He must be a complete man and a common man and yet an unusual man. This is the Code of the Private Eye as defined by Raymond Chandler in his 1944 essay 'The Simple Act of Murder.' Such a man was Philip Marlowe, private eye, an educated, heroic, streetwise, rugged individualist and the hero of Chandler's first novel, The Big Sleep. This work established Chandler as the master of the 'hard-boiled' detective novel, and his articulate and literary style of writing won him a large audience, which ranged from the man in the street to the most sophisticated intellectual.

    Europe is modernizing, and the sultan of the Ottoman Empire feels he has no choice but to follow suit. But just as he's poised to announce sweeping political change, a wave of murders threatens the fragile balance of power in his court. Who is behind the killings? Deep in the Abode of Felicity, the most forbidden district of Topkapi Palace, the sultan - ruler of the Black Sea and the White, ruler of Rumelia and Mingrelia, lord of Anatolia and Ionia, Romania and Macedonia, Protector of the Holy Cities, steely rider through the realms of bliss - announces, "Send for Yashim." Leading us through the palace's luxurious seraglios and Istanbul's teeming streets, Yashim places together the clues. He is not alone. He depends on the wisdom of a dyspeptic Polish ambassador, a transsexual dancer, and the Creole-born queen mother. He manages to find sweet salvation in the arms of another man's wife (this is not your everyday eunuch!). And he introduces us to the Janissaries. For four hundred years, they were the empire's elite soldiers. But they grew too powerful, and ten years earlier the sultan had them crushed. Are the Janissaries staging a brutal comeback? And if they are, how can they be stopped without throwing Istanbul into political chaos?

    After Ana Grey pulls off “the most amazing arrest of the year,” the squad supervisor—who doesn't like irreverent, tough-minded young women—gives her a reprimand instead of the promotion she deserves. As a test, she is assigned a high-profile case involving a beloved Hollywood movie star and an illegal supply of prescription drugs. It doesn't take Ana and her partner, Mike Donnato, long to realize "this is not a case” but “a political situation waiting to explode”—and they're holding the bomb. As the boundary between her private and professional lives begins to blur, Ana's own world collides with her investigation, and she is forced to confront the searing truth about the nature of power and identity, and the mystery of her past.

    Original.

    His name represents steamy, suspenseful fiction, chilling encounters on the dark and sultry landscape of urban America in the 1930s and 1940s. Here, in this special collection, are his classic thrilers, including 'Rear Window', the story of Hal Jeffries who, trapped in his apartment because of a broken leg, takes to watching his neighbours through his rear window, and becomes certain that one of those neighbours is a murderer. Also included are such haunting, heart-stopping tales as those involving a man who finds his wife buried alive; a girl trapped with a deranged murderer who likes to knife his victims while dancing; and a woman seizing her chance to escape a sadistic husband, only to find her dream go terrifyingly wrong.Rear window --I won't take a minute --Speak to me of death --The dancing detective --The light in the window --The corpse next door --You'll never see me again --The screaming laugh --Dead on her feet --Waltz --The book that squealed --Death escapes the eye --For the rest of her life

    Now she's decided that the only way to exorcise the ghosts of the past is to search for the truth. Beryl starts asking dangerous questions, and the answers are proving that old secrets die hard. Caught in what's become a deadly game of cat-and-mouse, her quest takes her from the rain-slick streets of Paris to the sun-drenched isles of Greece. And as she gets pulled into a world of espionage, Beryl quickly discovers that she needs help. Richard Wolf, an ex-CIA agent and a man she's only just met, is her only hope. But in a world where trust is a double-edged sword, friends become enemies, and enemies become killers . . .

    The high spot of Teddy Folger's life was the day in 1954 that he got an autographed baseball card from Joe DiMaggio himself. It's been downhill ever since. Which is why he just unloaded his freeloading wife and torched his own comic-book store–in one of the stupidest insurance scams in history. Enter Conner Samson. The down-on-his-luck repo man has just been hired to repossess Teddy's boat. Little does he know there's a baseball card on board that some men are willing to kill for. Thus begins a rip-roaring cross-country odyssey–and with bodies piling up, the squeeze is on for the penultimate piece of Americana. And Conner will be lucky if he ends up back where he started: broke and (still) breathing.From the Hardcover edition.

    from the French "D'entre les Morts" by Geoffrey Sainsbury. First published as "The Living and the Dead" in Great Britain in 1956.

