It is a stunning work: a complex tapestry of family tensions, baseball, politics and religion, by turns hilariously funny and agonizingly sad. Highly inventive formally, the novel is mainly narrated by Kincaid Chance, the youngest son in a family of four boys and identical twin girls, the children of Hugh Chance, a discouraged minor-league ballplayer whose once-promising career was curtained by an industrial accident, and his wife Laura, an increasingly fanatical Seventh-Day Adventist. The plot traces the working-out of the family's fate from the beginning of the Eisenhower years through the traumas of Vietnam.

    Once a bright student on the cusp of a promising art career, she now languishes in her childhood home, trudging to and from her job as a supermarket cashier. Each day she is taunted from the magazine racks by the success of her former best friend Elise, a rising Hollywood starlet whose life in pictures Abby obsessively scrapbooks. At night Abby escapes through the films of her favorite director, Auguste Perren, a cult figure known for his creative institute the Rhizome. Inspired by Perren, Abby draws fantastical storyboards based on her often premonitory dreams, a visionary gift she keeps hidden.When Abby encounters Elise again at their high school reunion, she is surprised and warmed that Elise still considers her not only a friend but a brilliant storyteller and true artist. Elise's unexpected faith in Abby reignites in her a dormant hunger, and when Elise offhandedly tells Abby to look her up if she's ever in LA, Abby soon arrives on her doorstep. There, Abby discovers that although Elise is flourishing professionally, behind her glossy magazine veneer she is lonely and disillusioned. Ever the supportive friend, Abby becomes enmeshed in Elise's world, even as she guards her own dark secret and burning desire for greatness. As she edges closer to Elise, the Rhizome, and her own artistic ambitions, the dynamic shifts between the two friends--until Abby can see only one way to grasp the future that awaits her.The Paper Wasp is a thrilling, unexpected journey into the psyche and imagination of a woman determined to fulfill her destiny from one of our most unique and incisive writers.

    In each of these people the woman finds a common need: the urge to talk about themselves and to have an audience to their experiences. The narrator orchestrates this chorus of voices for the most part as a passive listener, until one of them makes an extraordinary request, drawing her into an intense and transformative experience of her own.In What Are You Going Through, Nunez brings wisdom, humor, and insight to a novel about human connection and the changing nature of relationships in our times. A surprising story about empathy and the unusual ways one person can help another through hardship, her book offers a moving and provocative portrait of the way we live now.

    Set in Miami from the late '60s to the 1990s, Stiltsville is a sweeping journey seen through the eyes of one woman as she experiences love, motherhood, friendship, hurricanes, racial tension, and finally, a tragic death in slow motion.In her debut novel, Daniel describes the experiences of three generations in one family whose spiritual heart is centered in a modest bungalow built a few feet above the water. When Frances meets and marries Dennis, she learns to live her life on the water, from bay to ocean to everglade to bayou. She navigates through it all; infidelity, empty-nest syndrome, and debilitating illness; sometimes with grace and humor, sometimes with anger and bitterness, but always with the same people by her side.Daniel excels in capturing the flavor and decadence of Miami as it became a multicultural hotbed. In Stiltsville, she has woven factual events into Frances's life from a tumultuous period that witnessed racial beatings, the cocaine wars, and Hurricane Andrew. The result is a riveting novel filled with pathos.

    What follows is murderously funny satire, as Vonnegut looks at war, sex, racism, success, politics, and pollution in America and reminds us how to see the truth.

    Described by one reviewer as “like getting stabbed in the head,” the $6 million film earned a grand total of $1,800 at the box office and closed after two weeks. Now in its tenth anniversary year, The Room is an international phenomenon to rival The Rocky Horror Picture Show. Thousands of fans wait in line for hours to attend screenings complete with costumes, audience rituals, merchandising, and thousands of plastic spoons.Readers need not have seen The Room to appreciate its costar Greg Sestero’s account of how Tommy Wiseau defied every law of artistry, business, and interpersonal relationships to achieve the dream only he could love. While it does unravel mysteries for fans, The Disaster Artist is more than just an hilarious story about cinematic hubris: It is ultimately a surprisingly inspiring tour de force that reads like a page-turning novel, an open-hearted portrait of a supremely enigmatic man who will capture your heart.

    But while Henry is an adventurer, Margaret is not. Their new home is rougher and more rustic than they expected—and a single night of tragedy shatters the family when the native Maori stage an uprising, kidnapping Margaret and her children. For months, Henry scours the surrounding wilderness, until all hope is lost and his wife and children are presumed dead. Grief-stricken, he books passage to California. There he marries Nancy Foreland, a young widow with a new baby, and it seems they’ve both found happiness in the midst of their mourning—until Henry’s first wife and children show up, alive and having finally escaped captivity. Narrated primarily by the two wives, and based on a real-life legal case, The Wives of Henry Oades is the riveting story of what happens when Henry, Margaret, and Nancy face persecution for bigamy. Exploring the intricacies of marriage, the construction of family, the changing world of the late 1800s, and the strength of two remarkable women, Johanna Moran turns this unusual family’s story into an unforgettable page-turning drama.

