During their travels, Craig was invited to speak at Maine State Prison—the penitentiary that inspired Stephen King’s famous “Shawshank.” While there, he met a group of very special inmates, participants in a program run by the non-profit America’s Vet Dogs.Craig discovered that many of the prisoners are veterans—former soldiers serving their country in an entirely different way: by transforming purebred Labrador Retrievers from floppy puppies into indispensable companions for disabled vets. These service dogs literally and figuratively open doors for men and women, offering hope and a renewed sense of freedom. Yet these disabled vets are not the only lives changed by these dogs. The inmates who train them “are given a purpose, they’re given experience, and most importantly they’re given a sense of self-worth,” Craig explains. “The men at Maine State are given a second chance—something that I believe everyone deserves.” For Craig, the visit had a profound impact. “There was something special going on inside its walls and it was calling out to me. I quickly realized that the program and its men had something to show the world.”In this emotionally powerful book, he introduces these men and challenges us to look deeper, to see them as human beings deserving of a new shot at life. “We’re quick to give second chances to celebrities, politicians and famous athletes when they screw up,” Craig reminds us, “but when it comes to those who’ve been convicted for their mistakes, we too often dismiss them as forever lost.” Second Chances poignantly shows that no life is irredeemable and that each of us can make a difference if given the opportunity.

    Cohen is also a man of complexities and seeming contradictions: a devout Jew, who is also a sophisticate and a ladies' man, as well as an ordained Buddhist monk whose name, Jikan—"ordinary silence"—is quite the appellation for a writer and singer whose life has been anything but ordinary.I'm Your Man is the definitive account of that extraordinary life. Starting in Montreal, Cohen's birthplace, acclaimed music journalist Sylvie Simmons follows his trail, via London and the Greek island of Hydra, to New York in the sixties, where Cohen launched his career in music. From there she traces the arc of his prodigious achievements to his remarkable retreat in the mid-nineties and his reemergence for a sold-out world tour almost fifteen years later. Whether navigating Cohen's journeys through the backstreets of Mumbai or his countless hotel rooms along the way, Simmons explores with equal focus every complex, contradictory strand of Cohen's life and presents a deeply insightful portrait of the vision, spirit, depth, and talent of an artist and a man who continues to move people like no one else.

    Lynch responds to each recollection and reveals the inner story of the life behind the art.

    Stones is one of the best rock biographies I have seen this year…If you thought you knew everything there was to know about these two groups, think again” (Seattle Post-Intelligencer).In the 1960s an epic battle was waged between the two biggest bands in the world—the lovable Beatles and the bad-boy Rolling Stones. Both groups liked to maintain that they weren’t really “rivals”—that was just a media myth, they politely said—and yet they plainly competed for commercial success and aesthetic credibility. On both sides of the Atlantic, fans often aligned themselves with one group or the other. In Beatles vs. Stones, John McMillian gets to the truth behind the ultimate rock and roll debate. Painting an eye-opening portrait of a generation dragged into an ideological battle between Flower Power and New Left militance, McMillian reveals how the Beatles-Stones rivalry was created by music managers intent on engineering a moneymaking empire. He explores how the Beatles were marketed as cute and amiable, when in fact they came from hardscrabble backgrounds in Liverpool. By contrast, the Stones were cast as an edgy, dangerous group, even though they mostly hailed from the chic London suburbs. For many years, writers and historians have associated the Beatles with the gauzy idealism of the “good” sixties, placing the Stones as representatives of the dangerous and nihilistic “bad” sixties. Beatles vs. Stones is “balanced, informed, yet still passionate…Even the most gnarled and intransigent veterans of the debate will emerge enlightened by this book….McMillian negotiates these thickets with insight, care, and a willingness to unsettle clichés” (The New York Times Book Review).

    And without Steve Jones there would be no Sex Pistols. It was Steve who formed Kutie Jones and his Sex Pistols, the band that eventually went on to become the Sex Pistols, with his schoolmate Paul Cook and who was its original leader. As the world celebrates the 40th anniversary of Punk – the influence and cultural significance of which is still felt in music, fashion and the visual arts to this day – Steve tells his story for the very first time. Steve’s modern Dickensian tale begins in the streets of Hammersmith and Shepherd’s Bush, West London, where as a lonely, neglected boy living off his wits and his petty thievery, he is given purpose by the glam art rock of David Bowie and Roxy Music and becomes one of the first generation of ragamuffin punks taken under the wings of Malcolm McLaren and Vivienne Westwood. For the very first time Steve describes the sadness of never knowing his dad, the neglect and abuse he suffered at the hands of his step father, and how his interest in music and fashion saved him from a potential life of crime spent in remand centres and prison. From the Kings Road of the early seventies, through the years of the Sex Pistols, Punk Rock and the recording of Never Mind the Bollocks (ranked number 41 in Rolling Stone magazine’s Best Albums of All Time), to his self-imposed exile in New York and Los Angeles where he battled with alcohol, heroin and sex addiction – caught in a cycle of rehab and relapse – Lonely Boy, written with music journalist and author Ben Thompson, is the story of an unlikely guitar hero who, with the Sex Pistols, changed history.Publication coincides with the 40th anniversary of the release of the Sex Pistols first record, ‘Anarchy in the UK’, and of Steve’s infamous confrontation on Bill Grundy’s Today programme – that interview ushered in the ‘Filth and the Fury’ headlines that catapulted Punk into the national consciousness.

