This edition also includes a new introduction and suggestions for further reading by author and Shelley expert Charlotte Gordon, literary excerpts and reviews selected by Gordon and a chronology and essay by preeminent Shelley scholar Charles E. Robinson.

    An updated and considerably revised version of the ancient Greek legend of Pygmalion and Galatea, the 20th-century story pokes fun at the antiquated British class system. In Shaw's clever adaptation, Professor Henry Higgins, a linguistic expert, takes on a bet that he can transform an awkward cockney flower seller into a refined young lady simply by polishing her manners and changing the way she speaks. In the process of convincing society that his creation is a mysterious royal figure, the Professor also falls in love with his elegant handiwork.The irresistible theme of the emerging butterfly, together with Shaw's brilliant dialogue and splendid skills as a playwright, have made Pygmalion one of the most popular comedies in the English language. A staple of college drama courses, it is still widely performed.

    The sketches, poems, and stories of black rural and urban life that make up Cane are rich in imagery. Visions of smoke, sugarcane, dusk, and flame permeate the Southern landscape: the Northern world is pictured as a harsher reality of asphalt streets. Impressionistic, sometimes surrealistic, the pieces are redolent of nature and Africa, with sensuous appeals to eye and ear.

     The story is set in 2158 A.D., after the invention of a medicine called Anti-Gerasone, which is made from mud and dandelions and is thus inexpensive and widely available. Anti-Gerasone halts the aging process and prevents people from dying of old age as long as they keep taking it; as a result, America now suffers from severe overpopulation and shortages of food and resources. With the exception of the very wealthy, most of the population appears to survive on a diet of foods made from processed seaweed and sawdust. The title "Tomorrow and Tomorrow and Tomorrow" comes from a famous line from Shakespeare's play "Macbeth". The soliloquy in the play paints life as a succession of useless moments, lots of "sound and fury" that amount to "nothing." Through the allusion, Vonnegut comments upon the lives of characters who live in a world where everyone has the comfort of life, but no duty or pressure to contribute anything good or positive.

    The Overcoat which is generally acknowledged as the finest of Gogol's memorable Saint Petersburg stories, is a tale of the absurd and misplaced obsessions.

    Ironically, the first thing we read is Kingston's mother's warning Kingston, "You must not tell anyone . . . what I am about to tell you."

    Girl was originally published in the June 26, 1978 issue of The New Yorker and subsequently included in the short story collection At the Bottom of the River in 1983.

    Written when he was only 22 years old, the tale also features some of Rudyard Kipling’s most crystalline prose, and one of the most beautifully rendered, spectacularly exotic settings he ever used. Best of all, it features two of his most unforgettable characters, the ultra-vivid Cockneys Peachy Carnahan and Daniel Dravot, who impart to the story its ultimate, astonishing twist: it is both a tragedy and a triumph.

    The plot concerns a wealthy, lecherous old man who feigns a mortal illness in order to solicit bribes from greedy acquaintances who hope to inherit his fortune. Many complexities of plot and connivance ensue, but in the end, the guilty parties are exposed and punished. Explanatory footnotes.

    It premiered in London, in 1980 and won the Society for West End Theatres (SWET) award for Best Comedy of the Year. It was made into a highly successful film with Michael Caine and Julie Walters and won the 1983 BAFTA award for Best Film.Commentary and notes by Steve Lewis.

    Often referred to as a "comedy of manners", "The School for Scandal" is one Sheridan's most performed plays and a classic of English comedic drama.

    It was first published in the September 1946 issue of Astounding Science Fiction and reprinted in the collections I, Robot (1950), The Complete Robot (1982), and Robot Visions (1990).Many people choose to see Asimov's treatment of technophobia as an allegory to the antisemitism with which he was bitterly familiar; he wrote Evidence during Army service shortly after World War II.

    He don't put a bolt to a nut, he don't tell you the law or give you medicine. He's a man way out there in the blue, riding on a smile and a shoeshine.'Willy Loman has been a salesman for 34 years. At 60, he is cast aside, his usefulness now exhausted. With no future to dream about he must face the crushing disappointments of his past. He takes one final brave action, but is he heroic at last?, or a self-deluding fool?

    Each book in the series has been designed with today's young reader in mind. As the words come to life, students will develop a lasting appreciation for great literature.The humor of Mark Twain...the suspense of Edgar Allan Poe...the danger of Jack London...the sensitivity of Katherine Mansfield. Creative Short Stories has it all and will prove to be a welcome addition to any library.

    Phoenix Jackson, an old woman, is on a dangerous journey through the woods to get medicine for her grandson.The Atlantic Monthly first published the story in February 1941.