His latest gig comes replete with an illegally squatting B-movie actress who rants about hit men who specialize in making deaths look like accidents. Unfortunately, it's the real deal. Hardie finds himself squared off against a small army of the most lethal men in the world: The Accident People.It's nothing personal-the girl just happens to be the next name on their list. For Hardie, though, it's intensely personal. He's not about to let more innocent people die. Not on his watch.

    But trouble is Chicago private eye V.I. Warshawski's specialty. Her client says he's the prominent banker, John Thayer. Turns out he's not. He says his son's girlfriend, Anita Hill, is missing. Turns out that's not her real name. V.I.'s search turns up someone soon enough -- the real John Thayer's son, and he's dead. Who's V.I.'s client? Why has she been set up and sent out on a wild-goose chase? By the time she's got it figured, things are hotter -- and deadlier -- than Chicago in July. V.I.'s in a desperate race against time. At stake: a young woman's life.

    Gideon Fell is entertaining young American college graduate Tad Rampole at Yew Cottage, Fell's charming home in the English countryside. Within sight of his study window is the ruin of Chatterham Prison, perched high on a precipice known as Hag's Nook. The prison's land belongs to the Starberth family—whose eldest sons must each spend an hour in the prison's eerie "Governor's Room" to inherit the family fortune.Rampole is especially interested in the family, having met the young and beautiful Dorothy Starberth on the train from London. He readily agrees when Fell and the local reverend, Thomas Saunders, ask him to accompany them as they watch and wait for badly frightened Martin Starberth to complete 'his hour' in the prison. Martin has every reason to be afraid; more than one Starberth heir has met an untimely end. Will his turn come tonight?

    Dennis Lehane (Mystic River, The Given Day) has proven himself to be a master of both crime fiction and literary fiction. Here, he extends his literary prowess to that of master curator. In keeping with the Akashic Noir series tradition, each story in Boston Noir is set in a different neighborhood of the city—the impressively diverse collection extends from Roxbury to Cambridge, from Southie to the Boston Harbor, and all stops in between. Lehane’s own contribution—the longest story in the volume—is set in his beloved home neighborhood of Dorchester and showcases his phenomenal ability to grip the heart, soul, and throat of the reader. In 2003, Lehane’s novel Mystic River was adapted into film and quickly garnered six Academy Award nominations (with Sean Penn and Tim Robbins each winning Academy Awards). Boston Noir launches in November 2009 just as Shutter Island, the film based on Lehane’s best-selling 2003 novel of the same title, hits the big screen. Dennis Lehane is the author of The New York Times bestseller Mystic River (also an Academy Award–winning major motion picture); Prayers for Rain; Gone, Baby, Gone (also a major motion picture); Sacred; Darkness, Take My Hand; A Drink Before the War, which won the Shamus Award for Best First Novel; and, most recently, The Given Day. A native of Dorchester, Massachusetts, he splits his time between the Boston area and Florida.PART I: FEAR & LOATHINGLYNNE HEITMANExit InterviewFinancial DistrictDENNIS LEHANEAnimal RescueDorchesterJIM FUSILLIThe Place Where He BelongsBeacon HillPATRICIA POWELLDark WatersWatertownPART II: SKELETONS IN THE CLOSETDANA CAMERONFemme SoleNorth EndBRENDAN DUBOISThe Dark IslandBoston HarborSTEWART O'NANThe RewardBrooklineJOHN DUFRESNEThe Cross-Eyed BearSouthiePART III: VEILS OF DECEITDON LEEThe Oriental Hair PoetsCambridgeITABARI NJERIThe CollarRoxburyRUSS ABORNTurn SpeedNorth Quincy

    And then -- the madness seized me. When I look back over the months I spent at Sunnyside, I wonder that I survived at all. As it is, I show the wear and tear of my harrowing experiences. I have turned very gray -- Liddy reminded me of it, only yesterday, by saying that a little bluing in the rinse-water would make my hair silvery, instead of a yellowish white. I hate to be reminded of unpleasant things and I snapped her off. "No," I said sharply, "I'm not going to use bluing at my time of life, or starch, either."

    On the same day that Roy Cady is diagnosed with a terminal illness, he senses that his boss, a dangerous loan-sharking bar-owner, wants him dead. Known “without affection” to members of the boss’s crew as “Big Country” on account of his long hair, beard, and cowboy boots, Roy is alert to the possibility that a routine assignment could be a deathtrap. Which it is. Yet what the would-be killers do to Roy Cady is not the same as what he does to them, which is to say that after a smoking spasm of violence, they are mostly dead and he is mostly alive.Before Roy makes his getaway, he realizes there are two women in the apartment, one of them still breathing, and he sees something in her frightened, defiant eyes that causes a fateful decision. He takes her with him as he goes on the run from New Orleans to Galveston, Texas—an action as ill-advised as it is inescapable. The girl’s name is Rocky, and she is too young, too tough, too sexy—and far too much trouble. Roy, Rocky, and her sister hide in the battered seascape of Galveston’s country-western bars and fleabag hotels, a world of treacherous drifters, pickup trucks, and ashed-out hopes. Any chance that they will find safety there is soon lost. Rocky is a girl with quite a story to tell, one that will pursue and damage Roy for a very long time to come in this powerful and atmospheric thriller, impossible to put down. Constructed with maximum tension and haunting aftereffect, written in darkly beautiful prose, Galveston announces the arrival of a major new literary talent.

    A hot August night lies heavy over the Carolinas. The corpse -- legs sprawled, stomach down on the concrete pavement, arms above the head -- brings the patrol car to a halt. The local police pick up a black stranger named Virgil Tibbs, only to discover that their most likely suspect is a homicide detective from California -- and the racially tense community's single hope in solving a brutal murder that turns up no witnesses, no motives, no clues.

