In this mock autobiographical collection his mischievous drawings capture life's anxieties and ambitions from the mundane to the surreal. Here, at last, is The Truth about beer, doctors, shadow puppets, lunch, dolphins, boredom, and supernatural forces. Seductively strange and addictively amusing, this edgy little book welcomes the uninitiated and rewards the faithful.

    He broke into the film scene at the age of 26 with the ambitious, independently produced Killer's Kiss and within a few years was working with the likes of Kirk Douglas, Laurence Olivier, and Peter Sellers on such seminal films as Lolita and Spartacus. Having gained the support of the actors, producers, and movie studios with his early efforts, Kubrick garnered the creative control he needed to produce uncompromising masterpieces such as 2001: A Space Odyssey, Clockwork Orange, and Barry Lyndon. Polishing off 1999's Eyes Wide Shut just before his untimely death, Kubrick left behind a puzzling and positively brilliant body of work.

    When Emily confesses her transgression to her husband Ian, he doesn't give the reaction she expects. Not only does Ian not mind, her encourages Emily to see Ray again outside of work and respond to his advances. Emily is shocked, but can't fight her excitement at the idea. The married couple goes down a dangerous road and Emily fears where it may end.

    Crepax' adaption stands equally as a classic of erotic comics. Out of print for some years, it has now been revived in a beautiful omnibus edition.

    Now, Madonna's book takes a provocative look at sexual fantasies in photographs and words, with the erotic imaginings highlighted by a series of innovative special effects. Contains adult material of a controversial nature. Includes a one-cut CD from Madonna's newest recording project. Full color

    First published in London in July 1879, The Pearl provided unrestrained erotica for every taste.

    These dream babes, these ideal girls, these exquisite creatures are yours today. They surrender without discretion, with their immodesty and their mischievous pouts.

     I was a bit of a rogue, picking pockets and seducing women, without a care for the future. Now, with the aid of a beautiful enchantress and a pet rat dragon, I'm out for revenge. Trouble is, my target is one of the most powerful, ruthless men in the city. But what he doesn't know is that I'm no longer playing by his rules. I'm playing by my own. No matter what dark, hidden secrets I uncover in the process. The Bastard is the story of Mordie, a hero with a more flexible sense of morality than most. It is set in a Camelot that never existed, and is a tale of swords, secrets, magic, revenge, betrayal, and even a dragon or two. It contains harem elements, nudity, and sex between the hero (if hero is the right word) and multiple partners, all of whom are willing and comfortable with the idea of non-traditional relationships.

    The good news is he’s on Plymouth, an almost mythical world where monsters are designed and printed for Roy’s game worlds. First order of the day: print himself a superpowered body and get back what’s his.But everything isn’t as it seems. The research lab he arrived in is deserted except for a few dead security guards, and the streets outside are filled with thousands of robot dogs programmed for one single purpose: kill Roy Boss.But Roy has an entire catalog of savior-class monster girls he can print up to help him clean house, each with their own powers, transformations, and fetishes. Hit Print for justice, for satisfaction, and for the love of the game.From Aaron Crash, bestselling author of Barbarian Outcast and the American Dragon series, comes a brand-new world that will leave you turning pages late into the night.Disclaimer:Boss Build is an explicit sci-if harem adventure. There are girls, guns, and sex on the page. Each of Roy’s monster girls is fully configurable when it comes to bedroom activities. It's like a smutty I Am Legend meets Westworld. You have been warned.

    Unlike their geisha counterparts, courtesans didn't lived in brothels or bend their wills to suit their suitors. They were the muses who enflamed the hearts of our most celebrated artists--Raphael, Manet, Dumas, and Proust, to name just a few--as well as becoming artists in their own right. Offering the first comprehensive tour of their worlds, Susan Griffins celebrates these first feminists and hails their virtues: Timing, Beauty, Cheek, Brilliance, Gaiety, Grace, and Charm. From Veronica Franco, who graced the palazzos of sixteenth-century Venice, and Madame de Pompadour, the arbiter of all things fashionable at Versailles during the reign of Lous XV, to La Belle Otero of the grand boulevards of Paris in the Gay Nineties and Marion Davies, who took Hollywood by storm in the 1920's and 1930's, The Book of the Courtesans enticingly illustrates the intricacies of their lavish lifestyles and incredible life stories. Fascinating true tales and enlightening snippets from courtesans' memoirs further reveal how these cunning women seized their opportunity to become the West's first liberators, free to choose their own lovers and command remarkable respect.Delving into his scintillating world, The Book of the Courtesans is an impeccably researched, beautifully crafted portrait of some of the most intriguing figures in women's history.

    

    Manifestoes of Surrealism is a book by André Breton, describing the aims, meaning, and political position of the Surrealist movement.The translators of this edition were finalists of the 1970 National Book Awards in the category of translation.

    The images were taken when Banksy joined Bristol's radical football team The Easton Cowboys on a tour of Mexico to play football against the Zapatista freedom fighters. The new edition also contains sections on the Banksy vs Bristol Museum show, Exit Through The Gift Shop, The Tesco Value Petrol Bomb, an interview with John Nation and more. The book is a celebration of Banksy's street art in his home city of Bristol and places him in the context of 3D, John Nation from the Barton Hill Youth Club, Inkie, Nick Walker and the other artists and musicians who were instrumental in linking Bristol to the original New York hip-hop scene. It is the most revealing account of Banksy's formative years and contains more than one hundred images of his Bristol art, as well as pictures of Banksy at work, many of which have never been published before. Steve Wright, traces Banksy's roots back to the rave culture of the Nineties and draws a rounded picture of an artist who is most famous for being anonymous.

    More manifesto than polite discussion, more call to action than criticism, The Invisible Dragon aims squarely at the hyper-institutionalism that, in Hickey’s view, denies the real pleasures that draw us to art in the first place. Deploying the artworks of Warhol, Raphael, Caravaggio, and Mapplethorpe and the writings of Ruskin, Shakespeare, Deleuze, and Foucault, Hickey takes on museum culture, arid academicism, sclerotic politics, and more—all in the service of making readers rethink the nature of art. A new introduction provides a context for earlier essays—what Hickey calls his "intellectual temper tantrums." A new essay, "American Beauty," concludes the volume with a historical argument that is a rousing paean to the inherently democratic nature of attention to beauty.Written with a verve that is all too rare in serious criticism, this expanded and refurbished edition of The Invisible Dragon will be sure to captivate a new generation of readers, provoking the passionate reactions that are the hallmark of great criticism.

    He lived during the Italian Renaissance, a period known for its creative activity. Civilization made huge strides in science and invention, in literature, and in politics. In art, the age's great achievement, Michelangelo led all others.A short, wide-shouldered man with a face made homely by a broken nose, Michelangelo had a remarkable ability to concentrate his thoughts and energy on the task in hand. Often while working he would eat only a little bread, would sleep on the floor or on a cot beside his unfinished painting or statue, and would continue to wear the same clothes until his work was finished.