Even though she was the daughter of the emperor, Izta had no desire to marry a man of wealth and power. Instead, she fell in love with Popoca, a brave warrior who fought in her father’s army—and a man who did not offer her riches but a promise to stay by her side forever.   The emperor did not want his daughter to marry a mere warrior, but he recognized Popoca’s bravery. He offered Popoca a deal: If the warrior could defeat their enemy, Jaguar Claw, then the emperor would permit Popoca and Izta to wed. But Jaguar Claw had a plan to thwart the warrior. Would all be lost?   Today two majestic volcanoes—Popocatépetl and Iztaccíhuatl—stand overlooking Mexico City. They have been admired and revered for countless generations, and have formed the basis of many origin and creation myths. In The Princess and the Warrior, award-winning author and illustrator Duncan Tonatiuh retells one of Mexico’s cherished legends.

    Fee, Fi, Fo, Fum’un, I smell the blood of an Englishwoman. Be she alive or be she dead, I'll grind her bones to make my bread. Readers will cheer on the resourceful, gutsy Kate as she outsmarts the famously greedy giant.

    The Zemachs have interpreted the folk tale which the play dramatized, recognizable as a version of the widespread Rumpelstiltskin story. Its main themes are familiar, but the character and details of this picture book are entirely Cornish, as robust and distinctive as the higgledy-piggledy, cliff-hanging villages that dot England's southwestern coast from Penzance to Land's End.The language spoken by the Christmas players was a rich mixture of local English dialect and Old Cornish (similar to Welsh and Gaelic), and something of this flavor is preserved in Harve Zemach's retelling. Margot Zemach's pen-and-wash illustrations combine a refined sense of comedy with telling observation of character, felicitous drawing with decorative richness, to a degree that surpasses her own past accomplishments.Duffy and the Devil is a 1973 New York Times Book Review Notable Children's Book of the Year and Outstanding Book of the Year, a 1974 National Book Award Finalist for Children's Books, and the winner of the 1974 Caldecott Medal.

    Zelinsky has once again with unmatched emotional authority, control of space, and narrativecapability brought forth a unique vision for an age-old tale. Few artists at work today can touch the level at which his paintings tell a story and exert their hold.Zelinsky's retelling of Rapunzel reaches back beyond the Grimms to a late-seventeenth-century French tale by Mlle. la Force, who based hers on the Neapolitan tale Petrosinella in a collection popular at the time. The artist understands the story's fundamentals to be about possessiveness, confinement, and separation, rather than about punishment and deprivation. Thus the tower the sorceress gives Rapunzel here is not a desolate, barren structure of denial but one of esoteric beauty on the outside and physical luxury within. And the world the artist creates through the elements in his paintings the palette, control of light, landscape, characters, architecture,interiors, costumes speaks to us not of an ugly witch who cruelly imprisons a beautiful young girl, but of a mother figure who powerfully resists her child's inevitable growth, and of a young woman and man who must struggle in the wilderness for the self-reliance that is the true beginningof their adulthood.As ever, and yet always somehow in newly arresting fashion, Paul O. Zelinsky's work thrillingly shows us the events of the story while guiding us beyond them to the truths that have made it endure.

    A feisty, bike-riding heroine, her tractor-driving grandmother, and a wolf with a hankering for Grandma's award-winning wheat berry muffins -- this is not your grandmother's Little Red Riding Hood!

    But he's a smart cookie and heads out to find them. He'll run, slide, skip, and (after a mishap with a soccer ball) limp as fast as he can because: I can catch them! I'm their Gingerbread Man!With help from the gym teacher, the nurse, the art teacher and even the principal, the Gingerbread Man does find his class, and he's assured they'll never leave him behind again.Teachers often use the Gingerbread Man story to introduce new students to the geography and staff of schools, and this fresh, funny twist on the original can be used all year long. Includes a poster with fun activities!

    . . and a Dinosaur who happened to be visiting from Norway.One day--for no particular reason--they decided to tidy up their house, make the beds, and prepare pudding of varying temperatures. And then--for no particular reason--they decided to go...someplace else. They were definitely NOT setting a trap for some succulent, unsupervised little girl.Definitely not!This new take on a fairy-tale classic is so funny and so original--it could only come from the brilliant mind of Mo Willems.

    He presents no match for the spunky heroine and her quick-thinking cat TeJean, though, as they use some strong Cajun hot sauce to teach Claude a lesson he will never forget!The combination of hilarious rhyme and exaggerated art creates a highly original retelling of the classic fairy tale. A pronunciation guide/glossary accompanies a tempting dialect that begs to be read aloud or acted out again and again. This is Little Red Riding Hood as she's never been seen before: Cajun and ducky.

    First, read the poems forward (how old-fashioned!), then reverse the lines and read again to give familiar tales, from Sleeping Beauty to that Charming Prince, a delicious new spin. Witty, irreverent, and warm, this gorgeously illustrated and utterly unique offering holds a mirror up to language and fairy tales, and renews the fun and magic of both.

    But so many poured in that they were forced to move to the sky.

    . . before."Jack was running like mad in the dark woods with a hen under his arm.Previously, he had stolen the hen and climbed down a beanstalk."But do you know what was Jack doing before he climbed down the beanstalk?Or what Jack and Jill were arguing about before they went up the hill? And what happened before that? Every story, every person, and every thing started somewhere, and now the inventive and whimsical Allan Ahlberg explores what all your favorite storybook characters were up to previously, aided by Bruce Ingman’s energetic illustrations.

    How would you react if Somebody visited your house while you were gone, especially if the Somebody were a bear?

    But when the Big Bad Wolf comes looking for a snack, he huffs and puffs the first little pig right out of the story . . . and into the realm of pure imagination! Dialogue balloons pepper a wide variety of illustration styles taking readers through a dazzling fantasy universe to the surprising and happy ending. You will never look at “The Three Little Pigs”—or artwork—the same way again!"A funny, wildly imaginative tale that encourages readers to leap beyond the familiar; to think critically about conventional stories and illustration, and perhaps, to flex their imaginations and create wonderfully subversive versions of their own stories." — ALA Booklist , Starred Review

    Here, in an abundantly funny retelling, the timehonored drama unfolds. This outrageously frilly, jump-roping Goldilocks skips through the bears’ house, reciting saucy rhymes as she goes. Her wide-eyed glee makes a hilarious contrast with the genteel bear family, and children will love poring over the wonderful visual details, such as the bear-related knickknacks slyly scattered throughout the cottage. Another outstanding collaboration from Caralyn and Mark Buehner, Goldilocks and the Three Bears is perfect for sharing with children, adults, and fairy-tale collectors alike.

    Bubba never complains, though. He's a real cowboy - tough as leather (and cute as a cow's ear).When Miz Lurleen, the purtiest rancher in Texas, decides to throw a ball to find herself a real feller, Bubba has to stay at home. "You smell more like the cattle than the cattle do," laugh Dwayne and Milton. But with the help of Bubba's fairy godcow, and a little Texas magic, Miz Lurleen finds the cowboy prince she's always dreamed of.With its western brand of language and humor, this Texas retelling of the Cinderella story will really rope in readers.