    But when an old sailor lands a rowing boat containing a fresh corpse with a stab wound to the chest, the Inspector's investigation immediately comes up against several obstacles. The vicar, whose boat the body was found in, is clearly withholding information, and the victim's niece has disappeared. There is clearly more to this case than meets the eye - even the identity of the victim is called into doubt. Inspector Rudge begins to wonder just how many people have contributed to this extraordinary crime and whether he will ever unravel it. . .In 1931 Agatha Christie, Dorothy L. Sayers, and 10 other crime writers from the newly formed Detection Club collaborated in publishing a unique crime novel. In a literary game of consequences, each author would write one chapter, leaving G.K. Chesterton to write a typically paradoxical prologue and Anthony Berkeley to tie up all the loose ends. In addition, all of the authors provided their own solutions in sealed envelopes, all of which appeared at the end of the book, with Agatha Christie's ingenious conclusion acknowledged at the time to be 'enough to make the book worth buying on its own'. The authors of this novel are G.K. Chesterton, Canon Victor Whitechurch, G.D.H. Cole and Margaret Cole, Henry Wade, Agatha Christie, John Rhode, Milward Kennedy, Dorothy L. Sayers, Ronald Knox, Freeman Wills Crofts, Edgar Jepson, Clemence Dane and Anthony Berkeley.©1931, 2011 The Detection Club (P)2017 HarperCollins Publishers

    She was never successful in this, but her Chandler-influenced novel No Good From a Corpse was so impressive in its hard-boiled dialogue that Howard Hawks insisted its author, unseen, be brought in to work on the screenplay adaption of The Big Sleep (together with a fella by the name of Faulkner.) Though Hawks was stunned to discover that Leigh was a woman, she got the job, and worked on what was probably the best film adaptation of a Chandler novel. No Good From a Corpse offers hard-boiled private eye Ed Clive, who gets involved with a dead girl, and suspects every one of her boyfriends--an ex-husband, a playboy, a blackmailer and a brute. There's a woman suspect as well, and a long chase through Sunset Strip.

    Set amid a seedy urban wasteland of crooks, killers and con-artists, the various members of the gang are steadily undone by personal obsessions, double-crossing and cruel fate.First published in 1949, W.R. Burnett's hardboiled classic was made into the definitive heist movie by John Huston in 1950, starring Sterling Hayden, Sam Jaffe and Marilyn Monroe. Its screenplay, co-written by Huston was nominated for an Oscar.A master and pioneer of the gangster genre, W.R. Burnett is the author of over thirty novels - including Little Caesar and High Sierra - and sixty screenplays. He was twice nominated for Academy Awards.

    And with the creation of Inspector Chan, Biggers also shatters stereotypes and is ahead of his time in highlighting the positive aspects of Chinese-Hawaiian culture.In this first novel, published in 1925, Chan comes to the aid of an aristocratic Boston family who find themselves in dire straits over what has befallen Dan Winterslip, the black sheep of the family, who lives in a mansion on Waikiki Beach — the house without a key.The troubles begin when a young nephew is dispatched by the family in Boston to retrieve a wayward aunt who has overstayed her welcome in Dan Winterslip's house.

    should be taking it easy. Instead, she accepts a small consulting role on the set of a serial killer film shooting in Boston. D.D. figures she’ll be useful to someone for at least one night, serving as a police expert and making a little extra money in the bargain.It seems like a simple task—until the previous film consultant, a former Boston cop, is found beaten to death. Suddenly D.D.’s date with Hollywood gets serious. Extremely pregnant, on the trail of a killer, and surrounded by a hundred and four murder suspects in the middle of a graveyard, D.D. must quickly unravel a tangled web of lies. As another cast member is attacked, D.D. realizes that like it or not, her priorities have changed—and her last desperate hope is that she can catch a killer before she and her unborn baby face mortal danger.

    All she has to do is change her identity and leave the U.S. forever.The KillerIt's an offer she dares to refuse...until violence forces her hand and thrusts her into a harrowing game of high-stakes, big-money subterfuge. It's a price she won't fully pay...until she does the unthinkable and breaks the promise that made her rich.The WinnerFor if LuAnn Tyler comes home, she will be pitted against the deadliest contestant of all: the chameleonlike financial mastermind who changed her life. And who can take it away at will...

    Chesterton's endearing amateur sleuth has entertained countless generations of readers. For, as his admirers know, Father Brown's cherubic face and unworldly simplicity, his glasses and his huge umbrella, disguise a quite uncanny understanding of the criminal mind at work.This Penguin omnibus edition contains* The Innocence of Father Brown* The Wisdom of Father Brown* The Incredulity of Father Brown* The Secret of Father Brown* The Scandal of Father Brown

    We know that his late partner, Miles Archer, was a son of a bitch; that Spade is sleeping with Archer’s wife, Iva; that his tomboyish secretary, Effie Perine, is the only innocent in his life. What we don’t know is how Spade became who he is. Spade & Archer completes the picture.1921: Spade sets up his own agency in San Francisco and clients quickly start coming through the door. The next seven years will see him dealing with booze runners, waterfront thugs, stowaways, banking swindlers, gold smugglers, bumbling cops, and the illegitimate daughter of Sun Yat-sen; with murder, other men’s mistresses, and long-missing money. He’ll bring in Archer as a partner, though it was Archer who stole his girl while he was fighting in World War I. He’ll tangle with a villain who never loses his desire to make Spade pay big for ruining what should’ve been the perfect crime. And he’ll fall in love—though it won’t turn out for the best. It never does with dames . . .Spade & Archer is a gritty, pitch-perfect, hard-boiled novel—the work of a master mystery writer—destined to become a classic in its own right.