    And, not much is known about why in 1920, Eleanor suddenly abandoned her duties as a mother of five and moved to Greenwich Village, then the symbol of all forms of transgressive freedom—communism, homosexuality, interracial relationships, and subversive political activity. Now, in this “immersive…original look at an iconic figure of American politics” (Publishers Weekly), Jan Russell pulls back the curtain on Eleanor’s life to reveal the motivations and desires that drew her to the Village and how her time there changed her political outlook. A captivating blend of personal history detailing Eleanor’s struggle with issues of marriage, motherhood, financial independence, and femininity, and a vibrant portrait of one of the most famous neighborhoods in the world, this unique work examines the ways that the sensibility, mood, and various inhabitants of the neighborhood influenced the First Lady’s perception of herself and shaped her political views over four decades, up to her death in 1962. When Eleanor moved there, the Village was a zone of Bohemians, misfits, and artists, but there was also freedom there, a miniature society where personal idiosyncrasy could flourish. Eleanor joined the cohort of what then was called “The New Women” in Greenwich Village. Unlike the flappers in the 1920s, the New Women had a much more serious agenda, organizing for social change—unions for workers, equal pay, protection for child workers—and they insisted on their own sexual freedom. These women often disagreed about politics—some, like Eleanor, were Democrats, others Republicans, Socialists, and Communists. Even after moving into the White House, Eleanor retained connections to the Village, ultimately purchasing an apartment in Washington Square where she lived during World War II and in the aftermath of Roosevelt’s death in 1945. Including the major historical moments that served as a backdrop for Eleanor’s time in the Village, this remarkable work offers new insights into Eleanor’s transformation—emotionally, politically, and sexually—and provides us with the missing chapter in an extraordinary life.

    From Esther Martin, owner of the scariest bar in Baltimore, to the playwright Tennessee Williams; from the atheist leader Madalyn Murray O'Hair to the insane martyr Saint Catherine of Siena; from the English novelist Denton Welch to the timelessly appealing singer Johnny Mathis--these are the extreme figures who helped the author form his own brand of neurotic happiness. Role Models is a personal invitation into one of the most unique, perverse, and hilarious artistic minds of our time.

    Starting with the early Sixties session scene when the teenage Page contributed to recordings by The Who, The Rolling Stones, Tom Jones and many more, the author goes on to explore Page's time in The Yardbirds, the band that would metamorphose into the legendary Led Zeppelin.Supported by album reviews, rare photographs, a full discography and candid conversations with Page's friends, managers and musical collaborators, author Martin Power's No Quarter: The Three Lives Of Jimmy Page represents the most comprehensive and up-to-date biography yet written about Jimmy Page—a "one man guitar army" and true music legend.

    He was a millionaire with his own record label at twenty-two. He was, according to Tom Wolfe, “the first tycoon of teen.” Phil Spector owned pop music. From the Crystals, the Ronettes (whose lead singer, Ronnie, would become his second wife), and the Righteous Brothers to the Beatles (together and singly) and finally the seventies punk icons The Ramones, Spector produced hit after hit. But then he became pop music's most famous recluse. Until one day in the spring of 2007, when his name hit the tabloids, connected to a horrible crime. In Tearing Down the Wall of Sound, Mick Brown, who was the last journalist to interview Spector before his arrest, tells the full story of the troubled musical genius.From the Trade Paperback edition.

    The joy that I have felt from chronicling these tales is not unlike listening back to a song that I've recorded and can't wait to share with the world, or reading a primitive journal entry from a stained notebook, or even hearing my voice bounce between the Kiss posters on my wall as a child. This certainly doesn't mean that I'm quitting my day job, but it does give me a place to shed a little light on what it's like to be a kid from Springfield, Virginia, walking through life while living out the crazy dreams I had as young musician. From hitting the road with Scream at 18 years old, to my time in Nirvana and the Foo Fighters, jamming with Iggy Pop or playing at the Academy Awards or dancing with AC/DC and the Preservation Hall Jazz Band, drumming for Tom Petty or meeting Sir Paul McCartney at Royal Albert Hall, bedtime stories with Joan Jett or a chance meeting with Little Richard, to flying halfway around the world for one epic night with my daughters…the list goes on. I look forward to focusing the lens through which I see these memories a little sharper for you with much excitement.

