Finally when he found the inner peace that always seemed to elude him tragedy strikes once again. With the potential of spending the rest of his life in prison and never reuniting with his wife again, Genesis will need the help of everyone who cares about him to ever be free. Can Supreme, Lorenzo, Amir and T-Roc do the impossible or are the cards stacked so high against him Genesis must accept that his fate has been written? Talisa and Skylar are both in love with the same man. One is his wife who Genesis believed was dead and the other is a woman he promised to share his future with. But only one can have his heart. What are the women willing to do in the name of love? Find out in Stackin Paper Part 3.

    

     After the Civil War, Will Garrison takes his family west. Together they build a ranch and battle powerful Indian tribes who have hunted the lands for centuries. A peace feather is offered after a climactic battle. With the Indian tribes and the Garrisons now walking a path of peace, a new threat has emerged… the railroad. Greedy government-backed killers plan to annihilate everyone and claim the land they need to expand their rail lines north across Colorado and into Utah. Their vile, sinister plan is revealed after many fights. Will Garrison’s son, Gabe, fights back and unleashes his pent-up vengeance against the railroad and kills one of their hired mercenaries. A destined meeting of chance leaves him rescuing a bloodied woman and falling hopelessly in love with the dark beauty. May is a brave woman who fights to guard a secret of her own. Together they flee to ancient trails, and as paid assassins track them, it becomes a long vengeance trail of dead men. When May reveals her deadly secret, Gabe finds himself at war with the railroad, an evil killer, and with everything he ever knew. He knows it’s time for GUNSIGHT JUSTICE! This is the action-packed Western that will remind you that freedom is something you must always fight for. Good battles evil as epic conflicts become climatic love scenes, and you find yourself breathlessly riding a trail of danger, deceit and passion with Mike Hundley in this Western that leaves no bullet unfired, no emotion untouched, and no reader left behind. This book was previously published as "The Silver Saddle."

    As their friendship strengthens, Kelise’s resistance to relationships—thanks to her past— starts to lower. The possibility of something more with Mike enters her mind but not before he sets his eyes on a new distraction named Danielle Kingston. As Mike and Danielle’s relationship attempts to bloom, Kelise learns some unsettling information about Mike’s new lady, but also finds herself caught up in a distraction of her own with a sexy blast from her past. Mike realizes he may have made a mistake in his choice and now has to deal with the consequences of watching Kelise’s happiness be sparked by another guy. In a series of missed opportunities and misunderstandings, can Mike and Kelise get their minds and hearts on the same page or will they have to deal with a chance not taken? >>>Note: This book is a standalone and can be read as such. However, it is advised and recommended that you check out By Chance as well, which is the first story in the series and connected to the main characters of Chance Taken, to get the complete reading experience <<<

    The Aggadeh Empire was seeking dragons. Little did Nem expect that he would come face-to-face with both in the far north city of Balon. Is he destined to become an ally of the Empire? Or its prisoner? And what is he going to do with a dragon who might turn the city into a bloodbath?

    The topics include feminism and the role of women in the drama, the American Dream, business and capitalism, the significance of technology, the legacy that Willy leaves to Biff, and Miller's use of symbolism. The authors of the essays include prominent Arthur Miller scholars such as Terry Otten and the late Steven Centola as well as young, emerging scholars. Some of the essays, particularly the ones written by the emerging scholars, tend to employ literary theory while the ones by the established scholars tend to illustrate the strengths of traditional criticism by interpreting the text closely. It is fascinating to see how scholars at different stages of their academic careers approach a given topic from distinct perspectives and sometimes diverse methodologies. The essays offer insightful and provocative readings of Death of a Salesman in a collection that will prove quite useful to scholars and students of Miller's most famous play.

    Albee there is a theme beneath the surface, in this case the corruption of money and the rottenness of this bigoted exurbia where conformity to its illiberal standards and its hypocritical show of respectability is all that counts. The scene is the suburban home of Jenny and Richard, beautifully played by Barbara Bel Geddes and Barry Nelson. The only thing that seems to stand in the way of their happiness is a lack of money. The action starts in an entertaining comedy of manners style. Then abruptly there enters a Mrs. Toothe in the menacing and fascinating person of Beatrice Straight who offers Jenny the opportunity to make more money than they have ever had, to buy a greenhouse and all the other luxuries that they require for their garden and their lives. Richard's realization that their newfound money is being earned by his wife's whoring comes almost simultaneously with the return of their fourteen-year-old son from school and a champagne cocktail party which they are giving to impress their country club friends. As a result, his horror, disgust and rage has to be kept under wraps in order to keep up essential appearances until tragedy strikes, and Richard realizes that the assembled wives are all involved and their husbands are aware and condoning." More than that, they are prepared not merely to justify but defend the ends through which their means are attained and the devastated Richard, left in agonized despair by the ironic events that charge the final moments of the play, must face the fact of his own share in their communal guilt.

    The play is set in a beach bungalow. The young man who lives there has pulled a lost young woman from the ocean. Soon, she finds herself trapped in his life and torn between her need to come to rest somewhere and her certainty that all human relationships turn eventually into nightmares. The struggle between his tolerant and gently ironic approach to life and her strategy of suspicion and attack becomes a kind of war about love and creation which neither can afford to lose. This is an offbeat, wonderful love story. Note: The play contains a wealth of excellent monologue and scene material.

    Her oldest daughter, Kess, is a university professor in Minneapolis, but she has come home at the request of her sister, Jo who is concerned for Evelyn's mental health. Kess, a professed lesbian, wants to cut her family ties once and for all; Jo, an incurable romantic and longtime virgin, has now become pregnant; while Sherry, salty-tongued and amoral, wants only to finish high school so she can leave home for good. In the end, there is no accommodation possible but, instead, only a kind of arbitrary independence for each of the protagonists, as they come to realize that each must find her own heaven or hell in her own way.

    This edition contains the definitive versions of these works, a foreword in which Rabe examines the interwoven relationship of the plays, and an afterword in which he discusses the process of their construction.

    Book annotation not available for this title.

    "By a mile, the best new play of the season>"--John Heilpern, New York Observer.

    No one stays up forever, and during the down times, you’ll see people for exactly who they are. When things get rough, Maine and Nyeema push through together, but life has a funny way of pulling people apart. Therefore, the question is; can their love survive the rain?

    Remember little Ray’Shun, Niyah and Destiny? In this installment the kids are older and have problems of their own. Have you ever heard of that saying: Like father, like son? Well Ray’Shun is every bit of his father and even at the young age of seventeen, he’s having a hard time being faithful to his girlfriend of two years. Let’s just see if he takes after his dad and learns to appreciate and cherish what he have.Most of you have heard of the saying, I get it from my mama. Well, Shaniyah is the younger version of Shaniqua and it makes it complicated for them to get along because they’re so much alike. Once she begins dating a guy that goes by the name of Kush, she began smelling herself and it might become a little too much for Shaniqua to bear.Meanwhile, though Destiny is dating Kush’s younger brother, Man, she remains the sweetheart that Shaniqua only wished Shaniyah would be.

    After all, she was a hustler’s girlfriend. Riding side by side with her man while he ran the streets of Philly, she stayed down until those same streets sent him to the grave. This in turn, causes her to reevaluate her life and start anew. Months later, she finds herself in South Carolina with her family and has gotten a job as a correctional officer. After a few months of working at the state Prison, Camille meets someone from her home city of Philly and immediately they develop an astronomical bond. While adjusting to this new life of hers, Camille learns that the people closest to her may not be as they appear. Can she handle her new life of greed, betrayal, envy, secrets and power? Find out in Every Thug Needs A Down Ass Bitch.