    A COP HAD KILLED HIMSELF, AND EVERY CROOK IN TOWN KNEW THAT WOULD BE SURE TO BRING ON THE BIG HEAT. Why did they fear a dead man? Dave Bannion, homicide sergeant, fought for the answer to that question. The dead man was a police clerk who shot himself for no obvious reason. That was Bannion's first judgment, until a girl named Lucy presented a quite different picture of the dead man from the one he had shown to the world and to his fastidious, glacial wife. Bannion's chief, Lieutenant Wilks, wanted the case closed and speculation ended quickly and tightly. So did Max Stone and Lagana, who held the city in a sinister, underworld grip. But why? Why did they all fear a dead man . . . ?

    When entertainer Fox Olson's car plunges off a bridge in a storm, a death claim is filed, but where is Olson's body? As Brandstetter questions family, fans, and detractors, he grows certain Olson is still alive and that Dave must find him before the would-be killer does. Suspenseful and wry, shrewd and deeply felt, Fadeout remains as fresh today as when it startled readers more than thirty years ago.

    And then, suddenly, it's no joke.

    Stopped by the police for a minor traffic violation, the situation escalates and he is pulled from his vehicle, handcuffed, and told he is under arrest. Several other police cars arrive and the questioning turns scary, but after it subsides, and Henry is about to move on, the officer is suddenly killed in his car and there is only one suspect: the very person he was about to arrest not ten minutes before. Henry! When a second friend turns up dead, Henry realizes he's being elaborately framed. But in a chilling twist, the stakes grow even darker, and he is unable to go to the police to clear his name.15 Seconds is a story of how even the best of lives can be destroyed in just an instant—and of an innocent man, framed for murder, who has to save the person he loves the most, and who cannot go the police to clear his name.

    Eva's husband George is behind tabloid editor Frank Locke’s blackmail of Congressman Harrison Burke. The politician and Eva had been together at a restaurant when there was an attempted robbery. It's not long before George takes a bullet to the heart as he's getting out of his bath. There's a forged will too. It benefits his nephew Carl, who is engaged to the daughter of Mrs. Veitch, the Belters’ secretive housekeeper. Is this complicated or what!At least Eva Belter had brains; she was smart enough to consult Perry Mason.

    Among them is Vernon Smothers' son Lucas, a teenaged boy about whom only Vernon and Billy Bob know the truth. Lucas is really Billy Bob's illegitimate son, and when Lucas is arrested for murder, Billy Bob knows that he has no choice but to confront the past and serve as the boy's criminal attorney. During Lucas's trial, Billy Bob realizes that he will have to bring injury upon Lucas as well as himself in order to save his son. And as a result, Billy Bob creates enemies that are far more dangerous than any he had faced as a Texas Ranger.

    He’s spent the past twenty-eight hours ferrying around Bismarck Avila, a celebrity skateboard mogul who isn’t going home any time soon. Suddenly the wind begins to speak to Skellig in the guttural accent of the Chechen torturer he shot through the eye in Yemen a decade ago: Troubletroubletrouble. Skellig has heard these warnings before—he’s an Army Special Forces sergeant whose limo company is staffed by a ragtag band of wounded veterans, including his Afghan interpreter—and he knows to listen carefully.Skellig runs inside just in time to save Avila from two gunmen but too late for one of Avila’s bodyguards—and wakes up hours later in the hospital, the only person of interest in custody for the murder. Complicating matters further is the appearance of Detective Delilah Groopman of the LAPD, gorgeous and brash, for whom Skellig has always held a candle. As for Avila? He’s willing to help clear Skellig’s name under one peculiar condition: that Skellig become Avila’s personal chauffeur. A cushy gig for any driver, except for the fact that someone is clearly trying to kill Avila, and Skellig is literally the only person sitting between Avila and a bullet to the head.