    Authors John Doe and Tom DeSavia have woven together an enthralling story of the legendary west coast scene from 1977-1982 by enlisting the voices of people who were there. The book shares chapter-length tales from the authors along with personal essays from famous (and infamous) players in the scene. Additional authors include: Exene Cervenka (X), Henry Rollins (Black Flag), Mike Watt (The Minutemen), Jane Wiedlin and Charlotte Caffey (The Go-Go’s), Dave Alvin (The Blasters), Jack Grisham (TSOL), Teresa Covarrubias (The Brat), Robert Lopez (The Zeros, El Vez), as well as scencesters and journalists Pleasant Gehman, Kristine McKenna, and Chris Morris. Through interstitial commentary, John Doe “narrates” this journey through the land of film noir sunshine, Hollywood back alleys, and suburban sprawl—the place where he met his artistic counterparts Exene, DJ Bonebrake, and Billy Zoom—and formed X, the band that became synonymous with, and in many ways defined, L.A. punk.Under the Big Black Sun shares stories of friendship and love, ambition and feuds, grandiose dreams and cultural rage, all combined with the tattered, glossy sheen of pop culture weirdness that epitomized the operations of Hollywood’s underbelly. Readers will travel to the clubs that defined the scene, as well as to the street corners, empty lots, apartment complexes, and squats that served as de facto salons for the musicians, artists, and fringe players that hashed out what would become punk rock in Los Angeles.

    While the Lennon of legend enjoyed a gifted and inspired life, the private Lennon lived in torment, poisoning himself with drugs and self-hatred. The Lives of John Lennon exposed for the first time all of his various lives, from idealist to cynic, from ascetic to junkie. It is a lasting tribute to his brilliant achievements and a revelation of the price he paid for them.

    The drum kit just about fit into the room, the lead guitarist was playing a homemade guitar, the bassist could barely play at all and nobody wanted to sing. Over thirty years later, Bono, The Edge, Adam Clayton and Larry Mullen Jr are still together, bound by intense loyalty, passionate idealism and a relentless belief in the power of rock and roll to change the world.In a epic journey that has taken them from the clubs of Dublin to the stadiums of the world, U2 have sold over 130 million albums, been number one all over the world, revolutionized live performance, spearheaded political campaigns and made music that defines the age we live in.From the anarchic days of their Seventies punk origins through their Eighties ascent to superstardom with the epic rock of 'The Joshua Tree', the dark post-modern ironies of 'Achtung Baby' in the Nineties and their 21st-Century resurgence as rock's biggest and boldest band, this is a tale of faith, love, drama, family, birth, death, survival, conflict, crises, creativity . . . and a lot of laughter.Told with wit, insight and astonishing candour by the band themselves and manager Paul McGuinness, with pictures from their own archives, 'U2 by U2' allows unprecedented access into the inner life of the greatest rock band of our times.

    These women infiltrated the all-male domain of Disney Studios and used early technologies to create the rich artwork and iconic storylines that would reach millions of viewers across generations. Over the decades--while battling sexism, domestic abuse, and workplace harassment--these women also fought to influence the way female characters are depicted to young audiences.Based on extensive interviews and exclusive access to archival and personal documents, The Queens of Animation tells the story of their vital contribution to Disney's golden age and their continued impact on animated filmmaking, culminating in the record-shattering Frozen, Disney's first female-directed full-length feature film.

    It was an agenda mirrored in the Clash’s music, which swiftly evolved from ferocious punk rock to incorporate reggae, ska, funk, jazz, soul, and hip-hop. Passion Is a Fashion draws on over 70 interviews with the key participants in the story—roadies, producers, friends, and fans—and conversations with the Clash: Joe Strummer, Mick Jones, Paul Simonon, and Topper Headon. The first book to give real insight into what went on behind the scenes during the Clash’s ten-year career, it charts the Clash’s picaresque progress through the days of the early punk scene and their groundbreaking Rock Against Racism gigs, to the arduous touring, to their break out in America, and the making of the classic London Calling album, all the way to the band’s eventual dissolution and the sudden, sad death of frontman Joe Strummer. Gritty, compelling, and above all authoritative, Passion Is a Fashion is the biography the Clash has long deserved.