    We meet the Mishra family in Delhi in 1978, where eight-year-old Ajay and his older brother Birju play cricket in the streets, waiting for the day when their plane tickets will arrive and they and their mother can fly across the world and join their father in America. America to the Mishras is, indeed, everything they could have imagined and more: when automatic glass doors open before them, they feel that surely they must have been mistaken for somebody important. Pressing an elevator button and the elevator closing its doors and rising, they have a feeling of power at the fact that the elevator is obeying them. Life is extraordinary until tragedy strikes, leaving one brother severely brain-damaged and the other lost and virtually orphaned in a strange land. Ajay, the family's younger son, prays to a God he envisions as Superman, longing to find his place amid the ruins of his family's new life.Heart-wrenching and darkly funny, Family Life is a universal story of a boy torn between duty and his own survival."

    As the Dunbar boys love and fight and learn to reckon with the adult world, they discover the moving secret behind their father’s disappearance. At the center of the Dunbar family is Clay, a boy who will build a bridge—for his family, for his past, for greatness, for his sins, for a miracle. The question is, how far is Clay willing to go? And how much can he overcome?

    He is also a psychopath. Taking us to head-on collision with America's greatest dream—and its worst nightmare—American Psycho is bleak, bitter, black comedy about a world we all recognise but do not wish to confront.

    To start anew. But it isn’t quite working out that way for Kugel…His ailing mother stubbornly holds on to life, and won’t stop reminiscing about the Nazi concentration camps she never actually suffered through. To complicate matters further, some lunatic is burning down farmhouses just like the one Kugel bought, and when, one night, he discovers history—a living, breathing, thought-to-be-dead specimen of history—hiding upstairs in his attic, bad quickly becomes worse.Hope: A Tragedy is a hilarious and haunting examination of the burdens and abuse of history, propelled with unstoppable rhythm and filled with existential musings and mordant wit. It is a comic and compelling story of the hopeless longing to be free of those pasts that haunt our every present.

    A forty-six-year-old divorcee whose beloved, clueless only child has just left for college, Eve is slowly learning to contend with life on her own when, late one night her phone lights up with a text message. Sent from an anonymous number, the mysterious sender tells Eve, “U r my MILF!” It's nothing--just an annoying prank--but she can't get it out of her head. As Eve makes new friends, takes a community college course in Gender Studies, and reaches out to a younger co-worker, the message continues to haunt her, leading her into an online fixation that threatens to upend her quiet suburban existence.Meanwhile, Eve’s son Brendan, is discovering that the oafish frat-boy charm that impressed high school girls may not be so enticing to college women. Increasingly isolated, with mediocre grades and a confusing crush on a softball-playing social justice champion, Brendan struggles to adjust to a campus ill disposed to his brand of white-dude bravado. As the New England autumn turns cold, both mother and son find themselves enmeshed in ethically fraught situations that come to a head one fateful November night.A coming-of-age novel about the sexual awakening of a middle-aged woman, Mrs. Fletcher is a provocative, witty look at contemporary sexual politics and timeless moral dilemmas--a moving and funny examination of sexuality, identity, and the big clarifying mistakes people can make when they're no longer sure who they are and where they belong.

    He studies queer theory, has a dyke best friend, makes zines, and is a flâneur with a rich dating life. But Paul’s also got a secret: he’s a shapeshifter. Oscillating wildly from Riot Grrrl to leather cub, Women’s Studies major to trade, Paul transforms his body at will in a series of adventures that take him from Iowa City to Boystown to Provincetown and finally to San Francisco—a journey through the deep queer archives of struggle and pleasure.

    Between the two is a wry and knowing portrait of Rebecca Winter, a photographer whose work made her an unlikely heroine for many women. Her career is now descendent, her bank balance shaky, and she has fled the city for the middle of nowhere. There she discovers, in a tree stand with a roofer named Jim Bates, that what she sees through a camera lens is not all there is to life.   Brilliantly written, powerfully observed, Still Life with Bread Crumbs is a deeply moving and often very funny story of unexpected love, and a stunningly crafted journey into the life of a woman, her heart, her mind, her days, as she discovers that life is a story with many levels, a story that is longer and more exciting than she ever imagined.

    At the heart of the book is Bill Gray, a famous reclusive writer who escapes the failed novel he has been working on for many years and enters the world of political violence, a nightscape of Semtex explosives and hostages locked in basement rooms. Bill's dangerous passage leaves two people stranded: his brilliant, fixated assistant, Scott, and the strange young woman who is Scott's lover—and Bill's.