pool manager, IBM supervisor, and western author), and he and his late wife lived everywhere from Los Angeles to Dallas. Currently he’s hanging those hats back in White Hall, Arkansas.

    From his deathbed, he has one last story to relay to his son, Jim Dieter (retired Navy SEAL) and his best friend, Dan Flaherty, about the role he played in a robbery involving top Nazi and Vatican officials.A robbery that for over 70 years, The Vatican has killed to keep its secret buried.Now a deadly game of cat and mouse quickly ensues across the globe involving The Vatican, MI-6 and Interpol, all hot on the trail of Jim, Dan, and Jim's fiancé, Nora Robinson, as they search to discover--The Vatican's Last Secret.

    For his first command after escaping from France, Hornblower is given charge of the royal yacht - and he soon requires all his skill and instinct to prevent disaster!

    The time is our own, when rustlers have given way to drug-runners and small towns have become free-fire zones. One day, Llewellyn Moss finds a pickup truck surrounded by a bodyguard of dead men. A load of heroin and two million dollars in cash are still in the back. When Moss takes the money, he sets off a chain reaction of catastrophic violence that not even the law–in the person of aging, disillusioned Sheriff Bell–can contain.As Moss tries to evade his pursuers–in particular a mysterious mastermind who flips coins for human lives–McCarthy simultaneously strips down the American crime novel and broadens its concerns to encompass themes as ancient as the Bible and as bloodily contemporary as this morning’s headlines. No Country for Old Men is a triumph.

    An Englishman plans to assassinate the dictator of a European country. But he is foiled at the last moment and falls into the hands of ruthless and inventive torturers. They devise for him an ingenious and diplomatic death but, for once, they bungle the job and he escapes. But England provides no safety from his pursuers - and the Rogue Male must strip away all the trappings of status and civilization as the hunter becomes a hunted animal.

    Her fears are confirmed when a youth fires a gun at the administrator, but that isn't the only shooting!

    He soon learns that every aspect of his life so far, including the staged deaths of his parents, has been arranged by the Senate Tribunal in an attempt to mold him into the perfect leader. Now there are only thirty candidates, including Caius, left competing to be the Emperor's heir. Success in a series of Trials will reunite him with his family and make him the most powerful man in the world, but failure will lead to a life of isolation and imprisonment hidden in the eaves of the palace. As Caius enters the trials, it becomes apparent that the tests themselves are not the problem: it is the twenty nine other candidates willing to do whatever it takes to win, including maim or kill their top competitors. Can Caius navigate the pitfalls of imperial politics and cutthroat competition, all while performing well enough to succeed in the trials fair and square?

    Southworth was one of the most popular and prolific writers of the nineteenth century and her Capitola Black, or Black Cap - a cross-dressing, adventure-seeking girl-woman - was so well-loved that the book was serialized three times between 1859 and 1888 and was dramatized in forty different versions. When we first meet sharp and witty Capitola she is living among beggars and street urchins, and dressed as a boy because a boy can get work and be safe, whereas a girl is left to starve for want of "proper" employment. Unknown to her, Capitola has a very rich elderly guardian who finds her at a providential moment and takes her back to his palatial mansion where she finds herself "decomposing above ground for want of having my blood stirred." But not to fear. There are bandits, true-loves, evil men, long-lost mothers, and sweet women friends in Capitola's future - not to mention thunder storms, kidnap attempts, and duels. The pace is fast, the action wonderfully unbelievable. This is escape literature at its nineteenth-century best, with a woman at its center who makes you feel strong, daring, and reckless.

    Poe's work is full of mystery, horror, and a dark imagination, while Verne focuses on action and adventure. It is a fascinating look at two great literary minds as they work on the same subject: the strange voyage of Arthur Gordon Pym to the Antarctic.

     But this particular gang couldn't actually read the rules. And didn't care anyway. Which was how he found himself risking life, limb and sea sickness on board His Majesty's frigate Phiandra, about to do battle with what looked like half the French fleet. Meanwhile at Coignwood Hall, the late Sir Henry lay face-down in his soup as his beautiful but evil widow, Lady Sarah, along with their two loathsome sons, ransacked his papers for the will that would disclose to their horror that the entire family fortune has been left to a previously unknown illegitimate son. Who would now have to be tracked down and disposed of as a matter of some urgency... What will become of Fletcher's Fortune? Fletcher's Fortune is the first in a rollicking series of memoirs that bring the 18th Century back to life in its tawdry glory. Praise for John Drake ‘Broad comedy, high drama, plenty of action, a pinch of sex ... the genre has room for this cheerily debunking outsider’ - Daily Mail ’Swashbuckling adventure on the high seas doesn't get much better than this. […] John Drake writes beautifully, and you'll be torn between savoring the words and quickly flipping the pages. Any favorable comparison to Stevenson or Patrick O'Brian is totally justified.’ - Nelson DeMille, #1 New York Times bestselling author John Drake trained as a biochemist to post-doctorate research level before realizing he was no good at science. His working career was in the television department of ICI until 1999 when he became a full-time writer. John's hobby is muzzle-loading shooting, and his interests are British history and British politics (as a spectator), plus newspapers, TV news, and current affairs. He is married with a son and two grandchildren.

    Denmark is changing, shaking off its medieval past. War with Norway is on the horizon. And Hamlet - son of the old king, nephew of the new - becomes increasingly entangled in a web of deception - and murder.Struggling to find his place in this strange new order Hamlet tries to rekindle his relationship with Ophelia - the daughter of Elsinore's cunning spy master, a man with plots of his own. Hamlet turns for advice and support to the one person he can trust -- Young Yorick, the slippery, unruly jester, whose father helped Hamlet through a difficult childhood. And all the while the armed forces of Fortinbras, prince of Norway, start to assemble, threatening to bring down Elsinore forever.Beautifully performed by actor Richard Armitage ("Thorin Oakenshield" in the Hobbit films), Hamlet, Prince of Denmark takes Shakespeare's original into unexpected realms, reinventing a story we thought we knew.

    Other great kings and paladins are lost in the dim shadows oflong-past centuries, but Arthur still reigns in Camelot and his knightsstill ride forth to seek the Grail. "No little thing shall be The gentle music of the bygone years, Long past to us with all their hopes and fears."So wrote the poet William Morris in _The Earthly Paradise_. And surelyit is no small debt of gratitude we owe the troubadours and chroniclersand poets who through many centuries have sung of Arthur and hischampions, each adding to the song the gifts of his own imagination, sobuilding from simple folk-tales one of the most magnificent and movingstories in all literature.This debt perhaps we owe in greatest measure to three men; to Chrétiende Troies, a Frenchman, who in the twelfth century put many of the oldArthurian legends into verse; to Sir Thomas Malory, who first wrote outmost of the stories in English prose, and whose book, the _MorteDarthur_, was printed by William Caxton, the first English printer, in1485; and to Alfred, Lord Tennyson, who in his series of poems entitledthe _Idylls of the King_ retold the legends in new and beautiful guisein the nineteenth century.The history of Arthur is so shrouded in the mists of early England thatit is difficult to tell exactly who and what he was. There probably wasan actual Arthur, who lived in the island of Britain in the sixthcentury, but probably he was not a king nor even a prince. It seems mostlikely that he was a chieftain who led his countrymen to victory againstthe invading English about the year 500. So proud were his countrymen ofhis victories that they began to invent imaginary stories of his prowessto add to the fame of their hero, just as among all peoples legends soonspring up about the name of a great leader. As each man told the featsof Arthur he contributed those details that appealed most to his ownfancy and each was apt to think of the hero as a man of his own time,dressing and speaking and living as his own kings and princes did, withthe result that when we come to the twelfth century we find Geoffrey ofMonmouth, in his _History of the Kings of Britain_, describing Arthurno longer as a half-barbarous Briton, wearing rude armor, his arms andlegs bare, but instead as a most Christian king, the flower of mediævalchivalry, decked out in all the gorgeous trappings of a knight of theCrusades.As the story of Arthur grew it attracted to itself popular legends ofall kinds. Its roots were in Britain and the chief threads in its fabricremained British-Celtic. The next most important threads were those thatwere added by the Celtic chroniclers of Ireland. Then stories that werenot Celtic at all were woven into the legend, some from Germanicsources, which the Saxons or the descendants of the Franks may havecontributed, and others that came from the Orient, which may have beenbrought back from the East by men returning from the Crusades. And if itwas the Celts who gave us the most of the material for the stories ofArthur it was the French poets who first wrote out the stories and gavethem enduring form.It was the Frenchman, Chrétien de Troies, who lived at the courts ofChampagne and of Flanders, who put the old legends into verse for thepleasure of the noble lords and ladies that were his patrons. Hecomposed six Arthurian poems. The first, which was written about 1160 orearlier, related the story of Tristram. The next was called _Érec etÉnide_, and told some of the adventures that were later used by Tennysonin his _Geraint and Enid_. The third was _Cligès_, a poem that haslittle to do with the stories of Arthur and his knights as we havethem. Next came the _Conte de la Charrette_, or _Le Chevalier de laCharrette_, which set forth the love of Lancelot and Guinevere. Thenfollowed _Yvain_, or _Le Chevalier au Lion_, and finally came_Perceval_, or _Le Conte du Graal_, which gives the first account of theHoly Grail.

    A desperate hunt for the truth... Millions of lives at stake... When Professor Pablo Reyes is brutally murdered in his Madrid apartment it triggers a desperate hunt for his missing research. His lover Dr Lucia Serrano is accused of his murder and is now on the run from both the Spanish authorities and those really responsible for his death. With nowhere to go, she runs to the only man she can trust – former army officer and MI6 agent Harry Bane. As Harry and Lucia decode the Professor’s cryptic clues and race through the night, they slowly uncover a dark and menacing conspiracy dedicated to a genocide of terrifying scale. Fast-paced and with a touch of humour, this novel races from museums in Madrid to Parisian jails and the ski slopes of the French Alps, and along the way Harry and Lucia meet up with other lost strangers who must all pull together if they are to stand a chance of ending their enemy’s insane plans.